Gay Therapist Discs “Love, Simon” om a Gay Men’s Mental Health Perspective - Gay Therapy LA

Contents:

• LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?
• POPULAR GAY MEDIA IS STILL FOCG ON STRAIGHT ACCEPTANCE, RATHER THAN CELEBRATG QUEER DIFFERENCE
• IS NICK ROBSON GAY? 'LOVE, SIMON' ACTOR SETS THE RERD STRAIGHT!
• GAY THERAPIST DISCS “LOVE, SIMON” OM A GAY MEN’S MENTAL HEALTH PERSPECTIVE

LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?

The queert part of Greg Berlanti’s Love, Simon — the first major stud release to feature a gay teenage protagonist, which has been warmly received sce s premiere last month — isn’t that tular gay teen.

POPULAR GAY MEDIA IS STILL FOCG ON STRAIGHT ACCEPTANCE, RATHER THAN CELEBRATG QUEER DIFFERENCE

Ethan livers a brief, movg monologue about his mother’s reactn to his gayns, and her obv disappotment who he is — an experience mon to queer teens, but seemgly nceivable to his few mut of screentime, Ethan is exactly as siled a film about a teen who is gay (but not that gay) as he would be the hundreds of thoands of high school feterias that Ethans mt move through. Even though, obvly, if he tly were like everyone else — that is, straight — there would be no movie to be a review for Time, cric Daniel D’Addar asks, “Can a love story centered around a gay teen who is very refully built to seem as straight as possible appeal to a generatn that’s boldly reventg genr and sexualy on s own terms? “Gays are jt like everyone else” has been the rallyg cry of a certa stra of gay liberatn, a tactic that succeed endg polici like Don’t Ask, Don’t Tell, topplg the Defense of Marriage Act, and achievg feral marriage equaly.

IS NICK ROBSON GAY? 'LOVE, SIMON' ACTOR SETS THE RERD STRAIGHT!

Ultimately, Simon offers no more queer reprentatn than hyper-mastream antecents like Will Tman (Eric McCormack) Will & Grace, upstandg gay lawyer, or Andrew Beckett (Tom Hanks) Philalphia (1993), upstandg gay lawyer: a poster boy for well-behaved viance, never forcg straight people to look directly at the boundari of their world. “I’m jt like you” as an argument for equal treatment suggts that Simon Spier, or any other gay person, serv rpect and unrstandg by virtue of our siari wh straight people, rather than spe our differenc — a nstctn we’re still beg fed queer media that sets the lims of acceptable queerns at the borr of heterosexual fort.

GAY THERAPIST DISCS “LOVE, SIMON” OM A GAY MEN’S MENTAL HEALTH PERSPECTIVE

” msage orr to hold the attentn of the wist (read: straightt) possible cleart succs of the reboot is an episo tled “To Gay or Not Too Gay, ” the subject of which is a semi-closeted gay man, a relatnship and out to his close iends but not to his stepmother. His week wh the Fab Five seems to be the first signifint amount of time he’s spent wh other gay men outsi his immediate circle, talkg openly about femy, masculy, queerns, and the challenge of livg thentilly, however that may look.

But the queer guy’s queer eye begs and ends wh this episo, the rt havg the tone of an alien abductn: five gay men scendg on an unspectg, middle-aged hetero to change the way he se the world forever.

And like Love, Simon, the new Queer Eye often tak pas to highlight the siary of s Fab Five hosts to their mostly straight subjects, by monstratg, as terr signer Bobby puts , that “ don’t matter if ’s gay or straight — the mon thread that holds every human together is that we jt wanna be loved. ’” But fact, Lowr, argu, Queer Eye “shows exactly the oppose: that the gays are very different om their patients, and that is precisely that difference that’s so valuable to the show’s project.

Love, Simon portrays the latter experience a brief montage which Simon googl “how to drs like a gay guy” and tri on a few new outfs om what I image is Gap, if my own gay suburban experience is any ditn. The former stage, talkg to straight people about , mak up much of the film’s third act, which each of Simon’s fay members and close iends tak center stage to liver a monologue of their own thoughts on his gayns, and how okay they are wh .

It was ls of a risk 2017 than was 1998 for NBC to greenlight a s about a gay lawyer and his only gay iend — particularly if ’s the exact same s, now wh a built- dience, hungry for nostalgia. An actor om the film Love, Simon has e out as gay.Joey Pollari, who plays Lyle, a Waffle Hoe employee, me out durg an , sayg there were clear parallels between his experience and that of the film's protagonist, Simon (played by Nick Robson).“His experience was siar to me,” Pollari said. I thk maybe two people were shocked."Pollari, who has played a gay character once before TV seri Amerin Crime, said he stggled wh a sense of shame before g out.“A lot of the trouble was self-shame.

Bram realiz that Victor is feelg overwhelmed by the experience, wh him emg "too gay" and cis to take him to a basketball league, where they play, Bram then reveals that is a gay league, he wanted Victor to see that there is no one way to be gay. He knows pecially his parents would be all right wh his homosexual orientatn, spe Jack's often polilly rrect jok, and that most of the stunts accept Ethan, their one and only openly gay classmate, but Simon has failed to e out for var reasons, mostly havg to do wh the change that would occur what he has known as his life.

Leah also adms to Simon that she was love wh him and would have been fe wh him beg gay, but she is still mad about the returng to school, the other stunts all gawk at Simon after what happened. Afterwards, Simon is gog home when he is approached by Mart, who is very apologetic, but Simon tells him to fuck talks to his mom, who has no problem wh him beg gay and says he should be ee to be himself. )Ben Rothste/20th Century FoxAnd there is somethg to be said for isolatg Simon’s sexualy as his sole pot of difference, to highlight the trials of g out when beg gay is somethg one n believably hi.

When Simon imag how much more fortable he’ll feel beg gay llege, a fantasy sequence set to Whney Hoton’s “I Wanna Dance Wh Somebody” fds his dorm room walls plastered wh gay ins om Whney to Audrey Hepburn, and a swarm of classmat cked pri flag lors dancg their way onto the quad wh Simon reluctantly tow.

It's difficult to talk about Keiynan Lonsdale's pivotal scene Love, Simon whout spoilg the movie's most lightful surprise, but 's helpful to know that performg also changed Lonsdale's the film, Lonsdale — bt known as Wally Wt, aka Kid Flash, on CW's The Flash and Legends of Tomorrow — plays Bram, one of three possible love terts for Simon Spier (Nick Robson), a closeted gay teenager who stumbl to an anonymo onle flirtatn wh another closeted gay teen he knows only as Blue.

There are plenty of gay and queer romantic edi and LGBTQ+ movi that are romantic, light-hearted, pellg, and edic, like Love, Simon, Bros, and Happit SeasonLove, Simon gaed a lot of attentn and buzz durg s 2018 release, maly bee was one of the first mastream gay romantic edi.

In my work as a licensed psychotherapist and life/bs ach specializg gay men and therapy for gay male upl for over 26 years, I blog equently on topics on LGBTQ+ mental health general, and gay men’s therapy particular, as the founr and director of GayTherapyLA, seeg clients my office Los Angel (Wt Hollywood) but also via phone or webm to gay male clients for therapy or achg California, all over the untry, or the world.

At the (long) ncsn stand l, there was a mix of teens, olr adults, straight and gay patrons (many wh enuragg – and hot – public displays of affectn), gog to all the movi of the multiplex, but many streamg om the ncsn le to the dorium (the ma, largt one of the plex) where “Love, Simon” was butg. While “Brokeback Mounta” certaly broke ground as another mastream, big-stud, highly-publicized movie wh gay them and well-known stars, still had a b of the stigma that gay characters have had film history for a very long time – eher beg the butt of jok many s, or the “tragic figur” who end up ad or alone or unhappy due to circumstanc (as [SPOILER] “Brokeback Mounta” do). One of the many thgs that’s groundbreakg about “Love, Simon” is that ’s not tragic nor lghg at the gay characters; we are sympathetic wh them, whether ’s the genr-nformg gay Simon, or the genr non-nformg gay (man of lor) Ethan.

His character beg 17 but the actor beg 22 keeps om beg creepy for an olr gay man like me (and so many others that dience) who I’m sure found Robson nsistently charmg and cute a certa PG-13 sexs that so many teen romanc have (anyone remember the hottie “Sixteen Candl”? Our empathy wh Nick-as-Simon marks a far cry om the days of Frankl Pangborn, Edward Everett Horton, and Clifton Webb playg gay (or wk-and-nod gay) characters that as dienc we liked but always seemed to lgh “at”, not “wh”, even to some extent Nathan Lane a film as recent as “The Birdge”, or s French precsor, “La Cage x Foll”. We’re also a far cry, the history of film, om the days of tragic or sry gay characters as “Cisg”, “Silence of the Lambs”, “The Children’s Hour” (lbian-themed), and so many others (each of those films had protts for s negative portrayals of LGBT characters).