GAY BAR | Kirk Reviews

Contents:

• A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME
• GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT
• GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR
• IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
• 'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
• GAY BAR
• GAY BAR: WHY WE WENT OUT
• REVIEW: WRER EXPLOR GAY BARS AS REVOLUTNARY SPAC
• WHY OUR HISTORI WH GAY BARS MATTER — AND WHAT THEIR FUTURE MIGHT LOOK LIKE AFTER THE PANMIC
• GOG OUT OUT: MY LIFE GAY BARS
• GAY BAR: BOOK SUMMARY AND REVIEWS OF GAY BAR BY JEREMY ATHERTON L

A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME

AdvertisementSKIP Jeremy Atherton LWhen you purchase an penntly reviewed book through our se, we earn an affiliate 9, 2021GAY BARWhy We Went OutBy Jeremy Atherton LHistory, as is tght, is a straight le of domo fallg — the relentls clack of fact htg fact, an orrly que of aly stretchg on forever.

History, as is lived, is a reelg spiral of flight and return; the erative reawakeng of new selv faiar plac; a never-endg terrogatn of our own nfed and nfg motiv; a msy slather of dots on a graph where the center n be plotted only Atherton L’s betiful, lyril memoir, “Gay Bar: Why We Went Out, ” cloaks this lived history that learned history, examg an objective subject — gay bars — to create a highly subjective object: a book about his life, flensed down to jt the bs that ma past the chapter foc on one particular gay bar (jumpg om London to Los Angel to San Francis and back), s history and s place the trajectory of Atherton L’s life.

GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT

Atherton L himself is renred only relatn to the bars he walks through; you’ll fd yourself hard-prsed at the end to say where he was born or how many siblgs he has (and you won’t re) Atherton L has a five-octave, Mariah Carey-que range for discsg gay sex. Like any good gay bar, this book has a bouncer, and his name is is Atherton L’s first book, but benefs om his extensive experience as an sayist and an edor of Failed Stat, a journal about plac.

“Gay Bar” is well crafted (which is pecially pleasg nsirg this is a memoir about stctur), wh a strong thorial hand that mak the rear feel refully shepherd through the text, even as Atherton L jumps s and ntents.

GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR

When he discs an important 1966 prott at the historic Greenwich Village gay bar Juli’, he c a New York Tim article to talk about the “tr of activists” volved — not realizg that the article left out a fourth man, Randy Wicker (the only one still alive, cintally enough) a half page later, though, Atherton L warns that spe the activist claim that gay bars “should be kept open to facilate knowledge passg between generatns, ” he himself had never really received gay wisdom “on a barstool.

” This book is not about history, the subject you study, but history, that thg you have wh that guy by the jebox whose name you n’t the fal chapter of “Gay Bar, ” Atherton L grappl wh gog to a new generatn of bars, created by very different forc, meetg very different needs. Luckily, his worst misadventure happened when a vulpe lad he brought home om a bar “proceed to rip apart my Amerin Apparel T-shirt om the V-neck” this brand-nsc anecdote reveals, gay inty is a sartorial and existential mefield: before you go out, you have to ci what to wear, which will terme who you tend to be that eveng. He valu the bars as arenas of egalarianism, even if the would-be skheads he enunters East End hangouts are often guilty of “homosexual chinery”, passg for hooligans bee they like the wardrobe; a crique of the post-dtrial enomy, he blam nsumer culture for refg inty as a mody and -optg gay men as “experts leisure and athetics”, prized bee they have sh to spend on ippery.

Dpe his mercurial temperament, L’s aim is nobly humane: he urg habués of the bars to look beyond the stereotyp that dify gay sire and “to see one another as multidimensnal begs”. Leo Varadkar, mister for health, soon to be taoiseach, had announced that he was gay, as did a former mister om the other ma party, as did a well-known TV news journalist.

IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE

That day would not have been surprisg had all the bishops of Ireland arrived their fery to let know that they, too, wanted to jo our Gay Bar, a brilliantly wrten and cisive acunt of gay life Los Angel, San Francis and London, Jeremy Atherton L quot the cric Ben Walters on gay history that is “agile om fear and fettg, too often wrten whispers and saved scraps”. I imaged a walk that two men of my generatn – I me to Dubl 1972 – might do to revis the gay plac that have gone, such as The Gym, a sna jt a stone’s throw om Dubl Castle, or Ingno, another sna, much favoured by prits. He wr about a DJ his 40s lled B Statn John who “played ecstatic sets of arne dis … He was there to bear wns, to ttify, g rare tracks om what he lled ‘the goln age of gay’, the perd between Stonewall and Aids.

'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE

Some thgs give him the creeps, like a gay thrift shop: “I crged when I passed , imagg the store to be filled wh stuff svenged om the hom of ad queens … I hadn’t found a way to nsir the multifar story of my people – and to read wh, but not through, the disease. When they stop shavg, their beards “were perverted, their bristl perfumed wh the sudor of scrotum” gay group, observed San Francis, “uld be tected om a distance by the stk … Each of them seemed to have a magnificent ass and be wrg a book.

GAY BAR

There were three bars that he and his partner lled the Triangle: “jolly Gee and Dragon, sordid Joers Arms and laid-back Nelson’s Head – a rpective five-, ten- and fifteen-mute walk om our buildg” wr well about another hntg the London years, the spectre of gay-bashg, quotg Neil Bartlett: “Those nights out were spirg – but the solary walks home were foolish.

If you felt a twge of boredom (bon if you thrill to disheveled, elive, gamy), then I have a book for Atherton L’s “Gay Bar” is a rtls and telligent cultural history of queer nightlife.

In the openg scene, Atherton L and his partner (rather regrettably referred to as the Famo Blue Raat, after the Leonard Cohen song) go out to a London gay bar, lookg for a ltle adventure, and enter a crowd: “Wh a kd of btal elegance, the group spread apart like the blas of a pocketknife.

GAY BAR: WHY WE WENT OUT

Atherton L is a skilled rear of the signifiers of cloth and archecture, the fetishizatn of workg-class fashn, for example, and how the rise of AIDS fluenced sign cisns: “A new type of gay bar began to appear London’s Soho the ’90s — airy, glossy, ntental. ) Most jarrg, perhaps, are Atherton L’s efforts at mimickg the theorists he clearly admir, those sectns that e across as parodi of amic wrg: “If the word muny is ed a failure of vobulary — too broad, too utopian — perhaps the metaphor to bt replace is metaphor self”; “gay bars are about potentialy, not rolutn. He’s already told what he most miss about gay bars; how movgly he replit here, wh his wi, strobg tellect, enliveng skepticism, raslly allure: “Perhaps you uld ll a gay bar a galaxy: We are held together but kept om llidg by a fe balance of momentum and gravy.

Atherton L's book starts off a crowd room a gay bar where he's gone cisg wh his partner, whom he refers to throughout the book wh the Leonard Cohen-spired nickname Famo Blue Raat. He wr betifully about his llege days Los Angel, where he went to his first one, though he n't rell the name, wryly notg, "Of urse I n't remember my first gay bar — I was dnk. " That history clus the famo 1969 uprisg at the Stonewall Inn New York, but Atherton L also div to other, lser-known bars, cludg on that endured police raids meant to put gay people their place.

" Atherton L explor topics like archecture and urban geography, as they relate to gay bars, betifully; he wr wh a real knowledge that's more than jt tellectual dilettantism. " Along the way, Atherton L dips to other topics related to the gay muny: the appropriatn of gay culture by straight people, mic, drkg, and the valu of the younger generatn of LGBTQ people.

REVIEW: WRER EXPLOR GAY BARS AS REVOLUTNARY SPAC

And while succeeds on many levels, perhaps the most remarkable one is Atherton L's nstant qutng of himself, and the realizatns of how he's changed sce he walked to his first gay bar years ago: "Maybe, I thought, I'm a dis ball.

His but book Gay Bar (2021) received the Natnal Book Crics Circle Award for Autobgraphy and was named a pick of the year by crics at the New York Tim, NPR, Artfom, Sp and Vogue.

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WHY OUR HISTORI WH GAY BARS MATTER — AND WHAT THEIR FUTURE MIGHT LOOK LIKE AFTER THE PANMIC

Gay Bar time-travels om Hollywood nights the 1970s to a warren of cisg tunnels built beneath London the 1770s; om chichi bars the wake of AIDS to today’s fluid queer spac; through glory hol, to Cris-slicked dungeons and down San Francis alleys. A brilliant, exhilaratg juxtaposn of memoir, social history, archectural analysis, shoe-leather geography and more penis than you n shake a stick at, GAY BAR is a study of the tersectn between sexualy and inty ma ncrete. I’m so glad that someone has wrten the five book about gay bars… but specifilly, Atherton L, who has ptured the subversivens and sexs that make the plac what they are, or tragilly, were.

GOG OUT OUT: MY LIFE GAY BARS

He is the thor of the Los Angel Tim btseller and Natnal Book Crics Circle Award wner Gay Bar (2021), selected as a book of the year by crics at the New York Tim, NPR, Artfom and Vogue. Through the gay bar as portal, we might enter plac where we n be the majory not the mory, plac where fantasy and bchery are ma possible, where inty and sire are heightened. It is, as far as I n tell, one of the only attempts at a cultural history of the gay bar, be a cultural history that is sexier and msier, bee L do not shy away om the visceral quali of gay bars.

In one memorable sectn, L scrib an unrground fistg club 1970s San Francis lled the Catabs, quotg the theorist Gayle Rub’s memory of : ‘Jt walkg to that room uld put a person a leathery mood’.

GAY BAR: BOOK SUMMARY AND REVIEWS OF GAY BAR BY JEREMY ATHERTON L

His prose do the same, smoothly wdg s way om the eighteenth century to the morn day, transportg to a pocket of gay history for a few pag then – snap (gay snap, naturally) – back to the prent.

The book focs on mostly male spac, y – the thor is a gay man – but also asks bigger qutns, like what ‘gay’ means ntext, what mak a space ‘gay’ anyway, and how ‘gay spac’ shape our own ias about our sexuali.