Story Saved</tle><path class="in-bookmark-fill in-bookmark--activated-outle" d="M20 24L12.5 19.7804L5 24V3H20V24ZM12.5 18.6028L19 22.2336V3.98131H6V22.2336L12.5 18.6028Z" fill="black"></path><path class="in-bookmark-fill in-bookmark--activated-checkmark" d="M11.5541 13.7033L9 11.2033L9.66216 10.5552L11.5541 12.407L15.3378 8.70331L16 9.35146L11.5541 13.7033Z" fill="black"></path></svg></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc fksqMR alert-msage"><p>To revis this article, select My Acunt, then<!-- --> <a href="/acunt/saved">View saved stori</a></p></div><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily close-alert-button" data-event-click="{"element":"Button"}" data-ttid="Button" role="button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Close Alert</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-close" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><path d="M16 14.586l6.364-6.364 1.414 1.414L17.414 16l6.364 6.364-1.414 1.414L16 17.414l-6.364 6.364-1.414-1.414L14.586 16 8.222 9.636l1.414-1.414z" fill-le="nonzero"></path></svg></div></button></div><a href="/th/iate?redirectURL=%2Fmagaze%2F2015%2F02%2F23%2Fsojourner&source=VERSO_NAVIGATION" rel="nofollow" data-ttid="signIn" class="StandardNavigatnAcuntLabel-pyqL jVPHWr">Sign In</a></div><div class="StackedNavigatnConsumerMarketgUnWrapper-epSkjf eqsNVO"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--nav-cta" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--nav-cta"></div><div class="journey-un"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--nav-rollover" role="prentatn"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--nav-rollover"></div><div class="journey-un"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--nav-dialog" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--nav-dialog"></div><div class="journey-un"></div></div></div><a href="/search" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv gVJotL button button--utily StackedNavigatnSearch-lFFwq ckLQNp" data-event-click="{"element":"Button","outgogURL":"/search"}" data-ttid="Button" type=""><span class="ButtonLabel-cjAuJN bBWXSg button__label">Search</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-search" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns=" data-ttid="inSearch"><tle>Search</tle><path d="M14.5 10a4.5 4.5 0 1 0 0 9 4.5 4.5 0 0 0 0-9zm5.249 8.335l4.458 4.458-1.414 1.414-4.458-4.458a6.5 6.5 0 1 1 1.414-1.414z" fill-le="nonzero"></path></svg></div></a></div></div><div data-ttid="StackedNavigatnSectnPrimaryLks" class="StackedNavigatnSectnPrimaryLks-foRfJu jOZVNi"><nav aria-label="Primary" class="NavigatnWrapper-bFftAs fKSZRK StackedNavigatnNavigatnPrimaryLk-hGPvKW junrbk" data-ttid="navigatn"><ul class="NavigatnListWrapper-gWXLVS dnLcIy navigatn__list" data-ttid="navigatn__list"><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/news" data-ttid="navigatn__ternal-lk" role="lk">News</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/culture" data-ttid="navigatn__ternal-lk" role="lk">Books & Culture</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/fictn-and-poetry" data-ttid="navigatn__ternal-lk" role="lk">Fictn & Poetry</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/humor" data-ttid="navigatn__ternal-lk" role="lk">Humor & Cartoons</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/magaze" data-ttid="navigatn__ternal-lk" role="lk">Magaze</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/crossword-puzzl-and-gam" data-ttid="navigatn__ternal-lk" role="lk">Puzzl & Gam</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Vio</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/podsts" data-ttid="navigatn__ternal-lk" role="lk">Podsts</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/archive" data-ttid="navigatn__ternal-lk" role="lk">Archive</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Gogs On</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="external-lk NavigatnExternalLk-hktPkS jLQUSr navigatn__lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Shop</a></li></ul></nav><span class="NavigatnDivir-fEDnwq ixXXMs navigatn__divir"></span></div><div class="StackedNavigatnBottom-dpkX bIeNbx"><div class="StackedNavigatnDrawer-jtJcEj edsvEF"><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily StackedNavigatnDrawerToggle-cycUFN eZCXFW" data-event-click="{"element":"Button"}" data-ttid="Button" role="button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Open Navigatn Menu</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-menu" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Menu</tle><path d="M8 10h16v2H8v-2zm0 5h16v2H8v-2zm0 5h16v2H8v-2z" fill-le="evenodd"></path></svg></div></button><div class="AlertWrapper-gvFATk ePjLtR" data-ttid="BookmarkAlertMobile" role="tooltip"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye dJBuXq alert-arrow"></div><div aria-hidn="te" role="prentatn" class="AlertInWrapper-iHNVmf iGkvlr"><svg class="in in-bookmark in-bookmark--activated" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Story Saved</tle><path class="in-bookmark-fill in-bookmark--activated-outle" d="M20 24L12.5 19.7804L5 24V3H20V24ZM12.5 18.6028L19 22.2336V3.98131H6V22.2336L12.5 18.6028Z" fill="black"></path><path class="in-bookmark-fill in-bookmark--activated-checkmark" d="M11.5541 13.7033L9 11.2033L9.66216 10.5552L11.5541 12.407L15.3378 8.70331L16 9.35146L11.5541 13.7033Z" fill="black"></path></svg></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc fksqMR alert-msage"><p>To revis this article, vis My Profile, then<!-- --> <a href="/acunt/saved">View saved stori</a></p></div><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily close-alert-button" data-event-click="{"element":"Button"}" data-ttid="Button" role="button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Close Alert</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-close" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><path d="M16 14.586l6.364-6.364 1.414 1.414L17.414 16l6.364 6.364-1.414 1.414L16 17.414l-6.364 6.364-1.414-1.414L14.586 16 8.222 9.636l1.414-1.414z" fill-le="nonzero"></path></svg></div></button></div></div><div class="StackedNavigatnSectnLogo-gMsxSu kUeORh"><a href="/" class="StackedNavigatnLogoLk-byNqXP dmvHfj"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><img alt="The New Yorker" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="/verso/static/the-new-yorker/assets/" srcSet="" siz="100vw"/></picture></a></div><div class="StackedNavigatnSectnMobileOptn-iaaAJG bHHPuB"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--mob-nav-cta" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--mob-nav-cta"></div><div class="journey-un"></div></div></div></div></div></hear></div><div class="PersistentBottomWrapper-eddooY bIieWF persistent-bottom" data-journey-hook="persistent-bottom"><asi class="PaywallBarWrapper-hbEokK kqItQt paywall-bar"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut paywall-bar__nsumer-marketg-un nsumer-marketg-un nsumer-marketg-un--paywall-bar-ll-to-actn" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-bar-ll-to-actn"></div><div class="journey-un"></div></div></asi></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><div class="StickyHeroAdWrapper-eNLJUc gStsdY ad-stickyhero ad-stickyhero--standard ad-stickyhero-enable-mobile should-hold-space"><div class="AdWrapper-dQtivb fZrssQ ad ad--hero"><div class="ad__slot ad__slot--hero" data-no-id="8v30vm"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs eYlKuB ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/a-cric-at-large"><span class="RubricName-fVtemz cLxcNi">A Cric at Large</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">The Elive Langston Hugh</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Hugh’s genial, genero, and guard persona was self-protective.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/hilton-als">Hilton Als</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2015-02-16T00:00:46-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Febary 16, 2015</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN iEWtkN article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ArticlePageIssueDate-gHarAr iUEiRd iklptv cESBWk">From the issue of<!-- --> Febary 23 & March 2, 2015 </span><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Photograph of a man ont of a vibrant red background" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Langston Hugh’s genial, genero, and guard persona was self-protective.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Carl Van Vechten / Carl Van Vechten Tst / Beecke Library, Yale</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">By the time the Brish artist Isaac Julien’s inic short say-film “Lookg for Langston” was released, 1989, Julien’s ostensible subject, the enigmatic poet and race man Langston Hugh, had been ad for twenty-two years, but the search for his “real” story was still ongog. There was a sense—particularly among gay men of lor, like Julien, who had so few “out” anctors and wanted to claim the prolific, uneven, but signifint wrer as one of their own—that some sential thgs about Hugh had been obscured or disfigured his work and his memoirs. Born Jopl, Missouri, 1902, and transplanted to New York Cy as a strikgly handsome neteen-year-old, Hugh beme, wh the publitn of his first book of poems, “The Weary Blu” (1926), a proment New Negro: morn, pluralistic his beliefs, and a member of what the folklorist and novelist Zora Neale Hurston lled “the niggerati,” a loosely formed alliance of black wrers and tellectuals that clud Hurston, the thor and diplomat Jam Weldon Johnson, the openly gay poet and artist Richard Bce Nugent, and the novelists Nella Larsen, Jsie Fset, and Wallace Thurman (whose 1929 novel about lor fixatn among blacks, “The Blacker the Berry,” nveys some of the energy of the time).</p><p class="paywall">In a 1926 say for <em>The Natn</em>, “The Negro Artist and the Racial Mounta,” Hugh scribed the group, which me together durg the Harlem Renaissance, when hangg out uptown was nsired a lson ol:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>We younger Negro artists who create now tend to exprs our dividual dark-skned selv whout fear or shame. If whe people are pleased, we are glad. If they are not, don’t matter. We know we are betiful. And ugly too. The tom-tom cri and the tom-tom lghs. If lored people are pleased we are. If they are not, their displeasure don’t matter eher. We build our templ for tomorrow, strong as we know how, and we stand on top of the mounta, ee wh ourselv.</p></div></blockquote><p class="paywall">And yet, his personal life, Hugh did not stand on top of the mounta, proclaimg who he was or what he thought. One of the archects of black polil rrectns, he saw as threateng any attempt to expose black difference or weakns ont of a whe dience. In his approach to the work of other black artists, particular, he was excsively clive, enthiastic to the pot of self-effacement, as if black creativy were a great wave that would wash away the psychic srs of discrimatn. Hugh was unfortable when younger black wrers, such as Jam Baldw and Ralph Ellison (whom Hugh mentored om the day after he arrived Harlem, 1936, until was no longer nvenient for Ellison to be associated wh the ls reful craftsman), cricized other black wrers. Hugh’s reluctance to reveal the cracks the black world—which is to say, his own world—curtailed not only what he was able to achieve as an artist but what he was able to exprs as a man.</p><p class="paywall">Instead of g to grips wh himself and his potential, he veloped what he nsired to be a palatable or marketable public persona. There he is, sg, humble, dtr, and hidn, Arnold Rampersad’s two-volume bgraphy, “The Life of Langston Hugh” (1986 and 1988), not to mentn such important recent works about the perd as Carla Kaplan’s “Miss Anne Harlem” and Farah Jasme Griff’s “Harlem Nocturne” (both 2013). Even much of his own rrponnce— the recently published “The Selected Letters of Langston Hugh,” eded by Rampersad and David Rosel, wh Christa Fratantoro—one sens that Hugh is performg a versn of himself that he feels is socially acceptable. (While “The Selected Letters” is a good place to start fdg out about Hugh and his world, one se more of his nghts and sense of play some of the narrower llectns, cludg “Remember Me to Harlem: The Letters of Langston Hugh and Carl Van Vechten,” which was eded wh verve and sight by Ey Bernard.) The Hugh persona also appears his most celebrated vers, which marry down-home Southern locutns wh urban rhythms. From “The Weary Blu”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>I heard a Negro play.</p><p>Down on Lenox Avenue the other night</p><p>By the pale dull pallor of an old gas light</p><p>He did a lazy sway. . . .</p><p>He did a lazy sway. . . .</p><p>To the tune o’ those Weary Blu.</p><p>Wh his ebony hands on each ivory key</p><p>He ma that poor piano moan wh melody. . . .</p><p>In a ep song voice wh a melancholy tone</p><p>I heard that Negro sg, that old piano moan—</p><p>“A’t got nobody all this world,</p><p>A’t got nobody but ma self.</p><p>I’s gwe to qu ma own’</p><p>And put ma troubl on the shelf.”</p></div></blockquote><p class="paywall">Wrg about Hugh’s “Selected Poems” the <em>Tim</em> 1959, Baldw—who chastised his elr for rcg blackns to a kd of pleasant Negro simplicy—began wh a bang:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Every time I read Langston Hugh I am amazed all over aga by his genue gifts—and prsed that he has done so ltle wh them. . . . Hugh, his sermons, blu and prayers, has workg for him the power and the beat of Negro speech and Negro mic. Negro speech is vivid largely bee is private. It is a kd of emotnal shorthand—or sleight of hand—by means of which Negro exprs not only their relatnship to each other but their judgment of the whe world. . . . Hugh knows the bter tth behd the hieroglyphics: what they are signed to protect, what they are signed to nvey. But he has not forced them to the realm of art, where their meang would bee clear and overwhelmg.</p></div></blockquote><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Possibly, Baldw—the thor of the landmark gay love story “Gvanni’s Room”—was upset ls by Hugh’s failur as a poet than by his refal to reveal the tth behd his own hieroglyphics: his sexualy, which appears only glimps his work. (And the work of others, cludg Richard Bce Nugent’s 1926 story “Smoke, Lili, and Ja,” which Hugh published <em>Fire!!</em>, a lerary magaze that Wallace Thurman eded, and which a young man walkg Harlem bumps to “Langston,” who’s the pany of a strikg boy.) Thurman, exprsg his tratn at how ltle he knew about Hugh’s private self, wrote to him once, “You are the fal analysis the most nsarned and diabolil creature, to say nothg of beg eher the most egregly simple or excsively plex person I know.” Even Rampersad’s bgraphy, which is as rich a study of a life as one uld wish for, was cricized by gay rears for s emphatic I-don’t-know-anythg-specific-about-his-romantic-life pronouncements. In Rampersad’s work, Hugh emerg as a nstantly strivg, almost asexual enty—which is pretty much the image that Hugh himself put forth.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Readg Hugh’s work, one is remd of the l by the black poet Pl Lrence Dunbar, one of Hugh’s early enthiasms:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>We wear the mask that grs and li,</p><p>It his our cheeks and shas our ey,—</p><p>This bt we pay to human guile;</p><p>Wh torn and bleedg hearts we se,</p><p>And mouth wh myriad subtleti.</p></div></blockquote></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="tdf2ob"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="zfhsa"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">That mask was what kept Hugh om cludg such works as “Café: 3 <em class="small">A.M.</em>” his “Selected Poems,” which he eded:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Detectiv om the vice squad</p><p>wh weary sadistic ey</p><p>spottg fairi.</p><p><em>Degenerat</em>,</p><p>some folks say.</p><p></p><p>But God, Nature,</p><p>or somebody</p><p>ma them that way.</p><p></p><p>Police lady or Lbian</p><p>over there?</p><p><em>Where?</em></p></div></blockquote><p class="paywall">And where was Langston? His tight-lippedns when me to his own “generate” behavr kept him om intifyg such people as “F.S.,” the ditee of another poem (who may have been Ferdand Smh, a Jamain merchant seaman Hugh met Harlem) that appeared “The Weary Blu”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>I loved my iend.</p><p>He went away om me.</p><p>There is nothg more to say.</p><p>The poem ends,</p><p>Soft as began—</p><p>I loved my iend.</p></div></blockquote><p class="paywall">Hugh’s genial, genero, and guard persona was self-protective, certaly. It’s important to remember that he me of age an era durg which gay men—and blacks—were physilly and mentally abed for beg what they were. (He was self-prervg other areas of his life as well. To protect his reer, he ttified at the Hoe Un-Amerin Activi Commtee proceedgs, which st him his iendships wh W.E.B. Du Bois and Pl Robon.) Hugh’s mask was likely also a bulwark agast his personal history, which he rarely discsed, even his elive tobgraphi, “The Big Sea” (1940) and “I Wonr as I Wanr” (1956), one of the most apt tl ever penned by Hugh: his memoir is ltered wh short sojourns and partgs, a pattern he learned a home where the lghter was often risive and love was a form of huiatn.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Hugh’s mother, the impulsive and vibrant Carrie Langston, was born Lawrence, Kansas, 1873, of Ain, Native Amerin, and French anctry. Her father, Charl Langston, an enterprisg farmer and grocer, was also a fierce abolnist, whose youngt brother, John Mercer Langston, beme a proment figure neteenth-century black Ameri—a profsor of law, a an, and then the actg print of Howard Universy. As a girl, Carrie Langston was known as “the Belle of Black Lawrence.” Hungry for attentn, she aspired to a reer on the stage, but her dreams were stymied by prejudice and by the lims of a neteenth-century woman’s life. Wh few real optns open to her, she pleted a urse elementary-school tn, and 1898, already love wh travel, moved to Guthrie, the Oklahoma Terrory, some ten om Langston, a town named for her famo uncle. There the light-skned Carrie met and married Jam Nathaniel Hugh, a handsome, hardworkg man of lor, wh Ain, Native Amerin, French, and Jewish blood. (His grandfathers were both slave trars.) But there was a ccial difference between the newlyweds: whereas Carrie had been brought up to be proud of her race, the lor-stck Jam spised blackns, which he equated wh poverty and powerlsns.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">In 1899, the young, amb uple moved to Jopl, where Carrie gave birth to Langston 1902. (Their first child, a boy, born 1900, died fancy.) A year later, when Jam secured a posn Mexi Cy, where he felt that he stood a better chance of succs, Carrie dropped Langston off at her mother’s, and followed him south. The uple bickered, renciled, parted, sometim wh Langston tow, often not; for the most part, the boy was reared by his judic but lovg grandmother, Mary. By 1907, they had separated permanently.</p><p class="paywall">There’s nothg like fay to remd you of life’s sential lonels. As a boy, Hugh absorbed his mother’s bterns about her marriage and her thwarted reer, as well as his father’s anxiety and ranr over racism Ameri and what he prumed to be s e: blacks themselv. (Hugh relled a tra journey through Arkansas, durg which his father, seeg some blacks at work a tton field, sneered, “Look at the niggers.”) Carrie never hated to tell her son that he rembled his father—“that vil”—and that he was as “evil as Jim Hugh.” His grandmother, angry about segregatn—as a black person, she uldn’t jo the church of her choice—forba her grandson to go out after school: Why risk gradatn <em>their</em> sty?</p><p class="paywall">Hugh grew up an atmosphere of hatred and small-mdns. While he was elementary school, a whe teacher warned one of Hugh’s whe classmat agast eatg lirice, for fear that he would end up lookg like Langston. A bright, genial boy, Hugh also suffered for his talents. From his poem “Geni Child”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p><em>Nobody lov a geni child.</em></p><p></p><p>Can you love an eagle,</p><p>Tame or wild?</p><p>Can you love an eagle,</p><p>Wild or tame?</p><p>Can you love a monster</p><p>Of ighteng name?</p><p></p><p><em>Nobody lov a geni child.</em></p><p><em>Kill him</em>—and let his soul n wild.</p></div></blockquote><p class="paywall">Still, there was solace. There were books by W. E. B. Du Bois, and the formaly and strange wisdom of the Bible. (Hugh read wily and eply the black and whe Amerin nons. And, throughout his reer, he excedly read the wrers of lor who were published Europe, the Caribbean, and Ai, cludg René Maran, Graziella Garbalosa, and Richard Rive.) There was black pri, too. In 1910, Mary and her grandson went to Osawatomie, Kansas, where former Print Theodore Roosevelt honored her first hband, Lewis Sheridan Leary, who had died durg the 1859 raid on Harpers Ferry.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Mary herself died 1915, and the thirteen-year-old Hugh soon left Kansas for Lln, Illois, where his mother now lived wh her send hband, Homer Clark, a sometime “chef ok,” and his son. In Lln, a teacher asked Hugh’s eighth-gra class to appot a class poet who unrstood rhythm. Hugh’s fellow-stunts unanimoly nomated Hugh, the only black boy the class. Hugh wrote his first poem for the class graduatn, and was so imprsed by the applse he received that he wonred whether he had found his votn. As Homer sought better reer opportuni that never seemed to materialize, Hugh followed his mother and her new fay to Cleveland, where he began ntributg poems and stori to his high-school magaze. When his mother and his stepfather moved on aga, to Chigo, Hugh stayed behd to fish high school, which he did 1920. Although he was pretty much on his own om then on, his parents exercised a pull over him for as long as they lived. (“My Dear Boy: Carrie Hugh’s Letters to Langston Hugh, 1926-1938,” eded by Carmaletta M. Williams and John Edgar Tidwell, is valuable ttimony to Carrie’s never-endg attempts to manipulate her son.)</p><p class="paywall">Open to Hugh was the great wi world, the adventure of travel, and those wrers—Carl Sandburg, Walt Whman—who not only eed the young wrer om tradnal lerary forms but showed him that he uld sg his Ameri, too. In 1921, he moved to New York to study at Columbia Universy, but what he fell love wh was the “Negro cy”: Harlem. (He eventually dropped out of Columbia, and graduated om Lln Universy, Pennsylvania, 1929.) Before g to New York, he had spent more than a year patriarchal purgatory Mexi; now he was “hungry” to be wh <em>his</em> people. Exg the subway at 135th Street, he said, “I stood there, dropped my bags, took a ep breath and felt happy aga.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Harlem the twenti offered up a cultural richns that ma everythg seem possible. Jervis Anrson, wrg this magaze 1981, noted, “Harlem has never been more high-spired and engagg than was durg the neteen-twenti. Blacks om all over Ameri and the Caribbean were pourg , revivg the migratn that had abated toward the end of the war—word havg reached them about the ‘cy,’ the heart of Manhattan, that blacks were makg their own.” The headquarters for Du Bois’s magaze <em>Crisis</em>, to which Hugh had been ntributg om Mexi, was there; so was <em>Msenger</em>, -eded by the activist A. Philip Randolph. Soon Hugh found a new source of the kd of support that his grandmother had given him as a boy: a wealthy whe woman named Charlotte Osgood Mason, who provid Hugh and other black artists, cludg Hurston, wh fancial backg, as long as they promoted blackns. (Dpe the awkwardns of the arrangement, Hugh remaed loyal to Mason—“I want to be your spir child forever,” he wrote to her—and when he ceased to be a favore, 1930, he was vastated. That pa shows his forced 1933 short story “Slave on the Block,” which he clud his passnate but ill-nsired llectn “The Ways of Whe Folks,” the followg year.)</p><p class="paywall">The charmg Hugh also managed to melt the heart of the glacial Du Bois, who had lost a son, and unted Jsie Fset, an edor at <em>Crisis</em>, and the poet Countee Cullen as champns of a sort. In 1923, Cullen troduced Hugh to Ala Locke, a gay Harvard-ted thker, who published the fluential anthology “The New Negro” 1925. As one n tu om “The Selected Letters,” the two embarked on a kd of t-and-moe game: Hugh need Locke’s patronage, and, sensg the olr man’s attractn to him, kept him at arm’s length to crease the mystery. Soon Hugh was a cizen of a bright black world that clud Pl Robon, who, 1924, would star downtown Eugene O’Neill’s “The Emperor Jon.” Puttg his ear to the ncrete, he heard poems like “Athete Harlem,” which bed, wh a short, tense form, the sound of the lghg and cryg tom-tom he scribed his 1926 <em>Natn</em> say:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Strange,</p><p>That this nigger place</p><p>I should meet life face to face;</p><p>When, for years, I had been seekg</p><p>Life plac gentler speakg—</p><p>Before I me to this vile street</p><p>And found Life—steppg on my feet!</p></div></blockquote><p class="paywall">The poem, like many of Hugh’s early lyrics, is both tertg and unspirg. We admire him for the pre-spoken-word nc and the energy of the enterprise, but whout ever knowg who his “I” is we have no anchor the poem. The unground first-person voice allows Hugh to be humany, but not a specific human.</p><p class="paywall">Once the Deprsn put an end to all the champagne and sexy miscegenatn of the Harlem Renaissance, the “niggerati” sttered to other gigs, some other untri. Hugh travelled Rsia durg the thirti, fdg Communism, at least for a time, the polil hope that was missg his own untry, but he always returned to Harlem, even as the neighborhood suffered through race rts and the dg and civic wars of the fifti and sixti. It was his home until he died, 1967—his ash are now entombed the lobby of the Langston Hugh Audorium at the Schomburg Center for Rearch Black Culture, Harlem—visible evince of all that Hugh’s father spised and he embraced, what may very well have been the most unrolvable relatnship of his life.</p><p class="paywall">In 1961, twenty-seven years after Jam Hugh died, his son wrote a brief, tense tale lled “Blsed Assurance.” Published posthumoly, begs:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Unfortunately (and to John’s distst of God) seemed his son was turng out to be a queer. He was a brilliant queer, on the Honor Roll high school, and likely to be graduated the sprg at the head of the class. But the boy was lored. Sce lored parents always like to put their bt foot forward, John was more disturbed about his son’s transn than if they had been whe. Negro have enough cross to bear.</p></div></blockquote><p class="paywall">When the boy sgs a solo the church choir and his voice soars, a male anist fats, and the boy’s father pleads for him to shut up. But the song go on. What is natural to John’s son is the mic, a world of sound which he n both hi behd and expose himself through.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="4imn0p"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">In the fal years of his life, Hugh did seem to see the ti turng. His last, and bt, llectn of poems, “The Panther and the Lash” (1967), reflects, wh a haiku-like flatns and lift, a Vietnam-era world that was changg and need to change. His poem “Corner Meetg”:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Ladr, flag, and amplifier<br/>now are what the soapbox ed to be.</p></div></blockquote><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>The speaker tch fire,<br/>Lookg at listeners’ fac.</p></div></blockquote><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>His words jump down<br/>to stand<br/> their<br/>plac.</p></div></blockquote><p class="paywall">Here Hugh wr wh the force of a good journalist; he is no longer an abstract Negro everyman but a reporter weighg on the heat and nfn of the time, whout too much self-nsc hipster jive.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">The novelist Ple Marshall rells, her 2009 memoir, “Triangular Road,” a 1965 ernment-sponsored tour of Europe on which she acpanied Hugh. It was durg the heady days of the civil-rights movement. In Paris, a cy that Hugh loved—“There you n be whatever you want to be. Totally yourself,” he said—Marshall noticed that when the subject of the movement me up Hugh let others do the talkg. He knew what his own stggl had been, and he knew that the prent stggle would lead to if not a different day then a different kd of day, one which erasg l om one’s own story might make ls sense than jt sayg them. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ni6w9s"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2015/02/23" data-reactroot="">Febary 23 & March 2, 2015</a>, issue, wh the headle “The Sojourner.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/hilton-als"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/hilton-als">Hilton Als</a>, a staff wrer at The New Yorker, won the 2017 Pulzer Prize for cricism. He published “<a href=">My Pup</a>,” November, 2022.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. This se is protected by reCAPTCHA and the Google<a href=" rel="nofollow noopener noreferrer" target="_blank"> Privacy Policy</a> and<a href=" rel="nofollow noopener noreferrer" target="_blank"> Terms of Service</a> apply.</p></span></div></form></div></div></div></div></div><div class="ntent-bottom-anchor"></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-footer"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="recirc-list-wrapper viewport-monor-anchor"><div class="RowWrapper-UmqTg HEhan ContentFooterRelated-kEBiFe kVUuwq"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SummaryCollectnGridComponent-ktyEog bdTTVU summary-llectn-grid RecircListDefltOverlaySummaryCollectnGrid-AHJhY bEaXiL recirc-list__ems summary-llectn-grid--four-lumns summary-llectn-grid--TextBelowLeft"><div class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq hpRFVl SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa jfOfxc jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2001/12/03/unhappy-endgs" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Unhappy Endgs" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2001/12/03/unhappy-endgs" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Unhappy Endgs</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The llected Carson McCullers.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2010/11/08/ntozake-shange-for-lored-girls-play-profile-hilton-als" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Color Visn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2010/11/08/ntozake-shange-for-lored-girls-play-profile-hilton-als" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Color Visn</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Ntozake Shange’s outspoken art.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Rereadg Rsian Classics the Shadow of the Ukrae War" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Letter om Tbilisi</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Rereadg Rsian Classics the Shadow of the Ukrae War</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">How to reckon wh the iology of “Anna Karena,” “Eugene Oneg,” and other beloved books.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Elif Batuman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Novelist Whose Inventns Went Too Far</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">After the Ao-Cuban wrer H. G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="yknno"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails---f" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="ysf0fl"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--cm-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-footer"></div><div class="journey-un"></div></div></div><div class="RowWrapper-UmqTg HEhan BasePageSeFooterRow-kpEBGH rjBtU"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 BasePageSeFooterRowGrid-iBGjXL zQNeb"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="SeFooterWrapper-bXjkRY gKJGws se-footer--wh-store"><div class="SeFooterGridNoMargs-jSrXSj cQgGDp" data-ttid="SeFooterGridNoMargs"><div class="SeFooterBrandInfo-cdoqKy cdkwFG"><div class="SeFooterLogo-eYlNHY eigdAF se-footer__logo"><a href="/"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image rponsive-image"><img alt="The New Yorker" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="/verso/static/the-new-yorker/assets/" srcSet="" siz="100vw"/></picture></span></a></div></div><nav aria-label="Sectns" class="NavigatnWrapper-bFftAs fKSZRK SeFooterNavigatnVertil-eawNCf hgahMe" data-ttid="navigatn"><p data-ttid="navigatn__headg" class="NavigatnHeadgWrapper-befTuI kSFYXD navigatn__headg"><button data-ttid="navigatn__headg-button" type="button" aria-expand="false" class="NavigatnHeadgButton-eDVixB fiYwDK">Sectns<span data-ttid="navigatn__headg-arrow" class="NavigatnHeadgArrow-iJeTMa gGaHQm"></span></button></p><ul class="NavigatnListWrapper-gWXLVS fSEziN navigatn__list" data-ttid="navigatn__list"><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/news" data-ttid="navigatn__ternal-lk" role="lk">News</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/culture" data-ttid="navigatn__ternal-lk" role="lk">Books & Culture</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/fictn-and-poetry" data-ttid="navigatn__ternal-lk" role="lk">Fictn & Poetry</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/humor" data-ttid="navigatn__ternal-lk" role="lk">Humor & Cartoons</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/magaze" data-ttid="navigatn__ternal-lk" role="lk">Magaze</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/crossword-puzzl-and-gam" data-ttid="navigatn__ternal-lk" role="lk">Crossword</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Vio</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/podst" data-ttid="navigatn__ternal-lk" role="lk">Podsts</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/archive" data-ttid="navigatn__ternal-lk" role="lk">Archive</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/gogs-on-about-town" data-ttid="navigatn__ternal-lk" role="lk">Gogs On</a></li></ul></nav><span class="NavigatnDivir-fEDnwq ixXXMs navigatn__divir"></span><nav aria-label="More" class="NavigatnWrapper-bFftAs fKSZRK SeFooterNavigatnContactVertil-kReQvb ejvbAv" data-ttid="navigatn"><p data-ttid="navigatn__headg" class="NavigatnHeadgWrapper-befTuI kSFYXD navigatn__headg"><button data-ttid="navigatn__headg-button" type="button" aria-expand="false" class="NavigatnHeadgButton-eDVixB fiYwDK">More<span data-ttid="navigatn__headg-arrow" class="NavigatnHeadgArrow-iJeTMa gGaHQm"></span></button></p><ul class="NavigatnListWrapper-gWXLVS fSEziN navigatn__list" data-ttid="navigatn__list"><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Ctomer Care</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Shop The New Yorker</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Buy Covers and Cartoons</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Condé Nast Store</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/digal-edns" data-ttid="navigatn__ternal-lk" role="lk">Digal Accs</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/newsletter" data-ttid="navigatn__ternal-lk" role="lk">Newsletters</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/jigsaw" data-ttid="navigatn__ternal-lk" role="lk">Jigsaw Puzzle</a></li><li class="NavigatnListItemWrapper-cxLZKD JsNkg navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/feeds" data-ttid="navigatn__ternal-lk" role="lk">RSS</a></li></ul></nav><span class="NavigatnDivir-fEDnwq ixXXMs navigatn__divir"></span><div class="SeFooterNoticWrapper-gbuTHd kdRVhS"><div class="SeFooterNoticContaerWrapper-cQMYXm jYCnSe"><nav aria-label="Notic" class="NavigatnWrapper-bFftAs fKSZRK SeFooterNavigatnHorizontal-cWLRMH eTQAIE" data-ttid="navigatn"><ul class="NavigatnListWrapper-gWXLVS dnLcIy navigatn__list" data-ttid="navigatn__list"><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/" data-ttid="navigatn__ternal-lk" role="lk">About</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/reers" data-ttid="navigatn__ternal-lk" role="lk">Careers</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/ntact" data-ttid="navigatn__ternal-lk" role="lk">Contact</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/faq" data-ttid="navigatn__ternal-lk" role="lk">F.A.Q.</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href=" data-ttid="navigatn__ternal-lk" role="lk">Media K</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/prs" data-ttid="navigatn__ternal-lk" role="lk">Prs</a></li><li class="NavigatnListItemWrapper-cxLZKD dsgTQs navigatn__list-em" data-ttid="navigatn__list-em"><a class="NavigatnInternalLk-cWEaeo knabMb navigatn__lk" href="/about/accsibily-help" data-ttid="navigatn__ternal-lk" rel="nofollow" role="lk">Accsibily Help</a></li></ul></nav><span class="NavigatnDivir-fEDnwq ixXXMs navigatn__divir"></span><p data-ttid="dangero-legale-brand-text" class="SeFooterLegaleText-bquxSW eUChdN">© <!-- -->2023<!-- --> Condé Nast. All rights rerved. Use of this se nstut acceptance of our<!-- --> <a class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">User Agreement</a> and <a class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Privacy Policy and Cookie Statement</a> and <a class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Your California Privacy Rights.</a> <em>The New Yorker</em> may earn a portn of sal om products that are purchased through our se as part of our Affiliate Partnerships wh retailers. The material on this se may not be reproduced, distributed, transmted, ched or otherwise ed, except wh the prr wrten permissn of Condé Nast.<!-- --> <a class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ad Choic</a></p><div class="SeFooterCollectnContaer-iKPzYu cUTUWM"></div><div class="SocialInsWrapper-hKMEXV hwdgCG social-ins social-ins--footer SeFooterSocialIns-cLAKVY cPpkaJ"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA gBoIvv social-ins__list"><li class="SocialInsListItem-mbhR izQXJd social-ins__list-em social-ins__list-em--facebook social-ins__list-em--footer thner"><a aria-label="Follow on Facebook" class="external-lk SocialInExternalLk-huuzOU kupRzT social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-facebook" focable="false" width="7.2" height="16" viewBox="0 0 7.2 16" xmlns="><tle>Facebook

gay poet

Celebrate the bt gay movi wh our list of the 50 most sential LGBTQ+ films ever ma

Contents:

9 LGBT POETS TO KNOW AND LOVECELEBRATG THE GREAT LGBT POETS OF THEN AND {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY CODY GOHLSEPTEMBER 25, 2015/12:11 PMBY CODY GOHLSEPTEMBER 25, 2015 / 12:11 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"9 LGBT POETS TO KNOW AND LOVE","DATEPUBLISHED":"2015-09-25T16:11:00.000+0000","DATEMODIFIED":"2015-09-25T16:11:00.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"CODY GOHL","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR AS LONG AS THERE’S BEEN LANGUAGE, WRERS AND STORYTELLERS HAVE CRAFTED POETRY TO TEASE MEANG OUT OF THE CHAOS. GREAT POETRY REVEALS UNTO S REARS NEW AND PROFOUND TTHS ABOUT LIFE, AND WORKS TO TACKLE THE BIG UNANSWERABL OF LOVE, LOSS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: 7 INTERNATNAL LGBT ACTIVISTS YOU NEED TO KNOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS ARISTOTLE SO WISELY PUT , "POETRY IS FER AND MORE PHILOSOPHIL THAN HISTORY; FOR POETRY EXPRS THE UNIVERSAL, AND HISTORY ONLY THE PARTICULAR." WHILE NOT ALL POETRY REACH ALL REARS, WHEN THE RIGHT POEM IS READ AT THE RIGHT TIME BY THE RIGHT PERSON, THE EFFECTS N BE TLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR THOSE LOOKG TO DIG TO SOME NUANCED AND EYE-OPENG POETRY THAT ALS WH QUEER THEM, CHECK OUT OUR LIST BELOW FOR A SMALL SAMPLG OF SOME GREAT LGBT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}1. WALT WHMAN (1819-1892){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A MASCULE SWAGGER, A THICK MANE OF SILVER HAIR AND A MISCHIEVO TWKLE HIS EYE, WALT WHMAN WAS, WHOUT QUTN, THE ORIGAL DADDY BEAR. AND THOUGH, GIVEN THE TIME PERD WHICH HE LIVED, WAS IMPOSSIBLE FOR HIM TO BE FULLY “OUT,” THE BUOYANT POETRY HIS OP LEAV OF GRASS IS LICLY HOMOEROTIC AND SPEAKS EFFIVELY OF THE RICH LOVE SHARED BETWEEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PL, HE’S MORED TO HAVE HAD A SHORT TRYST WH THE MUCH YOUNGER OSR WIL, WHO REFERRED TO WHMAN SIMPLY AS "DADDY." (*GULP*){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WE TWO BOYS TOGETHER CLGG”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE TWO BOYS TOGETHER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE THE OTHER NEVER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UP AND DOWN THE ROADS GOG, NORTH AND SOUTH EXCURSNS MAKG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}POWER ENJOYG, ELBOWS STRETCHG, FGERS CLUTCHG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARM'D AND FEARLS, EATG, DRKG, SLEEPG, LOVG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO LAW LS THAN OURSELV OWNG, SAILG, SOLDIERG, THIEVG, THREATENG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MISERS, MENIALS, PRITS ALARMG, AIR BREATHG, WATER DRKG, ON THE TURF OR THE SEA-BEACH DANCG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CI WRENCHG, EASE SRNG, STATUT MOCKG, FEEBLENS CHASG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FULFILLG OUR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}2. CHARLOTTE MEW (1869-1928){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH HARDLY A HOEHOLD NAME TODAY, CHARLOTTE MEW MA HER MARK AT THE TURN OF THE TWENTIETH CENTURY AS ONE OF THE LAST GREAT POETS OF THE VICTORIAN ERA. IN LERARY CIRCL OF THE TIME, SHE WAS KNOWN FOR HER DISTCTIVE MASCULE STYLE OF TAILORED SUS, SHORT CROPPED HAIR, HABUAL SMOKG AND A PREFERENCE FOR ARSELY STRONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SHE NEVER EXPLICLY REFERRED TO HER QUEERNS HER POETRY, BUT MANY OF HER POEMS AL WH UNREQUED LOVE, OFTEN OM A MALE PERSPECTIVE. CONTEMPORARY REARS SPECT THIS PALPABLE HEARTACHE OM HER ABILY TO FULLY REALIZE HER QUEER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “ON THE ROAD TO THE SEA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE PASSED EACH OTHER, TURNED AND STOPPED FOR HALF AN HOUR, THEN WENT OUR WAY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WHO MAKE OTHER WOMEN SE DID NOT MAKE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT NO MAN N MOVE MOUNTAS A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO THIS HARD THG IS YET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT FIRST I WANT YOUR LIFE:--BEFORE I DIE I WANT TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WORLD THAT LI BEHD THE STRANGENS OF YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE IS NOTHG GAY OR GREEN THERE FOR MY GATHERG, MAY BE,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YET ON BROWN FIELDS THERE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HNTG PURPLE BLOOM: IS THERE NOT SOMETHG GREY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND GREY SEA?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT WHAT WORLD THERE IS BEHD YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT YOUR LIFE AND YOU WILL NOT GIVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}3. FRANK O'HARA (1926-1966){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PROMENT FIGURE OF THE NEW YORK SCHOOL (A GROUP OF ARTISTS NEW YORK CY SPIRED BY ABSTRACT EXPRSNISM, JAZZ AND SURREALISM), FRANK O’HARA DAZZLED THROUGHOUT THE 50S AND 60S WH HIS WILDLY HILAR, URGENT AND PERSONAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O’HARA INTIFIED OPENLY AS A GAY MAN AND KEPT A WI CIRCLE OF IENDS AND LOVERS, MANY OF WHOM HE EXPRSIVELY PTURED HIS TRAMARK NFSNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “HAVG A COKE WH YOU”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT YOU AND I WOULD RATHER LOOK AT YOU THAN ALL THE PORTRAS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EXCEPT POSSIBLY FOR THE POLISH RIR OCSNALLY AND ANYWAY ’S THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH THANK HEAVENS YOU HAVEN’T GONE TO YET SO WE N GO TOGETHER THE FIRST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THE FACT THAT YOU MOVE SO BETIFULLY MORE OR LS TAK RE OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JT AS AT HOME I NEVER THK OF THE NU DCENDG A STAIRSE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REHEARSAL A SGLE DRAWG OF LEONARDO OR MICHELANGELO THAT ED TO WOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WHAT GOOD DO ALL THE REARCH OF THE IMPRSNISTS DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN THEY NEVER GOT THE RIGHT PERSON TO STAND NEAR THE TREE WHEN THE SUN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OR FOR THAT MATTER MARO MARI WHEN HE DIDN’T PICK THE RIR AS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;} SEEMS THEY WERE ALL CHEATED OF SOME MARVELO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH IS NOT GOG TO GO WASTED ON ME WHICH IS WHY I AM TELLG YOU ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}4. REALDO ARENAS (1943-1990){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BORN AND SCHOOLED CUBA, THE LIFE OF QUEER POET REALDO ARENAS WAS A LIFE MARKED BY TRAGEDY. IN THE 60S, AS HE SERVED AS EDOR AND JOURNALIST FOR A SLEW OF LERARY MAGAZ HAVANA, HIS OPENLY GAY LIFTYLE RAN DIRECT OPPOSN TO THE COMMUNIST REGIME OF THE UNTRY, RULTG HIS IMPRISONMENT 1974 FOR “IOLOGIL VIATN."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WAS PLACED THE NOTOR EL MORRO CASTLE ALONGSI VLENT RAPISTS AND MURRERS, WHERE HE MANAGED TO SURVIVE BY HELPG MAT WRE LOVE LETTERS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONCE HE PED TO THE UNED STAT 1980, HE WROTE PROLIFILLY OF HIS EXPERIENC CUBA, PRODUCG POETRY THAT WAS RAW AND LARGELY TOBGRAPHIL. ARENAS NTRACTED AIDS 1987 AND EVENTUALLY MTED SUICI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “AS LONG AS THE SKY WHIRLS: FOR LáZARO GóMEZ”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE MY REMPTN AND MY DOOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAGIC VISN,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LILY UNRWEAR,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SALVATN AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVERY NIGHT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO FERNAL ULD BE A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE I HAVE TO TAKE RE THAT THAT WOULD NOT HARM YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO JOY WOULD GO BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE SOME WAY I HAVE TO REVEAL TO YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE THE TTH OF MYSELF,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SONG AND THE VENOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DANGER AND THE ECSTASI,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE VIGIL AND THE SLEEP,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DREAD AND THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY WHIRLS . . . BUT PERHAPS THE SKY WHIRLS?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL: AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}5. EILEEN MYL (B. 1949){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOVG OM BOSTON TO NEW YORK 1974 TO “BE A POET,” EILEEN MYL HAS SCE STAKED HER CLAIM AS ONE OF THE MOST PROLIFIC AND PELLG POETS WRG TODAY. HER VERSE, SPANNG OVER TWENTY VOLUM OF POETRY, FICTN AND NONFICTN, IS ELECTRIC S IMMEDIACY, AND OFTEN FOC ON HER RELATNSHIPS WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MYL HAS BEEN THE RECIPIENT OF UNTLS AWARDS AND FELLOWSHIPS, NOTABLY THE LAMBDA BOOK AWARD ( 1995, 1998 AND 2011), WHICH HONORS AND CELEBRAT LGBTQ FOCED WORK AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “DEAR ANDREA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I LOVE YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON’T F*CK UP MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I N’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FISTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT WAS GREAT. {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}6. RICHARD BLAN (B. 1968){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}INTIFYG OPENLY NOT ONLY AS A GAY MAN, BUT ALSO AS AN IMMIGRANT AND A CUBAN-AMERIN, POET RICHARD BLAN’S WORK GRAPPL WH THE TENSN THAT WH ASSUMG INTI THAT OFTEN N DIRECT NFLICT WH ONE ANOTHER. HIS VERSE IS STRAIGHTFORWARD AND HONT, RELYG ON NARRATIVE OVER METAPHOR TO MENT ON THE PLITED NATURE OF INTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT IS PERHAPS BEE OF THIS FOC THAT BLAN WAS CHOSEN TO SERVE AS THE GURAL POET AT PRINT BARACK OBAMA’S SEND GURATN 2013. THIS MA HIM THE FIRST LATO, THE FIRST IMMIGRANT AND THE FIRST OPENLY GAY PERSON TO EVER DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “SCE UNFISHED”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I’VE BEEN WRG THIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WOMAN I SLEPT WH THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF MY FATHER’S WAKE, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MY GRANDMOTHER FIRST LLED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A FAGGOT AND I SAID NOTHG, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I FAVE HER AND MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PRSED HARD AGAST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON THE DANCE FLOOR AT TWIST, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YEARS SPENT WH A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND MEN I KNEW I ULDN’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}7. TRACE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACE PETERSON, A POET AND TOR, IS AT THE FOREONT OF THE CHARGE TO CREASE TRANSGENR REPRENTATN AND VISIBILY POETRY. A TRANSWOMAN HERSELF, PETERSON WILL BE TEACHG THE FIRST EVER URSE TRANSGENR POETRY THIS FALL AT HUNTER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE URSE, NOT UNLIKE PETERSON’S OWN POETRY, WILL AIM TO LIFT DISCSNS OF TRANS INTY OUT OF THEORY AND METAPHOR AND BRG DOWN TO THE REAL LIVED EXPERIENC OF TRANS INTIFIED WRERS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A READG OF HER POEM "AFTER BEFORE AND AFTER":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}8. ANDREA GIBSON (B. 1975){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANDREA GIBSON, WHO ALSO GO BY ANDREW, IS AN AWARD-WNG POET AND ACTIVIST WHOSE WORK FOC ON GENR NORMS, LGBTQ ISSU AND SOCIAL REFORM, AS WELL AS THE BROAR TOPICS OF LOVE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THEY’VE GAED NOTORIETY OVER THE LAST FOR THEIR STIRRG SPOKEN WORD PERFORMANC, WHICH BRG TO LIFE THE LORFUL IMAGERY AND EXUBERANCE OF THEIR POETRY WH AN EMBOLNG FEARLSNS. THEIR WORK HAS BEEN REGNIZED NSISTENTLY AT THE NATNAL POETRY SLAM AND THE SUCCS OF THE CHAPBOOKS THEY’VE RELEASED WH WRE BLOODY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF THEIR POEM, “MAYBE I NEED YOU”:{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}9. DANEZ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A SLEW OF SLAM POETRY PETNS AND WRG FELLOWSHIPS UNR HIS BELT, DANEZ SMH HAS TABLISHED HIMSELF AS AN EMPOWERG VOICE FOR YOUNG QUEER BLACK MEN. HIS POETRY IS TENSE, TACKLG ISSU OF RACIAL DISCRIMATN AND HOMOPHOBIA WH A POIGNANCY THAT MAK EVEN HIS MOST SPERATE PLEAS RG WH A ROUNDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF HIS POEM, "DEAR WHE AMERI":{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

What Is the Grass thor Mark Doty and Pulzer Prize wner Jericho Brown discs the gay poet's legacy. * gay poet *

And though, given the time perd which he lived, was impossible for him to be fully “out, ” the buoyant poetry his op Leav of Grass is licly homoerotic and speaks effively of the rich love shared between, he’s mored to have had a short tryst wh the much younger Osr Wil, who referred to Whman simply as "Daddy. Contemporary rears spect this palpable heartache om her abily to fully realize her queer passed each other, turned and stopped for half an hour, then went our way, I who make other women se did not make you--But no man n move mountas a this hard thg is yet to first I want your life:--before I die I want to seeThe world that li behd the strangens of your ey, There is nothg gay or green there for my gatherg, may be, Yet on brown fields there liA hntg purple bloom: is there not somethg grey skiAnd grey sea? O’Hara intified openly as a gay man and kept a wi circle of iends and lovers, many of whom he exprsively ptured his tramark nfsnal you and I would rather look at you than all the portras the worlxcept possibly for the Polish Rir ocsnally and anyway ’s the Frickwhich thank heavens you haven’t gone to yet so we n go together the first timeand the fact that you move so betifully more or ls tak re of Futurismjt as at home I never thk of the Nu Dcendg a Stairse orat a rehearsal a sgle drawg of Leonardo or Michelangelo that ed to wow meand what good do all the rearch of the Imprsnists do themwhen they never got the right person to stand near the tree when the sun sankor for that matter Maro Mari when he didn’t pick the rir as refullyas the horse seems they were all cheated of some marvelo experiencewhich is not gog to go wasted on me which is why I am tellg you about 4.

ROSS GAY

Poems & More for LGBTQ Pri Month - June is Pri Month, an annual celebratn memoratg the 1969 Stonewall Rts, which took place New York Cy and lnched the lbian, gay, bisexual, transgenr, and queer rights movement the Uned Stat. Pri Month is also a time to honor the many ntributns of LGBTQ dividuals. Explore the rich tradn of LGBTQ poets and poetry through a showse of d, vio, poetry, and prose. * gay poet *

In the 60s, as he served as edor and journalist for a slew of lerary magaz Havana, his openly gay liftyle ran direct opposn to the Communist regime of the untry, rultg his imprisonment 1974 for “iologil viatn. ~Ross Gay is the thor of four books of poetry: Agast Which; Brgg the Shovel Down; Be Holdg, wner of the PEN Amerin Lerary Jean Ste Award; and Catalog of Unabashed Gratu, wner of the 2015 Natnal Book Crics Circle Award and the 2016 Kgsley Tufts Poetry Award.

Bt LGBTQ Poems1 I Sg the Body Electric by Walt Whman2 A Lany for Survival by Audre Lor3 Poem about My Rights by June Jordan4 The Aureole by Nikky Fney5 What Kd of Tim Are The by Adrienne Rich6 One Girl by Sappho7 A Lady by Amy Lowell8 Homosexualy by Frank O’Hara9 The Lyric In a Time of War by Eloise Kle Healy10 Who Said It Was Simple by Audre Lor11 FAQS. “I’m gay likealmostlike lipslike the closet is cracked openbut some days I have to walk myself put my bt femme forwardat the job terview, the mega-b statn, my grandpa’s funeral I’m gay likeevery time I ll myself gaythe men my life take upon themselv to saywell what about ben, what was that then? I’m gay like my only straight iend jt me outShe said she would’ve known sooner if not for the folks always photoshoppg her weddg picturAnd I’m gay like my girliend n build heaven wh her left handI’m the clost she to touchg relign.

Love and War is out now on Ast, and all the plac podsts FROM FORBESWhy This Charmg Gay Fairytale Has Been Lost For 200 YearsBy Jamie WarehamMORE FROM FORBESHow To Be An Asexual Ally: Learn Why Some Asexual People Have Sex (And Accept That Most Don't)By Jamie Wareham.

THE UNTOLD GAY HISTORY OF BRA’S FIRST WORLD WAR POETS REVEALED

One of the reasons we’re able to unrstand, wh such vivid knowledge, what life was like durg WW1 is thanks to some great poetry. But did you know some of the most famo war poets were revere gay, bi and queer? * gay poet *

He was one of the most acplished poets of the 20th century, but WH Aun was emed unsuable for the role of poet lreate after wrg a “filthy” pornographic poem that would “brg disgrace” on the Heath, the Conservative prime mister, was told 1972 that Aun - prevly scribed by officials as “probably the bt poet” alive - had wrten “utterly revoltg” vers about gay sex, meang that together wh his cisn to bee an Amerin cizen he should be led out. Bisexualy has been viewed wh gay studi as distct om homosexualy, and bisexuals have found themselv exclud om gay events and anizatns although a great many “gay ins” om Socrat to Shakpeare to Osr Wil were married and fathered children.

The word “homosexual” was, fact, created the late neteenth century as an English equivalent for German Homosexualtät, which first appeared prt 1869 a pamphlet argug agast the Pssian legal that prcribed punishments for men who engaged same-sex relatns. The neteenth-century homosexual beme a personage, a past, a se history, and a childhood, addn to beg a type of life, a life form, and a morphology, wh an discreet anatomy and possibly a myster physlogy. Adoptg his posn, crics have argued, for example, that Walt Whman and Osr Wil (1854–1900) were not, strictly speakg, homosexuals, at least the sense that medil and psychologil tablishments unrstood that “ndn” or “speci” the twentieth century.

ROSS GAY

Ross Gay was born Youngstown, Oh. He earned a BA om Lafayette College, an MFA Poetry om Sarah Lawrence College, and a PhD English om… * gay poet *

Whether the dividual is born homosexual or his or her homosexual sir are socially nstcted, is clear that medi-scientific theori of homosexualy as a curable disease were an ventn of the late neteenth and early twentieth centuri. If the play were wrten now, one might expect Brick to abandon Maggie, but as wrten by Williams, who was homosexual, the oppose happens, and the play ends “happily” when Maggie announc that she is pregnant. One rells thgs as var as Ernt Hemgway's dismissive attu toward homosexuals his books, the “pansi” played for lghs Hollywood films of the 1920s and 1930s, and Hart Crane's joyo announcement—havg, he believed, fallen love wh a woman—that he was not homosexual after all.

POEMS / GAY POEMS - THE BT POETRY ON THE WEBNEWTMARIA MORISOT   FOLLOWON JUL 16 2023 07:59 PM PST  RAISG NOAH'S FLAG

Poems about Gay at the world's largt poetry se. Ranked poetry on Gay, by famo & morn poets. Learn how to wre a poem about Gay and share !" name="scriptn * gay poet *

Although Amerin lerature the first two-thirds of the twentieth century almost always impli the medi-scientific fn whenever homosexualy enters the text, Whman had his own succsors, om Bliss Carman (1861–1929) and Richard Hovey (1864–1900) to Marsn Hartley (1877–1943) to Langston Hugh (1902–1967) and Gerr Lansg (b.

Hallock vtigat one pecially tense relatnship his bgraphy of Fz-Greene Halleck (1790–1867), The Amerin Byron (2000), whom he views as a homosexual drawn to the younger poet Joseph Rodman Drake (1795–1820). Sedgwick se Jam as a homosexual who rarely alt openly wh male timacy but whose work foc on “homosocial” (her term) suatns that occur when, for example, two men stggle for the attentn of a woman; emotns are directed by each man more strongly toward his petor than toward their shared object of sire. Although Sedgwick nsirs Billy Budd to be suffed wh homosexual sir, she pots out that there is only one homosexual the morn sense the story: Claggart, who has the self-loathg of those who have ternalized homophobia, and who is “praved bee he is, his sir, a pervert, ” or “homosexual” (Sedgwick, 1990, p.

JOHN GAY

Poet and playwright John Gay was born Devon to an aristocratic though impoverished fay. Unable to afford universy, Gay went to London to… * gay poet *

The many homosexual Amerin poets the early twentieth century who were athet clud Amy Lowell (1874–1925), Wilbur Unrwood (1876–1935), Donald Evans (1884–1921), Gee Sylvter Viereck (1884–1962), John Gould Fletcher (1886–1950), Clark Ashton Smh (1893–1961), and Samuel Greenberg (1883–1917), whose poems Hart Crane emulated his own early work.

GAY POETRY BOOKS

In Washgton, Ms. Pratt helped lead gay and lbian activism the 1980s. * gay poet *

That year he published his most popular novel, The Hoe of the Vampire, which vampirism is a for homosexualy, and Neveh and Other Poems, much of which volv sexual passn of a thoroughly f--siècle stamp. Viereck knew Magn Hirschfeld (1868–1935), an early German “sexologist” and fenr of male-male love, and based Children of Lilh on Hirshfeld's fn of homosexualy as a “transnal sex, ” mergg the mascule wh the feme.

GAY LERATURE: POETRY AND PROSEGAY LERATURE: POETRY AND PROSE

Books shelved as gay-poetry: Csh by Richard Siken, Physil by Andrew McMillan, Prelu to Bise by Saeed Jon, bury by Sam Sax, and Slow Lightn... * gay poet *

Public attus toward homosexuals are suggted by an cint the early 1940s when John Crowe Ransom (1888–1974), who had accepted a poem by Robert Dunn (1919–1988) for the Kenyon Review, whdrew his offer after Dunn published an say another journal on homosexualy. Ransom plimented Dunn for havg taken such a bold stand—although actually the say is impartial, argug that homosexualy is no better, if no worse, than any other kd of life—but sisted that the poem schled for the Review might now be read as “homosexual advertisement” (Faas, 1983, p.

GAY

Edward Heath was told poet should be led out over ‘utterly revoltg’ vers about gay sex and Aun’s cisn to be an Amerin cizen * gay poet *

Astonishg though Ransom's act seems today, homosexualy at this time was still treated throughout the untry as crimal behavr, and until 1973 was nsired a mental disorr by the Amerin Psychiatric Associatn.

Stt Fzgerald (1896–1940), but the evince is slight, and any se, a lerature domated by Ezra Pound (1885–1972), William Flkner (1897–1962), and Eugene O'Neill (1888–1953), gay and lbian ncerns had ltle room.

WORDS OF A GAY POET, AS OLD AS INDIA'S INPENNCE, HEAL

"Gay Lerature: Poetry and Prose" published on by Oxford Universy Prs." name="scriptn * gay poet *

1928), and William Inge (1913–1973), and highly regard novels wh homosexual them and suatns, such as Two Ser Ladi (1943) by Jane Bowl (1917–1973), The Member of the Weddg (1946) by Carson McCullers (1917–1967), The Cy and the Pillar (1948) by Gore Vidal (b. The so-lled School of Boston, which provid one of the avant-gar's rpons the 1960s to the mastream works of Robert Lowell (1917–1977) and Sylvia Plath (1932–1963), was almost entirely gay, cludg such poets as John Weers (1934–2002), Gerr Lansg, and Stephen Jonas (1920–1970). The gay liberatn movement and the gradual public awarens that homosexualy was not the disease the psychiatric tablishment had claimed led to a luge of “g-out” stori, which the thor narrat her or his progrs om “the closet” to an open life as a gay woman or man.

Numero anthologi of gay wrg—Stephen Coote's The Pengu Book of Homosexual Verse (1983), Carl Morse and Joan Lark's Gay and Lbian Poetry Our Time (1989), and Edmund Whe's Faber Book of Gay Short Fictn (1991), to ce three of the most rpected—prent no evince that “gay wrg” is sentially more than wrg about gay life. 1965), refully documents a range of poetic tradns om the formalist to the highly experimental whout fdg any that grew om a basilly gay athetic: “Of urse there are poems that overtly flnt their sexualy, ” Liu nclus, “but there are so many quieter poems (and poets) who might elu the most fely tuned gaydar [sensivy to others' gay inty].

Ross Gay - Ross Gay is the thor of Catalog of Unabashed Gratu (Universy of Ptsburgh Prs, 2015), wner of the Natnal Book Crics Circle Award and the Kgsley Tufts Award. * gay poet *

The thirty-two years that separate Isherwood's and Holleran's books were so fired wh crisis—the gay liberatn movement and then AIDS—that the fundamental flaw homosexual culture, namely, that has been profoundly a culture for and of the young, has not received as much attentn as should. Melville's isolato exemplify Emersonian self-reliance, but homosexualy Isherwood's and Holleran's works is seen all too accurately as a re of passage to a dimished sexual and emotnal matury that no culture should wish on s members.

The homophobia wh which early wrers had to battle has certaly not vanished, remag some parts of the untry as vilent and vlent as ever, but elsewhere gay life and valu have been tegrated to so much of the culture at large that they have often ceased to operate as an opposnal force. Gay is the thor of four llectns of poetry: Be Holdg (Universy of Ptsburgh Prs, 2020); Catalog of Unabashed Gratu (Universy of Ptsburgh Prs, 2015), wner of the Natnal Book Crics Circle Award and the Kgsley Tufts Award; Brgg the Shovel Down (Universy of Ptsburgh Prs, 2011); and Agast Which (Cavankerry Prs, 2006). "The 17-Year-Old & the Gay Bar" by Danez Smhthis g-heavy heaven, blsed ground to thk gay & mean the fake id & the bouncer who knewthis need to be need, to belong, to know howDanez Smh is the thor of [sert] boy and Don't Call Us this poem full here.

Gay Poems - Gay Famo Poems om * gay poet *

A history lson: A faggot is a bundle of sticksOrigally ed as kdlg for fir that engulfed gaysWhen they were burned at the stake, people were firewoodBut Mos me across wood on fire and saw God , What is a burng bh but bundl of branchOn fire, isn't funny how faggots and God n look the same sometim? The double meang wh body and “boy” is clever and the acronym wh the poem metaphorilly speaks to the plights of a trans bo’y wak upthe bo’y looks at selfthe bo’y notic somethg missgthere is both too much and not enough flh on the bo’ythe bo’y is vered hairwhat a hairy bo’ysome mak look more like a bo’ysome mak look more like a monsterthe bo’y did not learn to shave om s fatherso tght self how to graze s sk and cut thgs offthe bo’y cuts self by accintthe blood remds the bo’y is a bo’yremds the bo’y how a bo’y bleedsremds the bo’y that not every bo’y bleedsthe bo’y talks to a girl about bleedgshe explas how this bo’y worksthis bo’y is different om hersbo’y has too much and not enough flh to be herthe blogy of a bo’y is jtbo’y will only ever be a bo’ythe bo’y is Blackso the bo’y is and will only ever be a bo’ythe bo’y uldn’t be a man if triedthe bo’y triedthe bo’y feels emptythe bo’y feels like will only ever be emptythe bo’y feels that will never hold the weight of another bo’y si of no matter how many ds f si the bo’ythe bo’y is a hollow fa attempts a nvcg veneerbo’y drs — what hips on the bo’ybo’y pats s face — what lips on the bo’ybo’y adorns self wh labels wrten for lovelier amwhat a betiful bo’ystill a bo’ybut a fierce bo’y nowa royal bo’y nowa bo’y worthy of beg lled queenwhat a dazzlg seto turn a bo’y to a lie everyone lov to look atthe bo’y looks at selfthe bo’y se all the gawkg at s glossthe bo’y hears all the mass askg for s missgthe bo’y offers all of s letters— ‘ b ’ for the birth— ‘ o ’ for the operatn— ‘ y ’ for the lack left s genwhat this bo’y would abandonfor the risk of  beg realthe bo’y is realenough and too muchexistg as s own erasure— what an elive d —evadg removalavoidg regnnleavg jt a bo’ythat is never lostbut n’t be found2"Dear Gaybashers" by Jill McDonoughMIGUEL SCHINCARIOL/AFP/Getty ImagWrten 2014, “Dear Gaybashers” by Jill McDonough is a mt-read for everybody, but pecially those who thk their tnts and jabs will sre off the LGBTQ+ muny om livg and lovg their life.

3“Gay Pri Weekend” by Brenda ShghnsyThis LGBTQ+ poem by Brenda Shghnsy touch on an experience she had wh a lover and discs how they’re brought together by their past trmas and how wonrful is to be out, loud, and proud. 4“The 17-Year-Old and the Gay Bar” by Danez SmhDanez Smh’s LGBTQ+ poem about a 17-year-old a gay bar tells the story of feelg like you belong, and feelg like they mt be heaven to have found others like them and to be g-heavy heaven, blsed ground to thk gay & mean the fake id & the bouncer who knewthis need to be need, to belong, to know howa man taste full on vodka & ee of s.

John Gay, English poet and dramatist, chiefly remembered as the thor of The Beggar’s Opera, a work distguished by good-humoured satire and technil assurance. A member of an ancient but impoverished Devonshire fay, Gay was ted at the ee grammar school Barnstaple. He was * gay poet *

9"A Queerifitn" by Regie CabiDANIEL MIHAILESCU/AFP/Getty ImagAnother excerpt, this piece om “A Queerifitn” preach acceptance, inty, and that scriptns like 'queer' really don't mean anythg the bigger me shift me transgrs me tell my stunts i’m gay tell chick fil a i’m queer tell the new york tim i’m straight tell the mail man i’m a lbian tell amerin airl i don’t know what my genr is like melikg youlike summer blockbter armrt datarmrt cematic loveelbow to forearm the dark humor me queerly fill me wh lghter make me high wh queer gas prs me om centuri of spanish quisn& self-righteo judgment10"Exclively On Ven" by Trace PetersonHere’s an excerpt om Trace Peterson's “Exclively on Ven.

Both the doctor and the patient are the same age, both are gay, and the poem is an credible look at the emotnal attachment between the two men, both as patient and doctor, and as gay day, I drew his blood, and while I didHe lghed, and said I was his girliend now, His blood-brother. That shop was owned by John Mzel, a member of the queer anarchist llective that published Fag Rag, a gay liberatn newspaper that ran om 1971 to 1987, and whose tersectnal mix of ee sex and polics was Whmanic spir. Photograph: Quique PalomoLike the bgraphy, offers a portra of what Gibson lls Lor’s “spir of generosy” and his fence of the margalised and fotten, be they women, black people or those who, like the poet himself, are gay.

*BEAR-MAGAZINE.COM* GAY POET

Words of a gay poet, as old as India's Inpennce, heal.

TOP