London, wh over 8 ln rints and a strong liberal tradn, has historilly been the place for gays and lbians to take refuge om prejudice and…" name="scriptn
Contents:
- GAY SNA MILE END
- KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIEND
- FAR BEYOND THE GAY VILLAGE: LGBTQ URBANISM AND GENERATN MONTRéAL’S MILE END
- EXPLORE GAY ROOMS & RENTALS MONTREAL
- LONDON GAY CISE CLUBS
- GAY LONDON: A PK TOUR OF THE BRISH PAL
- PLEA TO GAY MUNY AFTER ‘HOMOPHOBIC ATTACK’ AT MILE END
GAY SNA MILE END
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KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIEND
For 37 years, The Backstreet was an inic part of London’s leather and gay bar scene. Fd out more about s history. * gay mile end *
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FAR BEYOND THE GAY VILLAGE: LGBTQ URBANISM AND GENERATN MONTRéAL’S MILE END
Y, really is down a backstreet, and how appropriate: this is a hardre, unrground gay bar. Don’t e if you’re hopg for Kylie and smos. Instead, ex * gay mile end *
The film won’t say , but a post-creds punchle about Ken’s handwrg, plete wh hearts and stars surroundg his name, tells what we need to heavily implied nature of Ken’s gayns Toy Story 3 harkens back to Hollywood’s tradnal gay bt iend-type characters. In the Hays Co era, explic referenc to homosexualy weren’t allowed, so characters like Van Buren (Frankl Pangborn) 1937’s Easy Livg, Kip (David Wayne) 1949’s Adam’s Rib, or Addison (Gee Sanrs) 1950’s All About Eve stead were imbued wh effemate characteristics, offerg a glimpse outsi of heteronormativy whout explicly beg of the characters were the same—some were tty, others sweet. Des later, 2010, the gay bt iend was all the rage; Teen Vogue even went so far as to proclaim the GBF as the summer’s mt-have accsory.
In movi like Mean Girls (2004), The Devil Wears Prada (2006), Easy A (2010), No Strgs Attached (2011), and Isn’t It Romantic (2019), gay iends exist entirely the orb of their female iends. ” But Barbie do, and for Ken, that’s are plenty of reasons why the film wouldn’t outrightly state that Ken is homosexual. Mattel, of urse, vehemently nied any claims that Ken was gay, let alone that he had somethg as prepostero as a ck rg around his neck.
As a rult, gay men bought the doll drov, and spe Mattel ultimately rellg the doll and wipg away any trace of Earrg Magic Ken, was near-impossible to see Ken as anythg but the glor homosexual he was born to be om then on.
EXPLORE GAY ROOMS & RENTALS MONTREAL
Rearch on LGBTQ neighbourhood formatn the urban Wt suggts that new patterns of muny and inty are rhapg the queer ner-cy and s geographi. As gay village districts “cle” or are “-gayed” and new generatns... * gay mile end *
Though Mattel don’t seem to be willg to say Ken is actually gay, the Ken dolls of recent years seem to really lean to Ken’s queerns.
While there is no way to “drs gay, ” there are several dolls that seem to suggt otherwise, such as:Fashnista Ken #193, who looks very exced to tell you about his new obssn, Troye Sivan;Travel Ken Doll, who has a satchel perfect for bathho and a purple overnight bag that lerally proclaims he’s “extra;”Ken Looks Doll, servg “I’m gonna give you a makeover”-type realns while sportg black pleather pants;This Ken, who wears the least heterosexual double nim I have a feelg the new Barbie movie will put the work to nvce that Ken is a hetero du who lov nothg life more than Barbie herself, the wrg’s already on the wall: Ken is, and always will be, Barbie’s gay bt obssg!
LONDON GAY CISE CLUBS
London Gay Cise Club Gui. Fd the bt gay cise & fetish club scene London Exclive reviews, photos, maps, rmatn, events. Updated for 2023. * gay mile end *
1 IntroductnIn 2011, the Montréal mastream media began announcg chang to lol LGBTQ (lbian, gay, bisexual, trans and queer) geographi. One headle read, “The gay and lbian muny is no longer nfed to the gay village” (Bélisle 2011) (thor’s translatn). Tled an article on Mile End “Out of the Montréal Village and to the world” (McCarthy 2011) suggtg that reprented the liberatn of LGBTQ populatns om the sexual “ghetto” of the cy’s gay village [the Village].
GAY LONDON: A PK TOUR OF THE BRISH PAL
* gay mile end *
From Paris to Sydney, rearch over the past s shows a cle, -gayg, displacement and disintifitn wh gay villag throughout the urban Wt (Brown 2014; Colls 2004; Colls and Drkwater 2017; Doan and Higgs 2011; Ghaziani 2014; Gird 2014; Gorman-Murray and Nash 2017; Nash and Gorman-Murray 2014; Rutg 2008). Qualative se studi tail the varied plac the LGBTQ urban archipelago through the place-based specifici of outer boroughs such as New York Cy’s Queens or Brooklyn (Giekg 2016; Martez 2015), Sydney, Atralia’s New Town ner suburb (Gorman-Murray and Wat 2009) and alternative ner-cy areas such as London, England’s “smopolan post-gay Spalfields” (Brown 2006), or Toronto, Canada’s Parkdale neighbourhood (Nash 2013a, b). Gorman-Murray and Wat (2009) characterize such alternativ to the gay village as “queer-iendly” neighbourhoods, areas where a queer prence, while not domant, is apparent and wele.
It is argued that queer subcultural districts such as Mile End reprent a spatial shift far beyond the gay village: ls a diffe dispersal of LGBTQ rints om gay villag, they are formed through a generatnal rejectn of tablished versns of LGBTQ urbanism—subcultural ials regardg the relatnship between sexual and genr inty and s exprsn urban space. The generatnal shifts unrstandgs of LGBTQ inty, muny and neighbourhood potentially offer sight to the greyg of gay villag (Bterman and Hs 2016) as some young adult subcultur “disintify” wh gay village spac and explicly create and promote alternativ (Nash 2013a, b).
Applied to urbanism, this hab rejects the rabow flag mercial visibily and genr bary fns of sexualy the gay village while promotg a subterranean queer ial that valu anti-normative genr and sexual inti, muny cln and urban diversy.
PLEA TO GAY MUNY AFTER ‘HOMOPHOBIC ATTACK’ AT MILE END
The terviews were nducted by a team of four LGBTQ-intified graduate stunts (two trans-men, one queer woman and one gay man) who veloped the sample through their personal works.
The terviews addrsed their inti, migratn trajectori and neighbourhood histori; perceptns of other LGBTQ generatns, Montréal LGBTQ scen and neighbourhoods; and experienc of the gay village and Mile End neighbourhoods. Snowball samplg migated problems of recg a younger “hidn” subculture for the primary rearcher (aged 47 years 2013) (Browne 2005), but the “double sir stat” of the field rearchers produced a remarkably homogeneo sample (Adriansen and Madsen 2009) terms of social class, language, “race”, occupatn and natnaly.
The next two sectns analyze queer inty and urbanism om the perspective of young Mile Enrs begng wh an exploratn of their sexual and genr inti followed by perceptns of Montréal’s gay village and Mile End neighbourhoods. 3% did not) primarily choosg a genr bary sexual inti such as gay, MSM (men who have sex wh men but do not intify as gay) or 13. Moreover, Ève scrib a bary between sexual inty, language and urban space where the Mile End is the doma of young queer Anglophon and the Village is the terrory of olr Franphone gays and queer was such an important form of intifitn, participants were asked what means to them.