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10/6/68: Marv Gaye sgs "The Star-Spangled Banner" prr to Game 4 of the World Seri at Tiger Stadium

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20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of the Natnal Anthem, set to a sultry rhythym-and-blu beat. * marvin gaye anthem *

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of "The Star-Spangled Banner. CNN Special: “What’s Gog On”: Marv Gaye’s Anthem for the Ag Anchored by CNN’s Don Lemon on Sunday, May 9th at 8pm, ET.

In 1971, while the Uned Stat was the midst of the Vietnam war and social unrt permeated the untry, Motown sger Marv Gaye took to the airwav wh a song of peace and nsc reflectn. In the CNN Special: What’s Gog On: Marv Gaye’s Anthem for the Ag airg Sunday, May 9th at 8pmET, CNN’s Don Lemon explor the impact and geni of Marv Gaye, his unprecented album and the anatomy of several inic hs om the rerd that reflect some of the most signifint challeng and divisns the natn today. In this documentary, Lemon nducts rare terviews wh mic legends Stevie Wonr and Smokey Robson and speaks to other Motown micians who were there wh Gaye as he rerd What’s Gog On, si the inic Hsville stud Detro.

MARV GAYE’S INIC NBA ALL-STAR GAME NATNAL ANTHEM: ‘HE TURNED THAT THG TO HIS OWN’

Anchored by CNN’s Don Lemon on Sunday, May 9th at 8pm, ET Promo clip:    In 1971, while the Uned Stat was the midst of the Vietnam war and social unrt permeated the untry, Motown sger Marv Gaye took to the airwav wh a song of peace a... * marvin gaye anthem *

CNN Special: What’s Gog On: Marv Gaye’s Anthem for the Ag will stream live for subscribers on May 9th via ’s homepage and across mobile vic via CNN’s apps for iOS and Android wh a log- to a ble provir. So much so, was nsired a big ask when then-Suns owner Jerry Colangelo went to CBS Sports print Bob Wsler 1975 requtg two mut at the top of the work’s upg broadst of the All-Star Game Phoenix so crooner Andy Williams uld sg “By The Time I Get to Phoenix” wh Henry Manci’s was to this vanilla void that stepped Marv Pentz Gay Jr., on Feb. Addg an E to his surname, Marv Gaye beme one of Motown’s biggt stars durg nearly two s wh the label, a mil leviathan whose semal 1971 album “What’s Gog On” was voted, almost 50 years later, as the greatt album of all time by Rollg Stone.

FEBARY 13, 1983: THE AFTERNOON MARV GAYE REVOLUTNIZED THE SGG OF THE NATNAL ANTHEM

“Marv Gaye was absolutely on the foreont of [artists tacklg societal issu]. He was an important guy, artistilly, at that time. He talked about issu that ronated the black muny a very meangful way.” — Kareem Abdul Jabbar On... * marvin gaye anthem *

But Gaye’s voice — stirrg, sultry and fiant all at once — had bee vox ’s reer was a paeon to survivg life’s tribulatns and perseverg. ”Seemgly at the last mute, Gaye arrived, walkg down the center aisle of the Fom, drsed to the n, wh a ssette tape his hand.

50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER

As a child, mician Devon Gilfillian remembers his father, a profsnal weddg sger, harmonizg wh Marv Gaye’s inic “What’s Gog On” album their livg room. While the groove of the mic was palpable, the lyrics were lost on a young Gilfillian. * marvin gaye anthem *

It was the dm track that had been laid down Saturday by Gaye and his longtime llaborator, guarist Gordon Banks, at Gaye’s sister’s hoe L.

But if Hoton’s adaptatn f neatly to the jgoistic narrative of a natn at war, Gaye’s versn spoke to a different kd of patrtism, one which Black Amerins were, still, wag for the untry to do what said was gog to do. ”In a 1987 Showtime special about his life and reer — premierg three years after Gaye was shot and killed 1984 by his father, Marv Gay Sr., followg an argument at his parents’ Los Angel home — Gaye said, “I felt that sgg wh that kd of mic the background gave me an spiratn. All-Star Game, they say, ‘That’s the Marv Gaye natnal anthem game, '” Thomas like the anthem were still sacrosanct.

FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983

Marv Gaye was the middle of a pretty remarkable eback when the NBA tapped him to perform the Natnal Anthem at the 1983 All-Star Game. After * marvin gaye anthem *

Gaye had sung the anthem before sportg events many tim, but wh more of the tradnal October 1968, Gaye sang the anthem Detro before Game 4 of the World Seri between the Tigers and Cardals. When Gaye sang the anthem at the World Seri, he sang straight, at the requt of the Tigers’ legendary play-by-play man, Ernie Harwell, who was charge of pickg anthem sgers durg the Seri.

”Years later, Gaye knew the signifince of the urt where he stood, the magnu of the players led up behd him and the timacy of the the end of the first le — which Gaye shortened to “Say, n you see, ” omtg the openg “Oh” — the crowd began gaspg and squealg. Rosen thought he was gog to be fired, after O’Brien, as Rosen relled, “tore me a new (one)” when Gaye was fished. Fortunately for Rosen, his immediate boss, the late Jerry Bs, the Lakers’ owner, loved Gaye’s rendn, so his job was time, what Bs regnized, what the players knew stantly, beme clearer to the mass.

MARV GAYE'S ALL-STAR GAME NATNAL ANTHEM PERFORMANCE: LOOKG BACK AT THE FG MOMENT OM 1983

The tensn and loss that drove Marv Gaye wasn't lost on his peers: In the same year as What's Gog On, a wave of Black artists released explosive new work that put s polics ont and center. * marvin gaye anthem *

What happened that one night Inglewood beme the watershed moment Gaye’s performance not only legimized the A-list worths of the NBA All-Star Game and the league self, but opened the door for future artists to exprs the diversy of the U.

Obama’s also got “Inner Cy Blu (Make Me Wanna Holler)” by Marv Gaye, “(St’ On) the Dock of the Bay” by Otis Reddg, “Reach Out I’ll be There” by The Four Tops and “Dr. Dre and Roger Troutman appears on the playlist, along wh hs like 80s tune "Walk Like an Egyptian" om The 's also got "Inner Cy Blu (Make Me Wanna Holler)" by Marv Gaye, "(St' On) the Dock of the Bay" by Otis Reddg, "Reach Out I'll be There" by The Four Tops and "Dr.

As a child, mician Devon Gilfillian remembers his father, a profsnal weddg sger, harmonizg wh Marv Gaye’s inic “What’s Gog On” album their livg room. In a recent terview for a new CNN documentary about Gaye’s work, tled “What’s Gog On: Marv Gaye’s Anthem for the Ag, ” the Grammy-nomated artist and activist relled redisverg the album jt before headg to a prott Nashville last summer. Marv Gaye was the middle of a pretty remarkable eback when the NBA tapped him to perform the Natnal Anthem at the 1983 All-Star Game.

‘MORE LIKE A STORY THAN A SONG’: HOW MARV GAYE’S ‘WHAT’S GOG ON’ REMAS RELEVANT 50 YEARS LATER

This is "Marv Gaye | Amerin Natnal Anthem" by Hog Database on Vimeo, the home for high qualy vios and the people who love them. * marvin gaye anthem *

While many of his Motown peers were trapped on the oldi circu, Gaye briefly seemed like he’d be a huge mercial force the MTV-era. Marv Gaye’s natnal anthem remas the most legendary moment of the game (and pretty much any other All-Star Game of the era). Gaye had a tremendo fan followg among NBA circl, cludg yteryear All-Stars like Isiah Thomas and Magic Johnson.

MARV GAYE’S NATNAL ANTHEM

We remember the memorable performance of the Natnal Anthem by sger Marv Gaye at the 1983 NBA All-Star game. * marvin gaye anthem *

The artistic eedom that never existed back the day found a new spark after the 1983 All-Star game when Marv Gaye surprised and pulled everyone together at The Fom wh his betiful rendn of the natnal anthem. This is thanks to the late legendary Marv Gaye, who opened the gat to a trend that has held up for s after his historic livery at the 1983 All-Star game. Fifty years ago, vibratg wh agatn and energy, Marv Gaye head down the wood steps to a Detro stud and ma his anthem for the ag.

Racial tensns, police ntroversy, environmental anxieti, a globe on edge — they were the topics on the ont burner when Gaye rebooted his mil reer and took ntrol of his creative visn si Motown. Three years after the 1967 rt and rebelln that transformed his adopted hometown, the 31-year-old Gaye was a ep and evolvg head space. Shaken by the ath of sgg partner Tammi Terrell, hnted by the Vietnam War stori of his younger Army vet brother, Gaye was an emotnal lightng rod wag to be zapped wh creative energy when Motown’s Obie Benson and Al Cleveland brought him their new posn about troubl across the land.

THE PLAYERS’ ANTHEM: WHEN MARV GAYE SANG ‘THE STAR-SPANGLED BANNER’ AT THE 1983 ALL-STAR GAME

Marv Gaye was a soul sger-songwrer wh Motown the 1960s and 1970s. He produced his own rerds and often addrsed ntroversial them. * marvin gaye anthem *

He would talk about beg aaid, ” relled Louva Demps, a member of the Andant vol group and a longtime iend of Gaye. As Benson reflected for Ben Edmonds’ 2001 book, “Marv Gaye: What’s Gog On, ” an dispensable acunt of the song and album:.

Feelg through the posn  the livg room of the latter’s northwt Detro hoe — Benson on guar, Gaye on piano — Gaye was moved, but was eager to prent  to the Origals, a Motown group he was now producg. Gaye relented, mted and promptly “fe-tuned the tune, ” as Benson put , tackg on jazzy flourish and a sense of realism. Unable to read or wre mic, Gaye tailed his sonic visn to jazz arranger Dave Van De Pte, who set about translatg to the micians.

MARV GAYE | AMERIN NATNAL ANTHEM

Thirty years later, Marv Gaye's rendn of 'The Star-Spangled Banner' stands alone. * marvin gaye anthem *

Marv Gaye, photographed the Motown stud nsole room early 1971 by Gordon Stapl, ncertmaster of the Detro Symphony Orchtra. In July, Gaye did four days of vol work, stumblg onto an effect that would bee his signature productn technique. Havg cut multiple lead vols, Gaye asked engeer Ken Sands to create a stereo tape wh two strong tak — one the left channel, one on the right — so he uld take not.

Gaye had been “all over the cy, soakg up Detro’s vib and moods as he was rerdg, ” wrote the Freep’s Bob Talbert, who was tight wh Gaye at the time. If Gaye was snng the ont pag of the Detro Free Prs landg on his doorstep  July 1970, he saw plenty of headl settg the mood he would take to the vol booth — a daily dmbeat of stori about protters clashg wh police, Detro air pollutn, ngrsnal battl over the Vietnam draft.

Though Motown had recently h big wh a pair of polilly tged Norman Whfield productns — the Temptatns’ “Ball of Confn” and Edw Starr’s “War” — Gaye’s leap ma the label chief nervo. In his 1994 memoir — where he owned up to his shortsightedns — Gordy reunted their ntent first phone ll about "What's Gog On, ” as Gaye clared his wish to “awaken the mds of mankd. Marv Gaye, clutchg one of three Image Awards received at the NAACP's 5th Annual Image Awards Show Hollywood, sgs "Lift Every Voice and Sg" wh awards chairman Maggie Hathaway and the Rev.

MARV GAYE ANTHEM

“A song like that — which is much more explic s lyrics — is kd of the extensn of what Marv Gaye and ‘What’s Gog On’ did years earlier, ” he said. Gaye’s rendn was a break tradn, and judgg by the enzied rponse of 17, 505 atten, Rosen knew plenty of people might fd disrpectful. It’s been 30 years sce Marv Gaye’s groundbreakg natnal anthem, and at this pot, ’s hard to qutn s impact on pop culture.

Venerable basketball wrer Jack McCallum says Gaye’s performance signified the league plantg s flag as “a cultural lear. ” Gaye’s bgrapher and iend David Rz says the performance offered a social mentary and revealed the sger’s soul.

Gaye, all Motown ol his dark su and manhole-size sunglass — lookg “rplennt, ” acrdg to Rosen — walked to center urt. The simple two-beat pattern me urty of Gaye and his guarist and mil director, Gordon Banks, who created Banks’s stud — a 4-by-4 closet. As Gaye neared the climax of the performance, the song started to seem personal; he was workg through what Rz lls his “emotnal sh.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Gaye and Banks worked on the song the day before the All-Star Game, wh the sger rehearsg on Saturday between the squads’ practic. Shaker watched Gaye rehearse wh a group of lleagu, cludg announcer Dick Stockton and the game’s director, Sandy Grossman. About a year later, on April 1, 1984, Gaye’s father, Marv Gay Sr., shot his son the cht and then aga at pot-blank range.

THE ALL-STAR ANTHEMPJ MCQUA/;PJ MCQUA/FACEBOOKTWTERFACEBOOK MSENGEREMAILPETE CROATTOFEB 15, 2013, 03:00 AM ETFACEBOOKTWTERFACEBOOK MSENGERPTERTEMAILPRTIT WAS EARLY AFTERNOON INGLEWOOD, CALIFORNIA, ABOUT 10 MUT BEFORE THE 12:30 P.M. TELEVISED START OF THE 1983 NBA ALL-STAR GAME, AND AMANDA MAYO WAS A BROOM CLOSET.TWENTY MUT EARLIER, A PANICKED LON ROSEN, THE LAKERS' DIRECTOR OF PROMOTNS, HAD ASKED THE 24-YEAR-OLD TEAM EMPLOYEE TO GET READY. THE PLANNED PREGAME ACT WAS NEARLY TWO HOURS LATE AND, SPE THE VERY HOLLYWOOD CROWD GATHERED AT THE FOM, ROSEN ULDN'T FD ANY SGERS TO FILL . SO THE HER WH PERFECT PCH, THE ACTRS'S DGHTER WHO HAD TALKED HER WAY TO THE TEAM'S ROTATN OF NATNAL ANTHEM SGERS, WOULD HAVE TO PERFORM.THE SMALL SPACE UNR THE FOM'S STAIRS WAS THE PREFERRED WARM-UP SPOT FOR MAYO, WHOSE MOTHER, JA BLAIR, WAS THE STAR OF A STRG OF MILS AND EDI THE 1940S. SHE DIDN'T MD THE LAST-SEND REQUTS. THERE WAS NO TIME TO OBSS OR WORRY, THOUGH SHE DID NTACT HER BROTHER AND LET HIM KNOW WHAT MIGHT BE G. "CALL EVERYBODY," SHE TOLD HIM.SURROUND BY NCRETE WALLS AND WH AN DIENCE OF A MOP AND BROOM, MAYO THOUGHT ABOUT THE MAGNU OF THE SCENE, AND THE EXCEMENT SURROUNDG THE MIL LEGEND SHE WAS ABOUT TO REPLACE. ONE THOUGHT, HOWEVER, LGERED ABOVE THE SPECTACLE."I REALLY WANTED HIM TO SHOW UP THE END," SHE REMEMBERS.HE DID.ROSEN LISTENED TO MARV GAYE'S TAKE ON "THE STAR-SPANGLED BANNER" OM THE SRER'S TABLE AT CENTER URT. HE LOVED WHAT HE HEARD, BUT STILL HAD NCERNS. GAYE'S RENDN WAS A BREAK TRADN, AND JUDGG BY THE ENZIED RPONSE OF 17,505 ATTEN, ROSEN KNEW PLENTY OF PEOPLE MIGHT FD DISRPECTFUL. ONE THG, HOWEVER, WAS IMMEDIATELY CLEAR: NBA MISSNER LARRY O'BRIEN SURE DID.DURG THE FIRST QUARTER, O'BRIEN LET ROSEN HAVE . THE NVERSATN WAS SHORT AND "VERY LORFUL," SAYS ROSEN, WHO CLED TO GO TO SPECIFICS.MARV GAYE HAD BEEN ONE OF ROSEN'S MIL HERO. NOW ROSEN WAS SURE GAYE WAS GOG TO GET HIM FIRED. AT HALFTIME, ROSEN HAD TO CHECK WH LAKERS OWNER JERRY BS. THE WALK TO THE PRIVATE BOX WAS EXCCIATGLY LONG; FELT LIKE HE WAS HEADG TO THE PRCIPAL'S OFFICE."WHAT'S THE MATTER?" BS ASKED.ROSEN TOLD HIM."THAT WAS THE GREATT ANTHEM OF ALL TIME," BS REPLIED. "ARE YOU KIDDG?"IT'S BEEN 30 YEARS SCE MARV GAYE'S GROUNDBREAKG NATNAL ANTHEM, AND AT THIS POT, 'S HARD TO QUTN S IMPACT ON POP CULTURE. GAYE ME BEFORE WHNEY HOTON'S TRIUMPH TAMPA … AND FOR ROSEANNE BARR'S CROTCH-GRABBG EMBARRASSMENT SAN DIEGO. AND HIS RENDN FLUENCED THE NBA, WHOSE "HISTORY WAS BEG VENTED AS WE SPOKE," SAYS GOLN STATE WARRRS PRINT RICK WELTS, WHO WORKED THE LEAGUE OFFICE OM 1982 TO 1999 AND CREATED ALL-STAR WEEKEND. VENERABLE BASKETBALL WRER JACK MCCALLUM SAYS GAYE'S PERFORMANCE SIGNIFIED THE LEAGUE PLANTG S FLAG AS "A CULTURAL LEAR."AT THE TIME, HOWEVER, "YOU DIDN'T HEAR PASSNATE VERSNS OF 'THE STAR-SPANGLED BANNER,' WHICH IS WHY 'S A MISTAKE TO HAVE AT 10,000 BASEBALL GAM," SAYS MIC WRER DAVE MARSH. "IT DILUT THE MEANG THE SONG HAS. IT'S SOMETHG THAT ALONG LIKE THE FIVE O'CLOCK TRA." GAYE'S BGRAPHER AND IEND DAVID RZ SAYS THE PERFORMANCE OFFERED A SOCIAL MENTARY AND REVEALED THE SGER'S SOUL. IT WAS A CHALLENGE TO THE AMERIN JGOISM EMBRACED BY PRINT REAGAN — AND AN SI JOKE: HERE'S A FUNKY, DISTCTIVELY BLACK VERSN THAT'S REPRENTATIVE OF WHAT'S ON THE URT.MARV GAYE'S NATNAL ANTHEMAUD CLIPS URTY OF GAYE'S GUARIST AND MIL DIRECTOR, GORDON BANKS. THE FIRST IS GAYE PRACTICG WH A DIFFERENT BEAT; THE SEND IS THE BEAT ED AT THE ALL-STAR GAME.CLICK HERE FOR D

While Gaye did handstands on the anthem’s proper stylistic plank, Commissner O’Brien locked his ey on Brian McIntyre, then the NBA’s director of public relatns.

Harwell told Los Angel magaze 2003 that the Tigers’ ont office had him ask Gaye to take “a ltle more tradnal” approach to the anthem, and Gaye agreed. The next day, he and his boss, Bob Steer, posed a form letter to rpond to grip the Lakers had received about Gaye’s performance.

Gaye, a lchp of swagger, walked to center urt at The Fom a ep blue su — jacket buttoned — wearg dark shas urty of an NBA gift package that had been distributed to all media and VIP guts. Whether or not he knew , though, as much as Gaye found spiratn the athlet who stood behd him on The Fom’s urt, they found as much if not more him.

GAYE PERFORMS ANTHEM

The two-time NBA champn and Fals MVP lghs at the memory of first meetg Gaye Hollywood — alongsi Johnson — at the famo and famo The Palladium. Abdul-Jabbar, on a break om the book tour for his Beg Kareem: On and Off the Court, rells nng to Gaye at stud ssns for his iend Stevie Wonr’s 1976 Songs In The Key of Life. It was a simple beat dubbg a dm track done by Gaye’s guarist and mil director Gordon Banks and a keyboard track that Gaye laid down himself.

” For a two-mute stretch, the basketball world revolved around Marv Gaye and wh his gravatnal pull were MVPs, world champns, former Rooki of the Year, future Hall of Famers and 17, 505 people the stands. “I remember the nversatn beg the game was great, ” said Ths, “but that wasn’t anywhere near as good as Marv Gaye.

FLASHBACK: MARV GAYE GROOV UP NATNAL ANTHEM AT 1983 NBA ALL-STAR GAME

The versn sung by Whney Hoton at the 1991 Super Bowl is the only other anthem close to a parison to Gaye’s rendn, their ey. Four hundred and fourteen days after his anthem, on April 1, 1984, Gaye was murred by his father, Marv Gay Sr., a day shy of what would have been Marv Jr. He most certaly moved Riley, who keeps hours upon hours upon hours of Gaye’s and Motown’s greatt hs near him at all tim.

*BEAR-MAGAZINE.COM* MARVIN GAYE ANTHEM

Flashback: Marv Gaye Reimag ‘The Star-Spangled Banner’ 1983 – Rollg Stone .

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