‘Barbie’: Ken Has Never Been Barbie’s Boyiend. He’s Her Gay BFF.

Contents:

• GAY (HOMOSEXUAL) AND GAY (HAPPY)
• NOT GAY AS IN {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}RACHAEL L. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}IN THE WAKE OF THE ATHS OF OVER 12 QUEER STUNTS THE LAST FEW WEEKS—ONE AS YOUNG AS 13 YEARS OLD—I WAS STCK BY HOW THE TRAGEDI ULD POSSIBLY BE LLED ATHS. A TEENAGE SUICI IS NOT A ATH— IS A TASTROPHE. TOO MANY TEENAGERS MTG SUICI BEE OF THEIR SEXUAL-ORIENTATN EXTENDS BEYOND THE WORLD OF TASTROPHE TO A DYSTOPIC NIGHTMARE THAT ENTRAPS ALL, QUEER, STRAIGHT, AND ASEXUAL ALIKE.IT IS A NIGHTMARE THAT WE ARE ACTIVELY ENABLG BY NTUG TO LET STUNTS FEEL UNSAFE. WE JTIFY THIS BEE WE OFFER NO ALTERNATIV. OUR DAILY VERNACULAR IS SO PREDOMANTLY HETERONORMATIVE THAT WE MAKE “QUEER” MEAN, WELL, QUEER. OUR ROURC ARE SO LIMED THAT WE DO NOT REACH THOSE WHO SEE EVERY MOMENT AS A STGGLE. OUR PUBLIC SPAC ARE SO UNSAFE THAT WE ARE HYPER-AWARE OF THE GENR NON-NFORMG DIVIDUAL OUR BATHROOM. IN “FEMALE MASCULY” J. HALBERSTAM WR ABOUT A “BATHROOM PROBLEM” WHERE GENR NON-NFORMG DIVIDUALS ARE POLICED THE BATHROOMS BEE THEIR GENR IS NOT IMMEDIATELY CIPHERABLE. THAT IS, GENR NON-NFORMG PEOPLE ARE PUNISHED “AS A RULT OF HAVG VLATED A RDAL LE OF GENR: ONE MT BE READABLE AT A GLANCE.” WE HAVE TAKEN THIS “BATHROOM PROBLEM” THAT HALBERSTAM WR ABOUT AND DRAGGED TO EACH FACET OF LIFE WHERE GENR AND SEXUALY POLICG HAPPENS EVERY PUBLIC ARENA, MEASURG PEOPLE UP BY THEIR GENR/SEXUAL INTIFITNS.AND WE ARE SURPRISED THAT YOUTH AND TEENS NNOT BEAR THE IMMENSE WEIGHT OF WAKG UP EACH DAY AND LIVG THROUGH THE HORROR OF PEERS’ OSTRACIZATN, THE UNBEARABLE LONELS OF BEG EVEN A LTLE B DIFFERENT, THE VASTATN OF BEG LLED A “FAGGOT” OR A “DYKE” OR AN “.” THERE IS SOMETHG FUNDAMENTALLY WRONG WH A SOCIETY THAT IGNOR THE PA OF QUEER YOUTH AND IS SUBSEQUENTLY TROUBLED BY VASTATG YET AL OUT.DAN SAVAGE’S “THGS WILL GET BETTER” CAMPAIGN ONLY MAK ME SADR. WHILE I APPRECIATE THE VALUE QUEER PEOPLE AND STRAIGHT ALLI AFFIRMG THE VALUE OF LIFE—THAT Y, FOR THEM, THGS DID GET BETTER—THGS JT WON’T GET BETTER UNLS WE TAKE ACTN. WE NNOT REMA STAGNANT, OUR FGERS OUR EARS AND OUR EY CLENCHED SHUT THKG THAT TOMORROW, SOMEONE ELSE WILL FIX NSTCTS OF HOMOPHOBIA, TRANSPHOBIA, AND HATE. THIS MSAGE IMPLI THAT IS SIMPLY TIME THAT ALLEVIAT BULLYG AND TORMENT. YET THE ROOT OF THIS—HATE—IS NOT SOMETHG THAT SIMPLY CEAS AFTER HIGH SCHOOL GRADUATN. NE ARRTS HAVE BEEN MA NNECTN WH THE ANTI-QUEER SODOMIZG AND TORTURE OF TWO GAY TEENS AND A  30-YEAR-OLD MAN NEW YORK. HATE IS NOT SIMPLY LOCKER ROOM BANTER—AND ANYONE WHO TELLS YOU THAT GETS BETTER IS FAR TOO OPTIMISTIC.WHILE WE N AND OUGHT MOURN RAYMOND CHASE, TYLER CLEMENTI, SETH WALSH, ASHER BROWN, JT AABERG, BILLY LUS, FELIX SAC, HARRISON CHASE BROWN, CALEB NOLT, ZACH HARRGTON—WE MT ASK OURSELV HOW WE N PROTECT AND CELEBRATE THOSE LIVG: HOW WE N CREATE SECURE SPAC FOR STUNTS OF ALL AG, RAC, GENR EXPRSNS, SEXUAL INTI, AND RELIGNS? ADDRSG THIS EPIMIC OF IMPOSG NORMATIVY ON THOSE TOO FABULO TO NFORM OUGHT TO BE AT THE FOREONT OF OUR NCERNS.MAYBE THE TRAGEDY OF RECENT EVENTS IS THAT THEY N HAPPEN ANYWHERE, AT ANY TIME. HARVARD IS NOT SO UNIQUELY ST OFF OUR IVORY TOWER THAT WE ARE IMMUNE TO SIAR DISASTER. RECENTLY, HATE CRIM ON MP HAVE DRAWN ATTENTN TO THE PROBLEM OF A LACK OF QUEER ADVOCY. THE SLOW AND AQUATE RPONSE OF HARVARD AS AN STUTN SUGGTS THAT THIS TYPE OF BEHAVR IS TO BE TOLERATED. FOR MANY ON MP, THIS REAFFIRMS A LLECTIVE FEAR AND ALIENATN, A SUGGTN THAT HARVARD IS NOT AS WELG AS WE THOUGHT. ON TUDAY NIGHT A VIGIL ONT OF MEMORIAL CHURCH BROUGHT OUT MANY QUEER STUNTS, PROFSORS, TUTORS, PROCTORS, AND ALLI. PEOPLE SHARED MSAG OF PA, HOPE, STGGLE, AND OPTIMISM. WHILE SEEG THIS RPONSE OM STUNTS AND TUTORS WAS WONRFUL—I ULD NOT HELP BUT WONR WHY PRINT FST, DEAN HAMMONDS, OR DEAN DGMAN, WERE NOT SPEAKG OUT TO SHOW THEIR SUPPORT.IN THE WAKE OF HORRIBLE TRAGEDI, THERE REMA STABLE POCKETS OF HOPE. THERE ARE ROURC ON MP THAT DO SO MUCH GOOD—CONTACT PEER COUNSELG, THE BURE OF STUDY COUNCIL, AND MENTAL HEALTH SERVIC. BUT ROURC ARE OF NO E UNLS THEY ARE ACTIVELY PARTNERED WH THE MUNY TO ASSURE THE SAFETY OF ALL MEMBERS, PROMISG TO ADVOTE AND PROTECT.STUNTS SHOULD BE ACTIVELY ENURAGED TO SEEK OUT THE ROURC—BUT WE MT ALSO MOBILIZE TO BRG THE ROURC TO THEM, FORTIFYG THEIR EFFICY AND OUR ROLVE AS A MUNY. NOT ONLY DO WE NEED TO REMOVE STIGMA ASSOCIATED WH SEEKG HELP—BUT WE MT ALSO RAISE AWARENS THAT NO ONE SHOULD HAVE TO STGGLE SILENTLY OR ALONE. BEE ULTIMATELY, A FACEBOOK GROUP MA POST-TASTROPHE IS A TERRIBLE ELEGY FOR SOMETHG SO TRSILLY BETIFUL AS A LIFE.RACHAEL L. GOLDBERG ’12 IS AN ENGLISH NCENTRATOR WHO LIV THE DUDLEY HOE {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{DISPLAY:LE-BLOCK;BACKGROUND-LOR:#AAA;BORR-RADI:5PX;PADDG:2PX 4PX;TEXT-TRANSFORM:UPPERSE;FONT:13PX 'COLABORATE LIGHT';MARG:2PX;LOR:WHE;}OP {GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS
• USG THE WORD ‘QUEER’ INSTEAD OF ‘GAY’
• HOW ‘GAY’ GOT S RABOW: WHAT ONCE MEANT MERRY IS NOW A BADGE OF INTY FOR HOMOSEXUALS HDTAN TIM | BYPOULOMI BANERJEE SEP 21, 2018 04:18 PM IST SHARE VIA COPY LK THE DICTNARY TRAC THE ORIG OF GAY TO THE FRENCH WORD GAI. BUT HOW DID SOMETHG THAT MEANT CHEERFUL BEE SYNONYMO WH HOMOSEXUALS, WHO HAVE HAD TO FIGHT LONG AND HARD FOR THEIR INTY? IF (ISDEVICEENABLED('SMALL') || ISDEVICEENABLED('MEDIUM') && !ADFREE) { (FUNCTN () { GOOGLETAG.DISPLAY('DIV-GPT-AD-1524814893923-0'); }); } ON THURSDAY, AS THE SUPREME COURT CRIMALISED HOMOSEXUALY, READG DOWN THE NTROVERSIAL BRISH-ERA SECTN 377 OF THE PENAL , MUMBAI-BASED ARNAB NANDY TOOK TO SOCIAL MEDIA TO EXPRS HIS JOY, AS MANY ACROSS THE UNTRY AND THE WORLD WERE DOG. “I AM SO GAY TODAY…” HE WROTE A G-OUT POST THAT HAS SCE GONE VIRAL. BUT WHILE NANDY’S CHOICE OF WORD WAS BANG ON THAT DAY, HOW DID A WORD THAT HAD ORIGALLY MEANT LIGHT-HEARTED, REEE OR CHEERFUL, BEE ASSOCIATED WH A MUNY WHOSE LIFE HAS BEEN OFTEN BEEN ANYTHG BUT? CARY GRANT AND KATHARE HEPBURN THE 1938 FILM BRGG UP BABY, WHERE GRANT ED THE WORD ‘GAY’ ON SCREEN. OPN IS DIVID THOUGH, ON WHETHER HE ED TO MEAN HOMOSEXUAL OR HAPPY AND CHEERFUL.(ALAMY STOCK PHOTO) THE OXFORD ENGLISH DICTNARY TRAC THE HISTORY OF THE WORD ‘GAY’ TO THE FRENCH WORD GAI. MERRIAM WEBSTER TAK FURTHER BACK TO A GERMANIC ORIG “AK TO THE OLD HIGH GERMAN GAHI” THAT MEANT “QUICK OR SUDN”. ACRDG TO BOTH DICTNARI, ENGLISH THE E OF ‘GAY’ TO MEAN HAPPY, EXCED, MERRY, REEE OR BRIGHT STARTED THE MIDDLE ENGLISH PERD THAT STRETCH BETWEEN THE 12TH AND THE 16TH CENTURY. ALL FOR AN INTY WHILE SOME BOOKS AND WEBS ON THE HISTORY OF THE GLOBAL HOMOSEXUAL MOVEMENT CLAIM THE WORD GAY WAS ED AS A SECRET BY HOMOSEXUALS TO INTIFY THEMSELV EVEN AS FAR BACK AS THE EARLY TWENTIETH CENTURY, PROFSOR ASHLEY TELLIS SAYS “ WAS THE 1960S THAT THE WORD ME TO BE POPULARLY ASSOCIATED WH THE MUNY”. R RAJ RAO, WRER AND PROFSOR OF ENGLISH AT PUNE UNIVERSY, ADDS: “THE STONEWALL RTS (A SERI OF VLENT NONTATNS BETWEEN MEMBERS OF THE LGBT MUNY AND THE POLICE NEW YORK 1969) ARE THE BEGNG OF MOST GAY-RIGHTS MOVEMENTS THE WORLD. IT WAS AROUND THIS TIME THAT THE MUNY STARTED G THE WORD GAY TO INTIFY SELF. IN THE BEGNG, GAY WAS ALSO AN ACRONYM FOR ‘GOOD AS YOU’.” IN INDIA, WHILE TELLIS SAYS THE E OF THE WORD GAY TO MEAN HOMOSEXUALS STARTED THE 1970S AND ’80S WH INDIAN MEN WHO TRAVELLED TO THE WT AND ME BACK, RAO AND WRER HOSHANG MERCHANT SAY THE WORD STARTED GETTG ED HERE THE 1990S AFTER THE SETTG UP OF BOMBAY DOST, THE UNTRY’S FIRST LGBT MAGAZE, BY ACTIVIST ASHOK ROW KAVI. GLOBALLY, THE MUNY PREFERRED GAY TO HOMOSEXUAL, SAYS TELLIS, BEE THE LATTER HAD A NEGATIVE FEEL TO – WAS A MORE CLIL TERM, SUGGTIVE OF A MEDIL NDN. AS AN ARTICLE ON THE WEBSE OF THE NEW ENGLAND JOURNAL OF MEDICE MENTNS, WAS ONLY 1980 THAT HOMOSEXUALY WAS LETED OM THE DIAGNOSTIC AND STATISTIL MANUAL OF THE AMERIN PSYCHIATRIC ASSOCIATN, TH CHANGG THE VIEW THAT WAS A BEHAVURAL DISORR. ““WHEREAS HOMOSEXUALY IS JT A WORD NOTG A SEXUAL PREFERENCE OR TENNCY AND ED ROGATORILY, GAY IS AN INTY. EVER SCE STONEWALL, SEXUAL POLICS HAD E TO PLAY AND INTIFYG AS GAY WAS A WAY FOR THE MUNY TO BE A PART OF THAT POLICS,” SAYS RAO. “IT WAS A SUBVERSN OF THE TABLISHED VOBULARY BY THE MUNY. THE SAME WAY THAT ‘QUEER’ WOULD BE ED, LATER ON,” HE ADDS. “WHILE THE NVENTNAL MEANG OF QUEER IS WEIRD, AND IS A DISCRIMATORY TERM SELF, THE MUNY HAS BEEN G AS AN INTY,” HE POTS OUT. THE LGBTQ HAVE THEIR OWN VOBULARY, ONE THAT OFTEN VARI OM CY TO CY, AND HAS TAKEN ON REGULAR WORDS THAT MEAN SOMETHG QUE DIFFERENT WHEN APPLIED TO THEMSELV OR ED WH THE MUNY, SAYS ASHOK ROW KAVI. “IN BOMBAY FOR EXAMPLE, THE LGBTQ MUNY THE WORD ‘GHODI’ TO MEAN A PLACLOTH POLICEMAN,” HE EXPLAS. A NEW USE
• THE HISTORY OF THE WORD “GAY”
• GAY PRI
• KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERUPDATED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT
• THE GAY AGENDA

GAY (HOMOSEXUAL) AND GAY (HAPPY)

Until then homosexual actors, micians, athlet or anyone the public eye had two choic life: to keep their homosexualy a secret, pecially om the media, or adopt the mannerisms and a of drs which were very mp but at the same time (ironilly) never admtg their sexual preferenc publicly.

NOT GAY AS IN {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}RACHAEL L. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}IN THE WAKE OF THE ATHS OF OVER 12 QUEER STUNTS THE LAST FEW WEEKS—ONE AS YOUNG AS 13 YEARS OLD—I WAS STCK BY HOW THE TRAGEDI ULD POSSIBLY BE LLED ATHS. A TEENAGE SUICI IS NOT A ATH— IS A TASTROPHE. TOO MANY TEENAGERS MTG SUICI BEE OF THEIR SEXUAL-ORIENTATN EXTENDS BEYOND THE WORLD OF TASTROPHE TO A DYSTOPIC NIGHTMARE THAT ENTRAPS ALL, QUEER, STRAIGHT, AND ASEXUAL ALIKE.IT IS A NIGHTMARE THAT WE ARE ACTIVELY ENABLG BY NTUG TO LET STUNTS FEEL UNSAFE. WE JTIFY THIS BEE WE OFFER NO ALTERNATIV. OUR DAILY VERNACULAR IS SO PREDOMANTLY HETERONORMATIVE THAT WE MAKE “QUEER” MEAN, WELL, QUEER. OUR ROURC ARE SO LIMED THAT WE DO NOT REACH THOSE WHO SEE EVERY MOMENT AS A STGGLE. OUR PUBLIC SPAC ARE SO UNSAFE THAT WE ARE HYPER-AWARE OF THE GENR NON-NFORMG DIVIDUAL OUR BATHROOM. IN “FEMALE MASCULY” J. HALBERSTAM WR ABOUT A “BATHROOM PROBLEM” WHERE GENR NON-NFORMG DIVIDUALS ARE POLICED THE BATHROOMS BEE THEIR GENR IS NOT IMMEDIATELY CIPHERABLE. THAT IS, GENR NON-NFORMG PEOPLE ARE PUNISHED “AS A RULT OF HAVG VLATED A RDAL LE OF GENR: ONE MT BE READABLE AT A GLANCE.” WE HAVE TAKEN THIS “BATHROOM PROBLEM” THAT HALBERSTAM WR ABOUT AND DRAGGED TO EACH FACET OF LIFE WHERE GENR AND SEXUALY POLICG HAPPENS EVERY PUBLIC ARENA, MEASURG PEOPLE UP BY THEIR GENR/SEXUAL INTIFITNS.AND WE ARE SURPRISED THAT YOUTH AND TEENS NNOT BEAR THE IMMENSE WEIGHT OF WAKG UP EACH DAY AND LIVG THROUGH THE HORROR OF PEERS’ OSTRACIZATN, THE UNBEARABLE LONELS OF BEG EVEN A LTLE B DIFFERENT, THE VASTATN OF BEG LLED A “FAGGOT” OR A “DYKE” OR AN “.” THERE IS SOMETHG FUNDAMENTALLY WRONG WH A SOCIETY THAT IGNOR THE PA OF QUEER YOUTH AND IS SUBSEQUENTLY TROUBLED BY VASTATG YET AL OUT.DAN SAVAGE’S “THGS WILL GET BETTER” CAMPAIGN ONLY MAK ME SADR. WHILE I APPRECIATE THE VALUE QUEER PEOPLE AND STRAIGHT ALLI AFFIRMG THE VALUE OF LIFE—THAT Y, FOR THEM, THGS DID GET BETTER—THGS JT WON’T GET BETTER UNLS WE TAKE ACTN. WE NNOT REMA STAGNANT, OUR FGERS OUR EARS AND OUR EY CLENCHED SHUT THKG THAT TOMORROW, SOMEONE ELSE WILL FIX NSTCTS OF HOMOPHOBIA, TRANSPHOBIA, AND HATE. THIS MSAGE IMPLI THAT IS SIMPLY TIME THAT ALLEVIAT BULLYG AND TORMENT. YET THE ROOT OF THIS—HATE—IS NOT SOMETHG THAT SIMPLY CEAS AFTER HIGH SCHOOL GRADUATN. NE ARRTS HAVE BEEN MA NNECTN WH THE ANTI-QUEER SODOMIZG AND TORTURE OF TWO GAY TEENS AND A  30-YEAR-OLD MAN NEW YORK. HATE IS NOT SIMPLY LOCKER ROOM BANTER—AND ANYONE WHO TELLS YOU THAT GETS BETTER IS FAR TOO OPTIMISTIC.WHILE WE N AND OUGHT MOURN RAYMOND CHASE, TYLER CLEMENTI, SETH WALSH, ASHER BROWN, JT AABERG, BILLY LUS, FELIX SAC, HARRISON CHASE BROWN, CALEB NOLT, ZACH HARRGTON—WE MT ASK OURSELV HOW WE N PROTECT AND CELEBRATE THOSE LIVG: HOW WE N CREATE SECURE SPAC FOR STUNTS OF ALL AG, RAC, GENR EXPRSNS, SEXUAL INTI, AND RELIGNS? ADDRSG THIS EPIMIC OF IMPOSG NORMATIVY ON THOSE TOO FABULO TO NFORM OUGHT TO BE AT THE FOREONT OF OUR NCERNS.MAYBE THE TRAGEDY OF RECENT EVENTS IS THAT THEY N HAPPEN ANYWHERE, AT ANY TIME. HARVARD IS NOT SO UNIQUELY ST OFF OUR IVORY TOWER THAT WE ARE IMMUNE TO SIAR DISASTER. RECENTLY, HATE CRIM ON MP HAVE DRAWN ATTENTN TO THE PROBLEM OF A LACK OF QUEER ADVOCY. THE SLOW AND AQUATE RPONSE OF HARVARD AS AN STUTN SUGGTS THAT THIS TYPE OF BEHAVR IS TO BE TOLERATED. FOR MANY ON MP, THIS REAFFIRMS A LLECTIVE FEAR AND ALIENATN, A SUGGTN THAT HARVARD IS NOT AS WELG AS WE THOUGHT. ON TUDAY NIGHT A VIGIL ONT OF MEMORIAL CHURCH BROUGHT OUT MANY QUEER STUNTS, PROFSORS, TUTORS, PROCTORS, AND ALLI. PEOPLE SHARED MSAG OF PA, HOPE, STGGLE, AND OPTIMISM. WHILE SEEG THIS RPONSE OM STUNTS AND TUTORS WAS WONRFUL—I ULD NOT HELP BUT WONR WHY PRINT FST, DEAN HAMMONDS, OR DEAN DGMAN, WERE NOT SPEAKG OUT TO SHOW THEIR SUPPORT.IN THE WAKE OF HORRIBLE TRAGEDI, THERE REMA STABLE POCKETS OF HOPE. THERE ARE ROURC ON MP THAT DO SO MUCH GOOD—CONTACT PEER COUNSELG, THE BURE OF STUDY COUNCIL, AND MENTAL HEALTH SERVIC. BUT ROURC ARE OF NO E UNLS THEY ARE ACTIVELY PARTNERED WH THE MUNY TO ASSURE THE SAFETY OF ALL MEMBERS, PROMISG TO ADVOTE AND PROTECT.STUNTS SHOULD BE ACTIVELY ENURAGED TO SEEK OUT THE ROURC—BUT WE MT ALSO MOBILIZE TO BRG THE ROURC TO THEM, FORTIFYG THEIR EFFICY AND OUR ROLVE AS A MUNY. NOT ONLY DO WE NEED TO REMOVE STIGMA ASSOCIATED WH SEEKG HELP—BUT WE MT ALSO RAISE AWARENS THAT NO ONE SHOULD HAVE TO STGGLE SILENTLY OR ALONE. BEE ULTIMATELY, A FACEBOOK GROUP MA POST-TASTROPHE IS A TERRIBLE ELEGY FOR SOMETHG SO TRSILLY BETIFUL AS A LIFE.RACHAEL L. GOLDBERG ’12 IS AN ENGLISH NCENTRATOR WHO LIV THE DUDLEY HOE {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{DISPLAY:LE-BLOCK;BACKGROUND-LOR:#AAA;BORR-RADI:5PX;PADDG:2PX 4PX;TEXT-TRANSFORM:UPPERSE;FONT:13PX 'COLABORATE LIGHT';MARG:2PX;LOR:WHE;}OP {GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS

Tom Robson released a very succsful song entled (Sg if you're) Glad to be Gay, was the mid-70s, and I was still at a Catholic primary school when I remember que distctly hearg gay beg ed for the first time to unteract the BrEng rogatory terms such as: poofter, poof, queer, not normal, fairy and queen that were rife at the time. In the send verse, pots to the hypocrisy of Gay News beg prosecuted for obsceny stead of porn magaz like magaz Playboy or the tabloid The Sun which publish photographs of topls girls on Page 3.

For me, a young child livg London at the time, the term gay (meang homosexual and not "happy") was ed much more equently by the media and the general public after the release of "Glad to be Gay".

USG THE WORD ‘QUEER’ INSTEAD OF ‘GAY’

As a cishet person, that lane is primarily about terrogatg homophobia, heterosexism, relatnship hierarchy, and the bary normg of genr, sexualy, and inty to do my part dismantlg systems that uphold all of that, cludg the ways which I personally uphold them.

The Concise New Partridge Dictnary of Slang says the adjective “queer” began to mean “homosexual” about 1914, mostly the Uned Stat, and not was “rogatory om the outsi, not om wh, ” a ht that was beg embraced as a self-scriptn even then. It lists “queer” this way: “[Slang] homosexual: general age, still chiefly a slang term of ntempt or risn, but lately ed as by some amics and homosexual activists as a scriptive term whout negative nnotatns. Charl YaleOmahaTo the Edor:Pamela Pl implicly criciz me and the anizatn I am soon to lead for g the term “queer” rather than “gay” or “lbian” a recent me be clear: At the Human Rights Campaign, we do say gay.

HOW ‘GAY’ GOT S RABOW: WHAT ONCE MEANT MERRY IS NOW A BADGE OF INTY FOR HOMOSEXUALS HDTAN TIM | BYPOULOMI BANERJEE SEP 21, 2018 04:18 PM IST SHARE VIA COPY LK THE DICTNARY TRAC THE ORIG OF GAY TO THE FRENCH WORD GAI. BUT HOW DID SOMETHG THAT MEANT CHEERFUL BEE SYNONYMO WH HOMOSEXUALS, WHO HAVE HAD TO FIGHT LONG AND HARD FOR THEIR INTY? IF (ISDEVICEENABLED('SMALL') || ISDEVICEENABLED('MEDIUM') && !ADFREE) { (FUNCTN () { GOOGLETAG.DISPLAY('DIV-GPT-AD-1524814893923-0'); }); } ON THURSDAY, AS THE SUPREME COURT CRIMALISED HOMOSEXUALY, READG DOWN THE NTROVERSIAL BRISH-ERA SECTN 377 OF THE PENAL , MUMBAI-BASED ARNAB NANDY TOOK TO SOCIAL MEDIA TO EXPRS HIS JOY, AS MANY ACROSS THE UNTRY AND THE WORLD WERE DOG. “I AM SO GAY TODAY…” HE WROTE A G-OUT POST THAT HAS SCE GONE VIRAL. BUT WHILE NANDY’S CHOICE OF WORD WAS BANG ON THAT DAY, HOW DID A WORD THAT HAD ORIGALLY MEANT LIGHT-HEARTED, REEE OR CHEERFUL, BEE ASSOCIATED WH A MUNY WHOSE LIFE HAS BEEN OFTEN BEEN ANYTHG BUT? CARY GRANT AND KATHARE HEPBURN THE 1938 FILM BRGG UP BABY, WHERE GRANT ED THE WORD ‘GAY’ ON SCREEN. OPN IS DIVID THOUGH, ON WHETHER HE ED TO MEAN HOMOSEXUAL OR HAPPY AND CHEERFUL.(ALAMY STOCK PHOTO) THE OXFORD ENGLISH DICTNARY TRAC THE HISTORY OF THE WORD ‘GAY’ TO THE FRENCH WORD GAI. MERRIAM WEBSTER TAK FURTHER BACK TO A GERMANIC ORIG “AK TO THE OLD HIGH GERMAN GAHI” THAT MEANT “QUICK OR SUDN”. ACRDG TO BOTH DICTNARI, ENGLISH THE E OF ‘GAY’ TO MEAN HAPPY, EXCED, MERRY, REEE OR BRIGHT STARTED THE MIDDLE ENGLISH PERD THAT STRETCH BETWEEN THE 12TH AND THE 16TH CENTURY. ALL FOR AN INTY WHILE SOME BOOKS AND WEBS ON THE HISTORY OF THE GLOBAL HOMOSEXUAL MOVEMENT CLAIM THE WORD GAY WAS ED AS A SECRET BY HOMOSEXUALS TO INTIFY THEMSELV EVEN AS FAR BACK AS THE EARLY TWENTIETH CENTURY, PROFSOR ASHLEY TELLIS SAYS “ WAS THE 1960S THAT THE WORD ME TO BE POPULARLY ASSOCIATED WH THE MUNY”. R RAJ RAO, WRER AND PROFSOR OF ENGLISH AT PUNE UNIVERSY, ADDS: “THE STONEWALL RTS (A SERI OF VLENT NONTATNS BETWEEN MEMBERS OF THE LGBT MUNY AND THE POLICE NEW YORK 1969) ARE THE BEGNG OF MOST GAY-RIGHTS MOVEMENTS THE WORLD. IT WAS AROUND THIS TIME THAT THE MUNY STARTED G THE WORD GAY TO INTIFY SELF. IN THE BEGNG, GAY WAS ALSO AN ACRONYM FOR ‘GOOD AS YOU’.” IN INDIA, WHILE TELLIS SAYS THE E OF THE WORD GAY TO MEAN HOMOSEXUALS STARTED THE 1970S AND ’80S WH INDIAN MEN WHO TRAVELLED TO THE WT AND ME BACK, RAO AND WRER HOSHANG MERCHANT SAY THE WORD STARTED GETTG ED HERE THE 1990S AFTER THE SETTG UP OF BOMBAY DOST, THE UNTRY’S FIRST LGBT MAGAZE, BY ACTIVIST ASHOK ROW KAVI. GLOBALLY, THE MUNY PREFERRED GAY TO HOMOSEXUAL, SAYS TELLIS, BEE THE LATTER HAD A NEGATIVE FEEL TO – WAS A MORE CLIL TERM, SUGGTIVE OF A MEDIL NDN. AS AN ARTICLE ON THE WEBSE OF THE NEW ENGLAND JOURNAL OF MEDICE MENTNS, WAS ONLY 1980 THAT HOMOSEXUALY WAS LETED OM THE DIAGNOSTIC AND STATISTIL MANUAL OF THE AMERIN PSYCHIATRIC ASSOCIATN, TH CHANGG THE VIEW THAT WAS A BEHAVURAL DISORR. ““WHEREAS HOMOSEXUALY IS JT A WORD NOTG A SEXUAL PREFERENCE OR TENNCY AND ED ROGATORILY, GAY IS AN INTY. EVER SCE STONEWALL, SEXUAL POLICS HAD E TO PLAY AND INTIFYG AS GAY WAS A WAY FOR THE MUNY TO BE A PART OF THAT POLICS,” SAYS RAO. “IT WAS A SUBVERSN OF THE TABLISHED VOBULARY BY THE MUNY. THE SAME WAY THAT ‘QUEER’ WOULD BE ED, LATER ON,” HE ADDS. “WHILE THE NVENTNAL MEANG OF QUEER IS WEIRD, AND IS A DISCRIMATORY TERM SELF, THE MUNY HAS BEEN G AS AN INTY,” HE POTS OUT. THE LGBTQ HAVE THEIR OWN VOBULARY, ONE THAT OFTEN VARI OM CY TO CY, AND HAS TAKEN ON REGULAR WORDS THAT MEAN SOMETHG QUE DIFFERENT WHEN APPLIED TO THEMSELV OR ED WH THE MUNY, SAYS ASHOK ROW KAVI. “IN BOMBAY FOR EXAMPLE, THE LGBTQ MUNY THE WORD ‘GHODI’ TO MEAN A PLACLOTH POLICEMAN,” HE EXPLAS. A NEW USE

LouisTo the Edor:I was happy to read Pamela Pl’s article bee is exactly what I, as a gay man my 60s, have been feelg and sayg for the past 20 years as the movement slowly the late 1970s, the artist Gilbert Baker signed an clive symbol unr which everyone the spectm was clud: the rabow. The letters the ials have bee so clive that few even know all of them or what they stand for airg this story, bee feels as if the pneers of gay liberatn — which I n’t even unt myself as I was only a child when the first rock was thrown at Stonewall — are disregard as irrelevant bee the new generatn se self as the te liberators. Tracg the history of the word ‘queer’ | Dazed⬅️ Left Arrow*️⃣ Asterisk␠StarOptn Slirs✉️ MailExOozg GloopEy Rose EnglandWe look back at the origs of the ntroversial term, om 19th-century homosexual love letters to radil punks.

THE HISTORY OF THE WORD “GAY”

I unrstood as a word signed to make me ashamed not only of my homosexualy but of my voice, my appearance and my behavur; I grew up believg that ‘queer’ was a term ed only to exprs hatred, anger and prejudice. Now, however, ’s more monly ed to scribe non-normative inti wh regards to both genr and sexualy; ’s an umbrella term ed to fe a spectm of margalised inti rangg om cis whe gay men to asexual non-bary black dividuals. Douglas had disvered his son was embroiled a gay relatnship wh Osr Wil; he beme ncerned at the potential of a gay sex sndal and immediately set out to prosecute Wil any way possible.

Porn stars and drag queens were given screentime and issu of queer sexualy were explored, but racial mori were largely exclud om the show and the three ma protagonists were cis whe gay men (the wrer did, however, argue this was a liberate move ma to highlight archetyp of gay men). Personally, I’m favour of reclaimg ‘queer’ once and for all, primarily bee highlights that the vast spectm of inty isn’t as basic as mere homosexualy; we need trans voic, tersex voic and asexual voic. This page provis accurate rmatn for those who want to better unrstand sexual orientatn and the impact of prejudice and discrimatn on those who intify as lbian, gay, or bisexual.

Public opn studi over the 1970s, 1980s, and 1990s routely showed that, among large segments of the public, lbian, gay, and bisexual people were the target of strongly held negative attus.

GAY PRI

The associatn of HIV/AIDS wh gay and bisexual men and the accurate belief that some people held that all gay and bisexual men were fected served to further stigmatize lbian, gay, and bisexual people.

KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERUPDATED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT

On an dividual level, such prejudice and discrimatn may also have negative nsequenc, pecially if lbian, gay, and bisexual people attempt to nceal or ny their sexual orientatn. Dpe the persistence of stereotyp that portray lbian, gay, and bisexual people as disturbed, several s of rearch and clil experience have led all mastream medil and mental health anizatns this untry to nclu that the orientatns reprent normal forms of human experience. Helpful rpons of a therapist treatg an dividual who is troubled about her or his same sex attractns clu helpg that person actively pe wh social prejudic agast homosexualy, succsfully rolve issu associated wh and rultg om ternal nflicts, and actively lead a happy and satisfyg life.

THE GAY AGENDA

The phrase “g out” is ed to refer to several aspects of lbian, gay, and bisexual persons’ experienc: self-awarens of same-sex attractns; the tellg of one or a few people about the attractns; wispread disclosure of same-sex attractns; and intifitn wh the lbian, gay, and bisexual muny.