Why Did Serial Killer Richard Rogers Dismember Gay Men In '90s New York? | Crime News

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• THE CHILLG CONFSNS OF A COP TURNED SERIAL KILLER OF GAY MENTHE FACE OF EVILHARRY DEMPSTER/DAILY EXPRS/HULTON ARCHIVE/GETTYTHE NETFLIX DOC “MEMORI OF A MURRER: THE NILSEN TAP” NTAS CREEPY TERVIEWS WH DENNIS NILSEN, A MADMAN WHO ADMTED TO KILLG 15 RENT BOYS OVER A FIVE-YEAR PERD.NICK SCHAGERENTERTAMENT CRICUPDATED AUG. 17, 2021 5:42AM EDT / PUBLISHED AUG. 17, 2021 5:01AM EDT KILLERS DON’T LIKE TO GET UGHT, BUT ONCE CTODY, THEY SURE DO LIKE TO TALK, AS EVINCED BY A RAFT OF TE-CRIME EFFORTS—CONVERSATNS WH A KILLER: THE TED BUNDY TAP, CONONTG A SERIAL KILLER, THE CONFSN KILLER, THE SONS OF SAM: A DCENT INTO DARKNS AND ELIZE MATSUNAGA: ONCE UPON A CRIME, AMONG OTHERS—CENTERED AROUND TAPED NVERSATNS WH NOTOR FIENDS. TO THAT LIST ONE N NOW ADD MEMORI OF A MURRER: THE NILSEN TAP, A NON-FICTN FILM WHOSE PRIMARY DRAW IS A RAFT OF PERSONAL RERDGS MA BY DENNIS NILSEN, THE STTISH MADMAN WHO TERRORIZED LONDON DURG THE 1980S, AND WHOSE KILLG SPREE, AND ATTEMPT TO AVOID RCERATN, WAS RECENTLY IMMORTALIZED BY A SUNDANCE NOW DRAMATIC SERI STARRG DAVID TENNANT.HELMED BY FIRST-TIME DIRECTOR MICHAEL HARTE, WHO’S PREVLY EDED DON’T F**K WH CATS: HUNTG AN INTER KILLER AS WELL AS THREE INTIL STRANGERS, MEMORI OF A MURRER: THE NILSEN TAP (AUG. 18, ON NETFLIX) BEGS WH NILSEN SLAMMG THE NOTN THAT HE LIBERATELY SOUGHT IMMORTALY, AS WAS CLAIMED BY A NEWSPAPER ARTICLE THAT SURMISED HE HAD A HUNGER FOR THE SPOTLIGHT OM THE HANNIBAL LECTER POSTER HANGG HIS JAIL CELL. NILSEN’S PROTTS, HOWEVER, DON’T JIBE WH THE MANY D TAP HE MA WHILE PRISON. INTEND TO FORM THE FOUNDATN OF HIS TOBGRAPHY (SELF AN ATTENTN-URTG VANY PROJECT), THE RERDGS FD THE MURRER EXPOUNDG ON HIS LIFE AND CIRCUMSTANC WH AN ELOQUENCE THAT REEKS OF AFFECTED SMUGNS—A QUALY THAT’S ALSO TE OF HIS EVERYMAN SCHTICK, AS IF ANYONE WOULD BUY FOR A SEND THAT, BEE OF HIS ORDARY APPEARANCE AND MEANOR, HE WASN’T A DANGERO PREDATOR. THERE’S NO NYG THAT NILSEN’S NONSCRIPT EXTERR—LANKY AME, GLASS, SCHOOLBOY HAIRCUT—WAS PART OF WHAT MA HIM SUCH A MABRE SPECTACLE. LIKE TED BUNDY BEFORE HIM AND JEFEY DAHMER AFTER, NILSEN DIDN’T F THE TYPIL HOMICIDAL-MANIAC PROFILE (HE HAD EVEN SERVED, FOR A TIME, AS A POLICE OFFICER). NOHELS, HE WAS AS LD-BLOOD AS THEY E, A RAGG SOCPATH WHO ADMTED TO KILLG 15 MEN DURG A FIVE-YEAR SPAN OM 1978-1983, AND WHO WAS ONLY UGHT WHEN AN ENGEER WAS LLED TO FIX A CLOGGED DRA AT HIS CRANLEY GARNS APARTMENT PLEX NORTH LONDON, AND DISVERED THAT THE E OF THE BACK-UP WAS AN ENORMO AMOUNT OF HUMAN FLH AND BONE. NEIGHBORS CLAIMED THAT THEY’D SEEN NILSEN NEAR THAT DRA AROUND MIDNIGHT THE PREV EVENG, AND WHEN HE RETURNED HOME OM HIS JOB AT THE LOL JOB CENTRE, HE LED VTIGATORS TO HIS FLAT, WHERE THE STENCH WAS FETID THANKS TO TWO GIANT GARBAGE BAGS THAT, HE NFSED, NTAED THE REMAS OF NUMERO VICTIMS.THE TAILS THAT SOON EMERGED WERE GRISLY. NILSEN’S MOD OPERANDI VOLVED PICKG UP MALE DRIFTERS AND “RENT BOYS” AND BRGG THEM BACK TO HIS HOME, WHERE HE’D KILL THEM. AT CRANLEY GARNS, THE DRA PIPE WAS A CENTRAL MEANS OF BODY DISPOSAL, WHEREAS AT HIS PRR RINCE AT 195 MELROSE AVENUE HE’D STASHED RPS BENEATH THE FLOORBOARDS—AND BURNED THEIR BODI BONFIR A REAR GARN—UNTIL HE RAN OUT OF SPACE AND HAD TO MOVE. THIS RMATN, AS WELL AS THE FACT THAT NILSEN WAS GAY AND OFTEN PREYED UPON HOMOSEXUAL MEN, BEME PRIME FODR FOR THE MEDIA, AND BBC RRPONNT BILL HATON IS ONE OF MULTIPLE TERVIEWE TO STATE, MEMORI OF A MURRER: THE NILSEN TAP, THAT HE GOT A SENSATNALISTIC THRILL OUT OF LEARNG ABOUT NILSEN’S HORRIFIC CRIM. NILSEN DON’T REALLY DISCS THE PARTICULARS OF HIS GOME PASTIME; HIS THOUGHTS ON THAT SUBJECT ARE NVEYED BY DIRECTOR HARTE VIA TRANSCRIBED MENTARY, AND POLICE AND URT RERDS PRENTED AS TYPEWRER TEXT. WH REGARD TO HIS NOTORIETY, HOWEVER, HE DO STATE THAT “A CLEARLY PREJUDICED PICTURE HAD BEEN ALLOWED TO FORM THE PUBLIC’S MD, EVEN BEFORE I WAS CHARGED WH ANY FENSE, GIVG THE MEDIA FULL LATU TO K THEIR PROPERTY. THIS ALLOWED THE IMAGE OF MONSTROSY TO TAKE FULL FLIGHT, TO WHET THE PROFABLE PUBLIC IMAGATN.” HE’S TECHNILLY RRECT THIS ASSSMENT. YET MEMORI OF A MURRER: THE NILSEN TAP MAK CLEAR THAT HIS FAMO REPUTATN WAS WELL-EARNED, AND LISTENG TO HIM ARROGANTLY PRATTLE ON THIS WAY PROV LS UNNERVG THAN SIMPLY FURIATG.NILSEN’S SIRE TO P THE BLAME FOR HIS NDUCT ON AN UNRG MOTHER AND A PEDOPHILIC GRANDFATHER MIGHT BE MORE CREDIBLE IF NOT FOR HIS WHOLALE DUPLICY AND UNTSTWORTHS, AND MEMORI OF A MURRER: THE NILSEN TAP WISELY DON’T BUY EVERYTHG THE KILLER PEDDL. THROUGH TERVIEWS WH VTIGATORS, JOURNALISTS, FAY MEMBERS OF HIS VICTIMS AND ONE MAN, MARTYN, WHO NARROWLY PED HIS CLUTCH, EXPLAS HOW NILSEN EXPLOED 1980S LONDON’S RAMPANT HOMOPHOBIA ORR TO GET AWAY WH HIS HEO CRIM. REGNIZG THAT NO ONE WOULD MISS HIS YOUTHFUL DOWN-AND-OUT TARGETS, AND THAT HOMOSEXUAL MEN PARTICULAR WOULD BE APT TO STAY SILENT OUT OF FEAR OF PUBLIC REPRISALS FOR THEIR SEXUAL ORIENTATN, NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA. “NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA.” DIRECTOR HARTE SKIMS OVER SOME OF THE NUTS AND BOLTS OF NILSEN’S SAGA, AND HE MOSTLY KEEPS NILSEN’S FACE OFF-SCREEN DURG MEMORI OF A MURRER: THE NILSEN TAP. THANKFULLY, THE LONGER HIS DOCUMENTARY PROCEEDS, THE LS ONE ALSO HAS TO HEAR OM THE KILLER. COMPRISED OF THE UAL ARRAY OF ARCHIVAL TV NEWS BROADSTS, TEXTUAL GRAPHICS, IMAG OF D TAP, AND TALKG-HEAD TERVIEWS—WHICH ARE NDUCTED DIMLY-L ROOMS WHERE THE PAT IS OFTEN PEELG OFF THE WALL, FOR CREEPY ATMOSPHERIC EFFECT—THE FILM ISN’T TERTED BREAKG NEW FORMAL GROUND. STILL, AS WH SO MANY OF S STREAMG-SERVICE TE-CRIME BRETHREN, S NVENTNAL ATHETIC APPROACH ALLOWS TO ACHIEVE S FUNCTNAL ENDS.BETTER IS THAT DIRECTOR HARTE GIV VOICE TO THOSE WHO WERE VICTIMIZED, BOTH DIRECTLY BY NILSEN AND DIRECTLY BY A BRISH CULTURE THAT TOLD THEM THEY HAD NO WORTH, THAT THEY SHOULD BE ASHAMED OF THEIR HERENT NATURE, AND THAT THEY EHER WEREN’T VICTIMS AT ALL OR GOT WHAT THEY SERVED. IN THOSE PASSAG, MEMORI OF A MURRER: THE NILSEN TAP BE A PORTRA OF AN EVIL DIVIDUAL AND A CRIQUE OF THE LARGER ENVIRONMENT THAT ALLOWED HIM TO FLOURISH. NICK SCHAGER
• KGOV'S LIST OF GAY MASS MURRERS
• WHY DID SERIAL KILLER RICHARD ROGERS DISMEMBER GAY MEN? A FORENSIC PSYCHOLOGIST WEIGHS IN
• ‘YOU DON’T WAKE UP ONE DAY AND DECI TO BEE A SERIAL KILLER’: MURRER WHO TARGETED OLR GAY MEN EXECUTED IN FLORIDA

THE CHILLG CONFSNS OF A COP TURNED SERIAL KILLER OF GAY MENTHE FACE OF EVILHARRY DEMPSTER/DAILY EXPRS/HULTON ARCHIVE/GETTYTHE NETFLIX DOC “MEMORI OF A MURRER: THE NILSEN TAP” NTAS CREEPY TERVIEWS WH DENNIS NILSEN, A MADMAN WHO ADMTED TO KILLG 15 RENT BOYS OVER A FIVE-YEAR PERD.NICK SCHAGERENTERTAMENT CRICUPDATED AUG. 17, 2021 5:42AM EDT / PUBLISHED AUG. 17, 2021 5:01AM EDT KILLERS DON’T LIKE TO GET UGHT, BUT ONCE CTODY, THEY SURE DO LIKE TO TALK, AS EVINCED BY A RAFT OF TE-CRIME EFFORTS—CONVERSATNS WH A KILLER: THE TED BUNDY TAP, CONONTG A SERIAL KILLER, THE CONFSN KILLER, THE SONS OF SAM: A DCENT INTO DARKNS AND ELIZE MATSUNAGA: ONCE UPON A CRIME, AMONG OTHERS—CENTERED AROUND TAPED NVERSATNS WH NOTOR FIENDS. TO THAT LIST ONE N NOW ADD MEMORI OF A MURRER: THE NILSEN TAP, A NON-FICTN FILM WHOSE PRIMARY DRAW IS A RAFT OF PERSONAL RERDGS MA BY DENNIS NILSEN, THE STTISH MADMAN WHO TERRORIZED LONDON DURG THE 1980S, AND WHOSE KILLG SPREE, AND ATTEMPT TO AVOID RCERATN, WAS RECENTLY IMMORTALIZED BY A SUNDANCE NOW DRAMATIC SERI STARRG DAVID TENNANT.HELMED BY FIRST-TIME DIRECTOR MICHAEL HARTE, WHO’S PREVLY EDED DON’T F**K WH CATS: HUNTG AN INTER KILLER AS WELL AS THREE INTIL STRANGERS, MEMORI OF A MURRER: THE NILSEN TAP (AUG. 18, ON NETFLIX) BEGS WH NILSEN SLAMMG THE NOTN THAT HE LIBERATELY SOUGHT IMMORTALY, AS WAS CLAIMED BY A NEWSPAPER ARTICLE THAT SURMISED HE HAD A HUNGER FOR THE SPOTLIGHT OM THE HANNIBAL LECTER POSTER HANGG HIS JAIL CELL. NILSEN’S PROTTS, HOWEVER, DON’T JIBE WH THE MANY D TAP HE MA WHILE PRISON. INTEND TO FORM THE FOUNDATN OF HIS TOBGRAPHY (SELF AN ATTENTN-URTG VANY PROJECT), THE RERDGS FD THE MURRER EXPOUNDG ON HIS LIFE AND CIRCUMSTANC WH AN ELOQUENCE THAT REEKS OF AFFECTED SMUGNS—A QUALY THAT’S ALSO TE OF HIS EVERYMAN SCHTICK, AS IF ANYONE WOULD BUY FOR A SEND THAT, BEE OF HIS ORDARY APPEARANCE AND MEANOR, HE WASN’T A DANGERO PREDATOR. THERE’S NO NYG THAT NILSEN’S NONSCRIPT EXTERR—LANKY AME, GLASS, SCHOOLBOY HAIRCUT—WAS PART OF WHAT MA HIM SUCH A MABRE SPECTACLE. LIKE TED BUNDY BEFORE HIM AND JEFEY DAHMER AFTER, NILSEN DIDN’T F THE TYPIL HOMICIDAL-MANIAC PROFILE (HE HAD EVEN SERVED, FOR A TIME, AS A POLICE OFFICER). NOHELS, HE WAS AS LD-BLOOD AS THEY E, A RAGG SOCPATH WHO ADMTED TO KILLG 15 MEN DURG A FIVE-YEAR SPAN OM 1978-1983, AND WHO WAS ONLY UGHT WHEN AN ENGEER WAS LLED TO FIX A CLOGGED DRA AT HIS CRANLEY GARNS APARTMENT PLEX NORTH LONDON, AND DISVERED THAT THE E OF THE BACK-UP WAS AN ENORMO AMOUNT OF HUMAN FLH AND BONE. NEIGHBORS CLAIMED THAT THEY’D SEEN NILSEN NEAR THAT DRA AROUND MIDNIGHT THE PREV EVENG, AND WHEN HE RETURNED HOME OM HIS JOB AT THE LOL JOB CENTRE, HE LED VTIGATORS TO HIS FLAT, WHERE THE STENCH WAS FETID THANKS TO TWO GIANT GARBAGE BAGS THAT, HE NFSED, NTAED THE REMAS OF NUMERO VICTIMS.THE TAILS THAT SOON EMERGED WERE GRISLY. NILSEN’S MOD OPERANDI VOLVED PICKG UP MALE DRIFTERS AND “RENT BOYS” AND BRGG THEM BACK TO HIS HOME, WHERE HE’D KILL THEM. AT CRANLEY GARNS, THE DRA PIPE WAS A CENTRAL MEANS OF BODY DISPOSAL, WHEREAS AT HIS PRR RINCE AT 195 MELROSE AVENUE HE’D STASHED RPS BENEATH THE FLOORBOARDS—AND BURNED THEIR BODI BONFIR A REAR GARN—UNTIL HE RAN OUT OF SPACE AND HAD TO MOVE. THIS RMATN, AS WELL AS THE FACT THAT NILSEN WAS GAY AND OFTEN PREYED UPON HOMOSEXUAL MEN, BEME PRIME FODR FOR THE MEDIA, AND BBC RRPONNT BILL HATON IS ONE OF MULTIPLE TERVIEWE TO STATE, MEMORI OF A MURRER: THE NILSEN TAP, THAT HE GOT A SENSATNALISTIC THRILL OUT OF LEARNG ABOUT NILSEN’S HORRIFIC CRIM. NILSEN DON’T REALLY DISCS THE PARTICULARS OF HIS GOME PASTIME; HIS THOUGHTS ON THAT SUBJECT ARE NVEYED BY DIRECTOR HARTE VIA TRANSCRIBED MENTARY, AND POLICE AND URT RERDS PRENTED AS TYPEWRER TEXT. WH REGARD TO HIS NOTORIETY, HOWEVER, HE DO STATE THAT “A CLEARLY PREJUDICED PICTURE HAD BEEN ALLOWED TO FORM THE PUBLIC’S MD, EVEN BEFORE I WAS CHARGED WH ANY FENSE, GIVG THE MEDIA FULL LATU TO K THEIR PROPERTY. THIS ALLOWED THE IMAGE OF MONSTROSY TO TAKE FULL FLIGHT, TO WHET THE PROFABLE PUBLIC IMAGATN.” HE’S TECHNILLY RRECT THIS ASSSMENT. YET MEMORI OF A MURRER: THE NILSEN TAP MAK CLEAR THAT HIS FAMO REPUTATN WAS WELL-EARNED, AND LISTENG TO HIM ARROGANTLY PRATTLE ON THIS WAY PROV LS UNNERVG THAN SIMPLY FURIATG.NILSEN’S SIRE TO P THE BLAME FOR HIS NDUCT ON AN UNRG MOTHER AND A PEDOPHILIC GRANDFATHER MIGHT BE MORE CREDIBLE IF NOT FOR HIS WHOLALE DUPLICY AND UNTSTWORTHS, AND MEMORI OF A MURRER: THE NILSEN TAP WISELY DON’T BUY EVERYTHG THE KILLER PEDDL. THROUGH TERVIEWS WH VTIGATORS, JOURNALISTS, FAY MEMBERS OF HIS VICTIMS AND ONE MAN, MARTYN, WHO NARROWLY PED HIS CLUTCH, EXPLAS HOW NILSEN EXPLOED 1980S LONDON’S RAMPANT HOMOPHOBIA ORR TO GET AWAY WH HIS HEO CRIM. REGNIZG THAT NO ONE WOULD MISS HIS YOUTHFUL DOWN-AND-OUT TARGETS, AND THAT HOMOSEXUAL MEN PARTICULAR WOULD BE APT TO STAY SILENT OUT OF FEAR OF PUBLIC REPRISALS FOR THEIR SEXUAL ORIENTATN, NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA. “NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA.” DIRECTOR HARTE SKIMS OVER SOME OF THE NUTS AND BOLTS OF NILSEN’S SAGA, AND HE MOSTLY KEEPS NILSEN’S FACE OFF-SCREEN DURG MEMORI OF A MURRER: THE NILSEN TAP. THANKFULLY, THE LONGER HIS DOCUMENTARY PROCEEDS, THE LS ONE ALSO HAS TO HEAR OM THE KILLER. COMPRISED OF THE UAL ARRAY OF ARCHIVAL TV NEWS BROADSTS, TEXTUAL GRAPHICS, IMAG OF D TAP, AND TALKG-HEAD TERVIEWS—WHICH ARE NDUCTED DIMLY-L ROOMS WHERE THE PAT IS OFTEN PEELG OFF THE WALL, FOR CREEPY ATMOSPHERIC EFFECT—THE FILM ISN’T TERTED BREAKG NEW FORMAL GROUND. STILL, AS WH SO MANY OF S STREAMG-SERVICE TE-CRIME BRETHREN, S NVENTNAL ATHETIC APPROACH ALLOWS TO ACHIEVE S FUNCTNAL ENDS.BETTER IS THAT DIRECTOR HARTE GIV VOICE TO THOSE WHO WERE VICTIMIZED, BOTH DIRECTLY BY NILSEN AND DIRECTLY BY A BRISH CULTURE THAT TOLD THEM THEY HAD NO WORTH, THAT THEY SHOULD BE ASHAMED OF THEIR HERENT NATURE, AND THAT THEY EHER WEREN’T VICTIMS AT ALL OR GOT WHAT THEY SERVED. IN THOSE PASSAG, MEMORI OF A MURRER: THE NILSEN TAP BE A PORTRA OF AN EVIL DIVIDUAL AND A CRIQUE OF THE LARGER ENVIRONMENT THAT ALLOWED HIM TO FLOURISH. NICK SCHAGER

Te Crime We Bged 2022For gay New Yorkers 1991, there were still plenty of reasons to not put much fah law enforcement. Jt 22 years after clash wh police outsi the Stonewall Inn Greenwich Village opened a promisg new ont the ongog fight for LGBTQ+ rights, AIDS was cimatg the queer muny and hate crim were on the rise, no small part due to the tragilly wispread misperceptn of the vis as a gay disease and lack of unrstandg about how was transmted.

KGOV'S LIST OF GAY MASS MURRERS

And another nightmarish turn of events, someone was g NYC's vibrant gay nightlife scene as a huntg ground. Last Call: When a Killer Stalked Queer New York, a four-part HBO seri premierg July 9, lv to the grisly murrs and a not-so-distant past when blatant homophobia was still the norm and queer bars, as one activist puts the show, "were one of the few plac the muny where we uld e and feel safe.

"And even then, adds Bea Hanson, who served as a liaison between the NYC Gay & Lbian Anti-Vlence Project and police, "There was always this sort of 'you've got to watch your back at the same time too' sort of feelg. Tony Brooks, a 26-year-old ndidate for cy uncil at the time, told police he and Anrson had gone to Manhattan together the night of May 3 to attend a fundraiser at the Central Park Wt home of Robert Browne, a proment gay rights activist.

One wasn't gay. One was not a homosexual. "In hdsight, " he says, "maybe  would've been a good ia to follow up wh the that time, we didn't know was a gay bar.

WHY DID SERIAL KILLER RICHARD ROGERS DISMEMBER GAY MEN? A FORENSIC PSYCHOLOGIST WEIGHS IN

I don't know anythg about where all the gay bars New York are. "Sometim he went for male pannship, " rells former New Jersey State Police Detective Nick Theodos, who not the seri that Mulhy's murr was the first se that brought him to close ntact wh the gay muny. "The homosexual muny wasn't very open about what they were dog their private liv, " he said.

Sakara, an openly gay 56-year-old who equented the Five Oaks piano bar the Wt Village, where he was last seen alive on July 30, 1993, acrdg to vtigators. Authori San Francis on Thursday revealed a sixth victim who uld be lked to the 1970s serial killer who targeted the cy's gay populatn. Between January 1974 and June 1975, the San Francis Police Department vtigated several stanc of vlent asslts on gay whe men, acrdg to a news release.

1643307626A new vtigatn dit a sixth person killed may have been a gay man named Warren Andrews. They believe that he targeted gay men at gay tablishments around the cy and had sex wh them before attackg them. "Bmeister was believed to have erced young men Indianapolis gay bars to return to his Wtfield hoe before killg them.

‘YOU DON’T WAKE UP ONE DAY AND DECI TO BEE A SERIAL KILLER’: MURRER WHO TARGETED OLR GAY MEN EXECUTED IN FLORIDA

"When you look at the middle '80s to middle '90s, fay members didn't know maybe that their relative was gay. So you have to take 'gay' out of this equatn, and, if you had someone missg, a male dividual your fay that was missg middle '80s to middle '90s, I need you to e forward, and we don't know that all of the people were gay, so we do know that they are male.

Related: Convictn Gay-Bashg Murr of Stt Johnson Overturned. All the targets — Peter Anrson, Thomas Mulhy, Anthony Marrero, Michael Sakara — were gay men picked up Manhattan one eveng only to turn up hours or days later as severed body parts roadsi trash ns outsi the cy. But I also spect ’s no surprise that tak the ps an furiatgly long time to get there — nor that the eply graed homophobia of law enforcement specifilly and Amerin society more broadly is what slows them down.

“Why is the emphasis on the gay part? As far as the thori are ncerned, “The gay thg wasn’t really relevant to the vtigatn other than fdg out who might kill him, and where he hung out. Archival footage lays out on one hand the vilent celty of Ana Bryant’s anti-gay speech and the unabashed homophobia of law enforcement lears sneerg that sodomy is a crime, and the rage of AIDS protts and the pleasur of queer nightlife on the other.