Gay Gui To Mosw, Travel Safely In Gay-Friendly Areas & Districts - Mr Hudson

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/books/unr-review"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">The Stgg Provotns of Virgie Dpent</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">In her Vernon Subutex novels, which were huge bt-sellers France, one feels the llapse of a natnal myth—and a cripplg disorientatn s place.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" 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grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Virgie Dpent." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Virgie Dpent has ma of her life a long cril quiry to genr and sexualy.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Isabella De Maddalena / LUZ / Rx</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg paywall">I first read Virgie Dpent about ten years ago, when an English translatn of her book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Kg Kong Theory</a>,” a llectn of says on genr and sexualy, started makg the rounds among my iends. (That translatn fell out of prt; a new one, by Frank Wynne, is out this month.) In an era of moral panic over thongs and onle porn, Dpent was the rare voice to crique the nfince of so-lled pro-sex femism whout lapsg to nostalgia for nventnal married life. In the book, which was published France 2006, she scrib her experience as a survivor of beg gang raped when she was a teen-ager, and, later, her work as a prostute—her preferred term. (She puts “sex work” quot, treatg as an Amerin affectatn.) She shar wh Cale Paglia the view that, as Dpent puts , rape is an “evable risk” for women who want to “go outsi and move around eely.” This ia disgted her at first, but soon transformed to a source of solace. “Rape was no longer somethg to ny, somethg to be cshed by, but somethg to live wh,” she wr. Readg Paglia for the first time, <em>Sp</em> magaze, Dpent felt as though “someone was validatg the abily to get over stead of meekly lyg down amid a treasury of trma.” She scrib prostutn as another “ccial step” her self-renstctn, “a pensatn settlement thoand-anc stallments for what had been btally taken om me.” The work gave her a specifilly female mo of sexual power that she par to the emancipatory effect of wrg: “dog that which isn’t done, openg up your private self, layg yourself open to the judgment of others, acceptg excln om the group. More importantly, as a woman: beg a public woman.” For Dpent, legal attempts to ntrol the exchange of money for sex reprent a societal obssn wh nyg women their natural advantag. But she do not take the work lightly: “Don’t kid yourself,” she wr. “Once you’re , there’s no way out.”</p><p class="paywall">In France, Dpent, who was born 1969 the northeastern cy of Nancy, has been well known sce she published her first novel, the rape-revenge story “Baise-Moi,” at the age of twenty-three. In 2000, she -directed a film adaptatn of the novel wh the French porn star Coralie Trh Thi; beme the first movie to be banned France twenty-eight years. (The tle of both the book and the movie is often renred English as “Rape Me,” but “Fuck Me” is a more accurate translatn.) Dpent noted that the explic reprentatn of rape, what she lled “openg the wound,” got more censure than most rapists do. She attributed the ban to sexism, and to her refal to be a “dignified victim,” although the film’s provotns, which ll the bluff of Quent Taranto or Gaspar Noé by showg actual genals scen of sexual vlence, upset nearly everyone. By the time “Kg Kong Theory” was published, six years later, Dpent had “qu heterosexualy,” acrdg to an terview the <em>Guardian</em>. “Beg attracted to that which stroys may be excg and arog,” she wr that book, “but is also a handip: exclus om power.” She had begun a relatnship wh the transgenr Spanish wrer Pl B. Preciado, who documented their love affair a memoir, “Tto Junkie.” “We’ll e together at a actal moment,” Preciado wr of the lover intified only as “VD.” “She is beg a lbian; and, as for me, I’m beg somethg other than a girl.”</p><p class="paywall">Dpent wr the angry tenor of the femism that galvanized me as a teen-ager, but that I fancied I’d outgrown by my mid-twenti. Not wantg my genr to be at all termistic of my eedom or my sexualy, I was a phase of rejectg anythg that sisted there was no way out, pecially the broad strok that Dpent sometim took. (Her quip that “Capalism is an equal-opportuny relign the sense that subjugat all, and leads each of to feel trapped, as all women are,” was the kd of statement I found pecially unhelpful.) Revisg “Kg Kong Theory” now, I n see that what I read as a dire lament about the genr bary was rather the ttimony of an unpromisg life and s difficulti. The book has one theme that reerat over and over: don’t lu yourself that a life lived wh eedom and search of experience will be ee of damage. Punishments will arrive, pecially for women, but nformy is worse. “That’s the whole ncept of punk—not dog what you’re told,” Dpent wr. Punk rms her sensibily as much if not more than any school of femism. Like Simone Bevoir before her, she has ma of her life a long cril quiry to genr and sexualy, and her trma is a fact of her personal history rather than a lite porcela object. “I go back to aga and aga,” she wr of the asslt she suffered her teens. “It is a foundatn stone. Of who I am as a wrer, as a woman who is no longer que a woman. It is what simultaneoly disfigur me and mak me whole.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Dpent is now the thor of a dozen books, several of which have been adapted for the screen. She has been nomated for the Prix Gonurt, France’s most prtig lerary prize, and has bee a post-punk tellectual celebry along the l of Patti Smh or Henry Rolls. (In her thor photo, she wears a Motörhead tank top.) In 2015, she published the first <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">two novels</a> a trilogy about a character named Vernon Subutex, who is somethg like the rerd-store-owng protagonist of Nick Hornby’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">High Fily</a>” if we met him ten years later, after his relatnship has failed and his rerd shop—Vernon’s was lled Revolver—has gone out of bs thanks to the rise of digal mic streamg. The novels, <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">all three</a> of which have now been translated to English by Frank Wynne, were huge bt-sellers France, and were adapted to a televisn seri starrg Roma Duris. They are sistently ntemporary, markg time wh referenc to the exile of Edward Snown, the ath of David Bowie, and the massacr at the <em>Charlie Hebdo</em> offic and the Bataclan theatre.</p><p class="paywall">When the first novel the trilogy begs, a few years after Revolver has closed, Vernon is approachg the nadir of a years-long cle. His unemployment benefs have end; he eats only rice and n no longer afford ffee or cigarett; whatever money he scrap together go toward payg his Inter bill. He’s past the pot life when poverty uld be played as romantic, an affectatn that he is startg to unrstand was generatnal. “Beg flat broke has lost s poetic charm sce Zadig & Voltaire started explog thrift store chic,” Vernon laments, referrg to the Parisian fashn brand known for s zippers and chas, “whereas for s was the tramark of the te artist, of someone who refed to sell his soul.”</p><p class="paywall">Paris is expensive now, and most of his iends have returned to the provc after havg kids. The on who rema have started dyg prematurely: of ncer, of a heart attack, of a r accint. Vernon has jt learned of the latt sualty, a rock star named Alexandre Bleach who remaed a loyal Revolver ctomer even after he beme mega-famo. Bleach, who was Black, loved Vernon Subutex bee he never tried to remend reggae or hip-hop albums to him, and bee Vernon was the only person he knew who was unaffected by Bleach’s fame. Bleach di a hotel bathtub, like Whney Hoton—“a champagne-and-prcriptn-meds productn; he fell asleep.” The problem, for Vernon, is that Bleach had been payg his rent for years.</p><p class="paywall">When goons show up to evict him, he leav wh some cloth a backpack and a sgle valuable asset: VHS tap of ndid on-mera terviews wh his ad iend. Vernon don’t know what’s on them—Bleach would e over to Vernon’s hoe, prs rerd, snort e and monologue while his host slept—but he hop they might be worth the thoand Euros he needs to get his thgs out of storage. In the meantime, Vernon msag long-lost iends and woos his way to the bed of any woman who will have him. Vernon’s great advantag life are his betiful blue ey and an easygog charm that women fd irristible. He n ok grat dphois and pile the perfect playlist. He is a nsirate hoegut who folds his beddg the morng and knows when to leave. The book reunts his great uch-surfg tour of Paris, wh each chapter told om the perspective eher of Vernon or of one of his associat, a formal vice by which Dpent generat a chos of disaffected Gen Xers.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">There is Eie, for stance, who was once a bass player to rt-grrrl mic but now has an M.B.A. and wears her hair a bob stead of her old Mohawk. “She has done everythg her parents wanted her to do,” Dpent wr. “Except have a child, which means everythg else do not unt.” She giv Vernon one night. He mov along to Xavier, a washed-up screenwrer whose wife no longer lov him and who has settled to the fort of armchair bigotry, and then to Sylvie, a revered hero addict who nsirs returng to hard dgs “after the menopse.” When Sylvie begs to fall love wh Vernon, he fle for the stud apartment of Lydia Bazooka, a twentysomethg journalist who wants to wre a bgraphy of Alex Bleach. A rich, ke-addled banker named Kiko puts Vernon up exchange for his d.j.-g but ejects him when he begs an affair wh his live- girliend, a trans Brazilian hairdrser named Marcia. Patrice, Vernon’s next host, is a trated leftist who works for the post office and go to group therapy to ntrol a tenncy to beat up his girliends.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Vernon and his agg bohemian hort are marked most of all by a growg trangement om the world around them. “Vernon is still trapped the last century, when people still took the trouble to pretend that beg was more important than havg,” one of his iends says. Younger generatns, wh their practil nformism, their embrace of right-wg polics, and their uncril receptn of mic that sounds like palism, baffle them. A man named Selim has a dghter who has refed his secular tellectualism for the head srf, the mosque, and a gree as an acuntant. He offers a gloss on her attu: “Maybe people still rebelled agast thory back your day, long ago. See where got you? My generatn go about thgs differently.”</p><p class="paywall">Vernon and his iends tolerate racism and misogyny as lamentable character flaws rather than ncellable offens, and they treat the humorls inty polics of people born after 1980 wh wry disda. The gay characters sff at marriage: “We’re dyk, real dyk, we’ve suffered for and we don’t want to be like fuckg straights,” one lbian character says to another, over glass of Mtel om Alsace. A porn star transns not bee he was assigned the wrong genr inty at birth but simply bee he n. “I’ve got tattoos, I’ve done porn, I’ve smoked crack. Why shouldn’t I bee a guy?” Daniel, formerly known as Deborah, asks. When Daniel spoke to an endocrologist before his transn, we learn, “she regurgated all the stori she had read onle and managed to dodge the qutn when asked why, if she had always felt that she was a man, she’d had a breast gmentatn.”</p><p class="paywall">Vernon ns through his iends until he is no longer nomally homels but officially so, settg up the yard of an abandoned hoe overlookg the Butt Chmont, a large park Paris. Preoccupied wh fdg food and shelter, he remas obliv to a brewg nspiracy. A villao movie producer named Lrent Dopalet has heard about the tap Vernon wants to offload and spects they may nta some dirt on him. Dopalet hir a paranoid lbian wh martial-arts skills known only as the Hyena to track down the tap. Dopalet is not the only one lookg for them. A uple of retired porn stars are also terted what Bleach had to say about an old lleague of theirs, a performer wh the stage name Vodka Satana, who died unr myster circumstanc.</p><p class="paywall">“Vernon Subutex” is part slapstick per and part social novel; by the end of the trilogy, starts to verge to speculative fictn. There are rich characters and impoverished on, Marxists and neo-Nazis, celibat and philanrers. They all circulate a gentrified Paris that is not what ed to be, as the entire ensemble nstantly laments. Her characters ocsnally sound like another Gen Xer, <a href=">Andrew Yang</a>: “The enomy no longer means anythg to a whole sectn of the populatn,” one remarks. “They are no longer poor workers, they are unnecsary.” But the characters uniformly bemoan the guttg of France’s social safety and the hypocrisy of leftist policians who panr to the éle. They share the belief that plyg wh an enomy of exploatn and greed is the te madns, and that maladjtment, even the form of right-wg extremism or relig zealotry, is the only sane rponse. They procs their emotns through mic and movi—like Hornby, or Bret Easton Ellis, Dpent soundtracks her story wh songs, and the novel is bt read wh speakers nearby.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">When I started readg the novels, I thought that Dpent was trollg an archetypal prsive male protagonist, the kd that one fds Mart Amis’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Money</a>” or the novels of <a href=">Michel Houellebecq</a>—or of Nick Hornby, or, for that matter, of any number of straight, whe, male novelists. But Dpent ploys the archetype much as the men before her have done. Puttg Vernon, the faiar sad sack, at the helm of her ship of queers, vagrants, immigrants, and spsters, grants her a certa immuny—his problems will be read as societal on rather than female on. He do not reprent any particular inty, jt the world. His sexualy is not tated by vlence or trma, but is open, eager, and benign.</p><p class="paywall">In a Houellebecq novel, the characters’ polics seem to reflect their thor’s worldview; when Dpent ventriloquiz tolerance, as she equently do, she seems to be offerg a crique. Even so, she portrays multiculturalism as an ial that is only gtured at but rarely believed—lift the lid ever so slightly on the liberal nsens, she suggts, and rentment and tolerance will be there, simmerg away. “He feels nnected to primive energy that has been nied him for s, an energy that is French, patrtic, powerful, and rich,” Dopalet, the bad guy, thks, as he dulg some light anti-Semism. “He is aware of the monstrons of his thoughts. He is fifty years old, all his life he has been told not to thk such thgs.” The books are not an antidote to Houellebecq’s view of France but an affirmatn of . Here, too, one enunters preoccupatns wh Islam, immigratn, pornography, and dgs; btal scriptns of women agg; bleak dilatns on the impossibily of love; cricisms of the effectual French left. Wh both wrers, one feels the llapse of a natnal myth, and one fds a cripplg disorientatn s place.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">By the send book the trilogy, Vernon’s character—sleepg outsi, racked wh fever—has had a spirual transformatn, and bee a kd of gu. People beg gatherg the Butt Chmont to be near him, brgg him offergs. His d.j. sets at a nearby bar beg to take on mystil portent. The iends on whom he relied start to form a fay of misanthrop. Soon they beg to anize a seri of phone-ee, dg-ee gathergs known as “nvergenc,” durg which Vernon Alex Bleach’s late-reer experiments wh bral beats to duce a trancelike state his dienc. Vernon generat a cult of mystique spe his utter failure to take re of himself.</p><p class="paywall">In the third book, he reli wholly on others to manage his rponsibili and enjoys a life of idle polyamory, which, as far as he n tell, means “sleepg wh whoever he lik whout worryg about what the last girl might thk.” All around him is celty and stctn, but he floats along, not needg to do much, bee the whole world upholds him—and even when thgs are at their bleakt someone arriv to take re of him. Wh nothg but good taste mic and sexual charisma, he pris. By the end of the trilogy, far to the future, Vernon and his followers have left a legacy as a cult-like relign that rejects technology for analogue human munn. The only thentic alternative to the humanizatn of palism is, apparently, somethg remblg Burng Man.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="2vdu5f"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Disciplg Power of Disappotment</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In a new book, Sara Marc argu that Amerin polics are fed by unfulfilled sire.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Keeanga-Yamahtta Taylor</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Civil-Rights Showdown Nobody Remembers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Civil-Rights Showdown Nobody Remembers</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Civil-Rights Showdown Nobody Remembers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Clton High was the first Southern school to be tegrated by urt orr. Why did reluctant acceptance turn to vlence?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Louis Menand</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Defense of the Uglit Buildg Paris" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Defense of the Uglit Buildg Paris</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Defense of the Uglit Buildg Paris" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The Tour Montparnasse has never been loved.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Col Marshall</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="T. Coraghsan Boyle on Panmics and Blame" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">This Week Fictn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">T. Coraghsan Boyle on Panmics and Blame</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="T. Coraghsan Boyle on Panmics and Blame" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The thor discs “The End Is Only a Begng,” his story om the latt issue of the magaze.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Deborah 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