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IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
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If you felt a twge of boredom (bon if you thrill to disheveled, elive, gamy), then I have a book for Atherton L’s “Gay Bar” is a rtls and telligent cultural history of queer nightlife.
Atherton L began wrg 2017; more than half of London’s gay bars had shuttered the prev 10 years. ” There was an “upsurge stay-at-home gays” and rovg is beg lost?
If you’re expectg an elegy, thk aga; “Gay Bar” has somethg knottier, more troubled, to offer. “The gay bars of my life have nsistently disappoted. In the openg scene, Atherton L and his partner (rather regrettably referred to as the Famo Blue Raat, after the Leonard Cohen song) go out to a London gay bar, lookg for a ltle adventure, and enter a crowd: “Wh a kd of btal elegance, the group spread apart like the blas of a pocketknife.
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Atherton L is a skilled rear of the signifiers of cloth and archecture, the fetishizatn of workg-class fashn, for example, and how the rise of AIDS fluenced sign cisns: “A new type of gay bar began to appear London’s Soho the ’90s — airy, glossy, ntental. Sometim that history is his Atherton“Gay Bar” offers a twist on the nventnal memoir; ’s a life seen snapshots, the bars as the backdrop.
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Amaretto sours Wt Hollywood, Atherton L llege, still strenuoly datg women and meetg his first groups of gay men. “Everythg about beg gay was so crowd: the ads for bars and rts and waxg servic rammed together, shallow and histrnic and imper, ” he wr.
”“Gay Bar” has s share of first-book blu. ) Most jarrg, perhaps, are Atherton L’s efforts at mimickg the theorists he clearly admir, those sectns that e across as parodi of amic wrg: “If the word muny is ed a failure of vobulary — too broad, too utopian — perhaps the metaphor to bt replace is metaphor self”; “gay bars are about potentialy, not rolutn. Gay bars are not about arrivg.