Gay men of the '70s are remembered for hirsute fac and sktight jeans; their brothers of the '90s were partial to bangs and stubble. How will the gay "look" of the 2010s be remembered?
Contents:
- HOW THE GAY COMMUNY HELPED POPULARIZE WORKWEAR
- OP-ED: THE GAY CLON EVERYONE KNOWS
- GAY HISTORY: REMAKG THE CASTRO CLONE
HOW THE GAY COMMUNY HELPED POPULARIZE WORKWEAR
Workwear's roots may have started on railroads and nstctn s, but s boom populary more recent history ow much to the gay mun * gay clone style *
But when one particular look cropped up the post-Stonewall gay scene of the 1970s, was so popular—and so distct—that the guys who sported were dismissed as “clon.
OP-ED: THE GAY CLON EVERYONE KNOWS
* gay clone style *
)And while the nickname was ially pejorative, the clone perd marked perhaps the first time that gay men prented themselv wh a queer-signalg uniform that was a direct rponse to societal stereotyp. “The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men.
GAY HISTORY: REMAKG THE CASTRO CLONE
He pots to the gay mstrel stereotyp the 1967 film The Producers, along wh the timid-lookg guys on the illtrated vers of gay pulp books wh nam like All the Sad Young Men.
(Not to mentn the 1964 article Life magaze lled “Homosexualy Ameri, ” which scribed a “sad and often sordid world. ”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom.