Gay Passag om Moby Dick | Matt Trivisonno

moby gay

two gay niggas jt teach 5th grars. moby is tims lover." name="Dcriptn" property="og:scriptn

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MOBY: 'GAY MEN ARE SUPERR TO STRAIGHT MEN'

The book featur gay marriage, hs out at slavery and imperialism and predicts the climate crisis – 200 years after the birth of s thor, Herman Melville, has never been more important * moby gay *

Dance star Moby has no time for overly-heterosexual mal, sistg gay men are far superr to their straight unterparts. The heterosexual mic-maker is so appalled by macho male culture he hop his future children will be gay bee "they are ls likely to get to a fight and ls likely to date rape people". The PLAY hmaker says, "I'm straight but I've grown up around gay people and gay clubs.

If you have a gay child you're more cled to be a prour parent. Moby got his start Manhattan, playg hip-hop and dance to a crowd of mostly gay, black, and Lato ravers. ” Other scen are eply homoerotic: sailors massage each others’ hands a tub of sperm oil and there is an entire chapter voted to forks (albe of the whalish variety).

”Faced wh such unbridled flagrancy, the US tablishment has never been keen to accept the ia that Melville may jt possibly have been gay.

BIG GAY FOLLOWG: MOBY

Is Moby Gay? Come and disver what has been said lately about this and what is Moby sayg about this. * moby gay *

After years of speculatn, the man/robot duo Tim and Moby, famo for vios loved by overly amb elementary schoolers, have publicly announced their stat as a gay uple. Moby Dick, Queequeg, and Homossexualy 19th Century USA.

At the begng of Moby Dick, Ishmael's relatnship to Queequeg is very close to what we today would unrstand as gay. Or n we say that Herman Melville might have been puttg homosexual subtext his work - whether he was or not?

After Moby spoke out agast Emem's misogynistic and homophobic lyrics at the Grammys 2001, the rapper lled him a "36-year-old baldhead fag" and clared "nobody listens to techno" his sgle "Whout Me. " Turns out that the angry 8 Miler was wrong on both unts: Though an ultra-liberal vegan, Moby's not gay, and if the ternatnal succs of his crilly acclaimed CDs (particularly his 1999 pop breakthrough Play) is any ditn, electro club jams do have an dience.

IS MOBY GAY?

* moby gay *

There were s of my life where I uld stay out until 6 the morng every night wh really no nsequenc, but I've found now that if I stay out until 5 or 6 o'clock the morng and even have jt four or five drks, the whole next day is kd of an ial night out New York volve gay clubs? On ocsn, but the only problem is that I live right next to the Lower East Si, and all the good gay clubs are Chelsea -- and I'm nothg if not provcial. Also, the bigger gay clubs -- and bigger clubs general -- kd of turn me off.

In extreme s, they'll sleep until 6 the morng and go out at 6, but the ntrast is that if you walk to a club feelg bright-eyed and bhy-tailed, and everybody else there has been up for the last four days and looks like they've been ad for the last few years, then that's not so 've been such an ally to the gay muny that you've taken some heat for -- like when you stated an terview that gays were "superr to straight people. Yeah, and I also said that if and when I ever have children, I want gay children, which didn't really enar me to the Christian right wg of Ameri. There are a lot of people the world who are vilently homophobic or misogynistic or anti-Semic, and what baffl me is that if you jt look at empirilly, gays, women, and Jews are certaly rponsible for far fewer vlent crim than straight whe guys.

[Lghs] But general, and this has been the se for as long as I n remember, I'd much rather go to a really fun gay bar than some straight club where 's guys wh too much logne tryg to put date rape dgs secretari' jokgly suggted feedg extra soy k to a pregnant mother to ensure a gay child. Any other hts for makg a gay baby? They seem to be gettg pretty good at manipulatg the human genome, so maybe they n fd the gay gene and feed more.

IS MOBY GAY

In an terview wh The Advote's Brandon Voss, electronic mic artist Moby says he'd "much rather align myself wh the gay muny than the straight * moby gay *

Or jt play Dead or Alive and Donna Summer when the child's the serly, would you have rervatns about brgg a gay child to a world which he'd face prejudice?

People n e here and live however they so choose whout any fear of reprisal or did your relatnship wh the gay muny beg? It was such an open time, wh Larry Levan beg the poster child for that celebratory eclecticism and tolerance: an Ain-Amerin gay DJ playg punk rock, hip-hop, and dis this a time of sexual experimentatn for you?

I was a really uptight, straight-laced kid, so jt as I'd been really closed and nservative my personal habs before I was 30, om 30 to 40 I went to the other extreme to see what was out 've scribed yourself as "neher straight nor gay.

JOURNAL / ‘MOBY WANTS TO TURN HIS CHILD GAY’

It's a cliche to say this, but a perfect world, the dichotomo fn of straight and gay would probably rry ls Cameron Mchell, whose 2006 film Shortb you vted, once lled you "the perfect androgyne, wh all the lovelit quali of male and female.

The ways which people scribe beg love, I've never experienced for a man or a om the time that you were mistakenly "gay-bashed" Boston years ago, has beg labeled as gay ever annoyed you or ed you problems? Hontly, I'd much rather align myself wh the gay muny than the straight you blame Emem for creatg that nfn?

I don't know if he's genuely misogynistic and homophobic.

GAY PASSAG OM MOBY DICK

Nowadays, there is no answer to the qutn -Moby is gay? However, there are people that say Moby is gay, but their ments don't have any nsistency or accuracy of any kd.

The g out of Moby would greatly benef an credible number of homosexuals around the globe who are still the closet.

MOBY PRAIS ‘SUPERR’ GAYS, WANTS GAY KIDS, BLASTS SALLY KERN

Although Moby has refed on numero ocsns to beg homosexual, mors are nstantly found on-le. Although Moby has never stated beg homosexual, beg a famo artist and homosexual is somethg unrstood as normal by the society. We'll be more than happy if you share wh any h news about the qutn - Is Moby gay?

A uple of months ago I cid to take on the beast himself and was surprised by the homosexual unrton of the story. Jt when I thought the homoeroticism had end, Melville shocks yet aga! Tim and Moby om Barpop have fally troduced themselv to the public as gay upl.

They are officially a gay uple, LGBTQ muny embrac this relatnship statg ’s the ‘third dtrial revolutn. two gay niggas jt teach 5th grars. Tod: oh yeah aren't they that one gay uple that tght me pi 5th gra?

MOBY IS ANNOYG FRIEND TO GAY COMMUNY

Ok, normally i don’t rpond to the reactnary slanr that some people spew on, but the ‘moby wants to turn his child gay’ is jt too temptg and i have to off: i don’t have any children. If they were gay i’d want them to be happy and gay. T theologil bate about homosexualy.

Many right-wg christians base their homophobia on the ‘the old ttament forbids homosexualy. It always astonish me that, jt as my schoolmat and I were ma to wa through Shakpeare and Dickens at an appropriate age, Amerin high-school stunts are subjected to Melville’s madns, wh s subversn and, to morn ey, overtly homoerotic passag.

Well, I have a theory now: ’s possible that the book was emed to be “too gay” for suburban stunts. ” Both the play and the movie “The Whale” center on Charlie (Brendan Fraser), a reclive, morbidly obe stctor of onle wrg class who has been eatg himself to ath sce the passg of his lover, a sualty of relig homophobia. ” (Zoey Kang / A24) The character is an amalgamatn of Hunter’s past liv: as a closeted gay kid attendg a fundamentalist Christian school ral Idaho, a prsed adult who silently self-medited wh food, and an exposory wrg stctor for llege hmen (the piece’s heartbreakgly hont le “I thk I need to accept that my life isn’t gog to be very excg” is an actual submissn om one of Hunter’s stunts).

*BEAR-MAGAZINE.COM* MOBY GAY

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iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/philip-hoare">Philip Hoare</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2011-11-03T07:04:48-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">November 3, 2011</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN iEWtkN article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path 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3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="What “MobyDick” Means to Me" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div></figure></div><p><em>The thor the Azor, among iends.</em></p><p class="paywall">For years, “Moby-Dick” feated me. I thk I was put off the book when, as a child, I watched the 1956 John Hton film on our ty black-and-whe televisn, at home suburban Southampton, England. Seeg on the ghostly tho-ray tube, which was hoed a veneered bet, was more like viewg some Victorian apparat for ntactg the parted spirs, forever imprisoned behd s glass.</p><p class="paywall">Hton’s film promised so much—the rearg whe whale, a monster of my ept imaggs—but livered a wordy worths, que remote om what I wanted om the story. Later, I’d look at the book self and fail to fd any way to s prose, as impermeable as that TV screen. I didn’t know then what I do now: that “Moby-Dick” n be whatever you want to be. It took me thirty years to disver what the book was—or what was not.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall"><a href=">[#image: /photos/590953d66552fa0be682c84d]</a>Now along Nathaniel Philbrick’s brilliant and provotive new work, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Why Read Moby-Dick</a>“—a llectn of elegant says, an eclecticism that shar wh s subject. Philbrick seeks to make look aga at the paradox of what he, like many others before him, acclaims as “the greatt Amerin novel ever wrten.”</p><p class="paywall">But “Moby-Dick” is not a novel. It’s barely a book at all. It’s more an act of transference, of ias and evotns hung around the vast and unknowable shape of the whale, an extend mg on the strange meetg of human history and natural history. It is, above all, a sui-generis creatn, one that me to the world as an unnatural, immaculate nceptn.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">To my md, there are only two other works wh which bears parison: Mary Shelley’s “Frankenste” (1818), and Ey Brontë’s “Wutherg Heights” (1847). The former, s own wns to one man’s obssive terference wh nature, was a direct fluence on Melville, who acquired a py on a vis to London 1849, even as the whalish shas were begng to swirl about his imagatn.</p><p class="paywall">We don’t know if Melville read Brontë’s ral, gothic creatn, but s unntaed spir— which the wild Yorkshire moors themselv bee the monster—would seem to me to be an apt fellow-traveller for the thor who lnched the Pequod to the mid-neteenth century. All three books are ught between the primeval old and the impossibly new, between an abidg sense of certu and the dissemblg future.</p><p class="paywall">In an age of uncerta fah, then as now, “Moby-Dick” rembl a relig tract, an alternative ttament. Ltle wonr that one of s early set-piec is Father Mapple’s fire-and-brimstone sermon om the prow-shaped pulp the Seamen’s Bethel, New Bedford, or that Philbrick tak the tle for his own first chapter, “The Gospels This Century,” om Melville’s wry and rather Wilan remark on the unsalabily of his work: “Though I wrote the Gospels this century, I should die the gutter.” As he told Nathaniel Hawthorne, “I have wrten a wicked book, and I feel as spotls as the lamb.”</p><p class="paywall">When I fally began readg “Moby-Dick” (had I wasted my time before then?), I found I uldn’t put down. I’d rry about wh me a ty, Oxford World Classics edn, anonymoly bound blue cloth, to be studied chapter by chapter, like the Bible or the Koran, as I sat on the Tube or on an airplane, or the early hours of the morng. As Philbrick exhorts his rears, ” ‘Moby-Dick’ is a long book, and time is short. Even a sentence, a mere phrase will do.”</p><p class="paywall">Much of the impact of Melville’s book on any fierce new nvert is implic that sense of time travel. Sometim I read and I feel like I’m gog backward, fast. It reads like somethg that was wrten before books were vented, yet is utterly morn—pre-postmorn, perhaps. It is part of s own predictn, as if and s characters had been there all along, and had only been wag to be wrten. Jt as the real New Bedford’s Bethel a pulp-prow had to be built, the neteen-sixti, bee so many visors expected to fd one there; and, jt as Melville wrote vividly of Nantucket, an island that he had yet to vis, much of “Moby-Dick” is njured out of the air and the sea.</p><p class="paywall">That’s why the book appeals so much to morn artists, like Frank Stella and Matthew Barney. Its oceanic reach and perverse digrsn provi endls sourc of spiratn and terpretatn. In chapters such as the famoly sublime “The Whens of the Whale”—almost hallucatory s associative spensn of normaly and subtle obsceny—Melville tak up his theme, then tak apart, teasg out to impossibly filigreed tendrils, until you wonr how you, or he, got there the first place.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">While readg “Moby-Dick” is a b like beg stoned, also evok an Asperger’s air. Ishmael will tell you everythg you wanted to know about the whale, and much that he has ma up. (Few books are so filled wh neologisms; ’s as if Melville were trated by language self, and strove to burst out of s nf.) At the same time, “Moby-Dick” stands both as a historil reference for the great age of Yankee whalg and as a work of imagatn which whal bee avatars as much as they are real animals. Melville would never have fished his book today—he’d be nstantly Googlg “whale.” “God keep me om ever pletg anythg,” his existential alter ego plas. “This whole book is but a drght—nay, but the drght of a drght. Oh, Time, Strength, Cash, and Patience!”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="wk7hzc"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="m2xa83"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">It always astonish me that, jt as my schoolmat and I were ma to wa through Shakpeare and Dickens at an appropriate age, Amerin high-school stunts are subjected to Melville’s madns, wh s subversn and, to morn ey, overtly homoerotic passag. Ined, part of the power of “Moby-Dick” li s latency, s layed, time-bomb qualy. It was virtually ignored the thor’s lifetime—s first edn never sold out, and the remag pi went up flam a fire the publisher’s downtown Manhattan warehoe 1853.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Like a protean seed awag germatn, the book need a new element to brg to life. As a rult, when burst to the new century, me vted wh a terrific momentum of s own—as if the world had jt ught up wh s fiery power. In the neteen-twenti, this lost book was redisvered by the Lost Generatn. And, jt as was stoked up by the dark streets of London on that 1849 vis, “Moby-Dick” owed more than a ltle of s rebirth to a foreign land and the Brish wrers who led the way s reappraisal.</p><p class="paywall">In 1923, D. H. Lawrence published his idsyncratic, if not fatly crazy, “Studi Classic Amerin Lerature.” Lawrence proclaimed Melville to be “a futurist long before futurism found pat,” the thor of “one of the strangt and most wonrful books the world.” Lawrence’s paean was only the public eptn of a reputatn already revival. The year before, 1922, T. E. Lawrence, of Arabia fame, reported that “Moby-Dick” took prime posn on his “shelf of ‘Tanic’ books (those distguished by greatns of spir),” and two years after that, 1924, noted, “Someone is workg a Melville boom, & I’ve sold all my early edns profably.”</p><p class="paywall">In the summer of 1936, the aristocratic athete the Honourable Stephen Tennant was entertag his iend Man Forster, at tea a genteel hotel the English Home Counti, talkg avidly of Queequeg. Could Melville have ever imaged that his book would travel so far, and fd such unlikely rears?</p><p class="paywall">In the alchemil procs of cril and cultural assiatn, Melville’s monstro creatn—like Shelley’s Creature, like Brontë’s Heathcliff and Cathy—took on, pecially through s sceptible adaptatns to other media, a morn typology of Manichean and cematic proportns. A century and a half after first played out, Ahab’s wanton chase was evoked the “war on terror,” and the attempts to pursue an apparently untchable foe, even as sourced an epic signed to reflect Ameri’s first imperial venture—the gettg of the oil that l and lubrited the Wtern world.</p><p class="paywall">Yet has an even timelier msage, one that, like so many of Melville’s lerary grenas, seems to have been lyg wa for . “Do the Whale’s Magnu Dimish?—Will He Perish?” the book asks. Although, havg posed this qutn, Melville, a perennial ntrarian, to a ntrary ncln, his summary is certaly predictive. Three hundred and sixty thoand blue whal died the cetacean Armageddon of the twentieth century, rcg the world’s largt animal to a populatn of jt a few thoand.</p><p class="paywall">Yet, the wake of the moratorium on the huntg of great whal implemented by the Internatnal Whalg Commissn, 1986, whal appear to have revered. Earlier this year, the waters of the Indian Ocean off the tip of Sri Lanka, I saw dozens of blue whal, their thirty-foot blows as tall as ho. That vast bmass was an Enic sight, a glimpse of the world before “Moby-Dick.” Blue whal now swim up the Irish Sea, and last month Capta Mark Dalomba was astonished to see one om the wheelhoe of his Dolph Fleet whale-watch boat off Provcetown, on Cape Cod.</p><p class="paywall">This summer, the ep waters of the Azor, I swam wh sperm whal. In the silence of their world, listeng to the rhythm of their sonar clicks, feelg the sle of their social hn, I was more aware than ever before of the history that has passed between . Now, as I pick up “Moby-Dick” aga, prompted by Philbrick’s provotive book, I’m remd of a salutary notn: that the whal that spired Melville were around long before , and may, wh luck, outlive , too.</p><p class="paywall">“Wherefore … we acunt the whale immortal his speci, however perishable dividualy… . In Noah’s flood he spised Noah’s ark; and if ever the world is to be flood aga, like the Netherlands, to kill off s rats, then the eternal whale will still survive, and rearg upon the topmost crt of the equatorial flood, spout his othed fiance to the ski.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall"><em>Philip Hoare is the thor of “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Whale</a>.” He is currently Artist--Rince at the Mare Instute, Plymouth Universy, U.K., and is workg on an d edn of “Moby-Dick,” read by Tilda Swton, John Waters, Stephen Fry, Simon Callow, and others.</em></p><p class="paywall"><em>Photograph: Andrew Sutton.</em></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div 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at Large</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Iphigenia Fort Hills</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" 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