Different Perspectiv In My Room...!: The CHARLES GAYLE TRIO – Live At Disobey 1994 (BFFP 100 2LP / Re-2000)

Contents:

• LIVE AT DISOBEY (LIVE ALBUM) BY CHARL GAYLE
• CHARL GAYLE APPRECIATN THREAD
• CHARL GAYLE
• CHARL GAYLE
• CHARL GAYLE

LIVE AT DISOBEY (LIVE ALBUM) BY CHARL GAYLE

HaswellMixed By – Pl KendallWrten-By – The Charl Gayle TrMatrix / Runout (Si A, Hand etched): BFFP 100 2LP - A1 K III FMatrix / Runout (Si B, Hand etched): BFFP 100 2LP - B1 K III FXMatrix / Runout (Si C, Hand etched): BFFP 100 2LP - C1 K III HMatrix / Runout (Si D, Hand etched): BFFP 100 2LP - D1 K III FThrough a special agreement wh "The Wire" magaze a limed edn of 500 1 A - Holy Fah..........................................................................................................

16:20 Personnel: CHARLES GAYLE – tenor saxophone / bass claret / voice HILLIARD GREEN – bass / voice MICHAEL WIMBERLEY – dms / percsnYou’ve probably heard about The Garage, a popular mic venue Highbury, London, still gog on nowadays. Disobey was found by Pl Smh, the man behd avant rock rerd label Blast First, and s events (ually more experimental than the shows hosted at The Garage) attracted a crowd of hip personali rangg om Jarvis Cocker to Nick Cave and Brian ’s the environment where Charl Gayle rerd one of the bt albums of his reer.

Bis his ual tenor sax, Gayle sprkl a ltle b of bass claret aga, but that don’t make much of a difference for the fal rult. If Gayle’s playg at his fierct is your thg, look no further. Other than the obv mil mers, ‘Live At Disobey’ is also pivotal bee marks the time Charl Gayle started to transcend the jazz scene and attract tert among the more open md parts of the rock crowd, cludg featur on a magaze like The Wire, which ntributed to the release of cd (and later double LP) on a rock label like the aforementned Blast First.

CHARL GAYLE APPRECIATN THREAD

Rerd live at Disobey (as the tle of this CD suggts) on March 23, 1994 London, we fd Charl Gayle, dmmer Michael Wimberley, and bassist Hilliard Green fe form as they blast through three extend performanc.

CHARL GAYLE

The highlight is "Holy Fah, " a barn-burner that is pellg for the duratn of s twenty-three mut, rellg moments of Gayle's earlier masterpiece, "Repent. " "Hymn of Remptn" lsens the fury somewhat, begng (for the first ten mut) wh Gayle on bass claret. When he returns to tenor sax, Gayle blows some of the most powerful shrieks out of his stment, as Greene and Wimberly keep up wh him every step of the way.

Live at Disobey, limed to 500 pi, remas one of the bt documents of Gayle's live performanc while he was at the peak of his powers. Live At Disobey by Charl Gayle(Live album)Year: 1994Overall rank: 73, 436th Aclas:.

CHARL GAYLE

Sorry, no match on eBay for "Live At Disobey Charl Gayle". Charl Gayle btographyLive At Disobey is ranked 3rd bt out of 7 albums by Charl Gayle on bt album by Charl Gayle is Repent which is ranked number 25660 the list of all-time albums wh a total rank sre of 35.

Charl Gayle album btography. Charl Gayle has received a lot of love on FJB, and for good reason. From tly humble begngs, Charl Gayle has bee a legend.

That romantic tge only holds, however, if you foc on the unpromisg qut for self-realizatn through mic and strip of the hardships endured a and a half of homelsns, whereby Gayle survived by bkg a fashn more likely to repel than attract the average passer-by. This, of urse, was how Gayle refed his sound, which li somewhere between eicism of Charlie Parker, the spirualy of Albert Ayler and late-stage John Coltrane, and the off-the-walls adventurism of Arthur Doyle.

CHARL GAYLE

Gayle’s spiratn also emanat que unapologetilly om his relig fah (listen to the brief thank you at the end of Seasons Changg for a brief and clive claratn) and his oft-noted ristance to mercial nformy, as well as his experience, all those s ago, on the streets of New York. As Gayle himself explas, “I tried to py the sounds I heard: the traffic, the fire eng, the police rs, even babi cryg.

Now, some three s after his first releas on Swen’s Silkheart label, Gayle is an octogenarian and he is still blowg his uniquely lored fire, as the two rerdgs om 2019 attt. Charl Gayle, Gvanni Barcella, and Manolo Cabras - The Alto Ssns (el Negoco, 2019) ****. The Alto Ssns is a stud rerdg wh two micians Gayle first played wh 2011: Gvanni Barcella (bass) and Manolo Cabras (dms).

From there, a wild ri endg abptly wh energy and some of Gayle’s (? The send track, “Charl’s Speech” is a ballad, softer and blier than Gayle ually lays. In a way that seems only Gayle n mter, however, behd this aggrsive, spired abstractn ris and unrlyg pensivens and medatn.

It begs wh Barcella’s squealg ar bass, soon followed by tentatively mmagg dms and a surprisgly rtraed Gayle on piano. ” Here, the group renven their origal formulatn as Gayle returns to the alto and his tnted, ntorted phrasgs overlayg a propulsive, eply synergistic rhythm sectn.

All all, a well-balanced rerdg of the enzied, clunky ee jazz that has granted Gayle renown. Charl Gayle, John Edwards, Mark Sanrs - Seasons Changg (Otoroku, 2019) ****½. Seasons Changg is pure Gayle fire-sptg ridg atop nsely latticed, knotted grov of John Edwards (bass) and Mark Sanrs (dms).

As much as those latter releas offer some ntext particularly for Gayle’s approach, however, this November 15, 2017 ncert at London’s now legendary Café Oto documents a very different outg. Seasons Changg tak me back to my first few sps of my first Gayle album, Live at the Glenn Miller Cafe. Clearly, Gayle has still got .