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Marv Gaye was one of the greatt sgers of all time, who rerd some of the ft ever soul songs a short perd of time." name="scriptn

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SERI OF VIRTUAL EVENTS KICKG OFF TONIGHT WILL CELEBRATE 50TH ANNIVERSARY OF MARV GAYE’S INIC ALBUM, ‘WHAT’S GOG ON’

Today is the 50th anniversary of the release of Marv Gaye’s inic album, What’s Gog On. To explore and celebrate this inic artist and his groundbreakg album, the 92nd Street Y New York is offerg Marv Gaye: What’s Gog On, a seri of virtual events that will beg tonight. * marvin gaye party *

To explore and celebrate this inic artist and his groundbreakg album, the 92nd Street Y New York is offerg Marv Gaye: What’s Gog On, a seri of virtual events that will beg tonight, curated by seven-time Grammy Award-wng bassist, artistic director, broadster and tor Christian McBri. The seri will ntue wh a send streamg ncert June 5 featurg such classic Gaye songs as “Let’s Get It On” and “You’re All I Need, ” led by mic director Ray Angry.

But by 1970, reelg om the tragic ath of his beloved duet partner Tammi Terrell and the harrowg stori his brother shared upon his return om Vietnam, Gaye’s yearng to addrs eper issu his mic pelled him to fight for creative ntrol.

HOW KENDRICK LAMAR, MARV GAYE AND ‘BLACK GENI’ SPIRED A JAZZ/HIP-HOP SUPERGROUP

Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * marvin gaye party *

"Throughout his entire reer, Marv Gaye reprented a high level of micianship, artistic bety and vulnerabily that transcend so-lled genre and touched generatns, ” said McBri. They will clu his bgrapher, David Rz, thor of Divid Soul: The Life of Marv Gaye; legendary mic journalist Nelson Gee, who terviewed Gaye durg his lifetime; noted wrer and cric Angelika Beener; and mic director Steven Reeke, creator of a symphonic ncert based on What’s Gog On which featured John Legend.

MARV GAYE

Marv Gaye's classic faced the forc shapg Amerin culture at the begng of the '70s. * marvin gaye party *

He will play Gaye’s most sential rerdgs and share sights to his parable artistry and the micians he later fluenced, om Prce to Jt Timberlake and Legend, among sr of others. McBri’s playlist will clu some of Gaye’s most lible hs, “What’s Gog On, ” “Let’s Get It On, ” “I Heard It Through the Grapeve, ” “I Want You, ” “Mercy Mercy Me” and his inic duets wh Tammi Terrell. EDT on June 5, “Let’s Get It On: The Soul of Marv Gaye, ” mic director Angry–-pianist, producer, arranger and go-to mician for artists cludg Mick Jagger, Joss Stone, Christa Aguilera and the Roots—has assembled a band as well as three sgers who will give voice to Gaye’s songs, cludg Victory Boyd, a bker Central Park before beg disvered and champned by Jay-Z.

LOVE PARTYMARV GAYETRACK 4 ON IN OUR LIFETIME PRODUCED BYMARV GAYEMARV GAYE FORAW THE APOLYPSE WHILE WRG AND RERDG IN OUR LIFETIME? AND “LOVE PARTY” IS HIS LL FOR EVERYONE TO E TOGETHER AND EMBRACE ONE ANOTHER LOVE… READ MORE JAN. 15, 19811 VIEWER5 CONTRIBUTORSLOVE PARTY LYRICS[VERSE 1]TO ME YOU'RE EXTRA SPECIAL MELLOWAND THE THRILL I FEEL IS REAL AND OH SO GOODSO WHEN YOU SAY YOU LOVE ME, I REALLY BELIEVE YOU, GIRLFOR 'S WHAT YOU SAY AND WHAT YOU REALLY DO[CHOS]OH, YOU'VE GOT TO UNRSTAND, DARLGTHE WORLD IS NOT FOR LONG, BABYTHERE'S ONLY TIME FOR SGG AND PRAYGAND HAVG A LOVE PARTYYOU'VE GOT TO CHECK OUT THE TIM, BABY'CSE WHAT WE NEED IS A LOVE EXPLOSNWE DON'T HAVE NO TIME TO WASTEGOT TO PRAY, WHOO[VERSE 2]BABY, YOUR LIFE AND ME IS GROOVG ON THE DANGERREVELATNS PROPHECY'S NEARLY FULFILLEDWE ARE BLSED TO EXPERIENCE A CHANGG WORLDSO LET'S LOVE BEFORE OUR FATE IS CLOSED AND SEALED[CHOS]YOU'VE GOT TO UNRSTAND, BABY(WE DON'T HAVE THE TIME TO WASTE)THE WORLD IS NOT FOR LONG(GOT TO PRAY AND MEDATE)THERE'S ONLY TIME FOR SGG AND PRAYG(WE DON'T HAVE THE TIME TO WASTE)AND HAVG A LOVE PARTY(GOT TO PRAY AND MEDATE)YOU MIGHT ALSO LIKEGO CHECK OUT THE TIM, BABY(WE DON'T HAVE THE TIME TO WASTE)WHAT WE NEED IS A LOVE EXPLOSN(GOT TO PRAY AND MEDATE)WE DON'T HAVE NO TIME TO WASTE(WE DON'T HAVE THE TIME TO WASTE)GOT TO PRAY AND MEDATE(GOT TO PRAY AND MEDATE)[BRIDGE]ON THE BIRDI AND THE BEAND THE FLOWERS AND THE TREAND THE FISH THE RIVERSAND ON ALL THE THGS HE GIVE ON YOUR BODY HIS IMAGEAND YOUR POWER WH NO LIMSON YOUR HEART AND YOUR SOULAND YOUR PURPOSE AND YOUR GOALSON YOUR REASONS AND YOUR RHYMAND YOUR SEASONS AND YOUR TIMON YOUR FAY AND YOUR BIBLEAND YOUR KNOWLEDGE OF SURVIVALMEDATN EP WHTHAT'S THE WAY BEGSBABY, BEGSBABY, BEGS(OH YEAH)[VERSE 1: REPEAT]TO ME YOU'RE REALLY EXTRA SPECIAL MELLOW, BABYOH, AND THE THRILL I FEEL IS REAL AND OH SO GOOD, BABYSO WHEN YOU SAY YOU LOVE ME, I BELIEVE YOU, BABYAND 'S GOOD TO PARTY, FUN TO PARTY WH YOU, BABYTO ME YOU'RE EXTRA SPECIAL MELLOW, BABYAND THE THRILL I FEEL IS REAL AND OH SO GOOD, BABYMMM, SO WHEN THE PARTY'S OVERLET'S GO CREATE SOME LOVG, BABY[OUTRO]WHOA, NO TIME, BABY(GOT TO PRAY AND MEDATE)FOOLG AROUND, LET THERE BE PEACE AND LOVE(GOT TO PRAY AND MEDATE)OH BABY, E HERE, E HERE, E HERE, DARLGOH, WE NEED LOVE(GOT TO PRAY AND MEDATE)LOVE EXPLOSN, OH DARLGMMM, E HERE, E HERE, E HERE, BABY(GOT TO PRAY AND MEDATE)EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Marv Gaye "Love Party": To me you're extra special mellow And the thrill I feel is real and oh so good So when you say you l... * marvin gaye party *

They will take on songs that reflect Gaye's personal stggl and fed soul mic the 1970s, cludg “Let’s Get It On, ” “I Want You, ” “Distant Lover” and “Trouble Man. But the spir of their mutual hero Marv Gaye — whose “What’s Gog On” lamented btaly over immaculate arrangements — ’s also a quieter way of tellg that p “Freeze Tag” to put his gun down.

Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy.

Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer. Here, My Dear (1979) brilliantly alt wh Gaye’s divorce om Gordy’s sister Anna (the first of the sger’s two tumultuo divorc)’s growg addictn to e exacerbated his psychologil stggl. Gaye, who ced his chief fluenc as Ray Charl, Cly McPhatter, Rudy Wt (lead sger for the doo-wop group the Five Keys), and Ltle Willie John, was ducted to the Rock and Roll Hall of Fame 1987.

IT’S PARTY TIMEMARV GAYETRACK 48 ON THE MARV GAYE COLLECTN PRODUCED BYWILLIAM “MICKEY” STEVENSONSEP. 14, 19901 VIEWER2 CONTRIBUTORSIT’S PARTY TIME LYRICS[INTRO]HERE WE GO[VERSE 1]EVERYBODY UNT OFF, LET ME HEAR YOU UNT(ONE, TWO, THREE, FOUR)ALL THOSE THAT'S READY, LET ME HEAR YOU SAY "READY"(WE'RE READY TO GO)[CHOS]IT'S PARTY TIME (IT'S PARTY TIME)IT'S PARTY TIME (IT'S PARTY TIME)IF YOU'RE A IEND OF ME (IT'S PARTY TIME)COME ON, 'S PARTY TIME (IT'S PARTY TIME)[VERSE 2]IF YOU'RE WH ME, LET ME HEAR YOU SAY YOU'RE WH ME(WE'RE WH YOU, YEAH, YEAH)ONCE WE GET STARTеD, DON'T YOU DARE UP AND QU ME(YOU N'T SHAKE OFF, YOU KNOW)[CHOS]PARTY TIMе (IT'S PARTY TIME)PARTY TIME (IT'S PARTY TIME)IF YOU'RE A IEND OF ME (IT'S PARTY TIME)COME ON, BABY, 'S PARTY TIME (IT'S PARTY TIME)PARTYYOU MIGHT ALSO LIKE[INSTMENTAL BREAK][BRIDGE]HOLLER "YEAH, YEAH, YEAH, YEAH"(HOLLER YEAH, YEAH, YEAH)YEAH, YEAH, YEAH, YEAHHOLLER "DON'T, DON'T, DON'T STOP"(HOLLER "DON'T YOU STOP")[VERSE 3]YOU N'T SHAKE , OR JT N'T TAKE , GET BACK(WE N SHAKE , WE N TAKE , WOO)EVERYBODY, E ON, GET THE ACT, YEAH, YEAH(ALRIGHT) THAT'S (GO 'HEAD)[CHOS]PARTY TIME (IT'S PARTY TIME)IT'S PARTY TIME (IT'S PARTY TIME)WE'RE GONNA ROCK 'TIL THE END (IT'S PARTY TIME)COME ON, EVERYBODY JO WOO, YEAH, BABY[INSTMENTAL BREAK][OUTRO]HOLLER "YEAH, YEAH, YEAH, YEAH"(HOLLER YEAH, YEAH, YEAH)WOO, OH YEAH, YEAHEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “IT'S PARTY TIME” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “IT'S PARTY TIME”?WHO WROTE “IT'S PARTY TIME” BY MARV GAYE?THE MARV GAYE COLLECTN (1990)MARV GAYE1. STUBBORN KD OF FELLOW2. HCH HIKE3. PRI AND JOY4. CAN I GET A WNS?5. YOU’RE A WONRFUL ONE6. TRY IT BABY7. HOW SWEET IT IS (TO BE LOVED BY YOU)8. I’LL BE DOGGONE9. A’T THAT PECULIAR10. I HEARD IT THROUGH THE GRAPEVE11. TOO BY THKG ABOUT MY BABY12. THAT’S THE WAY LOVE IS13. WHAT’S GOG ON14. MERCY MERCY ME (THE ELOGY)15. INNER CY BLU (MAKE ME WANNA HOLLER)16. TROUBLE MAN17. LET’S GET IT ON18. I WANT YOU19. GOT TO GIVE IT UP20. SEXUAL HEALG21. ONCE UPON A TIME22. WHAT’S THE MATTER WH YOU BABY23. I’M YOURS, YOU’RE ME (MISSG LYRICS)24. ALL I GOT25. YOU CAN DANCE (MISSG LYRICS)26. RILLEH (MISSG LYRICS)27. SO GOOD TO BE LOVED BY YOU (MISSG LYRICS)28. WAS IT A DREAM (MISSG LYRICS)29. STEADI (MISSG LYRICS)30. IT TAK TWO31. EXACTLY LIKE YOU (MISSG LYRICS)32. TEACH ME TONIGHT33. LET’S DO IT (LET’S FALL LOVE)34. IT’S ME (MISSG LYRICS)35. A’T NO MOUNTA HIGH ENOUGH36. YOUR PREC LOVE37. IF I COULD BUILD MY WHOLE WORLD AROUND YOU38. IF THIS WORLD WERE ME39. A’T NOTHG LIKE THE REAL THG40. YOU’RE ALL I NEED TO GET BY41. YOU ARE EVERYTHG42. YOU’RE A SPECIAL PART OF ME43. MY MISTAKE (WAS TO LOVE YOU)44. DON’T KNOCK MY LOVE45. POPS, WE LOVE YOU46. LET YOUR CONSCIENCE BE YOUR GUI47. NEVER LET YOU GO (SHA LU BOP)48. IT’S PARTY TIME49. THE CHRISTMAS SONG (LIVE AT THE APOLLO THEATER/1963)50. DOWN AND UNR WHEN YOU LIMBO (MISSG LYRICS)51. MY GIRL52. IT’S NOT UNUAL53. SUNNY54. SWEETER AS THE DAYS GO BY55. SWEET THG56. MY LAST CHANCE57. I WANT TO COME HOME FOR CHRISTMAS58. COME GET TO THIS (LIVE) (MISSG LYRICS)59. DISTANT LOVER (LIVE 1974)60. JAN (LIVE 1974)61. MEDLEY I (LIVE AT THE LONDON PALLADIUM, 1977)62. THE STAR-SPANGLED BANNER (LIVE AT THE 1983 NBA ALL-STAR GAME)63. I’VE GROWN ACCTOMED TO HER FACE64. STRAIGHTEN UP AND FLY RIGHT65. TOO YOUNG66. MONA LISA67. IT’S ONLY A PAPER MOON68. WHAT KD OF FOOL AM I?69. THE DAYS OF WE AND ROS70. MACK THE KNIFE (MISSG LYRICS)71. HELLO, YOUNG LOVERS72. HAPPY DAYS ARE HERE AGA73. WHY DID I CHOOSE YOU?74. SHE NEEDS ME75. FUNNY (NOT MUCH)76. THIS WILL MAKE YOU LGH77. THE SHADOW OF YOUR SE78. I WISH I DIDN’T LOVE YOU SO79. I WON’T CRY ANYMORECREDSPRODUCED BYWILLIAM “MICKEY” STEVENSONWRTEN BYWILLIAM “MICKEY” STEVENSONLABELMOTOWN RERDSRERD ATHSVILLE U.S.A. (DETRO)RELEASE DATESEPTEMBER 14, 1990IT’S PARTY TIME REMIXIT’S PARTY TIME (ALTERNATE VERSN) BY MARV GAYETAGSR&BSIXTIMOTOWNSOULEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

Marv Gaye was a soul sger-songwrer wh Motown the 1960s and 1970s. He produced his own rerds and often addrsed ntroversial them. * marvin gaye party *

He received a Grammy Award for lifetime achievement an artist who employed urban soul mic to exprs social and personal ncerns, as well as a sger of exquise sensivy and romantic grace, Gaye left a legacy that has wined sce his mise, and his mic has bee a permanent fixture Amerin pop.

Gaye's later rerds veloped his productn style and yield several hs, cludg "Let's Get It On," "Sexual Healg" and "I Heard Through the Grapeve." Gaye was killed 1984 durg a domtic dispute wh his father.Early LifeSger Marv Pentz Gaye, Jr., also known as the "Prce of Soul," was born Washgton, D.C., on April 2, 1939. And were signed to Gordy's legendary Motown Rerds.Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs.

GOT TO GIVE IT UPMARV GAYEON LIVE AT THE LONDON PALLADIUM PRODUCED BYART STEWART“GOT TO GIVE UP” CHRONICL THE NERVY NIGHT OF A MAN TOO SHY TO GET OUT THERE ON THE DANCE FLOOR AND LET LOOSE. IT’S ONLY ONCE HE GIV – OR GIV UP – TO THE… READ MORE MAR. 15, 19771 VIEWER78K VIEWS24 CONTRIBUTORSGOT TO GIVE IT UP LYRICSI ED TO GO OUT TO PARTIAND STAND AROUNDCSE I WAS TOO NERVOTO REALLY GET DOWNBUT MY BODY YEARNED TO BE EEI GOT UP ON THE FLOOR AND THOUGHT"SOMEBODY ULD CHOOSE ME"NO MORE STAND' THERE BI THE WALLSI DONE GOT MYSELF TOGETHER, BABYAND NOW I'M HAV' A BALLAS LONG AS YOU'RE GROOV'THERE'S ALWAYS A CHANCESOMEBODY WATCH'MIGHT WANNA MAKE ROMANCEMOVE YOUR BODY, OOO BABY, AND DANCE ALL NIGHTTO THE GROOVE AND FEEL ALRIGHTEVERYBODY'S GROOV' ON LIKE A FOOLBUT IF YOU SEE ME SPREAD OUT AND LET ME BABY JT PARTY HIGH AND LOWLET ME STEP TO YOUR EROTIC ZONEMOVE UPTURN 'ROUNDSHAKE DOWNOOOWW!!YOU MIGHT ALSO LIKEYOU N LOVE ME WHEN YOU WANT TO, BABYTHIS IS SUCH A GROOVY PARTY, BABYWE'RE HERE FACE TO FACEEVERYBODY'S SWG'THIS IS SUCH A GROOVY PLACEALL THE YOUNG LADI ARE SO FE!YOU'RE MOV' YOUR BODY EASY WH NO DOUBTSI KNOW WHAT YOU THK', BABYYOU WANNA TURN ME OUTTHK I'M GONNA LET YOU DO , BABEKEEP ON DANC', OH, BABYYOU GOT TO GET GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET , OH DARLG)GOT TO GIVE UPOOOOH, OOOOH, OOOOH, OOOOH[INSTMENTAL BREAK]IF YOU WANT , BABYGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYI GOT TO GIVE UPDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYIF YOU WANT TO DANCE SOME MOREDANCE SOME MORE, OOHFEELS SO GOOD - DANCGOH ,YEAHLOOKS SO GOODOOH, LOOK AT YOU, BABY, OH YEAHYOU LOOK SO GOODTO YOU, BABYMY DARLG (GOT TO GIVE UP)DANCG, BABYON THE FLOOR (GOT TO GIVE UP)LET ME SEE YOU, DARLGDANC', BABY - LOOK SO GOODKEEP ON DANC' - LOOK SO GOOD (GIVE UP)LOOK AT ME, BABYLOOK SO GOODHAVE MERCYNON-STOP EXPRS PARTYSTANDG BYGET DOWNNON-STOP, EXPRS - PARTY, Y'ALLFEELS GOOD, THIS TRANCE, I'VE GOT TO DANCEGET DOWNLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTHANG THERE, BABYGOT TO DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SGLE, DARLGOR HOLD [?]I ULD DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SOME MORE, BABYWE GO HOMEIF YOU WANT , SUGARGOT TO GIVE UPH ME!I GOT TO GIVE UPPARTY WH ME, BABYYOU GOT TO GIVE UPTHIS MORN'YOU'VE GOT TO GIVE UPOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTTHE EXPRS PARTY'S GOG TO BE ALRIGHTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUT5EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

* marvin gaye party *

Showg his strip as Motown's renaissance man, Gaye went on to break to the Top 40 for the first time on his own 1962 wh his solo sgle "Hch Hike." Throughout the 1960s, Gaye would show his immense range, churng out solo dance hs and romantic duets wh h-makers like Diana Ross and Mary Wells. "Can I Get a Wns" and "I Heard Through the Grapeve" were some of Gaye's biggt hs of the perd, the latter achievg s place as Motown's bt-sellg sgle of the 1960s.

MARV GAYE IS SHOT AND KILLED BY HIS OWN FATHER

The life, fay background, and major acplishments of the R&B sger Marv Gaye * marvin gaye party *

For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You." Unfortunately, their reign as the Royal Couple of R&B end when Terrell succumbed to a bra tumor 1970.

His beloved partner's ath hered a dark perd for the sger, who swore never to partner wh another female volist and threatened to abandon the stage for good.Polil MsageIn 1970, spired by latg vlence and polil unrt over the Vietnam War, Gaye wrote the landmark song "What's Gog On." Dpe clash wh Motown over the song's creative directn, the sgle was released 1971 and beme an stant smash.

THE STORY OF MARV GAYE'S 'WHAT'S GOG ON'

Departg om the tried and te Motown formula, Gaye went out on his own artistilly, pavg the way for other Motown artists like Wonr and Michael Jackson to branch out later years. Beyond fluencg his peers, the album garnered wispread cril acclaim, wng the Rollg Stone Album of the Year award.Crossover SuccsIn 1972, Gaye moved to Los Angel and soon met Janis Hunter, who would later bee his send wife. In 2013, Gaye's tate asserted that producer/songwrer Pharrell Williams and sger/songwrer Rob Thicke had mted pyright gement by takg major mil elements om the dis track for the mega-h "Blurred L." After a se which Thicke ttified that he'd had ltle to do wh the wrg of the song, the jury led favor of Gaye's fay, who were award $7.3 ln damag and prof shar.

The jury also led that neher Williams or Thicke had purposely mted gement.) After two s at Motown, Gaye signed wh CBS's Columbia Rerds 1982 and began to work on his last album, Midnight Love. The lead sgle om that album, "Sexual Healg," beme a huge eback h for the R&B star and earned him his first two Grammy Awards and an Amerin Mic Award for Favore Soul Sgle.Personal LifeIn 1975, Gaye's wife Anna Gordy—Berry Gordy's sister—filed for divorce, and two years later Gaye married Hunter, who had by then given birth to their dghter, Nona (born September 4, 1974) and their son Frankie (born November 16, 1975).

The sger's marriage to Hunter proved short lived and tumultuo, endg divorce 1981.Death and LegacyDpe his succsful eback the early 1980s, Gaye stggled badly wh the substance abe and bouts of prsn that had plagued him for most of his life. Hopefully, I rerd so that I n help someone overe a bad time."QUICK FACTSName: Marv GayeBirth Year: 1939Birth date: April 2, 1939Birth Cy: Washgton, D.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

C.Birth Country: Uned StatGenr: MaleBt Known For: Marv Gaye was a soul sger-songwrer wh Motown the 1960s and 1970s. He produced his own rerds and often addrsed ntroversial them.IndtriPopAstrologil Sign: AriIntertg FactsBefore makg as a solo artist, Marv Gaye played dms for artists such as Stevie Wonr and The Suprem.Death Year: 1984Death date: April 1, 1984Death State: CaliforniaDeath Cy: Los AngelDeath Country: Uned StatFact CheckWe strive for accuracy and fairns.If you see somethg that don't look right,ntact !CITATION INFORMATIONArticle Tle: Marv Gaye BgraphyAuthor: EdorsWebse Name: The webseUrl: /micians/marv-gayeAccs Date: Publisher: A&E; Televisn NetworksLast Updated: April 19, 2021Origal Published Date: April 2, 2014QUOTESWar is not the answer, bee only love n nquer hate.If you nnot fd peace wh yourself, you will never fd anywhere else.I rerd so that I n feed people what they need, what they feel.

At the peak of his reer, Marv Gaye was the Prce of Motown—the soulful voice behd hs as wi-rangg as “How Sweet It Is (To Be Loved By You)” and “Mercy Mercy Me (The Elogy).

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

That life me to a tragic end on April 1, 1984, when Marv Gaye was shot and killed by his own father one day short of his 45th the physil e of Marv Gaye’s ath was straightforward—”Gunshot wound to cht perforatg heart, lung and liver, ” acrdg to the Los Angel County Coroner—the events that led to were much more tangled. Marv Gay, Sr., (the “e” was add by his son for his stage name) was a preacher the Hebrew Pentestal Church and a proponent of a strict moral he enforced btally wh his four children.

Only one year removed om his first Grammy w and om a triumphant return to the pop charts wh “Sexual Healg, ” Marv Gaye was horrible physil, psychologil and fancial an argument between father and son lated to a physil fight on the morng of April 1, 1984, Alberta Gay was tryg to lm her son his bedroom when Marv Sr. Marv Gaye’s brother, Frankie, who lived next door, and who held the legendary sger durg his fal mut, later wrote his memoir that Marv Gaye’s fal, disturbg statement was, “I got what I wanted…. Augt 15, 1964 Comisky Park, Chigo, IL (Miller High Life Beer prents ‘Blu Unr The Stars’ Starrg: Sam Cooke, Chuck Berry, Etta Jam, Marv Gaye, The Imprsns, Red Snrs and His Band, Stevie Wonr, Muddy Waters, Sugar Pie De Santo, Gene Chandler, Eddie Holland, The Marvelett, Major Lance, Mty Collier, Buddy Guy and Many Others).

And The MGs, Fleetwood Mac, Pacific Gas And Electric, Blu Image, Steppenwolf, Marv Gaye, Grateful Dead, Hugh Masekela, Flatt and Scggs, The Pl Butterfield Blu Band, Joni Mchell, Jam Cotton Blu Band, Richie Havens, The Box Tops, Iron Butterfly, The Turtl, Canned Heat, The Grass Roots, Junr Walker And The All-Stars, Ian and Sylvia, Charl Lloyd Quartet, The Sweet Inspiratns, Sweetwater, The Joe Tex Revue.

MARV GAYE: MAJOR ACHIEVEMENTS AND CONTRIBUTNS TO THE WORLD OF MIC

His album beme an ternnected sue, a gallery of songs reflectg the state of the unn as Gaye saw , om neglected ghettos to the thrivg muny church, to the abed environment. And were signed to Gordy's legendary Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs. "Can I Get a Wns" and "I Heard Through the Grapeve" were some of Gaye's biggt hs of the perd, the latter achievg s place as Motown's bt-sellg sgle of the 1960s.

For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You. Departg om the tried and te Motown formula, Gaye went out on his own artistilly, pavg the way for other Motown artists like Wonr and Michael Jackson to branch out later years.

In 2013, Gaye's tate asserted that producer/songwrer Pharrell Williams and sger/songwrer Rob Thicke had mted pyright gement by takg major mil elements om the dis track for the mega-h "Blurred L. Personal LifeIn 1975, Gaye's wife Anna Gordy—Berry Gordy's sister—filed for divorce, and two years later Gaye married Hunter, who had by then given birth to their dghter, Nona (born September 4, 1974) and their son Frankie (born November 16, 1975).

THE RELIGN AND POLIL VIEWS OF MARV GAYE

The sger's marriage to Hunter proved short lived and tumultuo, endg divorce and LegacyDpe his succsful eback the early 1980s, Gaye stggled badly wh the substance abe and bouts of prsn that had plagued him for most of his life. IndtriPopAstrologil Sign: AriIntertg FactsBefore makg as a solo artist, Marv Gaye played dms for artists such as Stevie Wonr and The Year: 1984Death date: April 1, 1984Death State: CaliforniaDeath Cy: Los AngelDeath Country: Uned StatFact CheckWe strive for accuracy and you see somethg that don't look right, ntact !

CITATION INFORMATIONArticle Tle: Marv Gaye BgraphyAuthor: EdorsWebse Name: The webseUrl: Date: Publisher: A&E; Televisn NetworksLast Updated: April 19, 2021Origal Published Date: April 2, 2014QUOTESWar is not the answer, bee only love n nquer you nnot fd peace wh yourself, you will never fd anywhere else. Taken far too soon, Marv Gaye's mic took on var styl, om upliftg duets to heartbreakg ballads to socially-nsc 've taken his 10 very bt songs for the ultimate Marv Gaye troductn:.

Wrten by the famo Holland–Dozier–Holland tr at Motown, this gave Marv Gaye his biggt h at the time song's tle was spired by one of Jackie Gleason's signature tchphras: "How Sweet It Is! Released on Motown's Tamla label 1966, this duet between Marv and Kim Wton scrib var thgs life - such as dreams, love and wish - beg far better wh two people stead of more: The tragic story of Marv Gaye and the untimely ath of a soul legendIn 1990, Rod Stewart and Ta Turner teamed up for a ver versn, takg to number five the UK.

WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19716 VIEWERS591.3K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Origally by Dn, this song was a tribute to four inic Amerins who were assassated: Abraham Lln, Mart Luther Kg Jr, John F Kennedy and Robert Gaye vered the song 1970, and was one of his first experiments socially-nsc mic, a year before his What's Gog On?

Songwrers Ashford & Simpson scribed this song as their 'goln egg' which got them their first Motown Sprgfield wanted to rerd first, but the duo turned her down so that they uld secure Motown, and land wh Marv and Tammi Terrell, who sred a big h wh their origal more: Tammi Terrell - The tragic life story of a Motown sger and how Marv Gaye never got over her athThree years later, Diana Ross achieved her first solo US number one wh a ver versn g a different arrangement. Album, this song is one of mic's most poignant anthems regardg the was a ln-seller, and was later vered by Robert Palmer 1990 as part of a medley wh Gaye's song 'I Want You'.

THE 10 BT MARV GAYE SONGS

The tle track of his 1973 album, beme Marv's biggt h and one of his sgature wh Ed Townsend, was origally nceived as a relig song after Townsend had recently fished rehab, before Gaye transformed to an emotnal plea about love and sexual liberatn. This song was -wrten by Renaldo 'Obie' Benson, Al Cleveland, and Marv Gaye, and produced by Gaye marked Gaye's parture om the Motown Sound of his prev output, towards more personal more: The Story of... However, is Marv Gaye's versn om 1968 that beme the most inic, spe the fact that Motown chief Berry Gordy was not nvced would be a h at more: Marv Gaye's isolated vols om 'I Heard Through the Grapeve' will give you tglIt beme a h for a send time 1985, after s e the inic Levi's advert featurg a certa Nick Kamen at a lndrette.

Marv Gaye, the R&B legend who brought classics like “I Heard It Through the Grapeve” and “Sexual Healg”, was only three years old when he started sgg his father’s church choir. Gaye’s work wh the label played a huge role shapg Motown sound, a clear vol sound that ed tchy hooks and layered stmental sound, makg their songs very appealg to both wh and blacks.

*BEAR-MAGAZINE.COM* MARVIN GAYE PARTY

The Story Of Marv Gaye's 'What's Gog On' : NPR .

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