Tensns are risg after Jamai refed to accred the spoe of a gay Amerin diplomat.
Contents:
- TIM MILLER BAR QUEER BODY IN ORIGAL STAGE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}THE "QUEER POT OF LIGHT" OFFERS UP HIS BODY AND SOUL FOR PRENTATN ON {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}ASHWI {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}MY QUEER BODY, PERFORMED BY TIM MILLER ON OCTOBER 4 AND 5APPROPRIATELY CHOSEN MORRISSEY MIC HUMMED THE BACKGROUND, WHILE THE DIENCE, PRIMARILY POSED OF GAY MALE UPL, FILTERED . THERE WAS A CERTA SENSE OF ISOLATN VOLVED BEG THE MIDST OF A GROUP WHERE EVERYONE KNEW EVERYONE ELSE, AND GREETGS BETWEEN THEM FLEW THICK AND FAST.WHILE WAG FOR THE SELF-PROCLAIMED "ACTIVIST [AND] SLUTTY QUEER POT OF LIGHT," TIM MILLER, TO APPEAR ON STAGE, PEOPLE CRACKED LOUD JOK ABOUT THIS BEG "SUCH THE FAY NIGHT," AND THE BEG "THE REAL FAY VALU."MILLER ENTERED OM THE BACK OF THE THEATER WH A LE THAT WAS A FAIR DITN OF WHAT WAS TO E. "I GUS YOU ULD LL THIS A REAR ENTRY," HE CLARED BLANDLY. THOSE FAIAR WH MILLER'S WORK SHOULD KNOW THAT, WH THIS HIGHLY PERSONAL PERFORMANCE, HE HAS TAKEN A STEP A NEW DIRECTN.OF URSE, THERE WAS AN UNABASHED POLIL OVERTONE TO THIS EVENT, SPONSORED BY GLAD (GAY & LBIAN ADVOT & DEFENRS): MILLER EXHORTED HIS DIENCE TO VOTE, AND TO VOTE DEMOCRAT, WH THE PHY OBSERVATN THAT WE "REALLY N'T TAKE FOUR MORE YEARS OF SH." NEVERTHELS, THE OVERALL FOC WAS FIRMLY ON BEG GAY AND BEG TIM MILLER.MILLER WAS DRSED WH NSPICUO RMALY; ALMOST AS A SELF-PARODY, WH HIS BLACK JEANS, BLACK LEATHER JACKET AND, NATURALLY, THE METAPHORIL HEART ON HIS SLEEVE: A PK TRIANGLE, STARK AGAST THE BLACK.WORKG ON THE PREMISE THAT HOMOSEXUALS HAVE A FAR GREATER AWARENS OF THE FLH--HAVG BEEN TGHT SCE CHILDHOOD TO SUPPRS S SIR AND NTROL S LONGGS--HE BEGAN BY "SUMMONG THE BODY," AND TRAIPSED HIS WAY THROUGH THE DIENCE, EXTOLLG THE PRAISE OF ONE MAN'S FOOT, A WOMAN'S FGERS. THEN, TOWARDS THE END OF THE SHOW, HE SUMMONED THE BODY AGA. BUT THIS TIME, THE WERE THE FGERS OF A IEND, TRAMPLED AND BROKEN BY POLICEMEN AT A GAY RIGHTS RALLY, OR THE SMASHED ARM OF SOMEONE VICTIMIZED A "QUEER-BASHG" CINT.BUT SCE THIS WAS SENTIALLY MILLER'S OWN STORY, HE BEGAN AT THE BEGNG--AS A QUEER "SPERMLET" SWIMMG UPSTREAM SEARCH OF AN EGG TO FERTILIZER. THEN, HAVG A SENSE CREATED HIMSELF, HE PASSED THROUGH AN FANCY SURROUND BY "MI DYK AND FAGS" TO PUBERTY, WHEN HE "TRIED TO E NOXZEMA TO JERK OFF," TO AIDS AND THE ELECTN OF RONALD REAGAN. BY THIS TIME, HE WAS SPTG OUT HIS WORDS AN ANGRY SPRAY OF SALIVA THAT DRIFTED OVER THE FIRST FEW ROWS OF THE DIENCE.MILLER'S PERFORMANCE WAS TENSELY PHYSIL: HE SNAPPED HIS SPENRS CSANTLY, OR GRIPPED ENZIEDLY AT HIS MOUTH WHEN SCRIBG HIS FIRST KISS, SPEAKG RAPTLY OF THE MEETG OF TONGU, THE TASTE OF GUMS, THE FEEL OF THE ROOF OF THE MOUTH. AND THEN, UNR THE GLARE OF A RED LIGHT, HE STRIPPED OFF HIS CLOTH, TRYG TO ERASE THE DISGT AND GUILT STILLED HIM AS A CHILD. HOWEVER, THIS ACT WAS SLIGHTLY SPOILED BY OUR HNTG CERTALY THAT HE MIGHT NOT HAVE BEEN SO READY TO BARE HIS CHILDHOOD "SHAME" IF HE HAD NOT HAD SUCH A SLENR, YOUTHFUL, MCULAR BODY TO TAKE PRI .MILLER OFTEN ED FOUR LETTER WORDS, AND OFFENSIVE TERMS SUCH AS "DYKE," "FAG," OR "HALF-MAN," BUT HIS METHOD OF LIVERG THEM, AND HIS ACCEPTANCE OF THEM AS A MATTER OF URSE SOMEHOW RECLAIMED THEM OM HE TALKED ABOUT HIS EXPERIENCE AS "A YOUNG FAG LOVE, SRED SHLS," WAS TOUCHG AND FUNNY, NEVER {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTHOWEVER, MILLER'S HAB OF BLENDG EDY WH TRAGEDY WAS OFTEN ODDLY UNSETTLG. HE CROONED ABOUT HIS TEENAGE BOYIEND OVER THE SWAY OF IRONILLY WAILG VLS. OR HE WAXED PHILOSOPHIL ABOUT THE FACT THAT "OUR BODI ARE ONLY GOOD FOR ATH"--STOPPG EVERY TEN SENDS TO ADJURE HIS PENIS A HARSH WHISPER TO "GET HARD" AND PROVI HIM WH THE GRAND FAL BE THAT HE NEED.MILLER'S MIMAL E OF PROPS WAS ALSO TERTG. A SILVER CROSS SLUNG AROUND HIS NECK JGLED AGAST THE HIGH SCHOOL RG GIVEN HIM BY HIS BOYIEND "OM ANAHEIM." HE ALSO CRADLED A PIECE OF SOLIDIFIED LAVA TO HIS CHT AS HE TALKED ABOUT THE "EPTN" OF AIDS THAT HAD BURIED SO MANY OF HIS IENDS.BUT PERHAPS THE MOST FASCATG ASPECT OF TIM MILLER'S PERFORMANCE WAS THE EFFORT HE MA TO BREAK DOWN MENTAL BOUNDARI: BETWEEN HIMSELF AND THE DIENCE AS HE PERCHED NAKED ON A YOUNG MAN'S LAP, OR ASKED A WOMAN TO STROKE HIS CHT, RIGHT ABOVE THE HEART. HE BROKE DOWN THE BOUNDARI BETWEEN MALE AND FEMALE, A SURREALISTIC FANTASY SCENE WHERE HE VISUALIZED HIMSELF GIVG BIRTH (VIA THE AN) TO THE BODI OF ALL HIS AD IENDS, AS HE RECREATED THEM BY TALKG ABOUT THEM.AND, ABOVE ALL, MILLER DISSOLVED THE LE DIVIDG TTH OM FALLACY. AT THE END OF HIS PERFORMANCE, THE ANNOUNCED: "I LIED," WHOUT SPECIFYG WHAT HE HAD LIED ABOUT. IT IS NOT IMPORTANT, SURELY, WHETHER THE TAILS OF HIS LIFE WHICH HE MENTNED WERE FACT OR FICTN-- WAS ENOUGH THE TO KNOW THAT THEY ULD HAVE BEEN TE, AND THAT SUCH THGS HAD ALMOST CERTALY HAPPENED TO SOMEONE ELSE.THERE ARE CERTALY TIM WHEN MILLER'S MONOLOGUE IS A LTLE TOO FULL OF SLICK L: WHEN HE ASKS GOD RHETORILLY WHY HE HAS BEEN SPARED ATH OM AIDS WHILE SO MANY OF HIS IENDS HAVE DIED, OR WHEN HE, AS THE SPOKMAN FOR ALL GAY MEN, URG THEM TO "BARE OUR SOULS AND OUR BUTTHOL." BUT HIS VISN OF LIFE AND LOVE IS ENDURG: LOVERS ARE "NAKED THE SIGHT OF EACH OTHER, WHO ARE THE ONLY ON WHO MATTER," OR, MORE BLUNTLY: "WE N'T LET THE RIGHT-WG FUCKHEADS TELL HOW TO FUCK."MILLER, AWARE OF THE AGILY OF LIFE, TOLD THE DIENCE TO "SAVOR YOUR BODY'S BLK BETWEEN BEG BORN AND DYG," WHICH THE NTEXT OF AIDS AND THE ATH OF RELIGN IS ONE OF THE FEW OPTNS LEFT TO ANYONE {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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- KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERPUBLISHED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT
- ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
- ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
- CHARL BARKLEY FENDS LGBTQIA+ MUNY, BUD LIGHT EXPLETIVE-FILLED RANT: ‘IF YOU’RE GAY, GOD BLS YOU’
- THE U.S. & JAMAI ARE FIGHTG OVER GAY RIGHTS
TIM MILLER BAR QUEER BODY IN ORIGAL STAGE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}THE "QUEER POT OF LIGHT" OFFERS UP HIS BODY AND SOUL FOR PRENTATN ON {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}ASHWI {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}MY QUEER BODY, PERFORMED BY TIM MILLER ON OCTOBER 4 AND 5APPROPRIATELY CHOSEN MORRISSEY MIC HUMMED THE BACKGROUND, WHILE THE DIENCE, PRIMARILY POSED OF GAY MALE UPL, FILTERED . THERE WAS A CERTA SENSE OF ISOLATN VOLVED BEG THE MIDST OF A GROUP WHERE EVERYONE KNEW EVERYONE ELSE, AND GREETGS BETWEEN THEM FLEW THICK AND FAST.WHILE WAG FOR THE SELF-PROCLAIMED "ACTIVIST [AND] SLUTTY QUEER POT OF LIGHT," TIM MILLER, TO APPEAR ON STAGE, PEOPLE CRACKED LOUD JOK ABOUT THIS BEG "SUCH THE FAY NIGHT," AND THE BEG "THE REAL FAY VALU."MILLER ENTERED OM THE BACK OF THE THEATER WH A LE THAT WAS A FAIR DITN OF WHAT WAS TO E. "I GUS YOU ULD LL THIS A REAR ENTRY," HE CLARED BLANDLY. THOSE FAIAR WH MILLER'S WORK SHOULD KNOW THAT, WH THIS HIGHLY PERSONAL PERFORMANCE, HE HAS TAKEN A STEP A NEW DIRECTN.OF URSE, THERE WAS AN UNABASHED POLIL OVERTONE TO THIS EVENT, SPONSORED BY GLAD (GAY & LBIAN ADVOT & DEFENRS): MILLER EXHORTED HIS DIENCE TO VOTE, AND TO VOTE DEMOCRAT, WH THE PHY OBSERVATN THAT WE "REALLY N'T TAKE FOUR MORE YEARS OF SH." NEVERTHELS, THE OVERALL FOC WAS FIRMLY ON BEG GAY AND BEG TIM MILLER.MILLER WAS DRSED WH NSPICUO RMALY; ALMOST AS A SELF-PARODY, WH HIS BLACK JEANS, BLACK LEATHER JACKET AND, NATURALLY, THE METAPHORIL HEART ON HIS SLEEVE: A PK TRIANGLE, STARK AGAST THE BLACK.WORKG ON THE PREMISE THAT HOMOSEXUALS HAVE A FAR GREATER AWARENS OF THE FLH--HAVG BEEN TGHT SCE CHILDHOOD TO SUPPRS S SIR AND NTROL S LONGGS--HE BEGAN BY "SUMMONG THE BODY," AND TRAIPSED HIS WAY THROUGH THE DIENCE, EXTOLLG THE PRAISE OF ONE MAN'S FOOT, A WOMAN'S FGERS. THEN, TOWARDS THE END OF THE SHOW, HE SUMMONED THE BODY AGA. BUT THIS TIME, THE WERE THE FGERS OF A IEND, TRAMPLED AND BROKEN BY POLICEMEN AT A GAY RIGHTS RALLY, OR THE SMASHED ARM OF SOMEONE VICTIMIZED A "QUEER-BASHG" CINT.BUT SCE THIS WAS SENTIALLY MILLER'S OWN STORY, HE BEGAN AT THE BEGNG--AS A QUEER "SPERMLET" SWIMMG UPSTREAM SEARCH OF AN EGG TO FERTILIZER. THEN, HAVG A SENSE CREATED HIMSELF, HE PASSED THROUGH AN FANCY SURROUND BY "MI DYK AND FAGS" TO PUBERTY, WHEN HE "TRIED TO E NOXZEMA TO JERK OFF," TO AIDS AND THE ELECTN OF RONALD REAGAN. BY THIS TIME, HE WAS SPTG OUT HIS WORDS AN ANGRY SPRAY OF SALIVA THAT DRIFTED OVER THE FIRST FEW ROWS OF THE DIENCE.MILLER'S PERFORMANCE WAS TENSELY PHYSIL: HE SNAPPED HIS SPENRS CSANTLY, OR GRIPPED ENZIEDLY AT HIS MOUTH WHEN SCRIBG HIS FIRST KISS, SPEAKG RAPTLY OF THE MEETG OF TONGU, THE TASTE OF GUMS, THE FEEL OF THE ROOF OF THE MOUTH. AND THEN, UNR THE GLARE OF A RED LIGHT, HE STRIPPED OFF HIS CLOTH, TRYG TO ERASE THE DISGT AND GUILT STILLED HIM AS A CHILD. HOWEVER, THIS ACT WAS SLIGHTLY SPOILED BY OUR HNTG CERTALY THAT HE MIGHT NOT HAVE BEEN SO READY TO BARE HIS CHILDHOOD "SHAME" IF HE HAD NOT HAD SUCH A SLENR, YOUTHFUL, MCULAR BODY TO TAKE PRI .MILLER OFTEN ED FOUR LETTER WORDS, AND OFFENSIVE TERMS SUCH AS "DYKE," "FAG," OR "HALF-MAN," BUT HIS METHOD OF LIVERG THEM, AND HIS ACCEPTANCE OF THEM AS A MATTER OF URSE SOMEHOW RECLAIMED THEM OM HE TALKED ABOUT HIS EXPERIENCE AS "A YOUNG FAG LOVE, SRED SHLS," WAS TOUCHG AND FUNNY, NEVER {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTHOWEVER, MILLER'S HAB OF BLENDG EDY WH TRAGEDY WAS OFTEN ODDLY UNSETTLG. HE CROONED ABOUT HIS TEENAGE BOYIEND OVER THE SWAY OF IRONILLY WAILG VLS. OR HE WAXED PHILOSOPHIL ABOUT THE FACT THAT "OUR BODI ARE ONLY GOOD FOR ATH"--STOPPG EVERY TEN SENDS TO ADJURE HIS PENIS A HARSH WHISPER TO "GET HARD" AND PROVI HIM WH THE GRAND FAL BE THAT HE NEED.MILLER'S MIMAL E OF PROPS WAS ALSO TERTG. A SILVER CROSS SLUNG AROUND HIS NECK JGLED AGAST THE HIGH SCHOOL RG GIVEN HIM BY HIS BOYIEND "OM ANAHEIM." HE ALSO CRADLED A PIECE OF SOLIDIFIED LAVA TO HIS CHT AS HE TALKED ABOUT THE "EPTN" OF AIDS THAT HAD BURIED SO MANY OF HIS IENDS.BUT PERHAPS THE MOST FASCATG ASPECT OF TIM MILLER'S PERFORMANCE WAS THE EFFORT HE MA TO BREAK DOWN MENTAL BOUNDARI: BETWEEN HIMSELF AND THE DIENCE AS HE PERCHED NAKED ON A YOUNG MAN'S LAP, OR ASKED A WOMAN TO STROKE HIS CHT, RIGHT ABOVE THE HEART. HE BROKE DOWN THE BOUNDARI BETWEEN MALE AND FEMALE, A SURREALISTIC FANTASY SCENE WHERE HE VISUALIZED HIMSELF GIVG BIRTH (VIA THE AN) TO THE BODI OF ALL HIS AD IENDS, AS HE RECREATED THEM BY TALKG ABOUT THEM.AND, ABOVE ALL, MILLER DISSOLVED THE LE DIVIDG TTH OM FALLACY. AT THE END OF HIS PERFORMANCE, THE ANNOUNCED: "I LIED," WHOUT SPECIFYG WHAT HE HAD LIED ABOUT. IT IS NOT IMPORTANT, SURELY, WHETHER THE TAILS OF HIS LIFE WHICH HE MENTNED WERE FACT OR FICTN-- WAS ENOUGH THE TO KNOW THAT THEY ULD HAVE BEEN TE, AND THAT SUCH THGS HAD ALMOST CERTALY HAPPENED TO SOMEONE ELSE.THERE ARE CERTALY TIM WHEN MILLER'S MONOLOGUE IS A LTLE TOO FULL OF SLICK L: WHEN HE ASKS GOD RHETORILLY WHY HE HAS BEEN SPARED ATH OM AIDS WHILE SO MANY OF HIS IENDS HAVE DIED, OR WHEN HE, AS THE SPOKMAN FOR ALL GAY MEN, URG THEM TO "BARE OUR SOULS AND OUR BUTTHOL." BUT HIS VISN OF LIFE AND LOVE IS ENDURG: LOVERS ARE "NAKED THE SIGHT OF EACH OTHER, WHO ARE THE ONLY ON WHO MATTER," OR, MORE BLUNTLY: "WE N'T LET THE RIGHT-WG FUCKHEADS TELL HOW TO FUCK."MILLER, AWARE OF THE AGILY OF LIFE, TOLD THE DIENCE TO "SAVOR YOUR BODY'S BLK BETWEEN BEG BORN AND DYG," WHICH THE NTEXT OF AIDS AND THE ATH OF RELIGN IS ONE OF THE FEW OPTNS LEFT TO ANYONE {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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GLAAD, an LGBTQ+ media advocy anizatn, has scribed Coors as "among the most progrsive for s employee polici toward gays. My Queer Body, performed by Tim Miller on October 4 and 5Appropriately chosen Morrissey mic hummed the background, while the dience, primarily posed of gay male upl, filtered .
Those faiar wh Miller's work should know that, wh this highly personal performance, he has taken a step a new urse, there was an unabashed polil overtone to this event, sponsored by GLAD (Gay & Lbian Advot & Defenrs): Miller exhorted his dience to vote, and to vote Democrat, wh the phy observatn that we "really n't take four more years of sh. " Neverthels, the overall foc was firmly on beg gay and beg Tim was drsed wh nspicuo rmaly; almost as a self-parody, wh his black jeans, black leather jacket and, naturally, the metaphoril heart on his sleeve: a pk triangle, stark agast the black.
Workg on the premise that homosexuals have a far greater awarens of the flh--havg been tght sce childhood to supprs s sir and ntrol s longgs--he began by "summong the body, " and traipsed his way through the dience, extollg the praise of one man's foot, a woman's fgers. But this time, the were the fgers of a iend, trampled and broken by policemen at a gay rights rally, or the smashed arm of someone victimized a "queer-bashg" sce this was sentially Miller's own story, he began at the begng--as a queer "spermlet" swimmg upstream search of an egg to fertilizer. It is not important, surely, whether the tails of his life which he mentned were fact or fictn-- was enough the to know that they uld have been te, and that such thgs had almost certaly happened to someone are certaly tim when Miller's monologue is a ltle too full of slick l: when he asks God rhetorilly why he has been spared ath om AIDS while so many of his iends have died, or when he, as the spokman for all gay men, urg them to "bare our souls and our butthol.
KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERPUBLISHED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT
"I'd like to tell -- to watch -- more stori where gay characters are rmed by their stggl, but not fed, " he said, addg, "Not gettg sacrificed so straight characters n enjoy some kd of epiphany. He’s Barbie’s gay bt iend.
The film won’t say , but a post-creds punchle about Ken’s handwrg, plete wh hearts and stars surroundg his name, tells what we need to heavily implied nature of Ken’s gayns Toy Story 3 harkens back to Hollywood’s tradnal gay bt iend-type characters. In the Hays Co era, explic referenc to homosexualy weren’t allowed, so characters like Van Buren (Frankl Pangborn) 1937’s Easy Livg, Kip (David Wayne) 1949’s Adam’s Rib, or Addison (Gee Sanrs) 1950’s All About Eve stead were imbued wh effemate characteristics, offerg a glimpse outsi of heteronormativy whout explicly beg of the characters were the same—some were tty, others sweet.
ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
But each of the gay bt iends was trsilly fed by their relatnships wh their straight iends. Des later, 2010, the gay bt iend was all the rage; Teen Vogue even went so far as to proclaim the GBF as the summer’s mt-have accsory.
ACTIVISTS NMN VLENCE AGAST LGBTQ MUNY ST. VCENT, WHERE GAY SEX IS ILLEGAL
But unlike the first half of the 20th century, today’s cema, the GBF is allowed to be openly gay. In movi like Mean Girls (2004), The Devil Wears Prada (2006), Easy A (2010), No Strgs Attached (2011), and Isn’t It Romantic (2019), gay iends exist entirely the orb of their female iends.
CHARL BARKLEY FENDS LGBTQIA+ MUNY, BUD LIGHT EXPLETIVE-FILLED RANT: ‘IF YOU’RE GAY, GOD BLS YOU’
” But Barbie do, and for Ken, that’s are plenty of reasons why the film wouldn’t outrightly state that Ken is homosexual.
THE U.S. & JAMAI ARE FIGHTG OVER GAY RIGHTS
), and of urse, and earrg the “gay ear”.
) Earrg Magic Ken turned Barbie’s boyiend to an out-and-proud homosexual raver. Mattel, of urse, vehemently nied any claims that Ken was gay, let alone that he had somethg as prepostero as a ck rg around his neck.