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Rafael Os, Gays and the Cuban Revolutn: The Case of Realdo Arenas, Lat Amerin Perspectiv, Vol. 29, No. 2, Genr, Sexualy, and Same-Sex Dire Lat Ameri (Mar., 2002), pp. 78-98

Contents:

9 LGBT POETS TO KNOW AND LOVECELEBRATG THE GREAT LGBT POETS OF THEN AND {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY CODY GOHLSEPTEMBER 25, 2015/12:11 PMBY CODY GOHLSEPTEMBER 25, 2015 / 12:11 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"9 LGBT POETS TO KNOW AND LOVE","DATEPUBLISHED":"2015-09-25T16:11:00.000+0000","DATEMODIFIED":"2015-09-25T16:11:00.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"CODY GOHL","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR AS LONG AS THERE’S BEEN LANGUAGE, WRERS AND STORYTELLERS HAVE CRAFTED POETRY TO TEASE MEANG OUT OF THE CHAOS. GREAT POETRY REVEALS UNTO S REARS NEW AND PROFOUND TTHS ABOUT LIFE, AND WORKS TO TACKLE THE BIG UNANSWERABL OF LOVE, LOSS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: 7 INTERNATNAL LGBT ACTIVISTS YOU NEED TO KNOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS ARISTOTLE SO WISELY PUT , "POETRY IS FER AND MORE PHILOSOPHIL THAN HISTORY; FOR POETRY EXPRS THE UNIVERSAL, AND HISTORY ONLY THE PARTICULAR." WHILE NOT ALL POETRY REACH ALL REARS, WHEN THE RIGHT POEM IS READ AT THE RIGHT TIME BY THE RIGHT PERSON, THE EFFECTS N BE TLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR THOSE LOOKG TO DIG TO SOME NUANCED AND EYE-OPENG POETRY THAT ALS WH QUEER THEM, CHECK OUT OUR LIST BELOW FOR A SMALL SAMPLG OF SOME GREAT LGBT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}1. WALT WHMAN (1819-1892){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A MASCULE SWAGGER, A THICK MANE OF SILVER HAIR AND A MISCHIEVO TWKLE HIS EYE, WALT WHMAN WAS, WHOUT QUTN, THE ORIGAL DADDY BEAR. AND THOUGH, GIVEN THE TIME PERD WHICH HE LIVED, WAS IMPOSSIBLE FOR HIM TO BE FULLY “OUT,” THE BUOYANT POETRY HIS OP LEAV OF GRASS IS LICLY HOMOEROTIC AND SPEAKS EFFIVELY OF THE RICH LOVE SHARED BETWEEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PL, HE’S MORED TO HAVE HAD A SHORT TRYST WH THE MUCH YOUNGER OSR WIL, WHO REFERRED TO WHMAN SIMPLY AS "DADDY." (*GULP*){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WE TWO BOYS TOGETHER CLGG”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE TWO BOYS TOGETHER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE THE OTHER NEVER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UP AND DOWN THE ROADS GOG, NORTH AND SOUTH EXCURSNS MAKG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}POWER ENJOYG, ELBOWS STRETCHG, FGERS CLUTCHG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARM'D AND FEARLS, EATG, DRKG, SLEEPG, LOVG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO LAW LS THAN OURSELV OWNG, SAILG, SOLDIERG, THIEVG, THREATENG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MISERS, MENIALS, PRITS ALARMG, AIR BREATHG, WATER DRKG, ON THE TURF OR THE SEA-BEACH DANCG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CI WRENCHG, EASE SRNG, STATUT MOCKG, FEEBLENS CHASG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FULFILLG OUR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}2. CHARLOTTE MEW (1869-1928){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH HARDLY A HOEHOLD NAME TODAY, CHARLOTTE MEW MA HER MARK AT THE TURN OF THE TWENTIETH CENTURY AS ONE OF THE LAST GREAT POETS OF THE VICTORIAN ERA. IN LERARY CIRCL OF THE TIME, SHE WAS KNOWN FOR HER DISTCTIVE MASCULE STYLE OF TAILORED SUS, SHORT CROPPED HAIR, HABUAL SMOKG AND A PREFERENCE FOR ARSELY STRONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SHE NEVER EXPLICLY REFERRED TO HER QUEERNS HER POETRY, BUT MANY OF HER POEMS AL WH UNREQUED LOVE, OFTEN OM A MALE PERSPECTIVE. CONTEMPORARY REARS SPECT THIS PALPABLE HEARTACHE OM HER ABILY TO FULLY REALIZE HER QUEER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “ON THE ROAD TO THE SEA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE PASSED EACH OTHER, TURNED AND STOPPED FOR HALF AN HOUR, THEN WENT OUR WAY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WHO MAKE OTHER WOMEN SE DID NOT MAKE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT NO MAN N MOVE MOUNTAS A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO THIS HARD THG IS YET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT FIRST I WANT YOUR LIFE:--BEFORE I DIE I WANT TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WORLD THAT LI BEHD THE STRANGENS OF YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE IS NOTHG GAY OR GREEN THERE FOR MY GATHERG, MAY BE,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YET ON BROWN FIELDS THERE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HNTG PURPLE BLOOM: IS THERE NOT SOMETHG GREY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND GREY SEA?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT WHAT WORLD THERE IS BEHD YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT YOUR LIFE AND YOU WILL NOT GIVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}3. FRANK O'HARA (1926-1966){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PROMENT FIGURE OF THE NEW YORK SCHOOL (A GROUP OF ARTISTS NEW YORK CY SPIRED BY ABSTRACT EXPRSNISM, JAZZ AND SURREALISM), FRANK O’HARA DAZZLED THROUGHOUT THE 50S AND 60S WH HIS WILDLY HILAR, URGENT AND PERSONAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O’HARA INTIFIED OPENLY AS A GAY MAN AND KEPT A WI CIRCLE OF IENDS AND LOVERS, MANY OF WHOM HE EXPRSIVELY PTURED HIS TRAMARK NFSNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “HAVG A COKE WH YOU”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT YOU AND I WOULD RATHER LOOK AT YOU THAN ALL THE PORTRAS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EXCEPT POSSIBLY FOR THE POLISH RIR OCSNALLY AND ANYWAY ’S THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH THANK HEAVENS YOU HAVEN’T GONE TO YET SO WE N GO TOGETHER THE FIRST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THE FACT THAT YOU MOVE SO BETIFULLY MORE OR LS TAK RE OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JT AS AT HOME I NEVER THK OF THE NU DCENDG A STAIRSE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REHEARSAL A SGLE DRAWG OF LEONARDO OR MICHELANGELO THAT ED TO WOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WHAT GOOD DO ALL THE REARCH OF THE IMPRSNISTS DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN THEY NEVER GOT THE RIGHT PERSON TO STAND NEAR THE TREE WHEN THE SUN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OR FOR THAT MATTER MARO MARI WHEN HE DIDN’T PICK THE RIR AS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;} SEEMS THEY WERE ALL CHEATED OF SOME MARVELO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH IS NOT GOG TO GO WASTED ON ME WHICH IS WHY I AM TELLG YOU ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}4. REALDO ARENAS (1943-1990){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BORN AND SCHOOLED CUBA, THE LIFE OF QUEER POET REALDO ARENAS WAS A LIFE MARKED BY TRAGEDY. IN THE 60S, AS HE SERVED AS EDOR AND JOURNALIST FOR A SLEW OF LERARY MAGAZ HAVANA, HIS OPENLY GAY LIFTYLE RAN DIRECT OPPOSN TO THE COMMUNIST REGIME OF THE UNTRY, RULTG HIS IMPRISONMENT 1974 FOR “IOLOGIL VIATN."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WAS PLACED THE NOTOR EL MORRO CASTLE ALONGSI VLENT RAPISTS AND MURRERS, WHERE HE MANAGED TO SURVIVE BY HELPG MAT WRE LOVE LETTERS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONCE HE PED TO THE UNED STAT 1980, HE WROTE PROLIFILLY OF HIS EXPERIENC CUBA, PRODUCG POETRY THAT WAS RAW AND LARGELY TOBGRAPHIL. ARENAS NTRACTED AIDS 1987 AND EVENTUALLY MTED SUICI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “AS LONG AS THE SKY WHIRLS: FOR LáZARO GóMEZ”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE MY REMPTN AND MY DOOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAGIC VISN,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LILY UNRWEAR,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SALVATN AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVERY NIGHT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO FERNAL ULD BE A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE I HAVE TO TAKE RE THAT THAT WOULD NOT HARM YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO JOY WOULD GO BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE SOME WAY I HAVE TO REVEAL TO YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE THE TTH OF MYSELF,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SONG AND THE VENOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DANGER AND THE ECSTASI,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE VIGIL AND THE SLEEP,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DREAD AND THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY WHIRLS . . . BUT PERHAPS THE SKY WHIRLS?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL: AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}5. EILEEN MYL (B. 1949){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOVG OM BOSTON TO NEW YORK 1974 TO “BE A POET,” EILEEN MYL HAS SCE STAKED HER CLAIM AS ONE OF THE MOST PROLIFIC AND PELLG POETS WRG TODAY. HER VERSE, SPANNG OVER TWENTY VOLUM OF POETRY, FICTN AND NONFICTN, IS ELECTRIC S IMMEDIACY, AND OFTEN FOC ON HER RELATNSHIPS WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MYL HAS BEEN THE RECIPIENT OF UNTLS AWARDS AND FELLOWSHIPS, NOTABLY THE LAMBDA BOOK AWARD ( 1995, 1998 AND 2011), WHICH HONORS AND CELEBRAT LGBTQ FOCED WORK AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “DEAR ANDREA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I LOVE YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON’T F*CK UP MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I N’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FISTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT WAS GREAT. {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}6. RICHARD BLAN (B. 1968){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}INTIFYG OPENLY NOT ONLY AS A GAY MAN, BUT ALSO AS AN IMMIGRANT AND A CUBAN-AMERIN, POET RICHARD BLAN’S WORK GRAPPL WH THE TENSN THAT WH ASSUMG INTI THAT OFTEN N DIRECT NFLICT WH ONE ANOTHER. HIS VERSE IS STRAIGHTFORWARD AND HONT, RELYG ON NARRATIVE OVER METAPHOR TO MENT ON THE PLITED NATURE OF INTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT IS PERHAPS BEE OF THIS FOC THAT BLAN WAS CHOSEN TO SERVE AS THE GURAL POET AT PRINT BARACK OBAMA’S SEND GURATN 2013. THIS MA HIM THE FIRST LATO, THE FIRST IMMIGRANT AND THE FIRST OPENLY GAY PERSON TO EVER DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “SCE UNFISHED”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I’VE BEEN WRG THIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WOMAN I SLEPT WH THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF MY FATHER’S WAKE, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MY GRANDMOTHER FIRST LLED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A FAGGOT AND I SAID NOTHG, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I FAVE HER AND MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PRSED HARD AGAST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON THE DANCE FLOOR AT TWIST, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YEARS SPENT WH A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND MEN I KNEW I ULDN’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}7. TRACE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACE PETERSON, A POET AND TOR, IS AT THE FOREONT OF THE CHARGE TO CREASE TRANSGENR REPRENTATN AND VISIBILY POETRY. A TRANSWOMAN HERSELF, PETERSON WILL BE TEACHG THE FIRST EVER URSE TRANSGENR POETRY THIS FALL AT HUNTER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE URSE, NOT UNLIKE PETERSON’S OWN POETRY, WILL AIM TO LIFT DISCSNS OF TRANS INTY OUT OF THEORY AND METAPHOR AND BRG DOWN TO THE REAL LIVED EXPERIENC OF TRANS INTIFIED WRERS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A READG OF HER POEM "AFTER BEFORE AND AFTER":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}8. ANDREA GIBSON (B. 1975){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANDREA GIBSON, WHO ALSO GO BY ANDREW, IS AN AWARD-WNG POET AND ACTIVIST WHOSE WORK FOC ON GENR NORMS, LGBTQ ISSU AND SOCIAL REFORM, AS WELL AS THE BROAR TOPICS OF LOVE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THEY’VE GAED NOTORIETY OVER THE LAST FOR THEIR STIRRG SPOKEN WORD PERFORMANC, WHICH BRG TO LIFE THE LORFUL IMAGERY AND EXUBERANCE OF THEIR POETRY WH AN EMBOLNG FEARLSNS. THEIR WORK HAS BEEN REGNIZED NSISTENTLY AT THE NATNAL POETRY SLAM AND THE SUCCS OF THE CHAPBOOKS THEY’VE RELEASED WH WRE BLOODY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF THEIR POEM, “MAYBE I NEED YOU”:{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}9. DANEZ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A SLEW OF SLAM POETRY PETNS AND WRG FELLOWSHIPS UNR HIS BELT, DANEZ SMH HAS TABLISHED HIMSELF AS AN EMPOWERG VOICE FOR YOUNG QUEER BLACK MEN. HIS POETRY IS TENSE, TACKLG ISSU OF RACIAL DISCRIMATN AND HOMOPHOBIA WH A POIGNANCY THAT MAK EVEN HIS MOST SPERATE PLEAS RG WH A ROUNDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF HIS POEM, "DEAR WHE AMERI":{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Richard Blan grew up a Cuban immigrant and gay, and says speaks to Ameri’s strengths that he was chosen to read a poem to the natn. * cuban gay poet *

Adalberto Roque/Agence France-Prse — Getty ImagJuly 28, 2015When Richard Blan read his poem “One Today” at Print Obama’s send guratn 2013, he was the first immigrant, Lato and openly gay poet to do Blan, 47, was born Spa and raised Miami by parents who left Fil Castro’s Cuba.

Bee of this Ruth Behar and I created our blog for Cubans everywhere to nnect and work through the chang through storytellg and cultural impact do you thk this new relatnship might have on rights for lbian, gay, bisexual and transgenr people on the island? And though, given the time perd which he lived, was impossible for him to be fully “out, ” the buoyant poetry his op Leav of Grass is licly homoerotic and speaks effively of the rich love shared between, he’s mored to have had a short tryst wh the much younger Osr Wil, who referred to Whman simply as "Daddy. Contemporary rears spect this palpable heartache om her abily to fully realize her queer passed each other, turned and stopped for half an hour, then went our way, I who make other women se did not make you--But no man n move mountas a this hard thg is yet to first I want your life:--before I die I want to seeThe world that li behd the strangens of your ey, There is nothg gay or green there for my gatherg, may be, Yet on brown fields there liA hntg purple bloom: is there not somethg grey skiAnd grey sea?

RICHARD BLAN BE AMERI’S FIRST LATO, OPENLY GAY GURAL POET

Openly gay poet Richard Blan reads his poem "Matters of the Sea" at the re-openg of the U.S. Embassy Havana, Cuba. * cuban gay poet *

O’Hara intified openly as a gay man and kept a wi circle of iends and lovers, many of whom he exprsively ptured his tramark nfsnal you and I would rather look at you than all the portras the worlxcept possibly for the Polish Rir ocsnally and anyway ’s the Frickwhich thank heavens you haven’t gone to yet so we n go together the first timeand the fact that you move so betifully more or ls tak re of Futurismjt as at home I never thk of the Nu Dcendg a Stairse orat a rehearsal a sgle drawg of Leonardo or Michelangelo that ed to wow meand what good do all the rearch of the Imprsnists do themwhen they never got the right person to stand near the tree when the sun sankor for that matter Maro Mari when he didn’t pick the rir as refullyas the horse seems they were all cheated of some marvelo experiencewhich is not gog to go wasted on me which is why I am tellg you about 4. In the 60s, as he served as edor and journalist for a slew of lerary magaz Havana, his openly gay liftyle ran direct opposn to the Communist regime of the untry, rultg his imprisonment 1974 for “iologil viatn. 1968)Intifyg openly not only as a gay man, but also as an immigrant and a Cuban-Amerin, poet Richard Blan’s work grappl wh the tensn that wh assumg inti that often n direct nflict wh one another.

His poetry is tense, tacklg issu of racial discrimatn and homophobia wh a poignancy that mak even his most sperate pleas rg wh a roundg strength. She sred me to a closet so ep and dark that the ia of livg as a gay man was pletely, like a reer arts, out of the realm of possibili. And so, like many gay men of my generatn, I led a straight life, and was even engaged twice to be married, until I me out my mid-20s.

• Realdo Arenas (1943-1990), openly gay poet, novelist, and playwright, thor of Ant que anochez • Silvtre Balboa y Troya Quada, (1563-1649), thor of Espejo Paciencia (1608), first known Cuban narrative poem • Miguel Bar, anthropologist and ttimonialist • Anton Benez-Rojo (1931-), thor and cric • Pedro Luis Boel (1931-1972), poet and dissint • Mariano Bll (1891-1956), postmorn poet • Lydia Cabrera (1899-1991), anthropologist and poet • Guillermo Cabrera Infante (1929-2005), novelist, thor of Tr trist tigr • Alejo Carpentier (1904-1980), novelist, thor of El reo te mundo • Julián l Casal, 19th century poet • Ernto Juan Castellanos (1963-), English translator, journalist, and thor of Los Beatl en Cuba: Un viaje mági y misterso, El sargento Pimienta vo a Cuba en un submaro amarillo, La guerra se aba – si tú quier, and John Lennon en La Habana wh a ltle help om my iends • Daína Chaviano, novelist and short-story wrer • Enrique Cil (1938-), novelist and sayist, thor of El Imper La Habana • Edmundo Dno, novelist, thor of Memorias l Subsarrollo • Jús Díaz (1941-2002), novelist, filmmaker, and tellectual, founr of the fluential cultural magaze Encuentro • Eliseo Diego (1920-1996), poet • Eliseo Alberto Diego, novelist, son of Eliseo Diego (above) • Norberto Fuent (1943-), thor and journalist • Gertdis Gómez Avellaneda (1814-1873), novelist, playwright, and poet, thor of Sab (1842) and Baltasar (1858) • Nilás Guillén (1902-1989), Ao-Cuban poet • Pedro Juan Gutiérrez (1950-) “dirty realist” novelist, poet, and pater • José María Heredia y Heredia (1803-1839), poet • Carilda Oliver Labra (1924-), poet • José Lezama Lima (1910-1976), novelist and poet, thor of Paraíso • Dulce María Loynaz (1902-1997), poet • Roberto Manzano (1949-) poet • José Martí (1853-1895), poet, journalist, cric, translator, and patrt • Nancy Morejón (1944-), Ao-Cuban poet • Juan Cristobal Napol Fajardo (1829-1862), wrer of Siboneyista poetry • Heberto Padilla (1932-2000), poet • Leonardo Padura Fuent (1955-), novelist and journalist • Virgil Piñera (1912-1979), thor, playwright, poet, short-story wrer and sayist • Caridad Piñeiro (1958 –), thor of paranormals, romanc and women’s fictn • José Ignac Rivero (1920-), exiled journalist • Raúl Rivero (1945-), dissint poet and journalist • Severo Sarduy (1937-1993), neobaroque poet • Ana María Simo, playwright, sayist and lbian activist.

WATCH: GAY POET RICHARD BLAN READS HIS POEM ‘MATTERS OF THE SEA’ AT U.S. EMBASSY OPENG CUBA

The first immigrant and the first openly gay man to be the gural poet, the Cuban-born thor talks about exile, his new memoir, and the forc that formed him. * cuban gay poet *

He is joed by openly gay poet Richard Blan, who was asked by the Department of State to pose a new poem for the ocsn, “Matters of the Sea” or ” “Cosas Del Mar. However, general, Lat Amerin untri' sense of homosexualy is very different than the Uned Stat or – you know, the sense of homophobia is not a relig-based sort of homophobia but one about machismo….

The award-wng Cuban-Amerin gay poet Richard Blan is set to bee the first ever Hispanic or homosexual person to rece a poem at the US print's swearg-, 44, will also bee the youngt ever gural poet when he rec a poem of his own posn on 21 January.

His poetry, om his first llectn Cy of a Hundred Fir, to his third, Lookg for the Gulf Motel, published last year, als wh "the llective Amerin experience of cultural negotiatn through the lens of fay and love, particularly his mother's life shaped by exile, his relatnship wh his father, and the passg of a generatn of relativ" said the guratn's anisers, as well as his life as a Cuban-Amerin gay man. Richard Blan ma wav 2013 when he was the first immigrant, Lato, and openly gay man to be the gural Madrid as his fay was fleeg Cuba, Blan grew up, as many exil did, Miami, a fay tryg to recreate the culture and muny that was month, Blan is out wh a memoir, The Prce of Los Cocuyos, that is equal parts touchg, heart-ache-ducg, and lgh-out-loud funny.

GAY CUBAN-AMERIN POET TO RECE AT OBAMA'S GURATN

Gay Cuban-Amerin poet Richard Blan reads his poem “Matters of the Sea” missned for the ceremony held today at the reopeng of the U.S. Embassy * cuban gay poet *

I feel like that moment where one has to talk about a woman a sexual way ont a group of guys is a re of passage for gay men. All those ltle moments of “passg, ” of negotiatg, of not even havg language to say I’m straight or gay, but thkg about what are your preferenc and why are you different om the others but not beg able to say what that is or put a fger on or say to yourself—that’s really an amazg procs of beg who you already memoir is not jt about you g to terms wh you beg gay, but also you g to terms wh your cultural inty.

” One of the thgs I uldn’t help feelg when readg her say that, seems to be a greater tolerance for homosexualy Lat Ameri than people the U. One of the thgs I disvered throughout wrg this terms of my relatnship wh my grandmother was realizg that the crime wasn’t beg gay, the crime was beg effemate. It was also generatnal, she knew that if you were gog to be out there, and actg all “gay, ” you were gog to n to a lot of issu and have a lot of trouble, and so a way she was tryg to protect me.

RICHARD BLAN’S GAY LATO POET SURVIVAL K

For years, Richard Blan’s and my mom have been quietly talkg about — their gay Cuban children. * cuban gay poet *

” I thk ’s entrenched culturally the Caribbean and a lot of Lat Ameri which om machismo and that legacy, the ia that you’re a man, first of all, and then there’s beg there wasn’t nial that homosexualy exists. In some ways they say Lat Amerin culture is one of the most homoerotic, and I don’t know if homoerotic is the right words, but there’s the weird irony bee men are not aaid to kiss or hug but the other si of the , is this pretense of machismo.

I thk ’s certaly different than the Anglo/Amerin tradn which homosexualy is the pk elephant the room nobody wants to talk you were gog back to your first lov the memoir—I ll them first lov even thought nothg sexual happened—do you feel regret about not gog for and kissg Ariel or Victor? Gay Cuban-Amerin poet Richard Blan reads his poem “Matters of the Sea” missned for the ceremony held today at the reopeng of the U.

”So when I heard today’s news — that this sweet, kd, talented, geo and big-hearted Cuban gay man had been tapped as Print Barack Obama’s gural poet for his send swearg — I had to take a breath and hold my ’d thk at my age, after the moon landg and the first black print and nanotechnology and beg a first time mom my 50s and seeg my own mom light up wh joy over her lbian-mommed grandson, that I uldn’t possibly be swept away wh any kd of inty-polics related when my wife first mentned Richard’s appotment this morng, I was happy and surprised. Blan will bee the fifth poet history to read an official guratn poem and the first Lato and openly-gay poet to have the honor. Blan will bee the fifth poet history to read an official guratn poem and the first Lato and openly-gay poet to be given the honor.

GAY CUBAN-AMERIN POET RICHARD BLAN READS HIS POEM AT REOPENG OF U.S. EMBASSY IN CUBA

Blan will bee the fifth poet history to read an official guratn poem and the first Lato and openly-gay poet to have the honor. * cuban gay poet *

The youngt, first Lato, immigrant, and gay person to serve such a role, Blan read “One Today, ” an origal poem he wrote for the ocsn, at Obama’s guratn ceremony on January 21, 2013. Whether speakg as the Cuban Blan or the Amerin Richard, the homebody or the world traveler, the shy boy or the openly gay man, the engeer or the printial gural poet, Blan’s wrgs posss a story-rich qualy that illumat the human spir.

Of urse, the first impulse was — bee I was the youngt, first openly gay, first Hispanic or Lato — the first impulse was: I have to reprent all this the poem, and sort of be more of an -your-face kd of poem. On his Cuban grandmother "My grandmother was as xenophobic as she was homophobic, so I remember growg up so that anythg that seemed culturally odd or weird or strange was also sort of tagged as 'queer' — and I'm talkg like thgs like Legos and F Loops — so anythg she perceived as strange she also qutned terms of my sexualy....

RICHARD BLAN — GAY, LATO POET — CHOSEN FOR GURATN

* cuban gay poet *

The Cuban ernment’s imprisonment of LGBTQ+ Cubans to the labor mps monstrat an act of great opprsn by the ernment toward gay Cubans. Th, the qutn this paper seeks to answer is: How has the Cuban ernment’s treatment of homosexuals durg the Revolutn veloped toward the ernment’s treatment of gay Cubans the prent? The First Perd (1965-1979) began 1965 bee this year was when the ernment tablished the UMAPs and imprisoned gays them.

The First Perd ends 1979 bee this year marks a shift the ernment’s treatment of gays through the ernment’s extensn of rights to LGBTQ+ dividuals by removg the regnn of homosexualy as a crime om the Cuban penal . Before this paper begs wh an analysis of each perd, ntextual rmatn on the affairs of the gay muny the Cuban pre-Revolutnary era is provid. Os, a Lat Amerin lerature historian, c the work of Simo, a playwright and novelist, and Garcia Ramos, a poet, to argue that pre-revolutnary arts and lerature Cuba exhibed “openly or discreetly homosexual liftyl” (2002, 92).

Os also c the work of Simo and Garcia Ramos to claim that “an evint homosexual sensibily” was felt Cuban mic the 1950s and 1960s (2002, 92). A different perspective on the pre-revolutnary life of Cuban gays is ntend by Arguell, a former profsor of Xinx/Latx Studi, and Rich, a scholar and cric of Lat Amerin and queer films.

*BEAR-MAGAZINE.COM* CUBAN GAY POET

Gay Cuban-Amerin Poet Richard Blan Reads His Poem At Reopeng Of U.S. Embassy In Cuba - The Randy Report .

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