Gay Gui To Mosw, Travel Safely In Gay-Friendly Areas & Districts - Mr Hudson

gay nineties melodrama

  • Home
  • gay nineties melodrama

Recent Posts

5 DEAD GAY CLUBDecember 22, 2024
GAY ENGLISH EXAMPLEDecember 22, 2024
KEN GAYNORDecember 22, 2024
IS LARRY GAYDecember 22, 2024
SANTIAGO GAY CLUBSDecember 22, 2024
HONOLULU GAY PRIDEDecember 22, 2024
GAY RAPE SCENES IN MOVIESDecember 22, 2024
MOVIE THEATERS KNOXVILLE TN GAY STREETDecember 22, 2024
GAY BRAND CLOTHINGDecember 22, 2024
GAY FAT DUDESDecember 22, 2024

Tags

High school band dmmer Jimmy Connors cis to ject some excement to the Riverwood High School Band by nvertg to a swg orchtra. After nvcg Mary Holn to jo the band as a volist, Jimmy asks Mr. Judd, the school prcipal, to allow the group to perform at the school dance. As the band rehears for the dance, Mary be trated that Jimmy is more terted her vol abili than their urtship. At the dance, the band is a h, and Jimmy cis to enter Pl Wheman's school band ntt Chigo. To raise their travelg expens, the band stag a Gay Neti melodrama for the Elks Club, but afterward they are still short fifty dollars for the trip. Jimmy's troubl multiply when Barbara Franc Man, a prec blon, enrolls Riverwood and cis to pursue him. However, Jimmy's tert Barbara grows when Mr. Man hir Pl Wheman and his band to play at his dghter's birthday party. At the party, Jimmy and his ba

Contents:

GAY NETI MELODRAMAS

Gay neti melodramas by Lawrence Mart Brgs, 1963, T. S. Denison edn, English * gay nineties melodrama *

and the simplified plot attempt to summon up the “Gay Neti”. Gay Neti Melodramas: A Collectn of Old-Fashned Melodramas. of the Gay Neti Perd, and clus twenty-three plays.

THE GAY NETI

* gay nineties melodrama *

Gay Neti Melodramas: A Collectn of. Melodramas of the Gay Neti Perd. Llectn of old-fashned melodramas of the gay neti perd.

Gay neti melodramas. "Thorns and Orange Blossoms", a super-melodrama of the Gay Neti perd, is of the same school of "Ten Nights a Bar-room" and "East Lynne", and bs manager Peter Rabenold '37 guarante that there will not be a dry eye the hoe at the fish of the tragic third act, Delta Upsilon actors will take the parts of hero, villian, heroe, will do their utmost to see that virtue triumphs over evil.

FRAT TO PRESENT "GAY NINETIES" {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}"THORNS AND ORANGE BLOSSOMS" WILL BE STAGED BY DELTA UPAILON CHAPTER ON MARCH 12 AND {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;}NO WRITER {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}AS THEIR TWENTY-SIXTH REVIVAL, THE HARVARD CHAPTER OF DELTA UPSILON FRATERNY WILL PRENT "THORNS AND ORANGE BLOSSOMS", A MELODRAMA, AT 8 O'CLOCK FRIDAY AND SATURDAY NIGHTS, MARCH 12 AND 13. THE FRIDAY PERFORMANCE WILL BE FOLLOWED BY A FORMAL DANCE WH FRANK MCGLEY AND HIS ORCHTRA PLAYG UNTIL 2:30 O'CLOCK, WHILE THERE WILL BE RMAL DANCG TILL 12 O'CLOCK ON SATURDAY."THORNS AND ORANGE BLOSSOMS", A SUPER-MELODRAMA OF THE GAY NETI PERD, IS OF THE SAME SCHOOL OF "TEN NIGHTS A BAR-ROOM" AND "EAST LYNNE", AND BS MANAGER PETER RABENOLD '37 GUARANTE THAT THERE WILL NOT BE A DRY EYE THE HOE AT THE FISH OF THE TRAGIC THIRD ACT, DELTA UPSILON ACTORS WILL TAKE THE PARTS OF HERO, VILLIAN, HEROE, WILL DO THEIR UTMOST TO SEE THAT VIRTUE TRIUMPHS OVER EVIL.BETWEEN 1896 AND 1916, WH THE EXCEPTN OF TWO YEARS, DELTA UPSILON ANNUALLY REVIVED AN ELIZABETHAN PLAY. INTERPTED BY THE WORLD WAR, THE ANNUAL TRADN WAS NOT RUMED TILL 1931. SCE THAT YEAR, THE CHAPTER HAS PRENTED EHER ELIZABETHAN OR NETEENTH CENTURY REVIVALS.DELTA UPSILON MEMBERS WHO WILL TAKE PART THIS PRENTATN CLU CHARL E. TUTTLE '37, HOWARD H. BRISTOL '38, ALED R. BRENHOLTZ '38, WILLIAM P. GRHAM, JR. '37, WILLIAM WELCH '38, M. HOLLGSWORTH CORNELL '37, T. WALTER HARDY, JR. '37, WILLARD H. GRIFF '37, RICHARD F. RABENOLD '39, HENRY LYD '37.TICKETS ARE NOW ON SALE AT LEAVT & PIERCE, AND AT THE BOOKSHOP OF CHARL E. PETTEE, 36 DUNSTER ST., HARVARD {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS

Gay Mosw Cy Gui for gay travelers. Review of the cy, gay scene, how to get there, travel tips, popular tourist attractns Mosw. * gay nineties melodrama *

Here's the bt Gay Neti melodrama we've seen, and the more serly your actors play , the more humoro your dience will fd !

To satisfy his naggg parents, a gay landlord and a female tenant agree to a marriage of nvenience, but his parents arrive to vis and thgs get out of hand.

AFI CATALOG OF FEATURE FILMS THE FIRST 100 YEARS 1893–1993 MOVIE TLE MOVIE TLE SEARCH FOR PEOPLE MOVI BY DIRECTOR MOVI BY PRODUCER MOVI BY CAST MOVI BY RELEASE YEAR MOVI BY PRODUCTN COMPANY MOVI BY GENRE MOVI BY SUBJECT ALL $("")(); $(DOCUMENT)(FUNCTN () { // BUGGER; VAR EDBTN = $("#EDMOVIEBTN"); ("HREF", "/DATACAPTURE/SELECTPROJECT/6816"); VAR ANCHORS = DOCUMENT.QUERYSELECTORALL('A[HREF*="SEARCH"]'); (ANCHORS, FUNCTN (ELEMENT, X) { VAR HREF = ; = HREF.REPLACE(/, +$/, ''); = HREF.REPLACE('%20%26%20', ' %26AMP '); }); VAR RELEASEYEAR = 1940; = 'AFI|CATALOG - ' + $('')('STRIKE UP THE BAND')(); IF ( $(".VIEWIN IMG")("SRC") == "/CONTENT/IMAG/"){ $(".VIEWIN").ADDCLASS("RED-TOOLTIP"); $(".VIEWIN")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".VIEWIN").TOOLTIP({ TLE: 'THIS FILM WAS PARTIALLY VIEWED BY AFI FOR THE SYNOPSIS AND CREDS' }); } IF ( $(".VIEWIN IMG")("SRC") == "/CONTENT/IMAG/"){ $(".VIEWIN").ADDCLASS("RED-TOOLTIP"); $(".VIEWIN")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".VIEWIN").TOOLTIP({ TLE: 'VIEWED BY AFI: THIS FILM WAS VIEWED S ENTIRETY BY AFI FOR THE SYNOPSIS AND CREDS.' }); } //IN TOOLTIP JQUERY $(".ACHIEVEMENTAWARDIN")(''); $(".AWARDLLA")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".AWARDLLA")({ TLE: "LIFE ACHIEVEMENT AWARD: THIS FILMMAKER RECEIVED AN AFI LIFE ACHIEVEMENT AWARD." }); $(".OFFSCREENCREDIN")(''); $(".AWARDOF")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".AWARDOF")({ TLE: "OFFSCREEN CRED: THIS CRED DID NOT APPEAR ONSCREEN AND WAS RIVED OM NTEMPORARY SOURC." }); $(".PARTIALLYVIEWIN")(''); $(".AWARDPV")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".AWARDPV")({ TLE: "PARTIALLY VIEWED BY AFI: THIS FILM WAS PARTIALLY VIEWED BY AFI FOR THE SYNOPSIS AND CREDS." }); $(".NAMETLEIN")(''); $(".AWARDNA")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".AWARDNA")({ TLE: "NAME OCCURS BEFORE TLE: THIS FILMMAKER'S NAME WAS DISPLAYED BEFORE THE TLE ONSCREEN CREDS." }); $(".VIEWBYAFIIN")(''); $(".AWARDAFI")("DATA-TOGGLE","TOOLTIP")("DATA-PLACEMENT","BOTTOM"); $(".AWARDAFI")({ TLE: "VIEWED BY AFI: THIS FILM WAS VIEWED S ENTIRETY BY AFI FOR THE SYNOPSIS AND CREDS." }); VAR FULLVIEW; $(".FULLVIEWHEADGS")(); VAR ISPREMIUM = ($("#MOLISPREMIUM")() == "TE"); VAR ISSHOWPOSTER = ($("#MOLISSHOWPOSTER")() == "TE"); VAR ISSHOWVIO = ($("#MOLISSHOWVIO")() == "TE"); IF (ISPREMIUM == TE || ISSHOWPOSTER == TE) { //$(".BLOCKMOVI").ADDCLASS("L-MD-7"); //$(".BLOCKMOVI").REMOVECLASS("L-XS-12"); } ELSE { IF (RELEASEYEAR >= 1994) { $(".BLOCKMOVI").REMOVECLASS("L-LG-8 L-SM-8"); $(".BLOCKMOVI").ADDCLASS("L-LG-12 L-SM-12"); $("#MOVIEDETIALS")("CLASS","L-MD-12"); $("#SEARCH_HEAR").ADDCLASS("SEARCHHEARFULLWIDTH"); // $("#MOVIEDETIALS").ADDCLASS("L-LG-12"); // $(".BANNERIMG-NTAER")("DISPLAY","NONE"); } ELSE { $(".BLOCKMOVI").REMOVECLASS("L-MD-7"); $(".BLOCKMOVI").ADDCLASS("L-LG-12 L-SM-12"); $("#SEARCH_HEAR").ADDCLASS("SEARCHHEARFULLWIDTH"); $("").REMOVECLASS("IMAGEROW"); IF (($(WDOW)() = 1994) { $("")(); $(".SUBHEDAFI")(); $("#DIVMASTERPAGETOP").ADDCLASS("BGPOST93"); $(".PANELSEARCH")("TOP","17PX"); $("")("BACKGROUND-LOR","#263F66"); $("#HEARBACKGROUND").REMOVECLASS("HEARBG"); $("#HEARBACKGROUND").ADDCLASS("HEARBGPOST93"); $("")('ID','HEARBGPOST93'); $(".BLOCKMOVI")('ID','HEARBGPOST93'); $("")("MARG","0"); $(".TABTAIL ")('ID','TABPOST93'); $(", ").ADDCLASS("MOREPOST93"); $("")("RIGHT","33PX"); $("")("ID","ROWPOST93"); $(".BANNERIMG-NTAER")(); $("#MOVIEDETIALS").REMOVECLASS("RULTBG"); $("#MOVIEDETIALS").REMOVECLASS("L-MD-9"); $("#MOVIEDETIALS").ADDCLASS("L-MD-12"); $(".TOPSEARCH")("DISPLAY","NONE"); IF ("VERIFIED" == "STUB RECORD VERIFIED") { $(".FULLVIEW").TRIGGER("CLICK"); } IF (($(WDOW)() 991)) { //$(".BGPOST93")("DISPLAY", "BLOCK"); $(".PANELSEARCH")("TOP", "15PX"); //$("#MOBILSEARCH")({ // 'BACKGROUND': '#263F66', // 'BORR-TOP': '1PX SOLID RGBA(255, 255, 255, 0.41)', // 'BORR-BOTTOM': '1PX SOLID RGBA(255, 255, 255, 0.41)', //}); //$("")("BACKGROUND", "#5388DB"); //$(".CLOSESEARCH")("BACKGROUND", "RED"); //$("#MOBILEARCHIN").ADDCLASS("CP93"); //$(".SEARCHCONTAER").ADDCLASS("P93"); $("")("BORR", "2PX SOLID #FFF"); //$(".SEARCHCONTAER")("TOP", "10PX"); $(".HEADNTAER").REMOVECLASS("BGPOST93HED"); } }, 150); }); } $(DOCUMENT)(FUNCTN (){ VAR TOOLOPTNS2 VAR TOOLOPTNS; VAR ISOS = /IPAD|IPHONE|IPOD/(NAVIGATOR.PLATFORM); VAR ISANDROID = /(ANDROID)/(ERAGENT); ///////////////////////////////////////// IF OS IF (ISOS){ TOOLOPTNS = { ANIMATN: FALSE, PLACEMENT:"BOTTOM", NTAER:"BODY" }; $('').TOOLTIP(TOOLOPTNS); $('')( 'CURSOR', 'POTER' ); $('BODY')("TOUCHSTART", FUNCTN(E){ $("")(FUNCTN () { // HI ANY OPEN TOOLTIPS WHEN THE ANYWHERE ELSE THE BODY IS CLICKED IF (!$(THIS)() && $(THIS)() === 0 && $('.TOOLTIP')() === 0) { $(THIS).TOOLTIP('HI'); }////END IF }); }); ///////////////////////////////////////// IF ANDROID } ELSE IF(ISANDROID){ TOOLOPTNS = { ANIMATN: FALSE, PLACEMENT:"BOTTOM", NTAER:"BODY" }; TOOLOPTNS2 = { ANIMATN: FALSE, PLACEMENT:"LEFT", NTAER:"BODY" }; $('.C_TOOL1').TOOLTIP(TOOLOPTNS); $('.C_TOOL2').TOOLTIP(TOOLOPTNS); $('.C_TOOL3').TOOLTIP(TOOLOPTNS2); ///////////////////////////////////////// IF ANOTHER SYSTEM } ELSE { TOOLOPTNS = { ANIMATN: TE, PLACEMENT:"BOTTOM", NTAER:"BODY" }; $('').TOOLTIP(TOOLOPTNS); }//END IF SYSTEM }); VAR DIVS = $(".LUMNDISPLAY > "); FOR (VAR I = 0; I "); } //IF (($(WDOW)() "); // FOR (VAR I = 0; I "); // VAR IAME = $(".TABVIO >IAME"); // IAME.ADDCLASS("VIOFRAME"); // $(" ")("MARG","0"); // } //} //BUGGER; $(WDOW)(FUNCTN() { IF($(WDOW)() > 414){ $(".WRAPPER > DIV").REMOVECLASS("TABVIO L-SM-4 "); $(".WRAPPER > DIV").ADDCLASS("L-MD-12") $(".TOPSEARCH").REMOVECLASS("L-SM-12 L-XS-12"); } IF($(WDOW)() DIV").ADDCLASS("TABVIO L-SM-4 "); $(".WRAPPER > DIV").REMOVECLASS("L-MD-12") $(".TOPSEARCH").ADDCLASS("L-SM-12 L-XS-12"); } }); IF($(WDOW)() > 414){ $(".WRAPPER > DIV").REMOVECLASS("TABVIO L-SM-4 "); $(".WRAPPER > DIV").ADDCLASS("L-MD-12") $(".TOPSEARCH").REMOVECLASS("L-SM-12 L-XS-12"); } IF($(WDOW)() DIV").ADDCLASS("TABVIO L-SM-4 "); $(".WRAPPER > DIV").REMOVECLASS("L-MD-12") $(".TOPSEARCH").ADDCLASS("L-SM-12 L-XS-12"); } //IF (($(WDOW)() DIV").REMOVECLASS("ROW ROW-EQ-HEIGHT"); // $(".WRAPPER > DIV").CHILDREN()(); // $("#TAB-MENU LI")(FUNCTN(){ // $('#TAB-MENU LI').TOOLTIP({ "DATA-PLACEMENT": 'TOP' }); // }); //} // $("#PREIMUMDETAILS ")('.LISTMOVI:NOT(:FIRST)')(); $(WDOW)(FUNCTN() { VAR WDOWWIDTH = $(THIS)(); IF (($(WDOW)() > 414)) { //$('.LISTMOVI:NTH-CHILD(2), .LISTMOVI:NTH-CHILD(3)')("DISPLAY","NONE"); $(".THUMBNAILS LI:FIRST-CHILD").ADDCLASS("L-XS-3").REMOVECLASS("L-XS-5"); $(".THUMBNAILS LI:NTH-CHILD(2)").ADDCLASS("L-XS-9").REMOVECLASS("L-XS-7"); $('#PREIMUMDETAILS .LISTMOVI:NTH-CHILD(1)').REMOVECLASS("L-XS-12").ADDCLASS("L-XS-6"); $('#PREIMUMDETAILS .LISTMOVI:NTH-CHILD(2)').REMOVECLASS("L-XS-12").ADDCLASS("L-XS-6")("DISPLAY","BLOCK"); } IF (($(WDOW)() 414)) { //$('.LISTMOVI:NTH-CHILD(2), .LISTMOVI:NTH-CHILD(3)')("DISPLAY","NONE"); $(".THUMBNAILS LI:FIRST-CHILD").ADDCLASS("L-XS-3").REMOVECLASS("L-XS-5"); $(".THUMBNAILS LI:NTH-CHILD(2)").ADDCLASS("L-XS-9").REMOVECLASS("L-XS-7"); $('#PREIMUMDETAILS .LISTMOVI:NTH-CHILD(1)').REMOVECLASS("L-XS-12").ADDCLASS("L-XS-6"); $('#PREIMUMDETAILS .LISTMOVI:NTH-CHILD(2)').REMOVECLASS("L-XS-12").ADDCLASS("L-XS-6")("DISPLAY","BLOCK"); } IF (($(WDOW)() = TOTALTABWIDTH - TABSVIEWPORT) { ('').ADDCLASS('IS-END'); } ELSE { ('').REMOVECLASS('IS-END'); } } $('#TAB-MENU #PRTNAV A')(FUNCTN (){ VAR HREF = $('#PRTNAV A')('HREF'); = HREF; //$(HREF)( 'TARGET', '_BLANK' ); }); }); STRIKE UP THE BAND (1940) 115 OR 120 MS | MIL | 27 SEPTEMBER 1940 CAST: MICKEY ROONEY, JUDY GARLAND, PL WHEMAN AND HIS ORCHTRA [ MORE ] DIRECTOR: BBY BERKELEY WRERS: JOHN MONKS, JR., FRED FKLEHOFFE PRODUCER: ARTHUR FREED CEMATOGRAPHER: RAY JUNE EDOR: BEN LEWIS PRODUCTN DIGNER: CEDRIC GIBBONS PRODUCTN COMPANY: METRO-GOLDWYN-MAYER CORP. (LOEW'S, INC.) HISTORY DETAILS CREDITS SYNOPSIS GENRE PRT DETAILS FULL PAGE VIEW HISTORY ALTHOUGH ONSCREEN CREDS LIST HOWARD HICKMAN AS THE DOCTOR, THE CALL BURE CAST SERVICE SHEETS CRED HARLAN BRIGGS WH THE ROLE. THE WORKG TLE OF THIS FILM WAS BAB ON BROADWAY, WHICH WAS LATER ED AS A TLE FOR THE 1941 M-G-M FILM STARRG MICKEY ROONEY AND JUDY GARLAND. IT WAS A FOLLOW-UP TO M-G-M'S 1939 PICTURE, BAB ARMS WHICH ALSO STARRED JUDY GARLAND AND MICKEY ROONEY AND WAS DIRECTED BY BBY BERKELEY AND PRODUCED BY ARTHUR FREED. THE STORY THAT MORRIE RYSKD AND GEE S. KFMAN WROTE FOR GEE AND IRA GERSHW'S MIL H STRIKE UP THE BAND (NEW YORK 14 JAN 1930) BEARS NO REMBLANCE TO THIS FILM. A NEWS EM HR NOT THAT VCENTE MNELLI STAGED GARLAND'S DANCE ROUT FOR THIS FILM. MORN SOURC ADD THAT MNELLI, WHOSE EXPERIENCE WAS AS A DIRECTOR OF BROADWAY MILS, WAS VED TO HOLLYWOOD BY ARTHUR FREED. AFTER STUDYG FILM TECHNIQUE, HE WAS EASED TO DIRECTG BY STAGG ISOLATED MIL NUMBERS THIS FILM AND M-G-M'S 1941 MIL, BAB ON BROADWAY. THIS FILM ALSO MARKED PHIL SILVERS' FILM BUT. THE PICTURE WON AN AMY AWARD FOR BT SOUND RERDG. IT WAS NOMATED FOR BT SRE, AND THE SONG "OUR LOVE AFFAIR" WAS NOMATED FOR BT SONG. MORN SOURC ADD THE FOLLOWG SONG TL TO THE FILM: "MY WONRFUL ONE, LET'S DANCE," "THE GAY NETI" AND "HEAVEN WILL PROTECT THE WORKG GIRL." IN 1940, JUDY GARLAND AND MICKEY ROONEY STARRED A LUX RAD THEATRE VERSN OF THE STORY. ... MORE LS ALTHOUGH ONSCREEN CREDS LIST HOWARD HICKMAN AS THE DOCTOR, THE CALL BURE CAST SERVICE SHEETS CRED HARLAN BRIGGS WH THE ROLE. THE WORKG TLE OF THIS FILM WAS BAB ON BROADWAY, WHICH WAS LATER ED AS A TLE FOR THE 1941 M-G-M FILM STARRG MICKEY ROONEY AND JUDY GARLAND. IT WAS A FOLLOW-UP TO M-G-M'S 1939 PICTURE, BAB ARMS WHICH ALSO STARRED JUDY GARLAND AND MICKEY ROONEY AND WAS DIRECTED BY BBY BERKELEY AND PRODUCED BY ARTHUR FREED. THE STORY THAT MORRIE RYSKD AND GEE S. KFMAN WROTE FOR GEE AND IRA GERSHW'S MIL H STRIKE UP THE BAND (NEW YORK 14 JAN 1930) BEARS NO REMBLANCE TO THIS FILM. A NEWS EM HR NOT THAT VCENTE MNELLI STAGED GARLAND'S DANCE ROUT FOR THIS FILM. MORN SOURC ADD THAT MNELLI, WHOSE EXPERIENCE WAS AS A DIRECTOR OF BROADWAY MILS, WAS VED TO HOLLYWOOD BY ARTHUR FREED. AFTER STUDYG FILM TECHNIQUE, HE WAS EASED TO DIRECTG BY STAGG ISOLATED MIL NUMBERS THIS FILM AND M-G-M'S 1941 MIL, BAB ON BROADWAY. THIS FILM ALSO MARKED PHIL SILVERS' FILM BUT. THE PICTURE WON AN AMY AWARD FOR BT SOUND RERDG. IT WAS NOMATED FOR BT SRE, AND THE SONG "OUR LOVE AFFAIR" WAS NOMATED FOR BT SONG. MORN SOURC ADD THE FOLLOWG SONG TL TO THE FILM: "MY WONRFUL ONE, LET'S DANCE," "THE GAY NETI" AND "HEAVEN WILL PROTECT THE WORKG GIRL." IN 1940, JUDY GARLAND AND MICKEY ROONEY STARRED A LUX RAD THEATRE VERSN OF THE STORY. LS SOURCE CITATIONS SOURCE DATE PAGE DAILY VARIETY 12 SEP 1940 P. 3 FILM DAILY 17 SEP 1940 P. 5 HOLLYWOOD REPORTER 18 JAN 1940 P. 2 HOLLYWOOD REPORTER 23 MAR 1940 P. 2 HOLLYWOOD REPORTER 8 APR 1940 P. 7 HOLLYWOOD REPORTER 20 APR 1940 PP. 6-7 HOLLYWOOD REPORTER 13 SEP 1940 P. 3 MOTN PICTURE DAILY 17 SEP 1940 PP. 1-4 MOTN PICTURE HERALD 21 SEP 1940 P. 26 NEW YORK TIM 30 SEP 1940 P. 13 VARIETY 18 SEP 1940 P. 14 CAST NAME CREDITED AS CREDIT MICKEY ROONEY JIMMY CONNORS JUDY GARLAND MARY HOLN PL WHEMAN AND HIS ORCHTRA JUNE PREISSER BARBARA FRANC MAN WILLIAM TRACY PHILIP TURNER LARRY NUNN WILLIE BREWSTER MARGARET EARLY ANNIE ANN SHOEMAKER MRS. CONNORS FRANCIS PIERLOT MR. JUDD VIRGIA BRISSAC MRS. MAY HOLN + &M; NAME CREDITED AS CREDIT MICKEY ROONEY JIMMY CONNORS JUDY GARLAND MARY HOLN PL WHEMAN AND HIS ORCHTRA JUNE PREISSER BARBARA FRANC MAN WILLIAM TRACY PHILIP TURNER LARRY NUNN WILLIE BREWSTER MARGARET EARLY ANNIE ANN SHOEMAKER MRS. CONNORS FRANCIS PIERLOT MR. JUDD VIRGIA BRISSAC MRS. MAY HOLN GEE LSEY MR. MAN ENID BENT MRS. MAN HOWARD HICKMAN DOCTOR SARAH EDWARDS MISS HODG MILTON KIBBEE MR. HOLN HELEN JEROME EDDY MRS. BREWSTER HARRY MCCRILLIS BOOPER BARTON ELLTT CARPENTER ELLT CARPENTER HENRY VIRGIA SALE MIC TEACHER MICKEY MART BOY CHARL SMH BOY EDDIE BUZARD YOUNG MAN SHERRIE OVERTON GIRL MARGARET MARQUIS GIRL PHIL SILVERS PCH MAN BILLY WAYNE CLOWN JOE DEVL ATTENDANT DON CASTLE CHARLIE DICK ALLEN POLICEMAN JIMMY LUS JIMMIE LUS BARKER JACK ALBERTSON BARKER DAVID OLIVER FERRIS WHEEL BARKER ED PAYSON WRTLER EARLE HODGS HAMMER NCSNAIRE HARRY HARVEY, SR. HARRY HARVEY SHOOTG GALLERY NCSNAIRE JACK BAXLEY ICE CREAM NCSNAIRE HARRY LASH HOT DOG NCSNAIRE JACK KENNY HOT DOG NCSNAIRE ROLAND GOT HOE BOY LOWN ADAMS BUTLER MARGARET SEDDON OLD LADY MARGARET MCWA OLD LADY LOUISE LABLANCHE STUNT LOIS JAM STUNT HELEN SEAMON STUNT MARY JO ELLIS STUNT NAIDA REYNOLDS STUNT LDA JOHNSON STUNT WALLACE MSELWHE STUNT MYRON SPETH STUNT DOUGLAS WILSON STUNT SIDNEY MILLER STUNT VONLL DARR STUNT LEONARD SU TMPET PLAYER JACK MULHALL HENRY ROQUEMORE HENRY ROCQUEMORE MAXE COOK + &M; PRODUCTION CREDITS NAME PARENT COMPANY PRODUCTION COMPANY METRO-GOLDWYN-MAYER CORP. LOEW'S, INC. DISTRIBUTION COMPANY LOEW'S INC. NAME CREDITED AS CREDIT DIRECTORS BBY BERKELEY DIR BILL RYAN WILLIAM RYAN ASST DIR PRODUCER ARTHUR FREED PROD WRITERS JOHN MONKS, JR. ORIG SCR, ORIG SCR FRED F. FKLEHOFFE FRED FKLEHOFFE ORIG SCR, ORIG SCR KAY VAN RIPER CONTR TO TRMT AND DIAL PHOTOGRAPHY RAY JUNE PHOTOG ART DIRECTORS CEDRIC GIBBONS ART DIR JOHN S. DETLIE ART DIR ASSOC HENRY ROX F MOLS FILM EDITOR BEN LEWIS FILM ED SET DECORATOR EDW B. WILLIS SET C COSTUMES DOLLY TREE WOMEN'S WARD GILE STEELE MEN'S WARD MUSIC GEE STOLL GEIE STOLL M DIR MERRILL PYE MIC PRENTATN LEO ARND CHORALS AND ORCH CONRAD SALGER CHORALS AND ORCH SOUND DOUGLAS SHEARER REC DIR DANCE VCENTE MNELLI DANCE ROUT MAKEUP JACK DAWN MAKP PRODUCTION MISC CHARL STALLGS UN MGR SOURCES SONGS "OUR LOVE AFFAIR," WORDS AND MIC BY ROGER ENS AND ARTHUR FREED; "DMMER BOY," "NOBODY," "NELL OF NEW ROCHELLE" AND "LA CONGA," WORDS AND MIC BY ROGER ENS; "STRIKE UP THE BAND," WORDS BY GEE GERSHW, MIC BY IRA GERSHW; "FATHER, DEAR FATHER, COME HOME," WORDS BY HENRY WORK, MIC BY ROGER ENS; "HEAVEN PROTECT THE WORKG GIRL," WORDS AND MIC BY A. BALDW SLOANE AND EDGAR SMH; "TA RA RA BOOM DE AY," WORDS AND MIC BY HENRY J. SAYERS. SONGWRITERS/COMPOSERS HENRY J. SAYERS EDGAR SMH A. BALDW SLOANE + &M; SONGWRITERS/COMPOSERS ROGER ENS ARTHUR FREED IRA GERSHW GEE GERSHW HENRY J. SAYERS A. BALDW SLOANE EDGAR SMH + &M; DETAILS ALTERNATE TLE: BAB ON BROADWAY RELEASE DATE: 27 SEPTEMBER 1940 PRODUCTN DATE: BEGAN LATE APR 1940 COPYRIGHT INFO CLAIMANT DATE COPYRIGHT NUMBER LOEW'S INC. 23 SEPTEMBER 1940 LP9949 PHYSIL PROPERTI: SOUND WTERN ELECTRIC SOUND SYSTEM BLACK AND WHE DURATN( MS): 115 OR 120 COUNTRY: UNED STAT PCA NO: 6367 SYNOPSIS HIGH SCHOOL BAND DMMER JIMMY CONNORS CIS TO JECT SOME EXCEMENT TO THE RIVERWOOD HIGH SCHOOL BAND BY NVERTG TO A SWG ORCHTRA. AFTER NVCG MARY HOLN TO JO THE BAND AS A VOLIST, JIMMY ASKS MR. JUDD, THE SCHOOL PRCIPAL, TO ALLOW THE GROUP TO PERFORM AT THE SCHOOL DANCE. AS THE BAND REHEARS FOR THE DANCE, MARY BE TRATED THAT JIMMY IS MORE TERTED HER VOL ABILI THAN THEIR URTSHIP. AT THE DANCE, THE BAND IS A H, AND JIMMY CIS TO ENTER PL WHEMAN'S SCHOOL BAND NTT CHIGO. TO RAISE THEIR TRAVELG EXPENS, THE BAND STAG A GAY NETI MELODRAMA FOR THE ELKS CLUB, BUT AFTERWARD THEY ARE STILL SHORT FIFTY DOLLARS FOR THE TRIP. JIMMY'S TROUBL MULTIPLY WHEN BARBARA FRANC MAN, A PREC BLON, ENROLLS RIVERWOOD AND CIS TO PURSUE HIM. HOWEVER, JIMMY'S TERT BARBARA GROWS WHEN MR. MAN HIR PL WHEMAN AND HIS BAND TO PLAY AT HIS DGHTER'S BIRTHDAY PARTY. AT THE PARTY, JIMMY AND HIS BAND STAGE AN IMPROMPTU PERFORMANCE, WHICH ATTRACTS WHEMAN'S ATTENTN. WHEMAN OFFERS JIMMY A JOB PLAYG DMS, BUT JIMMY REF, REMAG LOYAL TO HIS BAND. WHEMAN THEN ADVANC JIMMY THE FIFTY DOLLARS THEY NEED TO GO TO CHIGO, BUT ON THE DAY OF THEIR PARTURE, WILLIE, ONE OF THE BAND MEMBERS, FALLS GRAVELY ILL OM AN JURY THAT HE SUFFERED DURG THE ELKS SHOW AND NEEDS AN OPERATN CHIGO TO SAVE HIS LIFE. WHEN JIMMY SELFLSLY OFFERS THE BAND'S TRAVEL MONEY TO CHARTER A PLANE TO FLY WILLIE TO CHIGO, A SYMPATHETIC MR. MAN SENDS THE BAND TO CHIGO ABOARD ONE OF HIS PANY'S TRAS. ... MORE LS HIGH SCHOOL BAND DMMER JIMMY CONNORS CIS TO JECT SOME EXCEMENT TO THE RIVERWOOD HIGH SCHOOL BAND BY NVERTG TO A SWG ORCHTRA. AFTER NVCG MARY HOLN TO JO THE BAND AS A VOLIST, JIMMY ASKS MR. JUDD, THE SCHOOL PRCIPAL, TO ALLOW THE GROUP TO PERFORM AT THE SCHOOL DANCE. AS THE BAND REHEARS FOR THE DANCE, MARY BE TRATED THAT JIMMY IS MORE TERTED HER VOL ABILI THAN THEIR URTSHIP. AT THE DANCE, THE BAND IS A H, AND JIMMY CIS TO ENTER PL WHEMAN'S SCHOOL BAND NTT CHIGO. TO RAISE THEIR TRAVELG EXPENS, THE BAND STAG A GAY NETI MELODRAMA FOR THE ELKS CLUB, BUT AFTERWARD THEY ARE STILL SHORT FIFTY DOLLARS FOR THE TRIP. JIMMY'S TROUBL MULTIPLY WHEN BARBARA FRANC MAN, A PREC BLON, ENROLLS RIVERWOOD AND CIS TO PURSUE HIM. HOWEVER, JIMMY'S TERT BARBARA GROWS WHEN MR. MAN HIR PL WHEMAN AND HIS BAND TO PLAY AT HIS DGHTER'S BIRTHDAY PARTY. AT THE PARTY, JIMMY AND HIS BAND STAGE AN IMPROMPTU PERFORMANCE, WHICH ATTRACTS WHEMAN'S ATTENTN. WHEMAN OFFERS JIMMY A JOB PLAYG DMS, BUT JIMMY REF, REMAG LOYAL TO HIS BAND. WHEMAN THEN ADVANC JIMMY THE FIFTY DOLLARS THEY NEED TO GO TO CHIGO, BUT ON THE DAY OF THEIR PARTURE, WILLIE, ONE OF THE BAND MEMBERS, FALLS GRAVELY ILL OM AN JURY THAT HE SUFFERED DURG THE ELKS SHOW AND NEEDS AN OPERATN CHIGO TO SAVE HIS LIFE. WHEN JIMMY SELFLSLY OFFERS THE BAND'S TRAVEL MONEY TO CHARTER A PLANE TO FLY WILLIE TO CHIGO, A SYMPATHETIC MR. MAN SENDS THE BAND TO CHIGO ABOARD ONE OF HIS PANY'S TRAS. AT THE BIG BROADST, JIMMY AND HIS BAND ARE CROWNED THE WNERS, TH JIMMY'S DREAMS ARE REALIZED. LS GENRE GENRE: MIL SUB-GENRE: TEENAGE SUBJECT SUBJECT (MAJOR): BAND LEARS BANDS (MIC) CONTTS SCHOOL LIFE STUNTS SUBJECT (MOR): BIRTHDAYS CHIGO (IL) DANC ELKS CLUB MOTHERS AND SONS PARTI RAD BROADSTG ROMANTIC RIVALRY SCHOOL SUPERTENNTS AND PRCIPALS SELF-SACRIFICE TRAS FROM AFI'S 100 YEARS LISTS... COVER GIRL (1944) MADAME CURIE (1944) SHOW BOAT (1936) GONE WITH THE WIND (1939) BOYS TOWN (1938) JEZEBEL (1938) CAPTAINS COURAGEOUS (1937) IT'S A GIFT (1934) TOPPER (1937) THE SHOP AROUND THE CORNER (1940) LEGEND VIEWED BY AFI PARTIALLY VIEWED OFFSCREEN CRED NAME OCCURS BEFORE TLE AFI LIFE ACHIEVEMENT AWARD DONATE AFI CATALOG.">TOP SEARCHES

Explore gay Mosw wh Mr Hudson. The bt of Mosw for the discerng gay man. Where to sleep, eat, drk, shop and play. * gay nineties melodrama *

This Osr-nomated film is the story of two men who are oppos: one gay, the other straight; one a fierce munist, the other a fierce dividualist; one spic, the other acceptg; and how they e to love each other.

GAY MOSW · CY GUI

A homosexual Catholic prit fds out durg nfsnal that a young girl is beg sexually abed by her father, and has to ci how to al wh both that secret and his own. A story of a thirtyish gay actor/waer who cis to bee risk of AIDS has taken all the joy om sex.

Some topics discsed were Greg's childhood problems, his homosexualy, and him ntractg the HIV vis. ALL THE RAGE tak a satiril and poignant look at one gay man's obssive pursu of physil, sexual, and romantic perfectn.

GAY MOSW MOSW CY GUI

When a man wh HIV is fired by his law firm bee of his ndn, he hir a homophobic small time lawyer as the only willg advote for a wrongful dismissal su.

A gay baret owner and his drag queen pann agree to put up a false straight ont so that their son n troduce them to his fiancée's right-wg moralistic parents. The te story of gay lovers, Richard Loeb and Nathan Leopold Jr. Morn sourc add the followg song tl to the film: "My Wonrful One, Let's Dance, " "The Gay Neti" and "Heaven Will Protect the Workg Girl.

*BEAR-MAGAZINE.COM* GAY NINETIES MELODRAMA

Gay neti melodramas by Lawrence Mart Brgs | Open Library .

TOP