Marv Gaye - Death, Father & Songs

Contents:

• MARV GAYE
• WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19711 VIEWER586.5K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER263.2K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• INNER CY BLU (MAKE ME WANNA HOLLER)MARV GAYETRACK 9 ON WHAT’S GOG ON PRODUCED BYMARV GAYE“INNER CY BLU” PICTS THE GHETTOS OF NER-CY AMERI AS DISCS THE BLEAK… READ MORE MAY. 21, 19711 VIEWER160.8K VIEWS42 CONTRIBUTORSINNER CY BLU (MAKE ME WANNA HOLLER) LYRICS[PART I: "INNER CY BLU (MAKE ME WANNA HOLLER)"][VERSE 1]ROCKETS, MOON SHOTSSPEND ON THE HAVE-NOT'SMONEY, WE MAKE BEFORE WE SEE , YOU TAKE [CHOS]OH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFE(YEAH) MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFETHIS A'T LIVG, THIS A'T LIVGNO, NO BABY, THIS A'T LIVGNO, NO, NO, NO[VERSE 2]INFLATN, NO CHANCETO CREASE FANCEBILLS PILE UP SKY HIGHSEND THAT BOY OFF TO DIE[CHOS]OH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFE (HE-EY-EY)YEAH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFEOH, BABYYOU MIGHT ALSO LIKE[VERSE 3]HANG UPS, LET DOWNSBAD BREAKS, SET BACKSNATURAL FACT ISOH, HONEY THAT I N'T PAY MY TAX[CHOS]OH, MAKE ME WANNA HOLLERAND THROW UP BOTH MY HANDSYEAH, MAKE ME WANNA HOLLERAND THROW UP BOTH MY HANDS (OW!)[VERSE 4]CRIME IS (WOO!) CREASGTRIGGER HAPPY POLICGPANIC IS SPREADGGOD KNOWS WHERE WE'RE HEADG[OUTRO]OH, BABYMAKE ME WANNA HOLLER, THEY DON’T UNRSTANDYEAH, MAKE ME WANNA HOLLER, THEY DON’T UNRSTAND[PART II: "WHAT'S GOG ON" REPRISE]MOTHER, MOTHER (MOTHER, MOTHER)EVERYBODY THKS WE'RE WRONG (MOTHER, MOTHER)WHO ARE THEY TO JUDGE ? (MOTHER, MOTHER)SIMPLY 'E WE WEAR OUR HAIR LONG (MOTHER, MOTHER)OOHAH-YA-YA-YA-YA-YA-YA-YA-YAOH18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• I HEARD IT THROUGH THE GRAPEVEMARV GAYETRACK 4 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYNORMAN WHFIELD“I HEARD IT THROUGH THE GRAPEVE” WAS ORIGALLY A SONG WRTEN BY NORMAN WHFIELD AND BARRETT STRONG FOR MOTOWN RERDS 1966, AND MA FAMO BY MARV GAYE A… READ MORE AUG. 26, 19681 VIEWER146.6K VIEWS38 CONTRIBUTORSI HEARD IT THROUGH THE GRAPEVE LYRICS[VERSE 1]OOH-OOH, I BET YOU'RE WONRG HOW I KNEW'BOUT YOUR PLANS TO MAKE ME BLUEWH SOME OTHER GUY YOU KNEW BEFOREBETWEEN THE TWO OF GUYSYOU KNOW I LOVE YOU MOREIT TOOK ME BY SURPRISE, I MT SAYWHEN I FOUND OUT YTERDAYDON'T YOU KNOW THAT[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 2]I KNOW A MAN A'T SUPPOSED TO CRYBUT THE TEARS, I N'T HOLD SILOSG YOU WOULD END MY LIFE, YOU SEE'CSE YOU MEAN THAT MUCH TO MEYOU ULD HAVE TOLD ME YOURSELFTHAT YOU LOVE SOMEONE ELSEINSTEADYOU MIGHT ALSO LIKE[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEAND I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 3]PEOPLE SAY BELIEVE HALF OF WHAT YOU SEESON, AND NONE OF WHAT YOU HEARBUT I N'T HELP BEG NFEDIF 'S TE PLEASE TELL ME, ARDO YOU PLAN TO LET ME GOFOR THE OTHER GUY YOU LOVED BEFORE?DON'T YOU KNOW[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE ME, BABYI HEARD THROUGH THE GRAPEVEOOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[OUTRO](YEAH, YEAH, YEAH)HONEY, HONEY, I KNOW (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)THAT YOU'RE LETTG ME GO (YEAH, YEAH, YEAH)SAID I HEARD THROUGH THE GRAPEVE (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)OOH, HEARD THROUGH THE GRAPEVE (YEAH, YEAH, YEAH)8EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• ‘BLURRED L’ INGED ON MARV GAYE COPYRIGHT, JURY RUL
• JURY FDS THAT ED SHEERAN DIDN'T PY MARV GAYE CLASSIC 'LET'S GET IT ON'
• ED SHEERAN WS COPYRIGHT CASE OVER MARV GAYE’S ‘LET’S GET IT ON’
• MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100

MARV GAYE

Marv Gaye was one of the most nsistent and enigmatic of the Motown hmakers, wh a reer that exemplified the maturatn of black pop to a sophistited form spanng social and sexual polics. Blsed wh a mellifluo tenor and a four-octave vol range, Gaye was among the most gifted posers and sgers of his era.

Gaye started his rerdg reer the late 1950s as a member of the doo-wop group the Moonglows, though he left and moved to Detro to sign to Motown 1961.

WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19711 VIEWER586.5K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Gaye wanted to bee a crooner the ve of Frank Satra and Nat Kg Cole, while Motown founr Berry Gordy phed him to go a more R&B directn.

SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER263.2K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

His first album, 1961’s The Soulful Moods of Marv Gaye, had a mix of both styl and flopped. In 1962, Gaye land his first h wh the drivg R&B of “Stubborn Kd of Fellow”; this started a strg of uptempo sgl like “Hch Hike”, “Pri & Joy” and “Can I Get a Wns”.

INNER CY BLU (MAKE ME WANNA HOLLER)MARV GAYETRACK 9 ON WHAT’S GOG ON PRODUCED BYMARV GAYE“INNER CY BLU” PICTS THE GHETTOS OF NER-CY AMERI AS DISCS THE BLEAK… READ MORE MAY. 21, 19711 VIEWER160.8K VIEWS42 CONTRIBUTORSINNER CY BLU (MAKE ME WANNA HOLLER) LYRICS[PART I: "INNER CY BLU (MAKE ME WANNA HOLLER)"][VERSE 1]ROCKETS, MOON SHOTSSPEND ON THE HAVE-NOT'SMONEY, WE MAKE BEFORE WE SEE , YOU TAKE [CHOS]OH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFE(YEAH) MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFETHIS A'T LIVG, THIS A'T LIVGNO, NO BABY, THIS A'T LIVGNO, NO, NO, NO[VERSE 2]INFLATN, NO CHANCETO CREASE FANCEBILLS PILE UP SKY HIGHSEND THAT BOY OFF TO DIE[CHOS]OH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFE (HE-EY-EY)YEAH, MAKE ME WANNA HOLLERTHE WAY THEY DO MY LIFEOH, BABYYOU MIGHT ALSO LIKE[VERSE 3]HANG UPS, LET DOWNSBAD BREAKS, SET BACKSNATURAL FACT ISOH, HONEY THAT I N'T PAY MY TAX[CHOS]OH, MAKE ME WANNA HOLLERAND THROW UP BOTH MY HANDSYEAH, MAKE ME WANNA HOLLERAND THROW UP BOTH MY HANDS (OW!)[VERSE 4]CRIME IS (WOO!) CREASGTRIGGER HAPPY POLICGPANIC IS SPREADGGOD KNOWS WHERE WE'RE HEADG[OUTRO]OH, BABYMAKE ME WANNA HOLLER, THEY DON’T UNRSTANDYEAH, MAKE ME WANNA HOLLER, THEY DON’T UNRSTAND[PART II: "WHAT'S GOG ON" REPRISE]MOTHER, MOTHER (MOTHER, MOTHER)EVERYBODY THKS WE'RE WRONG (MOTHER, MOTHER)WHO ARE THEY TO JUDGE ? (MOTHER, MOTHER)SIMPLY 'E WE WEAR OUR HAIR LONG (MOTHER, MOTHER)OOHAH-YA-YA-YA-YA-YA-YA-YA-YAOH18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

In 1967, Gaye rerd the paranoid “I Heard It Through the Grapeve” wh Whfield, which Motown shelved.

Gaye’s versn was released a year later and beme the biggt h of his reer, stayg at #1 for seven weeks and toppg the UK charts.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Gaye also rerd a seri of succsful duets wh female artists, cludg Mary Wells (“Once Upon a Time”, “What’s the Matter wh You Baby”), Kim Wton (“It Tak Two”), and Diana Ross (Diana & Marv). Her premature ath 1970, aged 24 om a bra tumour, vastated Gaye and ed him to take a brief hiat.

In 1971, Marv Gaye marked a creative rebirth wh the socially-nsc “What’s Gog On”, which he produced and -wrote. After posg the soundtrack for the blaxploatn film Trouble Man, Gaye shifted om social to sexual wh 1973’s Let’s Get It On. The album’s closer, “Jt to Keep You Satisfied”, scribed the end of his marriage wh Anna Gordy Gaye.

Gaye’s tensifyg relatnship wh Hunter spired his 1976 album I Want You, which is perhaps his most explic. Leon Ware had origally wrten most of the songs for himself, but was persuad to let Gaye rerd them. Durg this time, Gaye was facg signifint legal trouble his divorce om Anna, and agreed to give her half of his next album’s royalti as part of his divorce payment.

I HEARD IT THROUGH THE GRAPEVEMARV GAYETRACK 4 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYNORMAN WHFIELD“I HEARD IT THROUGH THE GRAPEVE” WAS ORIGALLY A SONG WRTEN BY NORMAN WHFIELD AND BARRETT STRONG FOR MOTOWN RERDS 1966, AND MA FAMO BY MARV GAYE A… READ MORE AUG. 26, 19681 VIEWER146.6K VIEWS38 CONTRIBUTORSI HEARD IT THROUGH THE GRAPEVE LYRICS[VERSE 1]OOH-OOH, I BET YOU'RE WONRG HOW I KNEW'BOUT YOUR PLANS TO MAKE ME BLUEWH SOME OTHER GUY YOU KNEW BEFOREBETWEEN THE TWO OF GUYSYOU KNOW I LOVE YOU MOREIT TOOK ME BY SURPRISE, I MT SAYWHEN I FOUND OUT YTERDAYDON'T YOU KNOW THAT[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 2]I KNOW A MAN A'T SUPPOSED TO CRYBUT THE TEARS, I N'T HOLD SILOSG YOU WOULD END MY LIFE, YOU SEE'CSE YOU MEAN THAT MUCH TO MEYOU ULD HAVE TOLD ME YOURSELFTHAT YOU LOVE SOMEONE ELSEINSTEADYOU MIGHT ALSO LIKE[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEAND I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 3]PEOPLE SAY BELIEVE HALF OF WHAT YOU SEESON, AND NONE OF WHAT YOU HEARBUT I N'T HELP BEG NFEDIF 'S TE PLEASE TELL ME, ARDO YOU PLAN TO LET ME GOFOR THE OTHER GUY YOU LOVED BEFORE?DON'T YOU KNOW[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE ME, BABYI HEARD THROUGH THE GRAPEVEOOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[OUTRO](YEAH, YEAH, YEAH)HONEY, HONEY, I KNOW (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)THAT YOU'RE LETTG ME GO (YEAH, YEAH, YEAH)SAID I HEARD THROUGH THE GRAPEVE (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)OOH, HEARD THROUGH THE GRAPEVE (YEAH, YEAH, YEAH)8EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Gaye entered a personal slump, but started ssns for a more party-foced album lled Love Man. However, an impatient band member took Gaye’s unfished tap to Motown, who remixed and released them 1981. For his next album, Gaye moved to Ostend, Belgium to clean up his dg age and foc on rerdg.

While bgrapher David Rz was visg, he noticed several S&M drawg books on Gaye’s table and said, “You need some sexual healg.

‘BLURRED L’ INGED ON MARV GAYE COPYRIGHT, JURY RUL

” This le spired his 1982 eback smash “Sexual Healg”, which won Gaye the only two Grammys he would receive his lifetime.

Wh this succs, Gaye returned to the US to live wh his parents and reportedly beme extremely prsed and paranoid.

JURY FDS THAT ED SHEERAN DIDN'T PY MARV GAYE CLASSIC 'LET'S GET IT ON'

Gaye remas one of the most beloved and fluential artists popular mic, and has been referenced and sampled promently the s sce. Artists like Ja Jackson, Sa, Maxwell and D'Angelo have ced Gaye as a key mil fluence.

ED SHEERAN WS COPYRIGHT CASE OVER MARV GAYE’S ‘LET’S GET IT ON’

I knew I’d have to fd peace my was gog on durg his time that ma Gaye want to fight for peace?

Gaye’s trospective lyrics discs them of dg abe, poverty, and the Vietnam there an official vio for "What's Gog On"?

AboutCharlie Puth ‘Marv Gaye’ as a phemism for sex this song, featurg his iend Meghan Traor. When Marv Gaye ma his mic, he evoked this feelg that would reach have the artists said about the song?

MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100

‘Marv Gaye’ is the first rerd that I ever wrote California, which is sane, bee did so well, and I never thought that would happen. CredsAssistant Mixg EngeersRerd AtAtlantic Studs, Los Angel, CARelease DateFebary 10, 2015Marv Gaye InterpolatnsView Marv Gaye samplTags. Marv Gaye)Songs That Interpolate Inner Cy Blu (Make Me Wanna Holler)Who Car by DJ Pooh (Ft.

Gu), Inner Cy Blu (Make Me Wanna Holler) by Nona Gaye, Inner Cy Blu by Angela Wbh, Inner Cy Blu by Livg Colour, Inner Cy Blu by Sevendt & Inner Cy Blu (Rad Versn) by Angela WbhInner Cy Blu (Make Me Wanna Holler) RemixView Inner Cy Blu (Make Me Wanna Holler) samplTags. It is ed as such bee Marv Gaye's mic is rponsible for puttg people "the mood" to get on (tehe pun). Advertise your Instagram post on Urban Dictnary jt 3 clicksMarv GayeA man who helped many a man get laid.

This is creded many a time to Barry Whe, who also do this but Marv Gaye was the person who ma the origal's of "Lets Get It On" and "Sexual Healg"(yet barry whe sounds better when he signs "lets get on"I played some marv gaye last night when my girl was over, and I got laid. Promote your LkedIn page on Urban Dictnary jt 3 clicksMarv GayeCovertly verg up the act of sex when someone lls A: Telephone "Hey man what are you up to? Friend A: "You better listen to 'Marv Gaye' until your dick hurts"by dktbrwn March 10, 2011FlagGet the Marv Gaye GayeThe song that rly goodEvry Friday I go and play marv gayeby LlamaMartez December 10, 2015FlagGet the Marv Gaye mug.

Publicize your Disrd server on Urban Dictnary jt 3 clicksmarv gayeto have sexlets marv gayeby fabrekg k March 8, 2016FlagGet the marv gaye gayethe act of shootg someone wh whom you are related by blood.

Like when marv gaye's father shot him, or when uncle junr shot tony season 6 of the uncle Marv Gaye'd you're not even mad? Gaye's later rerds veloped his productn style and yield several hs, cludg "Let's Get It On, " "Sexual Healg" and "I Heard Through the Grapeve. " Gaye was killed 1984 durg a domtic dispute wh his LifeSger Marv Pentz Gaye, Jr., also known as the "Prce of Soul, " was born Washgton, D.

Throughout his childhood, Gaye often found peace mic, masterg the piano and dms at a young age. It wasn't long before Gaye and Fuqua both me to the attentn of Detro mic imprar Berry Gordy Jr.

And were signed to Gordy's legendary Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs. Showg his strip as Motown's renaissance man, Gaye went on to break to the Top 40 for the first time on his own 1962 wh his solo sgle "Hch Hike. " Throughout the 1960s, Gaye would show his immense range, churng out solo dance hs and romantic duets wh h-makers like Diana Ross and Mary Wells.

"Can I Get a Wns" and "I Heard Through the Grapeve" were some of Gaye's biggt hs of the perd, the latter achievg s place as Motown's bt-sellg sgle of the 1960s. For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You.