The size and shape of this panel intify as part of the prella, or base, of an altarpiece. Prellas often clud small narrative scen om the liv of sats who were picted on a larger sle the altarpiece self. This panel formed the base of an altarpiece at the church of San Andrea (Sat Andrew), Camoggiano, North of Florence. It was pated by Bartolomeo di Gvanni — a noted specialist prellas, who worked Florence durg the High Renaissance perd. The subject of the panel is Sat Sebastian – a Roman soldier who was first shot wh arrows and then beaten to ath, after attemptg to nvert others to Christiany. In orr to make clear that the martyrdom of Sat Sebastian took place Rome, the artist has clud several regnisable ancient Roman buildgs (the Colossm, the Arch of T, the Torre lle Milizie and the Pantheon). In Renaissance patg and sculpture, Sat Sebastian was often portrayed as a ‘tortured soul’ who seemed to rive pleasure om pa. Due to the abundance of homoerotic pictns of the naked, mcular, arrow-pierced flh of the martyr that were produced durg the perd, Sat Sebastian beme one of the first ‘gay ins’. The Sat acquired a cult followg wh late neteenth century gay muni. It may seem strange that imag of naked men were permted a Catholic church, at a time when sodomy was punishable by burng at the stake. However, the male nu had bee creasgly popular durg the Renaissance perd, when artists sought to emulate the heroic male form of Greek and Roman art. Moreover, this panel ran along the base of an altarpiece, where was signifintly ls visible to the ngregatn. Artists were therefore afford more eedom their portrayal of Christian scen. It was fortunate that the panel survived the puranil purg of the monk Girolamo Savonarola (1452-1498) durg the last of fifteenth century. Florence, due to the enlightened le of the Medici fay, had been a relatively liberal place for s time, where homosexualy was tolerated and even accepted wh artists’ circl. However, 1492, the ler of the Florente regn, Lorenzo ' Medici (1449-14492) died. Savonarola seized ntrol of the cy, outlawed homosexualy, and began burng any objects that might ‘lead cizens to s’ his famo ‘Bonfire of the Vani’. This clud any artworks fluenced by Gre-Roman, or Pagan culture or showg naked flh. Bartolomeo di Gvanni himself seems to have been acced of engagg sodomy 1492. The drive agast secular art further limed Bartolomeo di Gvanni’s missns. He was later driven to produce illtratns for Savonarola’s publitns orr to earn a livg. He died poverty; his widow forced to beg for money om the lol church.
Contents:
- HOW DID A THIRD-CENTURY CATHOLIC SAT BEE A GAY IN? HERE’S THE HOMOEROTIC HISTORY OF SAT SEBASTIAN
- SAT SEBASTIAN AS A GAY IN
- SAT SEBASTIAN, A GAY IN WH ART
- SAT SEBASTIAN: HISTORY'S FIRST GAY IN? [PDF]
- SF GAY SEX CLUB EROS REOPENS NEW LOTN
- GAY MOSW MOSW CY GUI
- GAY MOSW · CY GUI
- A GAY GIRL’S GUI TO THE 2023 WOMEN’S WORLD CUP
- ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
HOW DID A THIRD-CENTURY CATHOLIC SAT BEE A GAY IN? HERE’S THE HOMOEROTIC HISTORY OF SAT SEBASTIAN
How did inography of Sat Sebastian bee popular the gay muny? Osr Wil was taken wh Guido Reni's patg the figure. * gay saint arrows *
Christian sats don't makethe ver of gay magaz every day – even ls so a slick of baby oil and a pair of Calvs.
Sebastian's appeal to gay men seems obv. Had history been ls kd, he might have end up as patron sat of this would have affected his reer as a gay verboy we will never know.
Unlike his ntemporary, Caravagg, he seems to have had no gay life eher. Far om beg homoerotic, Reni's Sebastians are anti-erotic – a ncellg out of sexualy by a man who seems to have liked neher men, women nor good red of this, though, explas the sat's transformatn patg om a Byzante daddy to a Baroque twk.
SAT SEBASTIAN AS A GAY IN
Sat Sebastian: History’s first gay in? by Ktredge Cherry | Jan 20, 2019 Sat Sebastian has been lled history’s first gay in and the patron * gay saint arrows *
Obv answers to the qutn of jt why Sebastian should have spent the past 400 years as gay sat du jour don't seem to add up. A later, German gays such as Mann were beg round up and of which is to say that the secret of Sebastian's succs may lie his abily to be all thgs to all men. How did a third-century Catholic sat bee a ntemporary gay in referenced on everythg om the vers of men’s magaz to art and films and an adopted psdonym by Osr Wil?
But who was Sat Sebastian really and how, when, and why did this cur exultatn to the stat of gay in occur?
SAT SEBASTIAN, A GAY IN WH ART
Sats Sergi and Bacch: – The Lie – their cln John Boswell’s book “Same-Sex Unns Premorn Europe” have ma them symbols of gay marriage the homosexual muny; some groups have even proclaimed them […] * gay saint arrows *
Ined, the Renaissance and Baroque pictns are rooted the Catholic teachgs about the permeabily of sats’ bodi and the ecstasy experienced their munn wh the dive—the pictns were the on to be later embraced by the gay muny who saw their own experienc mirrored Sat Sebastian’s betiful sufferg. Ecstasy and Agony: Sebastian, Patron Sat of the Gay Communy.
In the morn era, the popularizatn of Sat Sebastian as an in the gay muny often leads back to Guido Reni’s Martyrdom of St.
SAT SEBASTIAN: HISTORY'S FIRST GAY IN? [PDF]
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Reni’s patg was siarly fluential to the famed 20th-century Japane thor Y Mishima; Mishima’s 1949 novel Confsns of a Mask, the book’s adolcent protagonist experienc a homosexual awakeng while gazg at the very same patg. The referenc to the sat didn’t end there—Mishima, who was himself gay, went so far as to pose as Sat Sebastian a now-famo photographic portra, taken not long before the wrer’s ath by suici 1970. The photograph further cemented associatns between the ecstasy and torments of the sat’s martyrdom wh the homosexual experience of persecutn throughout the 20th century.
Wil, himself, should be noted, had been exiled Paris, followg a nearly two-year imprisonment at Readg Gaol England for the crime of practicg homosexualy. In the 1970s, Italian artist Luigi Ontani staged a provotive photograph of Sat Sebastian as a gay in. In the 1976 film Sebastiane, filmmaker Derek Jarman engaged wh the narrative of the sat to explore ti between sexual and spirual ecstasy, through a specifilly homoerotic lens.
He nceals the pth of his emotns, experiencg both torments and pleasur privately, a feelg siar to the experience of gay inty for many men the 20th century (and often to this day). Others have terpreted the arrows piercg the sat’s body as phallic allns and disguised referenc to homosexual sex, while his rope-tied hands n be seen through the lens of sadomasochism. Perhaps most ncretely, the story of Sat Sebastian paralleled the experienc and fears of the closeted gay muny—when Sebastian’s ncealed te (Christian) inty was revealed, he was shunned, tormented, and killed by those power, a harrowg tale that mirrored the gay experienc of beg “outed” throughout morn history.
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Intertgly, referenc to the sat by gay artists have ntued to shift more recent history. Who would both die om the disease, found solace not the sat’s ecstasy but his earlier medieval associatns wh healg and wardg off the plague, both rporatg referenc to this patron sat of the gay muny to their late artworks. In more recent terpretatns, the Christian fixatn wh the sirable bodi of s sats and the permeable boundari between the bodily flh and the dive have been seen as homoerotic or queer.
In 1976, Derek Jarman appropriated the tradn story of Sat Sebastian through a queer lens his homoerotic historil thriller film Sebastiane.
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Brish pater Keh Vghan (1912–1977) also ma e of the myth of Sat Sebastian to exprs and explore his homosexual sire, a mon theme throughout his work. Sat Sebastian, a gay in wh art. For example, he is seen by var terpretatns wh art as a symbol of homosexualy.
The associatn wh homosexualy.
The reason Sat Sebastian is associated wh homosexualy is partly bee of the way he is picted.
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Also, many homosexuals see Sat Sebastian as an example of homo erotic sire and a typil se of a homosexual boy the closet.
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The arrows n be seen as the hate-filled ments and vlence and pa that many gay men receive for beg who they are, nmned by society which fir them. As a patron agast the plague, he was an spiratn to many homosexuals durg the AIDS panmic, spirg many different art forms.
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For example, Sebastian was ed tim of prejudice and homophobia to brg the gay muny together and expose the pa of many.
Based on Sat Sebastian, he created a work of art which he wanted to visualize the nsequenc and pa rultg om the AIDS panmic wh the gay muny.
This one tri to open the viewer to the possibily that J might have been homosexual. His wrgs nvced historians John Boswell and Brian Patrick McGuire that Aelred was a gay man, albe one who still disuraged any sexual activy outsi the bounds of marriage.