Marv Gaye | Bgraphy, Songs, & Facts | Branni

Contents:

• MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE'S 10 GREATT SONGS EVER, RANKED
• YOUMARV GAYETRACK 1 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYIVY JO HUNTERRELEASED ON AUGT 26, 1968, “YOU” MARKED A TRANSN OM SOULFUL BALLADS TO IMPASSNED LOVER’S PLEAS FOR MARV GAYE AS WELL AS A SHOWSG OF HIS ABILY TO SG … READ MORE DEC. 21, 19671 VIEWER6 CONTRIBUTORSYOU LYRICS[VERSE 1]OOH, YOU, YOU I SEEIN MY MIRROR THE MORNG, 'STEAD OF SEEG MEI SEE YOU, I SEE YOUR FACE(YOU, YOU, YOU, YOU, YOU, YOU, YOU, YOU)AND SI ME IS A GROWG NEED FOR YOUR EMBRACE[PRE-CHOS]IN THE LIGHT OF DAY, THOUGH OUR FAC MEETSOMEONE THERE MIGHT SEE, SO WE NEVER SPEAK'TIL THE DARK OF NIGHT, WHILE THE MOON IS NEWWHEN WE WHISPER WORDS OF LOVE OUR SECRET RENZVO[CHOS]THOUGH 'S WRONG, I KNOWGIRL, I LOVE YOU SOY, I NEED YOU (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[VERSE 2]OH YOU, MY SWEETT JOYYOU N AFFORD THE BT OF LIFEI'M JT A HARD-WORKG BOYOH, YOU'VE GIVEN YOUR LOVE TO ME (YOU, YOU, YOU, YOU, YOU, YOU, YOU, YOU)GIRL, I N'T LET YOU HURT YOURSELF BY BEG SEEN WH MEYOU MIGHT ALSO LIKE[PRE-CHOS]WE'RE WORLDS APART, SO CLOSE YET WORLDS APARTSO WE MT HI THE LOVE WE'RE FEELG OUR HEARTSWE MEET SHADOWS (WE MEET SHADOWS)YOUR IENDS MT NEVER KNOW (YOUR IENDS MT NEVER KNOW)THAT WE ARE LOVERS, DARLG (THAT WE ARE LOVERS)ALTHOUGH HURTS ME SO (ALTHOUGH HURTS ME SO)[CHOS]FOR YOUR SAKE NO ONE MT SEETHE PREC LOVE YOU'RE GIVG MEBUT YOU KNOW (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[BRIDGE](YOU, YOU, YOU, YOU, YOU, YOU)(YOU, YOU, YOU, YOU, YOU, YOU)[VERSE 3]OH, ONE DAY I'LL MAKE THE GRA, MY LUCKY STAR WILL SHEI N TELL THE WORLD THAT YOU ARE ME, ALL ME'TIL THEN WE MT GO ON ('TIL THEN WE MT GO ON)THE WAY WE HAVE BEFORE (THE WAY WE HAVE BEFORE)AND NEVER LET SHOW (AND NEVER LET SHOW)WE LOVE EACH OTHER SO (WE LOVE EACH OTHER SO)[CHOS]OUR LOVE'S A ONE-WAY TRACKAND THERE'S NO TURNG BACKOH (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[OUTRO]YOU (YOU, YOU, YOU)YOU I SEE (YOU, YOU, YOU)OH, MY MIRROR THE MORNG (YOU, YOU, YOU)'STEAD OF SEEG ME (YOU, YOU, YOU)I SEE YOU (YOU, YOU, YOU)SEEG YOUR FACE (YOU, YOU, YOU)EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• THE GUI TO GETTG INTO MARV GAYE'S GENI
• 45 YEARS AGO: MARV GAYE STIRS UP A STORM ON ‘I WANT YOU’MICHAEL GALLUCCIMICHAEL GALLUCCIPUBLISHED: MARCH 16, 2021TAMLASHARETWEETMARV GAYE WAS STILL A PRETTY GOOD PLACE, PERSONALLY AND PROFSNALLY, EARLY 1976 AS HE WAS PREPPG THE RELEASE OF HIS 14TH ALBUM, I WANT YOU.HIS LAST UPLE OF ALBUMS – 1971'S WHAT'S GOG ON AND 1973'S LET'S GET IT ON – WERE CRIL AND MERCIAL HS, WH THE LATTER LP'S TLE TRACK GOG ALL THE WAY TO NO. 1. IN BETWEEN THOSE TWO RERDS, HE WROTE AND PRODUCED THE SOUNDTRACK FOR TROUBLE MAN. A TLY SOLO ACHIEVEMENT, TROUBLE MAN SERVED AS SOME SORT OF NSOLATN AFTER WHAT'S GOG ON'S SEQUEL, YOU'RE THE MAN, WAS SHELVED BEE OF S POLIL LEANGS.GAYE ALSO EMBARKED ON A SUCCSFUL TOUR AND RERD THE LAST OF HIS POPULAR DUET ALBUMS, THIS ONE WH DIANA ROSS, AROUND THIS TIME. WH TWO YEARS, WOULD ALL E TUMBLG DOWN, AS A MSY DIVORCE, DG ABE, ANOTHER NCELED RERD AND DWDLG SAL PILED UP. BUT 1976, ALL WAS STILL RELATIVELY GOOD.BACK 1970, WHEN HE WAS ASSEMBLG THE SONGS AND IAS THAT WOULD RULT WHAT'S GOG ON, GAYE WAS LEADG A NEW ARTIST-DRIVEN MPAIGN AT MOTOWN, WHICH SLOWLY AND TENTATIVELY BEGAN TO LOOSEN S GRIP ON SOME S STABLE OF STARS. GAYE – WHO'D BEEN AROUND OM NEARLY THE START OF THE PANY, SGG ON HIS OWN HS AS WELL AS PENNG SONGS FOR OTHERS – WASN'T GIVEN TOTAL NTROL OF HIS MIC UNTIL TROUBLE MAN, BUT FOR THE MOST PART HE WAS TSTED WH HIS VISN.THG IS, GAYE DIDN'T ALWAYS TST THAT VISN HIMSELF. IN SOME WAYS, THAT LED TO YOU'RE THE MAN REMAG UNRELEASED AT THE TIME ( FALLY GOT AN OFFICIAL RELEASE 2019). AND WHEN HE WAS PUTTG TOGETHER MIC FOR HIS NEXT ALBUM 1975, HE SOUGHT HELP OM PRODUCER LEON WARE, A MOTOWN STAFFER WHO'D RECENTLY SRED SOLO HS FOR MICHAEL JACKSON AND THE SMOKEY ROBSON-LS MIRACL. HE END UP PLAYG A BIG PART  SHAPG WHAT EVENTUALLY BEME I WANT YOU.BUT THE ALBUM'S RE – LIKE LET'S GET IT ON, THE SONGS WERE ABOUT SEX – WAS ALL GAYE. HIS MARRIAGE TO THE SISTER OF HIS MOTOWN BOSS BERRY GORDY WAS GOG THROUGH S FAL STAG AS HIS RELATNSHIP WH JANIS HUNTER, WHOM HE MET DURG THE LET'S GET IT ON SSNS WHEN SHE WAS 17, WAS HEATG UP. TRACKS LIKE "FEEL ALL MY LOVE INSI" AND "SOON I'LL BE LOVG YOU AGA" (WHICH CLUD THE LE "I'M GONNA GIVE YOU SOME HEAD") REFLECTED HIS TENTNS.LISTEN TO MARV GAYE'S 'I WANT YOU'GAYE AND WARE HOLED UP THE ARTIST'S NEWLY OPENED MARV'S ROOM STUD LOS ANGEL, WHERE THEY, ALONG WH MOTOWN'S FUNK BROTHERS SSN MICIANS, SPENT CHUNKS OF 1975 AND EARLY 1976 WORKG ON THE ALBUM. LIKE HE'D BEEN DOG ON HIS PREV RERDS, GAYE MULTI-TRACKED HIMSELF SGG DIFFERENT PARTS.HE ALSO BEGAN EXPERIMENTG WH A SYNTHIZER, WHICH PLEMENTED THE NEW MIL DIRECTN WARE STARTED STEERG TOWARD. MORE EXPANSIVE AND SWEEPG THAN MUCH OF GAYE'S PREV WORK, MANY OF THE SONGS ON I WANT YOU TOOK A SLOW-BURN APPROACH TO S MELDG OF SOUL, FUNK AND DIS. (THE OPENG TLE TRACK, FOR EXAMPLE, IS A THIRD OVER BEFORE GAYE STARTS SGG.) ELEMENTS OF JAZZ AND DOO-WOP ALSO FOUND THEIR WAY TO THE MATERIAL, BRIDGG GAYE'S '60S AND EARLY '70S MIC WH A NEW FUTURE.THIS ALL ADD UP TO A SLIGHTLY DISJOTED BUT MOSTLY PTIVATG ALBUM THAT SEEMED LIKE ANOTHER TURNG POT FOR THE ARTIST, EVEN UPON S RELEASE ON MARCH 16, 1976. THE THREE-YEAR BREAK SCE HIS LAST LP CERTALY HAD SOME EFFECT HERE, BUT THE MIL LEAP HAD ALMOST AS MUCH TO DO WH GAYE AND WARE'S BED VISN.THERE WEREN'T A WHOLE LOT OF ALBUMS THAT SOUND LIKE I WANT YOU AT THE TIME, BUT THE S SCE, THE ALBUM'S "QUIET STORM" SOUND SPIRED A GENRE, AS WELL AS AN ENTIRE MOVEMENT OF NEO-SOUL ARTISTS THE '90S AND BEYOND. THE EP BASS, SPACEY SOUNDSP AND GROOVE-BASED BEATS A WAY WERE JT A STEP OR TWO AHEAD OF THE BURGEONG DIS SCENE, BUT THE OVERALL PICTURE SEEMS MUCH WIR NOW.NOT THAT THE ALBUM WAS APPRECIATED AS MUCH BACK THEN. IT H NO. 1 ON BILLBOARD'S SOUL CHART AND NO. 4 ON THE LP CHART (AS THEY WERE LLED AT THE TIME) AND DID MANAGE TO SELL A LN PI. SOMEONE OF GAYE'S STATURE ALMOST ALWAYS CHARTED WELL G OFF A PREV SUCCS, AND THE ALBUM'S FIRST SGLE, THE TLE TRACK, MA TO NO. 1 AND 15, ON THE RPECTIVE SOUL AND POP CHARTS – WHICH ALSO HELPED STIR TERT.BUT I WANT YOU DIDN'T CLICK WH FANS THE WAY WHAT'S GOG ON AND LET'S GET IT ON DID. THOSE NTROVERSIAL LYRICS CERTALY DIDN'T HELP SPREADG THE WORD ON RAD OR NNECTG WH MORE NSERVATIVE-MD LISTENERS. AND SPE THE NO. 1 STUD SGLE "GOT TO GIVE IT UP" OM THE OTHERWISE LIVE AT THE LONDON PALLADIUM ALBUM 1977, THE NEXT YEAR'S HERE, MY DEAR AND 1981'S IN MY LIFETIME NTUED A DOWNWARD TURN GAYE'S REER THAT EVENTUALLY PICKED UP WH 1982'S MIDNIGHT LOVE AND PECIALLY THE "SEXUAL HEALG" SGLE BEFORE HIS 1984 ATH.IT WASN'T LONG, THOUGH, BEFORE I WANT YOU AND, EVEN MORE NOTABLY, HERE, MY DEAR BEME RNERSTONE RERDS GAYE'S LATE REER. THE LATTER WAS AN TENTNALLY UNMERCIAL DOUBLE RERD SIGNED TO NTRACTUALLY FULFILL A DIVORCE-SETTLEMENT AGREEMENT. I WANT YOU, AT TIM, N SOUND LIKE A SIAR MERCIAL KISS-OFF, BUT ME OM AN ENTIRELY OPPOSE SPOT GAYE'S LIFE, WHEN HE WAS A MUCH BETTER PLACE. IT'S DIFFICULT, 'S HORNY AND 'S FELY NOT FOR EVERYONE. BUT 'S ALSO ON THE VERGE OF SOMETHG REALLY EXCG AT TIM. TOP 100 '70S ROCK ALBUMS
• 50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON
• 10 SURPRISG FACTS ABOUT MARV GAYE
• THE TRAGIC STORY OF MARV GAYE AND THE UNTIMELY ATH OF A SOUL LEGEND
• HOW A 1979 BOXG MATCH BEME THE FIGHT OF MARV GAYE’S LIFE
• MARV GAYE
• KEY TRACKS: MARV GAYE’S I WANT YOU
• ‘I WANT YOU’: MARV GAYE’S CARNAL CLASSIC

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

Janis Hunter was a mother of two her early 20s when her longtime lover, father of her children and one of the world’s most lted-after soul sgers, Marv Gaye, suggted an amoro liaison wh another uple. Marv Gaye’s immense, unniable talent for sgg and songwrg, and his equally impossible-to-dismiss sex appeal, were acpanied by creasgly heavy dg e — eebasg e eventually did him — and erratic moods, a nstant tug of war between thrills, love, lt and terror.

Soon after, they ma love for the first time Gaye’s sparse one-bedroom apartment, which had a “hio gold uch” where Gaye’s assistant, a junkie named Abe, had taken up rince. Soon after, Gaye left Jan and the kids behd on a planned trip to Hawaii wh his fay, begng a pattern that would repeat over the years of Gaye leavg LA and his fay behd, only to implore them to jo him once at his statn. Courty of Jan Gaye The next five years saw Gaye, Jan and their children embroiled nasty back-and-forth battl, cludg, after Jan brought the kids to see Gaye Hawaii, his refg to let Frankie leave, g Jan to not see her son for over a year.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

And were signed to Gordy's legendary Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs. For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You.

Departg om the tried and te Motown formula, Gaye went out on his own artistilly, pavg the way for other Motown artists like Wonr and Michael Jackson to branch out later years. In 2013, Gaye's tate asserted that producer/songwrer Pharrell Williams and sger/songwrer Rob Thicke had mted pyright gement by takg major mil elements om the dis track for the mega-h "Blurred L.

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

Personal LifeIn 1975, Gaye's wife Anna Gordy—Berry Gordy's sister—filed for divorce, and two years later Gaye married Hunter, who had by then given birth to their dghter, Nona (born September 4, 1974) and their son Frankie (born November 16, 1975).

YOUMARV GAYETRACK 1 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYIVY JO HUNTERRELEASED ON AUGT 26, 1968, “YOU” MARKED A TRANSN OM SOULFUL BALLADS TO IMPASSNED LOVER’S PLEAS FOR MARV GAYE AS WELL AS A SHOWSG OF HIS ABILY TO SG … READ MORE DEC. 21, 19671 VIEWER6 CONTRIBUTORSYOU LYRICS[VERSE 1]OOH, YOU, YOU I SEEIN MY MIRROR THE MORNG, 'STEAD OF SEEG MEI SEE YOU, I SEE YOUR FACE(YOU, YOU, YOU, YOU, YOU, YOU, YOU, YOU)AND SI ME IS A GROWG NEED FOR YOUR EMBRACE[PRE-CHOS]IN THE LIGHT OF DAY, THOUGH OUR FAC MEETSOMEONE THERE MIGHT SEE, SO WE NEVER SPEAK'TIL THE DARK OF NIGHT, WHILE THE MOON IS NEWWHEN WE WHISPER WORDS OF LOVE OUR SECRET RENZVO[CHOS]THOUGH 'S WRONG, I KNOWGIRL, I LOVE YOU SOY, I NEED YOU (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[VERSE 2]OH YOU, MY SWEETT JOYYOU N AFFORD THE BT OF LIFEI'M JT A HARD-WORKG BOYOH, YOU'VE GIVEN YOUR LOVE TO ME (YOU, YOU, YOU, YOU, YOU, YOU, YOU, YOU)GIRL, I N'T LET YOU HURT YOURSELF BY BEG SEEN WH MEYOU MIGHT ALSO LIKE[PRE-CHOS]WE'RE WORLDS APART, SO CLOSE YET WORLDS APARTSO WE MT HI THE LOVE WE'RE FEELG OUR HEARTSWE MEET SHADOWS (WE MEET SHADOWS)YOUR IENDS MT NEVER KNOW (YOUR IENDS MT NEVER KNOW)THAT WE ARE LOVERS, DARLG (THAT WE ARE LOVERS)ALTHOUGH HURTS ME SO (ALTHOUGH HURTS ME SO)[CHOS]FOR YOUR SAKE NO ONE MT SEETHE PREC LOVE YOU'RE GIVG MEBUT YOU KNOW (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[BRIDGE](YOU, YOU, YOU, YOU, YOU, YOU)(YOU, YOU, YOU, YOU, YOU, YOU)[VERSE 3]OH, ONE DAY I'LL MAKE THE GRA, MY LUCKY STAR WILL SHEI N TELL THE WORLD THAT YOU ARE ME, ALL ME'TIL THEN WE MT GO ON ('TIL THEN WE MT GO ON)THE WAY WE HAVE BEFORE (THE WAY WE HAVE BEFORE)AND NEVER LET SHOW (AND NEVER LET SHOW)WE LOVE EACH OTHER SO (WE LOVE EACH OTHER SO)[CHOS]OUR LOVE'S A ONE-WAY TRACKAND THERE'S NO TURNG BACKOH (YOU KNOW, YOU KNOW, YOU KNOW)I NEED YOU, BABY (I NEED YOU, BABE)[OUTRO]YOU (YOU, YOU, YOU)YOU I SEE (YOU, YOU, YOU)OH, MY MIRROR THE MORNG (YOU, YOU, YOU)'STEAD OF SEEG ME (YOU, YOU, YOU)I SEE YOU (YOU, YOU, YOU)SEEG YOUR FACE (YOU, YOU, YOU)EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

The sger's marriage to Hunter proved short lived and tumultuo, endg divorce and LegacyDpe his succsful eback the early 1980s, Gaye stggled badly wh the substance abe and bouts of prsn that had plagued him for most of his life. IndtriPopAstrologil Sign: AriIntertg FactsBefore makg as a solo artist, Marv Gaye played dms for artists such as Stevie Wonr and The Year: 1984Death date: April 1, 1984Death State: CaliforniaDeath Cy: Los AngelDeath Country: Uned StatFact CheckWe strive for accuracy and you see somethg that don't look right, ntact !

THE GUI TO GETTG INTO MARV GAYE'S GENI

CITATION INFORMATIONArticle Tle: Marv Gaye BgraphyAuthor: EdorsWebse Name: The webseUrl: Date: Publisher: A&E; Televisn NetworksLast Updated: April 19, 2021Origal Published Date: April 2, 2014QUOTESWar is not the answer, bee only love n nquer you nnot fd peace wh yourself, you will never fd anywhere else. Taken far too soon, Marv Gaye's mic took on var styl, om upliftg duets to heartbreakg ballads to socially-nsc 've taken his 10 very bt songs for the ultimate Marv Gaye troductn:. Wrten by the famo Holland–Dozier–Holland tr at Motown, this gave Marv Gaye his biggt h at the time song's tle was spired by one of Jackie Gleason's signature tchphras: "How Sweet It Is!

Released on Motown's Tamla label 1966, this duet between Marv and Kim Wton scrib var thgs life - such as dreams, love and wish - beg far better wh two people stead of more: The tragic story of Marv Gaye and the untimely ath of a soul legendIn 1990, Rod Stewart and Ta Turner teamed up for a ver versn, takg to number five the UK. Origally by Dn, this song was a tribute to four inic Amerins who were assassated: Abraham Lln, Mart Luther Kg Jr, John F Kennedy and Robert Gaye vered the song 1970, and was one of his first experiments socially-nsc mic, a year before his What's Gog On?

45 YEARS AGO: MARV GAYE STIRS UP A STORM ON ‘I WANT YOU’MICHAEL GALLUCCIMICHAEL GALLUCCIPUBLISHED: MARCH 16, 2021TAMLASHARETWEETMARV GAYE WAS STILL A PRETTY GOOD PLACE, PERSONALLY AND PROFSNALLY, EARLY 1976 AS HE WAS PREPPG THE RELEASE OF HIS 14TH ALBUM, I WANT YOU.HIS LAST UPLE OF ALBUMS – 1971'S WHAT'S GOG ON AND 1973'S LET'S GET IT ON – WERE CRIL AND MERCIAL HS, WH THE LATTER LP'S TLE TRACK GOG ALL THE WAY TO NO. 1. IN BETWEEN THOSE TWO RERDS, HE WROTE AND PRODUCED THE SOUNDTRACK FOR TROUBLE MAN. A TLY SOLO ACHIEVEMENT, TROUBLE MAN SERVED AS SOME SORT OF NSOLATN AFTER WHAT'S GOG ON'S SEQUEL, YOU'RE THE MAN, WAS SHELVED BEE OF S POLIL LEANGS.GAYE ALSO EMBARKED ON A SUCCSFUL TOUR AND RERD THE LAST OF HIS POPULAR DUET ALBUMS, THIS ONE WH DIANA ROSS, AROUND THIS TIME. WH TWO YEARS, WOULD ALL E TUMBLG DOWN, AS A MSY DIVORCE, DG ABE, ANOTHER NCELED RERD AND DWDLG SAL PILED UP. BUT 1976, ALL WAS STILL RELATIVELY GOOD.BACK 1970, WHEN HE WAS ASSEMBLG THE SONGS AND IAS THAT WOULD RULT WHAT'S GOG ON, GAYE WAS LEADG A NEW ARTIST-DRIVEN MPAIGN AT MOTOWN, WHICH SLOWLY AND TENTATIVELY BEGAN TO LOOSEN S GRIP ON SOME S STABLE OF STARS. GAYE – WHO'D BEEN AROUND OM NEARLY THE START OF THE PANY, SGG ON HIS OWN HS AS WELL AS PENNG SONGS FOR OTHERS – WASN'T GIVEN TOTAL NTROL OF HIS MIC UNTIL TROUBLE MAN, BUT FOR THE MOST PART HE WAS TSTED WH HIS VISN.THG IS, GAYE DIDN'T ALWAYS TST THAT VISN HIMSELF. IN SOME WAYS, THAT LED TO YOU'RE THE MAN REMAG UNRELEASED AT THE TIME ( FALLY GOT AN OFFICIAL RELEASE 2019). AND WHEN HE WAS PUTTG TOGETHER MIC FOR HIS NEXT ALBUM 1975, HE SOUGHT HELP OM PRODUCER LEON WARE, A MOTOWN STAFFER WHO'D RECENTLY SRED SOLO HS FOR MICHAEL JACKSON AND THE SMOKEY ROBSON-LS MIRACL. HE END UP PLAYG A BIG PART  SHAPG WHAT EVENTUALLY BEME I WANT YOU.BUT THE ALBUM'S RE – LIKE LET'S GET IT ON, THE SONGS WERE ABOUT SEX – WAS ALL GAYE. HIS MARRIAGE TO THE SISTER OF HIS MOTOWN BOSS BERRY GORDY WAS GOG THROUGH S FAL STAG AS HIS RELATNSHIP WH JANIS HUNTER, WHOM HE MET DURG THE LET'S GET IT ON SSNS WHEN SHE WAS 17, WAS HEATG UP. TRACKS LIKE "FEEL ALL MY LOVE INSI" AND "SOON I'LL BE LOVG YOU AGA" (WHICH CLUD THE LE "I'M GONNA GIVE YOU SOME HEAD") REFLECTED HIS TENTNS.LISTEN TO MARV GAYE'S 'I WANT YOU'GAYE AND WARE HOLED UP THE ARTIST'S NEWLY OPENED MARV'S ROOM STUD LOS ANGEL, WHERE THEY, ALONG WH MOTOWN'S FUNK BROTHERS SSN MICIANS, SPENT CHUNKS OF 1975 AND EARLY 1976 WORKG ON THE ALBUM. LIKE HE'D BEEN DOG ON HIS PREV RERDS, GAYE MULTI-TRACKED HIMSELF SGG DIFFERENT PARTS.HE ALSO BEGAN EXPERIMENTG WH A SYNTHIZER, WHICH PLEMENTED THE NEW MIL DIRECTN WARE STARTED STEERG TOWARD. MORE EXPANSIVE AND SWEEPG THAN MUCH OF GAYE'S PREV WORK, MANY OF THE SONGS ON I WANT YOU TOOK A SLOW-BURN APPROACH TO S MELDG OF SOUL, FUNK AND DIS. (THE OPENG TLE TRACK, FOR EXAMPLE, IS A THIRD OVER BEFORE GAYE STARTS SGG.) ELEMENTS OF JAZZ AND DOO-WOP ALSO FOUND THEIR WAY TO THE MATERIAL, BRIDGG GAYE'S '60S AND EARLY '70S MIC WH A NEW FUTURE.THIS ALL ADD UP TO A SLIGHTLY DISJOTED BUT MOSTLY PTIVATG ALBUM THAT SEEMED LIKE ANOTHER TURNG POT FOR THE ARTIST, EVEN UPON S RELEASE ON MARCH 16, 1976. THE THREE-YEAR BREAK SCE HIS LAST LP CERTALY HAD SOME EFFECT HERE, BUT THE MIL LEAP HAD ALMOST AS MUCH TO DO WH GAYE AND WARE'S BED VISN.THERE WEREN'T A WHOLE LOT OF ALBUMS THAT SOUND LIKE I WANT YOU AT THE TIME, BUT THE S SCE, THE ALBUM'S "QUIET STORM" SOUND SPIRED A GENRE, AS WELL AS AN ENTIRE MOVEMENT OF NEO-SOUL ARTISTS THE '90S AND BEYOND. THE EP BASS, SPACEY SOUNDSP AND GROOVE-BASED BEATS A WAY WERE JT A STEP OR TWO AHEAD OF THE BURGEONG DIS SCENE, BUT THE OVERALL PICTURE SEEMS MUCH WIR NOW.NOT THAT THE ALBUM WAS APPRECIATED AS MUCH BACK THEN. IT H NO. 1 ON BILLBOARD'S SOUL CHART AND NO. 4 ON THE LP CHART (AS THEY WERE LLED AT THE TIME) AND DID MANAGE TO SELL A LN PI. SOMEONE OF GAYE'S STATURE ALMOST ALWAYS CHARTED WELL G OFF A PREV SUCCS, AND THE ALBUM'S FIRST SGLE, THE TLE TRACK, MA TO NO. 1 AND 15, ON THE RPECTIVE SOUL AND POP CHARTS – WHICH ALSO HELPED STIR TERT.BUT I WANT YOU DIDN'T CLICK WH FANS THE WAY WHAT'S GOG ON AND LET'S GET IT ON DID. THOSE NTROVERSIAL LYRICS CERTALY DIDN'T HELP SPREADG THE WORD ON RAD OR NNECTG WH MORE NSERVATIVE-MD LISTENERS. AND SPE THE NO. 1 STUD SGLE "GOT TO GIVE IT UP" OM THE OTHERWISE LIVE AT THE LONDON PALLADIUM ALBUM 1977, THE NEXT YEAR'S HERE, MY DEAR AND 1981'S IN MY LIFETIME NTUED A DOWNWARD TURN GAYE'S REER THAT EVENTUALLY PICKED UP WH 1982'S MIDNIGHT LOVE AND PECIALLY THE "SEXUAL HEALG" SGLE BEFORE HIS 1984 ATH.IT WASN'T LONG, THOUGH, BEFORE I WANT YOU AND, EVEN MORE NOTABLY, HERE, MY DEAR BEME RNERSTONE RERDS GAYE'S LATE REER. THE LATTER WAS AN TENTNALLY UNMERCIAL DOUBLE RERD SIGNED TO NTRACTUALLY FULFILL A DIVORCE-SETTLEMENT AGREEMENT. I WANT YOU, AT TIM, N SOUND LIKE A SIAR MERCIAL KISS-OFF, BUT ME OM AN ENTIRELY OPPOSE SPOT GAYE'S LIFE, WHEN HE WAS A MUCH BETTER PLACE. IT'S DIFFICULT, 'S HORNY AND 'S FELY NOT FOR EVERYONE. BUT 'S ALSO ON THE VERGE OF SOMETHG REALLY EXCG AT TIM. TOP 100 '70S ROCK ALBUMS

Songwrers Ashford & Simpson scribed this song as their 'goln egg' which got them their first Motown Sprgfield wanted to rerd first, but the duo turned her down so that they uld secure Motown, and land wh Marv and Tammi Terrell, who sred a big h wh their origal more: Tammi Terrell - The tragic life story of a Motown sger and how Marv Gaye never got over her athThree years later, Diana Ross achieved her first solo US number one wh a ver versn g a different arrangement.

Album, this song is one of mic's most poignant anthems regardg the was a ln-seller, and was later vered by Robert Palmer 1990 as part of a medley wh Gaye's song 'I Want You'.

50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON

The tle track of his 1973 album, beme Marv's biggt h and one of his sgature wh Ed Townsend, was origally nceived as a relig song after Townsend had recently fished rehab, before Gaye transformed to an emotnal plea about love and sexual liberatn. This song was -wrten by Renaldo 'Obie' Benson, Al Cleveland, and Marv Gaye, and produced by Gaye marked Gaye's parture om the Motown Sound of his prev output, towards more personal more: The Story of...

However, is Marv Gaye's versn om 1968 that beme the most inic, spe the fact that Motown chief Berry Gordy was not nvced would be a h at more: Marv Gaye's isolated vols om 'I Heard Through the Grapeve' will give you tglIt beme a h for a send time 1985, after s e the inic Levi's advert featurg a certa Nick Kamen at a lndrette.

Marv Gaye was still a pretty good place, personally and profsnally, early 1976 as he was preppg the release of his 14th album, I Want last uple of albums – 1971's What's Gog On and 1973's Let's Get It On – were cril and mercial hs, wh the latter LP's tle track gog all the way to No. But 1976, all was still relatively 1970, when he was assemblg the songs and ias that would rult What's Gog On, Gaye was leadg a new artist-driven mpaign at Motown, which slowly and tentatively began to loosen s grip on some s stable of stars.

10 SURPRISG FACTS ABOUT MARV GAYE

Gaye – who'd been around om nearly the start of the pany, sgg on his own hs as well as penng songs for others – wasn't given total ntrol of his mic until Trouble Man, but for the most part he was tsted wh his is, Gaye didn't always tst that visn himself. Tracks like "Feel All My Love Insi" and "Soon I'll Be Lovg You Aga" (which clud the le "I'm gonna give you some head") reflected his to Marv Gaye's 'I Want You'Gaye and Ware holed up the artist's newly opened Marv's Room stud Los Angel, where they, along wh Motown's Funk Brothers ssn micians, spent chunks of 1975 and early 1976 workg on the album. Like he'd been dog on his prev rerds, Gaye multi-tracked himself sgg different also began experimentg wh a synthizer, which plemented the new mil directn Ware started steerg toward.

) Elements of jazz and doo-wop also found their way to the material, bridgg Gaye's '60s and early '70s mic wh a new all add up to a slightly disjoted but mostly ptivatg album that seemed like another turng pot for the artist, even upon s release on March 16, 1976.

The three-year break sce his last LP certaly had some effect here, but the mil leap had almost as much to do wh Gaye and Ware's bed weren't a whole lot of albums that sound like I Want You at the time, but the s sce, the album's "quiet storm" sound spired a genre, as well as an entire movement of neo-soul artists the '90s and beyond.

THE TRAGIC STORY OF MARV GAYE AND THE UNTIMELY ATH OF A SOUL LEGEND

1 stud sgle "Got to Give It Up" om the otherwise Live at the London Palladium album 1977, the next year's Here, My Dear and 1981's In My Lifetime ntued a downward turn Gaye's reer that eventually picked up wh 1982's Midnight Love and pecially the "Sexual Healg" sgle before his 1984 wasn't long, though, before I Want You and, even more notably, Here, My Dear beme rnerstone rerds Gaye's late reer. Wh progrs, 100 years we'll look back on the rerd as an album that broke down barriers and beme the blueprt on how to live harmonly wh each other and our, though, let's take a closer look at the makg of Gaye's masterpiece as the album reach s mid-life surround by a world still crisis.

HOW A 1979 BOXG MATCH BEME THE FIGHT OF MARV GAYE’S LIFE

The boss at Motown thought Gaye was jeopardizg his reer wh this albumIn the fall of 1970, Gaye was so exced about the prott album he had md — and the song "What's Gog On" that he'd jt fished — that he tracked down the head of Motown Rerds, Berry Gordy, who was on vatn the Bahamas, to tell him the ia. 'What's Gog On' almost beme a song for vol group the OrigalsIn mid-1970, after workg on the song wh lyricist Al Cleveland, Benson fally had a chance to play for Gaye after trackg him down on a golf urse.

Many of his fans pied his fashn sense, but Gaye later admted to bgrapher David Rz that he wore them to ver up a growg bald spot on the top of his head, and was tickled to see people wear them to look Gaye, wearg his signature toque.

MARV GAYE

Unlike most producers, Gaye sat down the Snakep wh the micians, leadg the rhythm sectn and playg piano stead of producg om behd the glass the Snakep, where What's Gog On was rerd. The end of 'The Sound of Young Ameri'Both the ont and rear ver shots for the album were taken the backyard of the hoe where Gaye and his wife were livg wh their son, Marv III. Jam Jamerson rerd his bass l while layg flat on his backThe story go that Gaye knew he wanted Motown ssn man and key Funk Brother Jam Jamerson to play bass on the rhythm tracks, so he followed Jamerson down to a lol Detro blu club where the bassist was playg the band.

Gaye axed him offstage and back to the stud, but Jamerson was so toxited he kept fallg off his stool durg the rerdg, so he lay flat on his back to lay down the bass riffs that were wrten out for him by arranger David Van DePte. Gaye was a nervo performer at the bt of tim, but on his namake day, four years sce his last performance, sred, stoned and wh a hired band of unr-rehearsed micians, Gaye panicked and accintally started wh "Right On, " the album's first song on the send si, playg the album back to ont.

KEY TRACKS: MARV GAYE’S I WANT YOU

SmokeThis album was the product of many wrers, among them Anna Gordy, Obie Benson, Al Cleveland, Elgie Stover, Jam Nyx and Earl Derouen, but Gaye always claimed there was one wrer on the album who didn't receive an album cred: Smokey Robson. Those vol loops were a happy accintAnother signature sound on the album was the layerg of Gaye's vols, his abily to back his own voice and harmonize wh himself over and over.

‘I WANT YOU’: MARV GAYE’S CARNAL CLASSIC

The three had bee close iends, and 1970 Farr and Barney both helped nvce Gaye that "What's Gog On" was the perfect song for him to sg, bolsterg the early argument om Benson. 'What's Happeng Brother'The song "What's Happeng Brother" me directly out of a nversatn between Gaye and his younger brother, Frankie, who had been to Vietnam and pleted a three-year tour of duty. 'The Curse Out Man'The songs "Fly' High ( the Friendly Sky)" and "God is Love" were wrten by Gaye, his wife, Anna, and his nfidante Elgie Stover, who was nicknamed "the curse out man" at Motown.

On the album's next track, "Save the Children, " Gaye shows his two other distct voic: his macho-man style of sgg, ed on his early R&B hs, and Gaye the preacher, his reasoned, level-head spoken-word ratnal voice (which is the ma voice you hear on the track). " Motown legend tells that was performed by sax player Thomas "Beans" Bowl, who was lled to the stud by Gaye a scramble the middle of the night to perform — but the tth is very flute on the song was played by a teenage girl named Dayna Hartwick. Most of the Motown producers found his "growlg" sax style out of date, but a late-night ssn Gaye paid Wild Bill $500 out of his own pocket to play his tenor sax across the whole album.

In 2001, to celebrate s 30th anniversary, was released as a double CD legacy edn, which clud the origal LP, Gaye's rejected "Detro Mix" of the album, the mono mix of the sgl and Gaye's first and only plete performance of the album, live at the Kennedy Center his native Washgton, D. In 2016, a special 45th anniversary vyl four-rerd set was released, expandg the Kennedy Center ncert, along wh a rerd store day 10" EP featurg the album's tle track reimaged as a duet wh Gaye and ntemporary Motown artist B.