Victor Frankenste's Awkward Moments chapter 2 by pDaisy at Gay Authors
Contents:
ARCHIVE OF OUR OWN BETA(FUNCTN(){FOR(VAR G="FUNCTN"==TYPEOF FEPROPERTI?FEPROPERTY:FUNCTN(B,C,A){IF(||)THROW NEW TYPEERROR("ES3 DO NOT SUPPORT GETTERS AND SETTERS.");B!=ARRAY.PROTOTYPE&&B!=OBJECT.PROTOTYPE&&(B[C])},H="UNFED"!=TYPEOF WDOW&&WDOW===THIS?THIS:"UNFED"!=TYPEOF GLOBAL&&NULL!=GLOBAL?GLOBAL:THIS,K=["STRG","PROTOTYPE","REPEAT"],L=0;LB||1342177279>>=1)C+=C;RETURN A};Q!=P&&NULL!=Q&&G(H,N,{NFIGURABLE:!0,WRABLE:!0,VALUE:Q});VAR T=THIS;FUNCTN U(B,C){VAR ("."),D=T;A[0] D||!D.EXECSCRIPT||D.EXECSCRIPT("VAR "+A[0]);FOR(VAR E;(());)||VOID 0===C?D[E]?D=D[E]:D=D[E]={}:D[E]=C};FUNCTN V(B){VAR ;IF(0=C.OFFSETWIDTH&&0>=C.OFFSETHEIGHT)A=!1;ELSE{D=C.GETBOUNDGCLIENTRECT();VAR ;("PAGEYOFFSET" WDOW?WDOW.PAGEYOFFSET:(DOCUMENT.DOCUMENTELEMENT||F.PARENTNO||F).SCROLLTOP);("PAGEXOFFSET" WDOW?WDOW.PAGEXOFFSET:(DOCUMENT.DOCUMENTELEMENT||F.PARENTNO||F).SCROLLLEFT);F=A.TOSTRG()+","+D;B.B.HASOWNPROPERTY(F)?A=!1:(B.B[F]=!0,A=(A+=E)}B.I&&(E="&RD="+ENURICOMPONENT(JSON.STRGIFY(B())),131072>(A+=E),C=!0);C=A;IF(C){D=B.H;B=B.J;VAR F;IF(WDOW.XMLHTTPREQUT)F=NEW XMLHTTPREQUT;ELSE IF(WDOW.ACTIVEXOBJECT)TRY{F=NEW ACTIVEXOBJECT("MSXML2.XMLHTTP")}TCH(R){TRY{F=NEW ACTIVEXOBJECT("MICROSOFT.XMLHTTP")}TCH(D){}}F&&(("POST",D+(-1==XOF("?")?"?":"&")+"URL="+ENURICOMPONENT(B)),F.SETREQUTHEAR("CONTENT-TYPE","APPLITN/X-WWW-FORM-URLEND"),(A))}}}FUNCTN B(){VAR B={},C;C=DOCUMENT.GETELEMENTSBYTAGNAME("IMG");IF(!)RETURN{};VAR A=C[0];IF(!("NATURALWIDTH" A&&"NATURALHEIGHT" A))RETURN{};FOR(VAR D=0;A=C[D];++D){VAR E=A.GETATTRIBUTE("DATA-PAGPEED-URL-HASH");E&&(!(E B)&&0=B[E].O&&>=B[E].M)&&(B[E]={,,OW:A.NATURALWIDTH,OH:A.NATURALHEIGHT})}RETURN B}VAR C="";U("PAGPEED.CRILIMAG.GETBEANDATA",FUNCTN(){RETURN C});U("",FUNCTN(B,C,A,D,E,F){VAR R=NEW Y(B,C,A,E,F);X=R;D&&W(FUNCTN(){WDOW.SETTIMEOUT(FUNCTN(){A(R)},0)})});})();('/NGX_PAGPEED_BEAN','','EVFAZEUQGZ',TE,FALSE,'QLU7UGMBJ70');
Victor Frankenste's Awkward Moments by pDaisy at Gay Authors * victor frankenstein gay *
Walton is also rarely looked at om a queer perspective, spe the persistent, homoerotic overton of his narrative (which opens and clos Victor’s narrative). His relatnship wh his Creature is well wrten on, aga, and there is some cril theory that sists he is d as homosexual: his sire to create a child whout heterosexual terurse; his fur vlence towards the Monster has been read as an act of ternalised homophobia; his distert Elizabeth and sistence that she is his “child” and “sister” seem very flat, if heterosexual at all.
Walton’s relatnship wh Frankenste, however, is not viewed through this lens of homoeroticism. That’s gay..
To end, here is one of my favoure homoerotic moments om Walton’s letters:. Charlie Fox’s article ‘Why Frankenste’s Monster Hnts Queer Art’ at Goldhammer‘s ‘The Queer and the Creepy: Homosexual Dire Mary Shelley’s Frankenste‘ at Shultz’s article ‘Explorg the Inherent Queer Unrton of Mary Shelley’s Frankenste‘ at Fern Riddle’s article about Mary Shelley’s own bisexualy at you have accs to JSTOR (so jealo, if you do! However, at the same time, the breaks om the tradns ced a rponse reactn favor of more tradnal social rol other areas, such as the refutatn of male sexual relatnships to the extent that one uld be sentenced to ath for participatg the act of homosexualy.
* victor frankenstein gay *
Homosexualy as Frankenste’s Theme Durg the above-mentned perd, wrers such as Mary Shelley exprsed a great al of ncern wh the issu. An examatn of Shelley’s novel Frankenste monstrat both the fear of and impossibily of supprsg homosexualy durg this era. Durg this perd history, homosexualy advanced awarens to a socially fed term as well as a practice punishable by law.
Rerds show that while there no functng laws agast sodomy per se existed durg Shelley’s wrg of the novel, other laws applied agast exprsns of homosexualy and there a strong adverse public reactn agast homosexualy occurred the early 1800s. “In 1810, when thirty homosexuals were arrted a raid on the Whe Swan, Vere St., London, those discharged for want of evince were so roughly handled by the crowd as to be danger of their liv” (The Morng Chronicle, 1810). Throughout the novel, Shelley explor the social abhorrence toward homosexualy by uchg the more socially acceptable terms of the growg mache age.