Gay Lerature: Poetry and Prose | Oxford Rearch Encyclopedia of Lerature

gay literature research

Gay and Lbian Studi is by nature cross-disciplary, verg a wi range of tellectual bas: lerature, history, relign, psychology, soclogy, philosophy, anthropology, medice, law, fe arts, and others. Rourc this subject area may be found nearly every divisn of the Rearch Librari. This gui offers multiple trajectori to this richly varied

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GAY LERATURE: POETRY AND PROSEGAY LERATURE: POETRY AND PROSE

"Gay Lerature: Poetry and Prose" published on by Oxford Universy Prs." name="scriptn * gay literature research *

Bisexualy has been viewed wh gay studi as distct om homosexualy, and bisexuals have found themselv exclud om gay events and anizatns although a great many “gay ins” om Socrat to Shakpeare to Osr Wil were married and fathered children.

” Further, even the word “homosexual” is ght wh problems: is often believed, rrectly, that origated as a medi-scientific term to classify homosexualy as a disease. The word “homosexual” was, fact, created the late neteenth century as an English equivalent for German Homosexualtät, which first appeared prt 1869 a pamphlet argug agast the Pssian legal that prcribed punishments for men who engaged same-sex relatns. FouultIn the troductn to the first volume of his Histoire la sexualé (1976; English translatn, History of Sexualy, 1978), Michel Fouult argu that homosexualy is an ventn of the late neteenth century.

GAY AND LBIAN STUDI

Wh the creasg impact of the gay rights movement and acceptance of gays mastream society, gay studi and gay lerature are emergg as rpected fields. Defg gay lerature is sometim difficult, given the equent vague and subtle referenc to gay characters or them found works. Not all gay lerature als specifilly wh sex;… * gay literature research *

The neteenth-century homosexual beme a personage, a past, a se history, and a childhood, addn to beg a type of life, a life form, and a morphology, wh an discreet anatomy and possibly a myster physlogy. Adoptg his posn, crics have argued, for example, that Walt Whman and Osr Wil (1854–1900) were not, strictly speakg, homosexuals, at least the sense that medil and psychologil tablishments unrstood that “ndn” or “speci” the twentieth century. Whether the dividual is born homosexual or his or her homosexual sir are socially nstcted, is clear that medi-scientific theori of homosexualy as a curable disease were an ventn of the late neteenth and early twentieth centuri.

Homosexualy plays by Tennsee Williams is differently unrstood, for example, than is poems by Walt Whman, and the difference is largely rooted medi-scientific nsiratns rather than ethil or polil on. Psychoanalysis, the populary of which crted the Uned Stat the 1940s and 1950s, claimed that homosexuals were abnormal but that, wh the guidance of psychiatrists, they uld be “cured. If the play were wrten now, one might expect Brick to abandon Maggie, but as wrten by Williams, who was homosexual, the oppose happens, and the play ends “happily” when Maggie announc that she is pregnant.

Audienc the 1950s might have been unfortable wh homosexualy, and Williams, whatever his private life, allowed them to leave the theater wh their prejudic tact. Repeatedly, Williams portrays homosexual life as threatened by vlence, eher om society or om some ner psychologil flaw; his homosexuals are saturated wh guilt and self-loathg. One rells thgs as var as Ernt Hemgway's dismissive attu toward homosexuals his books, the “pansi” played for lghs Hollywood films of the 1920s and 1930s, and Hart Crane's joyo announcement—havg, he believed, fallen love wh a woman—that he was not homosexual after all.

THE DON KELLY REARCH COLLECTN OF GAY LERATURE AND CULTURE

Although Amerin lerature the first two-thirds of the twentieth century almost always impli the medi-scientific fn whenever homosexualy enters the text, Whman had his own succsors, om Bliss Carman (1861–1929) and Richard Hovey (1864–1900) to Marsn Hartley (1877–1943) to Langston Hugh (1902–1967) and Gerr Lansg (b. Hallock vtigat one pecially tense relatnship his bgraphy of Fz-Greene Halleck (1790–1867), The Amerin Byron (2000), whom he views as a homosexual drawn to the younger poet Joseph Rodman Drake (1795–1820).

Graham was not beg homophobic the morn sense; was his belief, and largely the belief of the age, that overdulgence sexual behavrs of any kd led to bily and early ath. Graham's importance to popular beliefs about sexualy the neteenth century should warn agast general or facile observatns about siari between attus toward homosexualy our own day and Thore's.

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