Love, Simon: at last Hollywood is sayg ‘I’m gay’ | Love, Simon | The Guardian

Contents:

• ‘LOVE, SIMON’ DELETED SCENE FEATURG COLTON HAYN SHOWS AN AWKWARD EXPERIENCE AT SIMON’S FIRST GAY BAR
• LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?
• ‘LOVE, SIMON’ STARS SAY GAY TEEN ROMANCE WILL SAVE LIV
• LOVE, SIMON: AT LAST HOLLYWOOD IS SAYG ‘I’M GAY’
• LOVE, SIMON IS A CHARMG GAY STUD MOVIE THAT MAK US HUNGRY FOR MORETEENS WILL SWOON, ADULTS WILL SIGH.BY RICHARD LAWSONMARCH 13, 2018PHOTO BY BEN ROTHSTE/TWENTIETH CENTURY FOXSAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S GOG TO BE HARD TO TALK ABOUT LOVE, SIMON, THE NEW GAY TEEN ROMANTIC EDY OM FOX (YEP!), WHOUT TURNG TO A THERAPY SSN. BRIGHT AND ATTRACTIVE BOTH ST AND PRODUCTN SIGN, GREG BERLANTI’S FILM—ADAPTED OM THE BT-SELLG YOUNG-ADULT NOVEL SIMON VS. THE HOMO SAPIENS AGENDA—HAS A PLEASANT BEARG. THOUGH TELLS AN EMOTNAL STORY ABOUT INTY AND G OUT, ’S AN EASYGOG MOVIE, GLOSSY AND KD AND ZILY RNY. AND YET, FOR ME, WAS ALSO A GHT EXPERIENCE, BOTH PAED AND GIDDY, CHEERG AND DISMAYG. IT’S A LOT, THIS LTLE MOVIE.WELL, MAYBE ’S NOT LTLE. LOVE, SIMON IS THE FIRST MAJOR STUD FILM ABOUT A GAY KID G OUT. WHICH IS A RATHER BIG AL, EVEN IF THE MOVIE IS JT A SPRG EDY. (AND ACTUALLY, MAYBE THAT ’S A SPRG EDY MAK A BIGGER AL.) LOVE, SIMON ARRIV POISED TO ACMODATE A LOT OF BAGGAGE, WH EACH GAY PERSON WHO SE HANGG A LTLE OF THEIR OWN ON THE MOVIE (OR, I SUPPOSE, JT CHOOSG NOT TO ENGAGE WH AT ALL). THE THKG—AND PART OF THE MARKETG STRATEGY—IS THAT LOVE, SIMON WILL OFFER AN OPPORTUNY TO HAVE A CERTA BURN LIFTED, THAT WILL DO THE HONORABLE REPRENTATNAL WORK OF LETTG SEE OUR PAST AND PRENT AND FUTURE SELV ON THE BIG SCREEN WARM AND CELEBRATORY WAYS. WE WILL SEE LOVE, SIMON AND FEEL UNTED, FALLY.AND, SOME WAYS, YEAH, I DID. THE STORY OF A 16-YEAR-OLD, SIMON (NICK ROBSON), WHO ISN’T QUE READY TO E OUT UNTIL HE BEGS AN ANONYMO E-MAIL ROMANCE WH ANOTHER CLOSETED BOY AT HIS SCHOOL, LOVE, SIMON IS EXCG HOW DIRECTLY AND WHOLLY FOC ON S GAYNS. SIMON IS MAYBE—WH ALL OF ROBSON’S BOYISH, STRAIGHT-ACTG PHYSILY AND TIMBRE—ONE OF THOSE “JT HAPPENS TO BE GAY” TYP, BUT HE IS NOHELS GAY, SOMETHG THE FILM REMDS OF, TEXTUALLY OR SUBTEXTUALLY, JT ABOUT EVERY SCENE. (I ONLY WISH A FANTASY SEQUENCE WHICH SIMON IMAG WHAT LIFE AS AN OUT GAY GUY LLEGE WILL BE LIKE DIDN’T END WH SIMON SAYG VOICE-OVER, “WELL, MAYBE NOT THAT GAY.” WHY NOT THAT GAY? WHY NOT MORE GAY?) IT’S THRILLG AND ALMOST SURREAL TO BE GIVEN TWO HOURS OF THIS—WHOUT ANYTHG SHAD, D, OR TRAGIC— STUD PACKAGG, CYNILLY PALIST AS MAY BE. CHERISHED AS THE SPARSE APARTMENTS AND SIMPLE PHOTOGRAPHY OF SO MANY BELOVED STRAND AND TLA RELEAS ARE, GAY STUFF LOOKS GOOD ON A BIGGER BUDGET.THE FILM’S PERFORMANC ONLY ADD TO THE MOVIE’S AFFABLE SPARKLE. THOUGH I WISH HIS SIMON READ, ANKLY, A B GAYER, ROBSON IS NO DOUBT A CHARMER, A HANDSOME GUY WHO GIV A MTED, SENSIVE PERFORMANCE. THE ACTORS WHO PLAY SIMON’S IENDS, ANTAGONISTS, AND LOVE TERTS—AMONG THEM KATHERE LANGFORD, ALEXANDRA SHIPP, LOGAN MILLER, AND KEIYNAN LONSDALE (SWOON)—ALL PROVI STRONG SUPPORT, GIVG THE MOVIE’S TEEN SOCIALIZG A CREDIBLE ENERGY, EVEN IF THE KIDS ARE A LTLE MORE VOLUBLY ELOQUENT THAN THEIR REAL-LIFE UNTERPARTS. (SNAPPY DIALOGUE THAT WORKS A WTY BOOK DON’T ALWAYS WORK ON SCREEN, SOMETHG SCREENWRERS ELIZABETH BERGER AND ISAAC APTAKER ARE HIP TO ABOUT HALF THE TIME.) AND JENNIFER GARNER AND JOSH DUHAMEL ARE CUDDLY AND GENERO AS SIMON’S DOTG PARENTS, WH GARNER PARTICULAR NAILG THE MOVIE’S MOST THOUGHTFUL, WELL-ARTICULATED SCENE.STORY-WISE, THE MOVIE MOV ALONG WELL, TELLG A SURPRISGLY TRITE TALE OF CSH AND SECRET INTI. SOME OF LOVE, SIMON‘S PLOT VELOPMENTS ARE STARTLGLY DARK—CHIEF AMONG THEM A BLACKMAILG SCHEME THAT PROV DISASTRO—AND WOULD BE NICE TO SEE THE FILM TERROGATE OR NTEXTUALIZE THAT A B MORE. MUCH OF SIMON’S ONLE ROMANCE IS JT THAT: ONLE. AND IS HARD TO DRAMATIZE E-MAILG ON FILM. SO SIMON’S RELATNSHIP TO “BLUE,” HIS INTER PARAMOUR, MAY FEEL RICHER BOOK FORM. BUT MOSTLY, THE FILM DO A GRACEFUL JOB OF ILLTRATG SIMON‘S NER TURMOIL—HIS FEAR NOT OF BEG GAY, BUT OF LIFE CHANGG TOO DRASTILLY WHEN HE ANNOUNC THAT HE IS—WHILE MATAG S SPIRED, FUNNY, HUMANE AIR. IT’S A CRGE-Y MOVIE, SO BEWARE IF YOU’RE AVERSE TO THAT SORT OF THG. (I AM, AND I SURVIVED.) B-STORI WEAVE WELL WH SIMON’S MA THROUGH-LE, AND THE MOVIE ENDS WH A SENSE OF EQUY FOR EACH OF S WELL-DRAWN KIDS. (EVEN IF LANGFORD’S CHARACTER SORTA GETS THE SHAFT. OR DON’T, SO TO SPEAK.)SO, ALL OF THAT IS GOOD. I LEFT THE THEATER A LTLE JUMPY AND LIGHTHEAD, LGHG WH A IEND ABOUT HOW SILLY AND FLHED WE FELT. LOVE, SIMON’S WELL-MEANG “FALLY!” IS A HEADY THG TO WNS, S CLOSG SCEN SO HAPPY AND AFFECTNATE THAT YOU WANT TO HUG SOMEONE. (OR KISS SOMEONE!)MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONIT WAS A FLEETG HIGH, THOUGH. BY THE TIME I GOT HOME OM THE THEATER (O.K., MY IEND AND I HAD A UPLE OF DRKS TO LM DOWN—BUT AFTER THAT), SOMETHG HAD SOURED ME, AND THE FILM BEGAN TO TAKE ON A DARKER—OR AT LEAST MORE TROUBLED—EDGE. WHAT I’VE BEEN WRTLG WH THE PAST UPLE OF WEEKS IS HOW MUCH OF THAT IS THE FILM’S DOG, AND HOW MUCH OF IS A PRODUCT OF MY OWN STUFF. ALL THAT BAGGAGE I’D TEMPORARILY LENT TO LOVE, SIMON QUICKLY STARTED TO WEIGH ON ME AGA, EVEN FEELG A B HEAVIER THAN BEFORE.I THK HAS SOMETHG TO DO WH THE KD OF IMAGG WE GAY ADULTS ARE MA TO DO ABOUT A MOVIE LIKE THIS. “WHAT IF I’D HAD THAT WHEN I WAS A KID?” WE FD OURSELV SAYG WH AWE, WH WISTFULNS, WH MAYBE (FELY?) A PANG OF JEALOY. (AND, OF URSE, “WHAT IF I’D LIVED THAT?”) OR, AT LEAST, I DO. IT’S A BTERSWEET ACTIVY, THIS NOSTALGIA FOR A YOUTH WE WISH WE HAD, AND FOR A YOUTH WE HOPE GAY KIDS ARE HAVG NOW. BUT IS A HEALTHY ONE?OF URSE ADULTS OWE TO YOUNG PEOPLE TO TE THEM, TO PROVI FOR THEM, TO HELP CLARIFY THE EMOTNAL WORLD FOR THEM. AND, Y, A PART OF THAT DUTY MAY BE GIVG THEM A LIKABLE, SOMETIM TRATGLY UNGAY GAY TEEN EDY ABOUT A WEALTHY KID WHOSE NANCY MEYERS–IAN LIFE IS DLY DISPTED UNTIL ISN’T, AND HE’S MET WH BROAD AND UNQUTNABLY LOVG SUPPORT THROUGHOUT. JUDGG OM THE REACTN TO A RECENT TIME PIECE THAT HAD THE TEMERY TO ASK IF LOVE, SIMON’S PLEASGLY BLAND PICTN OF RELATIVELY NORMATIVE GAYNS WOULD APPEAL TO TODAY’S MORE SOCIALLY NSC TEENS (A GOOD AND FAIR QUTN WORTH ENGAGG WH BEYOND THE PIECE’S HEADLE, FOLKS), THERE SEEMS TO BE A MAND, AN EAGER ANTICIPATN FOR THIS MOVIE. SO IF LOVE, SIMON DO SOMETHG—ENTERTAS, ELAT, TRANSPORTS—FOR THOSE QUEER KIDS NEED OF , THEN ’S ALL WORTH .THERE’S STILL A PART OF ME THAT WONRS IF KIDS NOW, WH YOUTUBE AND INSTAGRAM OFFERG UP A PLETHORA OF GAY PEERS TO LOOK ON, ARE QUE AS STARVED FOR THIS MOVIE AS OLR GENERATNS WERE. BUT WHETHER OR NOT GEN Z-ERS FD SOMETHG NOURISHG AND OF VALUE THE MOVIE, WHAT ARE WE GAY ADULTS TO DO WH ? DO EVEN MATTER WHAT WE DO WH ?WHAT I’VE BEEN SORT OF DANCG AROUND HERE IS THIS: A FEW HOURS AFTER SEEG LOVE, SIMON, I FELT KDA PRSED. ALL THAT SWEET LONGG FOR A TEENAGEHOOD I NEVER HAD—AND A MOVIE THAT I NEVER GOT—HARNED TO A REGRET, A BTERNS. THE SAME GO, SOME WAYS, FOR CALL ME BY YOUR NAME, THOUGH THAT FILM’S MEDATIVE WHISPERS HAVE PROVEN A MORE LASTG BALM THAN LOVE, SIMON’S QUICK AND CLUMSY BURST OF POIGNANCY. I THK I MIGHT JT BE A LTLE TIRED—FOR THE MOMENT—OF THKG MELANCHOLILLY ABOUT WHAT ULD HAVE BEEN, TIRED OF TILLG THE EARTH OF MY TEENAGE YEARS AND IMBUG WH THE FANTASI, AND THEN ASSUMG THAT MEANS I’VE BEEN FULFILLED, THAT I’VE BEEN SATISFYGLY REPRENTED CEMA.MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONLOVE, SIMON IS NOT BEG MARKETED TO GAY ADULTS EXPRSLY, BUT PLENTY OF GAY ADULTS WILL SEE —HUNGRY FOR THIS FIRST MOVIEGOG EXPERIENCE, THE ONE LARGELY NIED TO THEM AS KIDS. WHICH IS GOOD. I HOPE THEY LOVE , AND THAT S TEND DIENCE OF TEENS LOV , AND THAT THE MOVIE MAK A BOATLOAD OF MONEY. AND I HOPE SOME OF THAT MONEY WILL THEN BE ED TO MAKE STUD MOVI ABOUT, AND FOR, GAY ADULTS, AND GAY OLD PEOPLE, AND GAY PEOPLE WHO ARE GAYER THAN NICK ROBSON, AND GAY MOVIE CRICS STARG DOWN THE BARREL OF THEIR 35TH BIRTHDAY. ALL KDS OF GAY PEOPLE!I—AND MANY OTHERS, I’M SURE—ULD BENEF OM A REMR THAT GAY LIV ARE NOT SOLELY FED BY PRIMAL DISVERY, THAT THEY EXIST LONG PAST FIRST BLH. FIRST BLH ARE GREAT, AND WE’VE BEEN BLSED WH SEVERAL GOOD FILMS ABOUT THEM RECENTLY, CLUDG LOVE, SIMON. BUT AS MUCH AS LOVE, SIMON’S WNG, IF SLIGHTLY BOWDLERIZED, G-OUT STORY IALLY MA ME YEARN FOR AN ALTERED YOUTH, ’S SCE MA ME YEARN EVEN MORE FOR STORI THAT REFLECT MY GAY LIFE TODAY, OR MY GAY LIFE AS MIGHT BE YEARS OM NOW. (AND YOUR GAY LIFE, AND YOUR GAY LIFE, AND YOUR GAY LIFE.) HERE’S HOPG FOR THOSE MOVI THE NEAR FUTURE. THK OF THIS WAY: IF THOSE FILMS GET MA NOW, THEY’LL BE THERE WAG FOR TODAY’S TEENS—SOON TO BE SMTEN WH SIMON—WHEN THEY EVENTUALLY GET OLR AND GROW HUNGRY FOR SOMETHG MORE. DO FOR THEM, HOLLYWOOD. AND FOR , TOO.RICHARD LAWSON

‘LOVE, SIMON’ DELETED SCENE FEATURG COLTON HAYN SHOWS AN AWKWARD EXPERIENCE AT SIMON’S FIRST GAY BAR

For all of the ground that the h film Love, Simon broke, there was one aspect of morn queerns that fans wanted to see reprented the film: gay nightlife. While the film tackl the issu of g out to your iends and fay, very ltle time is spent showg what Simon’s life was like as an out gay teenager. It turns out that there was a scene the film that showed Simon (played by Nick Robson) beg taken to a gay club by his straight iend Nick (played by Je Lenb Jr.

What’s more is that Simon is subsequently h on by a clubgoer played by openly gay Teen Wolf star Colton Hayn. The new movie Love, Simon reprents somethg new: a look at what ’s like to be a gay teen that’s as slick and mastream as n be, like any other YA romantic edy. As his profile at school evolv, he’s mocked for beg gay by the jocks, but elsewhere his search for a boyiend is met wh a zealo enuragement that saps the movie’s tensn.

LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?

Plenty of gay kids are supported by those around them, but how many are appld and rooted on by the school en masse, as Simon is, as they seek love? A tone that feels overdue–the first mastream teen edy foregroundg a gay character–may have been outpaced by real life.

Can a love story centered around a gay teen who is very refully built to seem as straight as possible appeal to a generatn that’s boldly reventg genr and sexualy on s own terms? There’s no reason that the first gay romantic edy for young viewers necsarily need to look so much like the pat, flat rom-s wh which today’s teens are barely faiar.

‘LOVE, SIMON’ STARS SAY GAY TEEN ROMANCE WILL SAVE LIV

The culture, even a ago, was awash anti-gay rhetoric and msagg, om shows like The Office to movi like The 40-Year-Old Virg. (The former relentlsly teased s lone queer office drone; the latter, a liberal-md edy, psed the actn for a lengthy sequence of mean gay jok. Love, Simon feels like a film rpondg to an entirely different culture, like one which gay marriage was never legalized.

LOVE, SIMON: AT LAST HOLLYWOOD IS SAYG ‘I’M GAY’

That cisn both acknowledged that equaly for gays had won the day and opened the door for far more tertg and challengg fights, on the next generatn will lead. “Moviegoers want to see their stori reprented onscreen, ” said Nick Robson, who plays the tle character, a well-liked teenager who is hidg the fact that he’s gay.

Although we’ve had some fantastic films that have e out the last few years, like ‘Carol’ and ‘Call Me by Your Name, ’ this really is the first big stud makg a mastream film about a gay teenager. Alexandra Shipp, who portrays another one of Simon’s classmat, said she believ the film n have a substantive impact on gay teenagers who are stgglg to e to terms wh their sexualy and are fearful of beg met wh hate and rejectn if they e out.

Tolerance has s mercial benefs; a gay film need no longer appeal exclively to small or specialised when Betiful Thg opened 1996, the UK age of nsent for gay men had only recently been lowered om 21 to 18 (still two years higher than the heterosexual one). Lbians and gay men were banned om servg the armed forc, the sid Sectn 28 was seven years away om beg repealed while phras like “civil partnership” and “marriage equaly” were as unfaiar then as “social media” and “trigger warng” Get Real, a Brish g-out movie that followed two years after Betiful Thg, feel-good material still had to acknowledge the possibily of vlence and homophobia. Photograph: RONALD GRANTThe -stigmatisatn of homosexualy has removed om drama one of s olst standbys: the threat of ostracisatn and social .

LOVE, SIMON IS A CHARMG GAY STUD MOVIE THAT MAK US HUNGRY FOR MORETEENS WILL SWOON, ADULTS WILL SIGH.BY RICHARD LAWSONMARCH 13, 2018PHOTO BY BEN ROTHSTE/TWENTIETH CENTURY FOXSAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S GOG TO BE HARD TO TALK ABOUT LOVE, SIMON, THE NEW GAY TEEN ROMANTIC EDY OM FOX (YEP!), WHOUT TURNG TO A THERAPY SSN. BRIGHT AND ATTRACTIVE BOTH ST AND PRODUCTN SIGN, GREG BERLANTI’S FILM—ADAPTED OM THE BT-SELLG YOUNG-ADULT NOVEL SIMON VS. THE HOMO SAPIENS AGENDA—HAS A PLEASANT BEARG. THOUGH TELLS AN EMOTNAL STORY ABOUT INTY AND G OUT, ’S AN EASYGOG MOVIE, GLOSSY AND KD AND ZILY RNY. AND YET, FOR ME, WAS ALSO A GHT EXPERIENCE, BOTH PAED AND GIDDY, CHEERG AND DISMAYG. IT’S A LOT, THIS LTLE MOVIE.WELL, MAYBE ’S NOT LTLE. LOVE, SIMON IS THE FIRST MAJOR STUD FILM ABOUT A GAY KID G OUT. WHICH IS A RATHER BIG AL, EVEN IF THE MOVIE IS JT A SPRG EDY. (AND ACTUALLY, MAYBE THAT ’S A SPRG EDY MAK A BIGGER AL.) LOVE, SIMON ARRIV POISED TO ACMODATE A LOT OF BAGGAGE, WH EACH GAY PERSON WHO SE HANGG A LTLE OF THEIR OWN ON THE MOVIE (OR, I SUPPOSE, JT CHOOSG NOT TO ENGAGE WH AT ALL). THE THKG—AND PART OF THE MARKETG STRATEGY—IS THAT LOVE, SIMON WILL OFFER AN OPPORTUNY TO HAVE A CERTA BURN LIFTED, THAT WILL DO THE HONORABLE REPRENTATNAL WORK OF LETTG SEE OUR PAST AND PRENT AND FUTURE SELV ON THE BIG SCREEN WARM AND CELEBRATORY WAYS. WE WILL SEE LOVE, SIMON AND FEEL UNTED, FALLY.AND, SOME WAYS, YEAH, I DID. THE STORY OF A 16-YEAR-OLD, SIMON (NICK ROBSON), WHO ISN’T QUE READY TO E OUT UNTIL HE BEGS AN ANONYMO E-MAIL ROMANCE WH ANOTHER CLOSETED BOY AT HIS SCHOOL, LOVE, SIMON IS EXCG HOW DIRECTLY AND WHOLLY FOC ON S GAYNS. SIMON IS MAYBE—WH ALL OF ROBSON’S BOYISH, STRAIGHT-ACTG PHYSILY AND TIMBRE—ONE OF THOSE “JT HAPPENS TO BE GAY” TYP, BUT HE IS NOHELS GAY, SOMETHG THE FILM REMDS OF, TEXTUALLY OR SUBTEXTUALLY, JT ABOUT EVERY SCENE. (I ONLY WISH A FANTASY SEQUENCE WHICH SIMON IMAG WHAT LIFE AS AN OUT GAY GUY LLEGE WILL BE LIKE DIDN’T END WH SIMON SAYG VOICE-OVER, “WELL, MAYBE NOT THAT GAY.” WHY NOT THAT GAY? WHY NOT MORE GAY?) IT’S THRILLG AND ALMOST SURREAL TO BE GIVEN TWO HOURS OF THIS—WHOUT ANYTHG SHAD, D, OR TRAGIC— STUD PACKAGG, CYNILLY PALIST AS MAY BE. CHERISHED AS THE SPARSE APARTMENTS AND SIMPLE PHOTOGRAPHY OF SO MANY BELOVED STRAND AND TLA RELEAS ARE, GAY STUFF LOOKS GOOD ON A BIGGER BUDGET.THE FILM’S PERFORMANC ONLY ADD TO THE MOVIE’S AFFABLE SPARKLE. THOUGH I WISH HIS SIMON READ, ANKLY, A B GAYER, ROBSON IS NO DOUBT A CHARMER, A HANDSOME GUY WHO GIV A MTED, SENSIVE PERFORMANCE. THE ACTORS WHO PLAY SIMON’S IENDS, ANTAGONISTS, AND LOVE TERTS—AMONG THEM KATHERE LANGFORD, ALEXANDRA SHIPP, LOGAN MILLER, AND KEIYNAN LONSDALE (SWOON)—ALL PROVI STRONG SUPPORT, GIVG THE MOVIE’S TEEN SOCIALIZG A CREDIBLE ENERGY, EVEN IF THE KIDS ARE A LTLE MORE VOLUBLY ELOQUENT THAN THEIR REAL-LIFE UNTERPARTS. (SNAPPY DIALOGUE THAT WORKS A WTY BOOK DON’T ALWAYS WORK ON SCREEN, SOMETHG SCREENWRERS ELIZABETH BERGER AND ISAAC APTAKER ARE HIP TO ABOUT HALF THE TIME.) AND JENNIFER GARNER AND JOSH DUHAMEL ARE CUDDLY AND GENERO AS SIMON’S DOTG PARENTS, WH GARNER PARTICULAR NAILG THE MOVIE’S MOST THOUGHTFUL, WELL-ARTICULATED SCENE.STORY-WISE, THE MOVIE MOV ALONG WELL, TELLG A SURPRISGLY TRITE TALE OF CSH AND SECRET INTI. SOME OF LOVE, SIMON‘S PLOT VELOPMENTS ARE STARTLGLY DARK—CHIEF AMONG THEM A BLACKMAILG SCHEME THAT PROV DISASTRO—AND WOULD BE NICE TO SEE THE FILM TERROGATE OR NTEXTUALIZE THAT A B MORE. MUCH OF SIMON’S ONLE ROMANCE IS JT THAT: ONLE. AND IS HARD TO DRAMATIZE E-MAILG ON FILM. SO SIMON’S RELATNSHIP TO “BLUE,” HIS INTER PARAMOUR, MAY FEEL RICHER BOOK FORM. BUT MOSTLY, THE FILM DO A GRACEFUL JOB OF ILLTRATG SIMON‘S NER TURMOIL—HIS FEAR NOT OF BEG GAY, BUT OF LIFE CHANGG TOO DRASTILLY WHEN HE ANNOUNC THAT HE IS—WHILE MATAG S SPIRED, FUNNY, HUMANE AIR. IT’S A CRGE-Y MOVIE, SO BEWARE IF YOU’RE AVERSE TO THAT SORT OF THG. (I AM, AND I SURVIVED.) B-STORI WEAVE WELL WH SIMON’S MA THROUGH-LE, AND THE MOVIE ENDS WH A SENSE OF EQUY FOR EACH OF S WELL-DRAWN KIDS. (EVEN IF LANGFORD’S CHARACTER SORTA GETS THE SHAFT. OR DON’T, SO TO SPEAK.)SO, ALL OF THAT IS GOOD. I LEFT THE THEATER A LTLE JUMPY AND LIGHTHEAD, LGHG WH A IEND ABOUT HOW SILLY AND FLHED WE FELT. LOVE, SIMON’S WELL-MEANG “FALLY!” IS A HEADY THG TO WNS, S CLOSG SCEN SO HAPPY AND AFFECTNATE THAT YOU WANT TO HUG SOMEONE. (OR KISS SOMEONE!)MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONIT WAS A FLEETG HIGH, THOUGH. BY THE TIME I GOT HOME OM THE THEATER (O.K., MY IEND AND I HAD A UPLE OF DRKS TO LM DOWN—BUT AFTER THAT), SOMETHG HAD SOURED ME, AND THE FILM BEGAN TO TAKE ON A DARKER—OR AT LEAST MORE TROUBLED—EDGE. WHAT I’VE BEEN WRTLG WH THE PAST UPLE OF WEEKS IS HOW MUCH OF THAT IS THE FILM’S DOG, AND HOW MUCH OF IS A PRODUCT OF MY OWN STUFF. ALL THAT BAGGAGE I’D TEMPORARILY LENT TO LOVE, SIMON QUICKLY STARTED TO WEIGH ON ME AGA, EVEN FEELG A B HEAVIER THAN BEFORE.I THK HAS SOMETHG TO DO WH THE KD OF IMAGG WE GAY ADULTS ARE MA TO DO ABOUT A MOVIE LIKE THIS. “WHAT IF I’D HAD THAT WHEN I WAS A KID?” WE FD OURSELV SAYG WH AWE, WH WISTFULNS, WH MAYBE (FELY?) A PANG OF JEALOY. (AND, OF URSE, “WHAT IF I’D LIVED THAT?”) OR, AT LEAST, I DO. IT’S A BTERSWEET ACTIVY, THIS NOSTALGIA FOR A YOUTH WE WISH WE HAD, AND FOR A YOUTH WE HOPE GAY KIDS ARE HAVG NOW. BUT IS A HEALTHY ONE?OF URSE ADULTS OWE TO YOUNG PEOPLE TO TE THEM, TO PROVI FOR THEM, TO HELP CLARIFY THE EMOTNAL WORLD FOR THEM. AND, Y, A PART OF THAT DUTY MAY BE GIVG THEM A LIKABLE, SOMETIM TRATGLY UNGAY GAY TEEN EDY ABOUT A WEALTHY KID WHOSE NANCY MEYERS–IAN LIFE IS DLY DISPTED UNTIL ISN’T, AND HE’S MET WH BROAD AND UNQUTNABLY LOVG SUPPORT THROUGHOUT. JUDGG OM THE REACTN TO A RECENT TIME PIECE THAT HAD THE TEMERY TO ASK IF LOVE, SIMON’S PLEASGLY BLAND PICTN OF RELATIVELY NORMATIVE GAYNS WOULD APPEAL TO TODAY’S MORE SOCIALLY NSC TEENS (A GOOD AND FAIR QUTN WORTH ENGAGG WH BEYOND THE PIECE’S HEADLE, FOLKS), THERE SEEMS TO BE A MAND, AN EAGER ANTICIPATN FOR THIS MOVIE. SO IF LOVE, SIMON DO SOMETHG—ENTERTAS, ELAT, TRANSPORTS—FOR THOSE QUEER KIDS NEED OF , THEN ’S ALL WORTH .THERE’S STILL A PART OF ME THAT WONRS IF KIDS NOW, WH YOUTUBE AND INSTAGRAM OFFERG UP A PLETHORA OF GAY PEERS TO LOOK ON, ARE QUE AS STARVED FOR THIS MOVIE AS OLR GENERATNS WERE. BUT WHETHER OR NOT GEN Z-ERS FD SOMETHG NOURISHG AND OF VALUE THE MOVIE, WHAT ARE WE GAY ADULTS TO DO WH ? DO EVEN MATTER WHAT WE DO WH ?WHAT I’VE BEEN SORT OF DANCG AROUND HERE IS THIS: A FEW HOURS AFTER SEEG LOVE, SIMON, I FELT KDA PRSED. ALL THAT SWEET LONGG FOR A TEENAGEHOOD I NEVER HAD—AND A MOVIE THAT I NEVER GOT—HARNED TO A REGRET, A BTERNS. THE SAME GO, SOME WAYS, FOR CALL ME BY YOUR NAME, THOUGH THAT FILM’S MEDATIVE WHISPERS HAVE PROVEN A MORE LASTG BALM THAN LOVE, SIMON’S QUICK AND CLUMSY BURST OF POIGNANCY. I THK I MIGHT JT BE A LTLE TIRED—FOR THE MOMENT—OF THKG MELANCHOLILLY ABOUT WHAT ULD HAVE BEEN, TIRED OF TILLG THE EARTH OF MY TEENAGE YEARS AND IMBUG WH THE FANTASI, AND THEN ASSUMG THAT MEANS I’VE BEEN FULFILLED, THAT I’VE BEEN SATISFYGLY REPRENTED CEMA.MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONLOVE, SIMON IS NOT BEG MARKETED TO GAY ADULTS EXPRSLY, BUT PLENTY OF GAY ADULTS WILL SEE —HUNGRY FOR THIS FIRST MOVIEGOG EXPERIENCE, THE ONE LARGELY NIED TO THEM AS KIDS. WHICH IS GOOD. I HOPE THEY LOVE , AND THAT S TEND DIENCE OF TEENS LOV , AND THAT THE MOVIE MAK A BOATLOAD OF MONEY. AND I HOPE SOME OF THAT MONEY WILL THEN BE ED TO MAKE STUD MOVI ABOUT, AND FOR, GAY ADULTS, AND GAY OLD PEOPLE, AND GAY PEOPLE WHO ARE GAYER THAN NICK ROBSON, AND GAY MOVIE CRICS STARG DOWN THE BARREL OF THEIR 35TH BIRTHDAY. ALL KDS OF GAY PEOPLE!I—AND MANY OTHERS, I’M SURE—ULD BENEF OM A REMR THAT GAY LIV ARE NOT SOLELY FED BY PRIMAL DISVERY, THAT THEY EXIST LONG PAST FIRST BLH. FIRST BLH ARE GREAT, AND WE’VE BEEN BLSED WH SEVERAL GOOD FILMS ABOUT THEM RECENTLY, CLUDG LOVE, SIMON. BUT AS MUCH AS LOVE, SIMON’S WNG, IF SLIGHTLY BOWDLERIZED, G-OUT STORY IALLY MA ME YEARN FOR AN ALTERED YOUTH, ’S SCE MA ME YEARN EVEN MORE FOR STORI THAT REFLECT MY GAY LIFE TODAY, OR MY GAY LIFE AS MIGHT BE YEARS OM NOW. (AND YOUR GAY LIFE, AND YOUR GAY LIFE, AND YOUR GAY LIFE.) HERE’S HOPG FOR THOSE MOVI THE NEAR FUTURE. THK OF THIS WAY: IF THOSE FILMS GET MA NOW, THEY’LL BE THERE WAG FOR TODAY’S TEENS—SOON TO BE SMTEN WH SIMON—WHEN THEY EVENTUALLY GET OLR AND GROW HUNGRY FOR SOMETHG MORE. DO FOR THEM, HOLLYWOOD. AND FOR , TOO.RICHARD LAWSON

Audienc the 1960s uld well prehend the distrs of the barrister, played by Dirk Bogar, who is blackmailed over his sexualy Victim, jt as their 1980s unterparts appreciated the sndal of a married man wh a gay lover Makg Love. She wants to play footsie, he wants to watch most strikg achievement of Love, Simon is s promotn of a gay character om sassy sikick to thentic hero. In makg gayns s subject, while treatg as no big al, Love, Simon pulls off a rare njurg trick wh s hero’s sexualy.

Fans loved so much about the film, cludg *that* emotnal, one-on-one nversatn Simon (Nick Robson) has wh his mom, Ey (Jennifer Garner), after Simon tells his fay he’s gay. After spendg a night out at a gay bar, Simon home dnk, tri to sneak back to his hoe, and ends up fightg wh his mom. “This is exactly why I didn’t want to tell you, ’e I don’t want my beg gay to turn to the fay project, ” Simon says.

But Love, Simon marks one of the first high school films where the protagonist is gay, wh a romantic storyle centered on his qut to fd his same-sex great thg is that Love, Simon don’t seem to be a one-off, eher.

Like Love, Simon, also revolv around teenagers and their low-stak problems (curfews, party v, Instagram), but ’s also unique that picts non-heterosexual love — love that reach beyond cisgenr, whe, homosexual men, too.

Qutsential high school film High School Mil liberately d flamboyant theater geek Ryan as gay earlier films, but ultimately gave him a female love tert the fal stallment, as Disney allegedly didn’t thk a homosexual character was appropriate for a G-rated movie.

Even Mean Girls featur Daniel Franze as the snarky, inic Damian, but his queerns merely serv as a punchle — chanc are you’re faiar wh the phrase “too gay to functn. So where do that leave Love, Simon, a movie whose central romance hg on two characters’ mutual reluctance to tell their iends and fai that they’re gay? ” Later, his father (Josh Duhamel) apologiz for the gay jok he ed to sually throw out, and offers to help Simon jo Grdr — what he scrib as “Facebook for gay people.

Rhiannon isn’t straight or gay, but she’s helplsly love — and the ia that is possible to love beyond the lims of genr or body is about as progrsive as we n hope for a world where trans people are still fightg for their basic human right to e the Love, Simon to a close, our tular protagonist tak a huge leap of fah, layg out all his rds on the table the hop that his te love will fd the nfince to e out and jo him. Queeri is a weekly lumn by CBC Arts producer Peter Knegt that queri LGBTQ art, culture and/or inty through a personal hills of gay Twter (and beyond) are alive wh anticipatn for Love, Simon this weekend, and wh good reason.

And that film was tragilly John Schlger's fal film, the Madonna-Rupert Everett disaster The Next Bt Thg, which I remember now primarily for allowg the late, great film cric Roger Ebert to wre one of my favoure of his zgers: "The Next Bt Thg is a garage sale of gay issu, harnsed to a plot as exhsted as a junkman's horse. You cheer on a gay teenager as he pursu both himself and love, ultimately fdg both a perfectly sentimental climax that is sure to have dienc all of those 2, 402 theatr cheerg.

Directed by the openly gay Greg Berlanti, who's probably bt known for producg sentially every show on The CW as of late (serly: Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightng and Riverdale), Love, Simon offers perhaps the most privileged g out narrative of all time. Simon is sentially so void of any exprsns of queerns that he might as well be the poster boy for how straight people have historilly tend to want gay people to be: jt like them. Maybe at one pot we thought we wanted to be, but the whole pot of g out is to start embracg the fact that we aren' of the film's most problematic scen when Simon fantasiz about what life will be like when he's an out gay man  llege.

It's an over-the-top, rabow flag-filled dance sequence that feels like a rehg dose of mp until to a halt wh Simon sayg voiceover, "Well, maybe not that gay. Cast & crewUser reviewsTrivia2018PG-131h 50mSimon Spier keeps a huge secret om his fay, his iends and all of his classmat: he's gay.