Marv Gaye | Bgraphy, Songs, & Facts | Branni

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• GOT TO GIVE IT UPMARV GAYEON LIVE AT THE LONDON PALLADIUM PRODUCED BYART STEWART“GOT TO GIVE UP” CHRONICL THE NERVY NIGHT OF A MAN TOO SHY TO GET OUT THERE ON THE DANCE FLOOR AND LET LOOSE. IT’S ONLY ONCE HE GIV – OR GIV UP – TO THE… READ MORE MAR. 15, 19771 VIEWER78.3K VIEWS24 CONTRIBUTORSGOT TO GIVE IT UP LYRICSI ED TO GO OUT TO PARTIAND STAND AROUNDCSE I WAS TOO NERVOTO REALLY GET DOWNBUT MY BODY YEARNED TO BE EEI GOT UP ON THE FLOOR AND THOUGHT"SOMEBODY ULD CHOOSE ME"NO MORE STAND' THERE BI THE WALLSI DONE GOT MYSELF TOGETHER, BABYAND NOW I'M HAV' A BALLAS LONG AS YOU'RE GROOV'THERE'S ALWAYS A CHANCESOMEBODY WATCH'MIGHT WANNA MAKE ROMANCEMOVE YOUR BODY, OOO BABY, AND DANCE ALL NIGHTTO THE GROOVE AND FEEL ALRIGHTEVERYBODY'S GROOV' ON LIKE A FOOLBUT IF YOU SEE ME SPREAD OUT AND LET ME BABY JT PARTY HIGH AND LOWLET ME STEP TO YOUR EROTIC ZONEMOVE UPTURN 'ROUNDSHAKE DOWNOOOWW!!YOU MIGHT ALSO LIKEYOU N LOVE ME WHEN YOU WANT TO, BABYTHIS IS SUCH A GROOVY PARTY, BABYWE'RE HERE FACE TO FACEEVERYBODY'S SWG'THIS IS SUCH A GROOVY PLACEALL THE YOUNG LADI ARE SO FE!YOU'RE MOV' YOUR BODY EASY WH NO DOUBTSI KNOW WHAT YOU THK', BABYYOU WANNA TURN ME OUTTHK I'M GONNA LET YOU DO , BABEKEEP ON DANC', OH, BABYYOU GOT TO GET GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET , OH DARLG)GOT TO GIVE UPOOOOH, OOOOH, OOOOH, OOOOH[INSTMENTAL BREAK]IF YOU WANT , BABYGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYI GOT TO GIVE UPDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYIF YOU WANT TO DANCE SOME MOREDANCE SOME MORE, OOHFEELS SO GOOD - DANCGOH ,YEAHLOOKS SO GOODOOH, LOOK AT YOU, BABY, OH YEAHYOU LOOK SO GOODTO YOU, BABYMY DARLG (GOT TO GIVE UP)DANCG, BABYON THE FLOOR (GOT TO GIVE UP)LET ME SEE YOU, DARLGDANC', BABY - LOOK SO GOODKEEP ON DANC' - LOOK SO GOOD (GIVE UP)LOOK AT ME, BABYLOOK SO GOODHAVE MERCYNON-STOP EXPRS PARTYSTANDG BYGET DOWNNON-STOP, EXPRS - PARTY, Y'ALLFEELS GOOD, THIS TRANCE, I'VE GOT TO DANCEGET DOWNLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTHANG THERE, BABYGOT TO DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SGLE, DARLGOR HOLD [?]I ULD DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SOME MORE, BABYWE GO HOMEIF YOU WANT , SUGARGOT TO GIVE UPH ME!I GOT TO GIVE UPPARTY WH ME, BABYYOU GOT TO GIVE UPTHIS MORN'YOU'VE GOT TO GIVE UPOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTTHE EXPRS PARTY'S GOG TO BE ALRIGHTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUT5EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE
• SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER265.5K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• MARV GAYE'S 10 GREATT SONGS EVER, RANKED
• THE UNTOLD TTH OF MARV GAYE

GOT TO GIVE IT UPMARV GAYEON LIVE AT THE LONDON PALLADIUM PRODUCED BYART STEWART“GOT TO GIVE UP” CHRONICL THE NERVY NIGHT OF A MAN TOO SHY TO GET OUT THERE ON THE DANCE FLOOR AND LET LOOSE. IT’S ONLY ONCE HE GIV – OR GIV UP – TO THE… READ MORE MAR. 15, 19771 VIEWER78.3K VIEWS24 CONTRIBUTORSGOT TO GIVE IT UP LYRICSI ED TO GO OUT TO PARTIAND STAND AROUNDCSE I WAS TOO NERVOTO REALLY GET DOWNBUT MY BODY YEARNED TO BE EEI GOT UP ON THE FLOOR AND THOUGHT"SOMEBODY ULD CHOOSE ME"NO MORE STAND' THERE BI THE WALLSI DONE GOT MYSELF TOGETHER, BABYAND NOW I'M HAV' A BALLAS LONG AS YOU'RE GROOV'THERE'S ALWAYS A CHANCESOMEBODY WATCH'MIGHT WANNA MAKE ROMANCEMOVE YOUR BODY, OOO BABY, AND DANCE ALL NIGHTTO THE GROOVE AND FEEL ALRIGHTEVERYBODY'S GROOV' ON LIKE A FOOLBUT IF YOU SEE ME SPREAD OUT AND LET ME BABY JT PARTY HIGH AND LOWLET ME STEP TO YOUR EROTIC ZONEMOVE UPTURN 'ROUNDSHAKE DOWNOOOWW!!YOU MIGHT ALSO LIKEYOU N LOVE ME WHEN YOU WANT TO, BABYTHIS IS SUCH A GROOVY PARTY, BABYWE'RE HERE FACE TO FACEEVERYBODY'S SWG'THIS IS SUCH A GROOVY PLACEALL THE YOUNG LADI ARE SO FE!YOU'RE MOV' YOUR BODY EASY WH NO DOUBTSI KNOW WHAT YOU THK', BABYYOU WANNA TURN ME OUTTHK I'M GONNA LET YOU DO , BABEKEEP ON DANC', OH, BABYYOU GOT TO GET GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET )GOT TO GIVE UPKEEP ON DANC' (YOU GOT TO GET , OH DARLG)GOT TO GIVE UPOOOOH, OOOOH, OOOOH, OOOOH[INSTMENTAL BREAK]IF YOU WANT , BABYGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYGOT TO GIVE UPWANT , AHGOT TO GIVE UPIF YOU WANT , BABYI GOT TO GIVE UPDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYDANCG LADYIF YOU WANT TO DANCE SOME MOREDANCE SOME MORE, OOHFEELS SO GOOD - DANCGOH ,YEAHLOOKS SO GOODOOH, LOOK AT YOU, BABY, OH YEAHYOU LOOK SO GOODTO YOU, BABYMY DARLG (GOT TO GIVE UP)DANCG, BABYON THE FLOOR (GOT TO GIVE UP)LET ME SEE YOU, DARLGDANC', BABY - LOOK SO GOODKEEP ON DANC' - LOOK SO GOOD (GIVE UP)LOOK AT ME, BABYLOOK SO GOODHAVE MERCYNON-STOP EXPRS PARTYSTANDG BYGET DOWNNON-STOP, EXPRS - PARTY, Y'ALLFEELS GOOD, THIS TRANCE, I'VE GOT TO DANCEGET DOWNLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTHANG THERE, BABYGOT TO DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SGLE, DARLGOR HOLD [?]I ULD DANCE WH YOU, BABYALL NIGHT LONGI ULD WORK OUT, SOME MORE, BABYWE GO HOMEIF YOU WANT , SUGARGOT TO GIVE UPH ME!I GOT TO GIVE UPPARTY WH ME, BABYYOU GOT TO GIVE UPTHIS MORN'YOU'VE GOT TO GIVE UPOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTOOH, OOHLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTTHE EXPRS PARTY'S GOG TO BE ALRIGHTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUTGET FUNKY, WHAT 'S ALL ABOUTLET'S DANCE, LET'S SHOUT5EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

At the peak of his reer, Marv Gaye was the Prce of Motown—the soulful voice behd hs as wi-rangg as “How Sweet It Is (To Be Loved By You)” and “Mercy Mercy Me (The Elogy).” Like his label-mate Stevie Wonr, Gaye both epomized and outgrew the crowd-pleasg sound that ma Motown famo. That life me to a tragic end on April 1, 1984, when Marv Gaye was shot and killed by his own father one day short of his 45th birthday.If the physil e of Marv Gaye’s ath was straightforward—”Gunshot wound to cht perforatg heart, lung and liver,” acrdg to the Los Angel County Coroner—the events that led to were much more tangled.

Marv Gay, Sr., (the “e” was add by his son for his stage name) was a preacher the Hebrew Pentestal Church and a proponent of a strict moral he enforced btally wh his four children. Clearly harbored unrolved feelgs toward his abive father.Those feelgs spilled out for the fal time the Los Angel home of Marv Gay, Sr., and his wife Alberta.

Only one year removed om his first Grammy w and om a triumphant return to the pop charts wh “Sexual Healg,” Marv Gaye was horrible physil, psychologil and fancial shape.After an argument between father and son lated to a physil fight on the morng of April 1, 1984, Alberta Gay was tryg to lm her son his bedroom when Marv Sr.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Marv Gaye’s brother, Frankie, who lived next door, and who held the legendary sger durg his fal mut, later wrote his memoir that Marv Gaye’s fal, disturbg statement was, “I got what I wanted….I uldn’t do myself, so I ma him do .”Also on This Day History April | 1.

Marv Gaye sang his father's church and the Moonglows before signg wh Motown.

MARV GAYE

Gaye's later rerds veloped his productn style and yield several hs, cludg "Let's Get It On, " "Sexual Healg" and "I Heard Through the Grapeve.

" Gaye was killed 1984 durg a domtic dispute wh his LifeSger Marv Pentz Gaye, Jr., also known as the "Prce of Soul, " was born Washgton, D.

Gaye was raised unr the strict ntrol of his father, Reverend Marv Gay Sr.

SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER265.5K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Throughout his childhood, Gaye often found peace mic, masterg the piano and dms at a young age.

It wasn't long before Gaye and Fuqua both me to the attentn of Detro mic imprar Berry Gordy Jr.

And were signed to Gordy's legendary Motown RerdsGaye's first certified h unr his own name wouldn't e until 1962, but his early years at Motown were full of behd-the-scen succs. Showg his strip as Motown's renaissance man, Gaye went on to break to the Top 40 for the first time on his own 1962 wh his solo sgle "Hch Hike.

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

" Throughout the 1960s, Gaye would show his immense range, churng out solo dance hs and romantic duets wh h-makers like Diana Ross and Mary Wells. "Can I Get a Wns" and "I Heard Through the Grapeve" were some of Gaye's biggt hs of the perd, the latter achievg s place as Motown's bt-sellg sgle of the 1960s. For three high-flyg years, Gaye and Tammi Terrell wowed the untry wh their soarg duet performanc of songs like "A't No Mounta High Enough" and "If I Could Build My Whole World Around You.

THE UNTOLD TTH OF MARV GAYE

Polil MsageIn 1970, spired by latg vlence and polil unrt over the Vietnam War, Gaye wrote the landmark song "What's Gog On.

When was released the sprg of 1971, the What's Gog On album served to open Gaye up to new dienc while matag his Motown followg. Departg om the tried and te Motown formula, Gaye went out on his own artistilly, pavg the way for other Motown artists like Wonr and Michael Jackson to branch out later years. Crossover SuccsIn 1972, Gaye moved to Los Angel and soon met Janis Hunter, who would later bee his send wife.

Inspired part by his newfound pennce, Gaye rerd one of the most revered love anthems of all time, "Let's Get It On.