Gay Lerature: Poetry and Prose | Oxford Rearch Encyclopedia of Lerature

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9 LGBT POETS TO KNOW AND LOVECELEBRATG THE GREAT LGBT POETS OF THEN AND {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CULTUREBY CODY GOHLSEPTEMBER 25, 2015/12:11 PMBY CODY GOHLSEPTEMBER 25, 2015 / 12:11 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"9 LGBT POETS TO KNOW AND LOVE","DATEPUBLISHED":"2015-09-25T16:11:00.000+0000","DATEMODIFIED":"2015-09-25T16:11:00.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"CODY GOHL","ARTICLESECTN":"CULTURE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR AS LONG AS THERE’S BEEN LANGUAGE, WRERS AND STORYTELLERS HAVE CRAFTED POETRY TO TEASE MEANG OUT OF THE CHAOS. GREAT POETRY REVEALS UNTO S REARS NEW AND PROFOUND TTHS ABOUT LIFE, AND WORKS TO TACKLE THE BIG UNANSWERABL OF LOVE, LOSS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RELATED: 7 INTERNATNAL LGBT ACTIVISTS YOU NEED TO KNOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS ARISTOTLE SO WISELY PUT , "POETRY IS FER AND MORE PHILOSOPHIL THAN HISTORY; FOR POETRY EXPRS THE UNIVERSAL, AND HISTORY ONLY THE PARTICULAR." WHILE NOT ALL POETRY REACH ALL REARS, WHEN THE RIGHT POEM IS READ AT THE RIGHT TIME BY THE RIGHT PERSON, THE EFFECTS N BE TLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOR THOSE LOOKG TO DIG TO SOME NUANCED AND EYE-OPENG POETRY THAT ALS WH QUEER THEM, CHECK OUT OUR LIST BELOW FOR A SMALL SAMPLG OF SOME GREAT LGBT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}1. WALT WHMAN (1819-1892){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A MASCULE SWAGGER, A THICK MANE OF SILVER HAIR AND A MISCHIEVO TWKLE HIS EYE, WALT WHMAN WAS, WHOUT QUTN, THE ORIGAL DADDY BEAR. AND THOUGH, GIVEN THE TIME PERD WHICH HE LIVED, WAS IMPOSSIBLE FOR HIM TO BE FULLY “OUT,” THE BUOYANT POETRY HIS OP LEAV OF GRASS IS LICLY HOMOEROTIC AND SPEAKS EFFIVELY OF THE RICH LOVE SHARED BETWEEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PL, HE’S MORED TO HAVE HAD A SHORT TRYST WH THE MUCH YOUNGER OSR WIL, WHO REFERRED TO WHMAN SIMPLY AS "DADDY." (*GULP*){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WE TWO BOYS TOGETHER CLGG”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE TWO BOYS TOGETHER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE THE OTHER NEVER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UP AND DOWN THE ROADS GOG, NORTH AND SOUTH EXCURSNS MAKG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}POWER ENJOYG, ELBOWS STRETCHG, FGERS CLUTCHG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARM'D AND FEARLS, EATG, DRKG, SLEEPG, LOVG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO LAW LS THAN OURSELV OWNG, SAILG, SOLDIERG, THIEVG, THREATENG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MISERS, MENIALS, PRITS ALARMG, AIR BREATHG, WATER DRKG, ON THE TURF OR THE SEA-BEACH DANCG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CI WRENCHG, EASE SRNG, STATUT MOCKG, FEEBLENS CHASG,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FULFILLG OUR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}2. CHARLOTTE MEW (1869-1928){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH HARDLY A HOEHOLD NAME TODAY, CHARLOTTE MEW MA HER MARK AT THE TURN OF THE TWENTIETH CENTURY AS ONE OF THE LAST GREAT POETS OF THE VICTORIAN ERA. IN LERARY CIRCL OF THE TIME, SHE WAS KNOWN FOR HER DISTCTIVE MASCULE STYLE OF TAILORED SUS, SHORT CROPPED HAIR, HABUAL SMOKG AND A PREFERENCE FOR ARSELY STRONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SHE NEVER EXPLICLY REFERRED TO HER QUEERNS HER POETRY, BUT MANY OF HER POEMS AL WH UNREQUED LOVE, OFTEN OM A MALE PERSPECTIVE. CONTEMPORARY REARS SPECT THIS PALPABLE HEARTACHE OM HER ABILY TO FULLY REALIZE HER QUEER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “ON THE ROAD TO THE SEA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WE PASSED EACH OTHER, TURNED AND STOPPED FOR HALF AN HOUR, THEN WENT OUR WAY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WHO MAKE OTHER WOMEN SE DID NOT MAKE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT NO MAN N MOVE MOUNTAS A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO THIS HARD THG IS YET TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT FIRST I WANT YOUR LIFE:--BEFORE I DIE I WANT TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WORLD THAT LI BEHD THE STRANGENS OF YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE IS NOTHG GAY OR GREEN THERE FOR MY GATHERG, MAY BE,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YET ON BROWN FIELDS THERE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HNTG PURPLE BLOOM: IS THERE NOT SOMETHG GREY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND GREY SEA?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT WHAT WORLD THERE IS BEHD YOUR EY,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I WANT YOUR LIFE AND YOU WILL NOT GIVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}3. FRANK O'HARA (1926-1966){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PROMENT FIGURE OF THE NEW YORK SCHOOL (A GROUP OF ARTISTS NEW YORK CY SPIRED BY ABSTRACT EXPRSNISM, JAZZ AND SURREALISM), FRANK O’HARA DAZZLED THROUGHOUT THE 50S AND 60S WH HIS WILDLY HILAR, URGENT AND PERSONAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}O’HARA INTIFIED OPENLY AS A GAY MAN AND KEPT A WI CIRCLE OF IENDS AND LOVERS, MANY OF WHOM HE EXPRSIVELY PTURED HIS TRAMARK NFSNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “HAVG A COKE WH YOU”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT YOU AND I WOULD RATHER LOOK AT YOU THAN ALL THE PORTRAS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EXCEPT POSSIBLY FOR THE POLISH RIR OCSNALLY AND ANYWAY ’S THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH THANK HEAVENS YOU HAVEN’T GONE TO YET SO WE N GO TOGETHER THE FIRST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THE FACT THAT YOU MOVE SO BETIFULLY MORE OR LS TAK RE OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JT AS AT HOME I NEVER THK OF THE NU DCENDG A STAIRSE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REHEARSAL A SGLE DRAWG OF LEONARDO OR MICHELANGELO THAT ED TO WOW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WHAT GOOD DO ALL THE REARCH OF THE IMPRSNISTS DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN THEY NEVER GOT THE RIGHT PERSON TO STAND NEAR THE TREE WHEN THE SUN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OR FOR THAT MATTER MARO MARI WHEN HE DIDN’T PICK THE RIR AS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;} SEEMS THEY WERE ALL CHEATED OF SOME MARVELO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHICH IS NOT GOG TO GO WASTED ON ME WHICH IS WHY I AM TELLG YOU ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}4. REALDO ARENAS (1943-1990){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BORN AND SCHOOLED CUBA, THE LIFE OF QUEER POET REALDO ARENAS WAS A LIFE MARKED BY TRAGEDY. IN THE 60S, AS HE SERVED AS EDOR AND JOURNALIST FOR A SLEW OF LERARY MAGAZ HAVANA, HIS OPENLY GAY LIFTYLE RAN DIRECT OPPOSN TO THE COMMUNIST REGIME OF THE UNTRY, RULTG HIS IMPRISONMENT 1974 FOR “IOLOGIL VIATN."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WAS PLACED THE NOTOR EL MORRO CASTLE ALONGSI VLENT RAPISTS AND MURRERS, WHERE HE MANAGED TO SURVIVE BY HELPG MAT WRE LOVE LETTERS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONCE HE PED TO THE UNED STAT 1980, HE WROTE PROLIFILLY OF HIS EXPERIENC CUBA, PRODUCG POETRY THAT WAS RAW AND LARGELY TOBGRAPHIL. ARENAS NTRACTED AIDS 1987 AND EVENTUALLY MTED SUICI {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “AS LONG AS THE SKY WHIRLS: FOR LáZARO GóMEZ”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE MY REMPTN AND MY DOOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MAGIC VISN,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LILY UNRWEAR,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SALVATN AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVERY NIGHT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO FERNAL ULD BE A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE I HAVE TO TAKE RE THAT THAT WOULD NOT HARM YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NO JOY WOULD GO BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BEE SOME WAY I HAVE TO REVEAL TO YOU,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU WILL BE THE TTH OF MYSELF,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SONG AND THE VENOM,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DANGER AND THE ECSTASI,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE VIGIL AND THE SLEEP,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DREAD AND THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS LONG AS THE SKY WHIRLS . . . BUT PERHAPS THE SKY WHIRLS?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL: AS LONG AS THE SKY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}5. EILEEN MYL (B. 1949){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOVG OM BOSTON TO NEW YORK 1974 TO “BE A POET,” EILEEN MYL HAS SCE STAKED HER CLAIM AS ONE OF THE MOST PROLIFIC AND PELLG POETS WRG TODAY. HER VERSE, SPANNG OVER TWENTY VOLUM OF POETRY, FICTN AND NONFICTN, IS ELECTRIC S IMMEDIACY, AND OFTEN FOC ON HER RELATNSHIPS WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MYL HAS BEEN THE RECIPIENT OF UNTLS AWARDS AND FELLOWSHIPS, NOTABLY THE LAMBDA BOOK AWARD ( 1995, 1998 AND 2011), WHICH HONORS AND CELEBRAT LGBTQ FOCED WORK AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “DEAR ANDREA”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I LOVE YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DON’T F*CK UP MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I N’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FISTED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT WAS GREAT. {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}6. RICHARD BLAN (B. 1968){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}INTIFYG OPENLY NOT ONLY AS A GAY MAN, BUT ALSO AS AN IMMIGRANT AND A CUBAN-AMERIN, POET RICHARD BLAN’S WORK GRAPPL WH THE TENSN THAT WH ASSUMG INTI THAT OFTEN N DIRECT NFLICT WH ONE ANOTHER. HIS VERSE IS STRAIGHTFORWARD AND HONT, RELYG ON NARRATIVE OVER METAPHOR TO MENT ON THE PLITED NATURE OF INTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT IS PERHAPS BEE OF THIS FOC THAT BLAN WAS CHOSEN TO SERVE AS THE GURAL POET AT PRINT BARACK OBAMA’S SEND GURATN 2013. THIS MA HIM THE FIRST LATO, THE FIRST IMMIGRANT AND THE FIRST OPENLY GAY PERSON TO EVER DO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM “SCE UNFISHED”:{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I’VE BEEN WRG THIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE WOMAN I SLEPT WH THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF MY FATHER’S WAKE, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MY GRANDMOTHER FIRST LLED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A FAGGOT AND I SAID NOTHG, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I FAVE HER AND MY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PRSED HARD AGAST {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON THE DANCE FLOOR AT TWIST, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YEARS SPENT WH A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND MEN I KNEW I ULDN’T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}7. TRACE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TRACE PETERSON, A POET AND TOR, IS AT THE FOREONT OF THE CHARGE TO CREASE TRANSGENR REPRENTATN AND VISIBILY POETRY. A TRANSWOMAN HERSELF, PETERSON WILL BE TEACHG THE FIRST EVER URSE TRANSGENR POETRY THIS FALL AT HUNTER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE URSE, NOT UNLIKE PETERSON’S OWN POETRY, WILL AIM TO LIFT DISCSNS OF TRANS INTY OUT OF THEORY AND METAPHOR AND BRG DOWN TO THE REAL LIVED EXPERIENC OF TRANS INTIFIED WRERS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A READG OF HER POEM "AFTER BEFORE AND AFTER":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}8. ANDREA GIBSON (B. 1975){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANDREA GIBSON, WHO ALSO GO BY ANDREW, IS AN AWARD-WNG POET AND ACTIVIST WHOSE WORK FOC ON GENR NORMS, LGBTQ ISSU AND SOCIAL REFORM, AS WELL AS THE BROAR TOPICS OF LOVE AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THEY’VE GAED NOTORIETY OVER THE LAST FOR THEIR STIRRG SPOKEN WORD PERFORMANC, WHICH BRG TO LIFE THE LORFUL IMAGERY AND EXUBERANCE OF THEIR POETRY WH AN EMBOLNG FEARLSNS. THEIR WORK HAS BEEN REGNIZED NSISTENTLY AT THE NATNAL POETRY SLAM AND THE SUCCS OF THE CHAPBOOKS THEY’VE RELEASED WH WRE BLOODY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF THEIR POEM, “MAYBE I NEED YOU”:{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}9. DANEZ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH A SLEW OF SLAM POETRY PETNS AND WRG FELLOWSHIPS UNR HIS BELT, DANEZ SMH HAS TABLISHED HIMSELF AS AN EMPOWERG VOICE FOR YOUNG QUEER BLACK MEN. HIS POETRY IS TENSE, TACKLG ISSU OF RACIAL DISCRIMATN AND HOMOPHOBIA WH A POIGNANCY THAT MAK EVEN HIS MOST SPERATE PLEAS RG WH A ROUNDG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PERFORMANCE OF HIS POEM, "DEAR WHE AMERI":{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

What Is the Grass thor Mark Doty and Pulzer Prize wner Jericho Brown discs the gay poet's legacy. * gay poet *

And though, given the time perd which he lived, was impossible for him to be fully “out, ” the buoyant poetry his op Leav of Grass is licly homoerotic and speaks effively of the rich love shared between, he’s mored to have had a short tryst wh the much younger Osr Wil, who referred to Whman simply as "Daddy. Contemporary rears spect this palpable heartache om her abily to fully realize her queer passed each other, turned and stopped for half an hour, then went our way, I who make other women se did not make you--But no man n move mountas a this hard thg is yet to first I want your life:--before I die I want to seeThe world that li behd the strangens of your ey, There is nothg gay or green there for my gatherg, may be, Yet on brown fields there liA hntg purple bloom: is there not somethg grey skiAnd grey sea? O’Hara intified openly as a gay man and kept a wi circle of iends and lovers, many of whom he exprsively ptured his tramark nfsnal you and I would rather look at you than all the portras the worlxcept possibly for the Polish Rir ocsnally and anyway ’s the Frickwhich thank heavens you haven’t gone to yet so we n go together the first timeand the fact that you move so betifully more or ls tak re of Futurismjt as at home I never thk of the Nu Dcendg a Stairse orat a rehearsal a sgle drawg of Leonardo or Michelangelo that ed to wow meand what good do all the rearch of the Imprsnists do themwhen they never got the right person to stand near the tree when the sun sankor for that matter Maro Mari when he didn’t pick the rir as refullyas the horse seems they were all cheated of some marvelo experiencewhich is not gog to go wasted on me which is why I am tellg you about 4.

In the 60s, as he served as edor and journalist for a slew of lerary magaz Havana, his openly gay liftyle ran direct opposn to the Communist regime of the untry, rultg his imprisonment 1974 for “iologil viatn. ~Ross Gay is the thor of four books of poetry: Agast Which; Brgg the Shovel Down; Be Holdg, wner of the PEN Amerin Lerary Jean Ste Award; and Catalog of Unabashed Gratu, wner of the 2015 Natnal Book Crics Circle Award and the 2016 Kgsley Tufts Poetry Award. Bt LGBTQ Poems1 I Sg the Body Electric by Walt Whman2 A Lany for Survival by Audre Lor3 Poem about My Rights by June Jordan4 The Aureole by Nikky Fney5 What Kd of Tim Are The by Adrienne Rich6 One Girl by Sappho7 A Lady by Amy Lowell8 Homosexualy by Frank O’Hara9 The Lyric In a Time of War by Eloise Kle Healy10 Who Said It Was Simple by Audre Lor11 FAQS.

“I’m gay likealmostlike lipslike the closet is cracked openbut some days I have to walk myself put my bt femme forwardat the job terview, the mega-b statn, my grandpa’s funeral I’m gay likeevery time I ll myself gaythe men my life take upon themselv to saywell what about ben, what was that then? I’m gay like my only straight iend jt me outShe said she would’ve known sooner if not for the folks always photoshoppg her weddg picturAnd I’m gay like my girliend n build heaven wh her left handI’m the clost she to touchg relign.

ROSS GAY

Poems & More for LGBTQ Pri Month - June is Pri Month, an annual celebratn memoratg the 1969 Stonewall Rts, which took place New York Cy and lnched the lbian, gay, bisexual, transgenr, and queer rights movement the Uned Stat. Pri Month is also a time to honor the many ntributns of LGBTQ dividuals. Explore the rich tradn of LGBTQ poets and poetry through a showse of d, vio, poetry, and prose. * gay poet *

Love and War is out now on Ast, and all the plac podsts FROM FORBESWhy This Charmg Gay Fairytale Has Been Lost For 200 YearsBy Jamie WarehamMORE FROM FORBESHow To Be An Asexual Ally: Learn Why Some Asexual People Have Sex (And Accept That Most Don't)By Jamie Wareham.

He was one of the most acplished poets of the 20th century, but WH Aun was emed unsuable for the role of poet lreate after wrg a “filthy” pornographic poem that would “brg disgrace” on the Heath, the Conservative prime mister, was told 1972 that Aun - prevly scribed by officials as “probably the bt poet” alive - had wrten “utterly revoltg” vers about gay sex, meang that together wh his cisn to bee an Amerin cizen he should be led out. Bisexualy has been viewed wh gay studi as distct om homosexualy, and bisexuals have found themselv exclud om gay events and anizatns although a great many “gay ins” om Socrat to Shakpeare to Osr Wil were married and fathered children.

The word “homosexual” was, fact, created the late neteenth century as an English equivalent for German Homosexualtät, which first appeared prt 1869 a pamphlet argug agast the Pssian legal that prcribed punishments for men who engaged same-sex relatns. The neteenth-century homosexual beme a personage, a past, a se history, and a childhood, addn to beg a type of life, a life form, and a morphology, wh an discreet anatomy and possibly a myster physlogy. Adoptg his posn, crics have argued, for example, that Walt Whman and Osr Wil (1854–1900) were not, strictly speakg, homosexuals, at least the sense that medil and psychologil tablishments unrstood that “ndn” or “speci” the twentieth century.

THE UNTOLD GAY HISTORY OF BRA’S FIRST WORLD WAR POETS REVEALED

One of the reasons we’re able to unrstand, wh such vivid knowledge, what life was like durg WW1 is thanks to some great poetry. But did you know some of the most famo war poets were revere gay, bi and queer? * gay poet *

Whether the dividual is born homosexual or his or her homosexual sir are socially nstcted, is clear that medi-scientific theori of homosexualy as a curable disease were an ventn of the late neteenth and early twentieth centuri. If the play were wrten now, one might expect Brick to abandon Maggie, but as wrten by Williams, who was homosexual, the oppose happens, and the play ends “happily” when Maggie announc that she is pregnant. One rells thgs as var as Ernt Hemgway's dismissive attu toward homosexuals his books, the “pansi” played for lghs Hollywood films of the 1920s and 1930s, and Hart Crane's joyo announcement—havg, he believed, fallen love wh a woman—that he was not homosexual after all.

ROSS GAY

Ross Gay was born Youngstown, Oh. He earned a BA om Lafayette College, an MFA Poetry om Sarah Lawrence College, and a PhD English om… * gay poet *

Although Amerin lerature the first two-thirds of the twentieth century almost always impli the medi-scientific fn whenever homosexualy enters the text, Whman had his own succsors, om Bliss Carman (1861–1929) and Richard Hovey (1864–1900) to Marsn Hartley (1877–1943) to Langston Hugh (1902–1967) and Gerr Lansg (b. Hallock vtigat one pecially tense relatnship his bgraphy of Fz-Greene Halleck (1790–1867), The Amerin Byron (2000), whom he views as a homosexual drawn to the younger poet Joseph Rodman Drake (1795–1820).

Sedgwick se Jam as a homosexual who rarely alt openly wh male timacy but whose work foc on “homosocial” (her term) suatns that occur when, for example, two men stggle for the attentn of a woman; emotns are directed by each man more strongly toward his petor than toward their shared object of sire. Although Sedgwick nsirs Billy Budd to be suffed wh homosexual sir, she pots out that there is only one homosexual the morn sense the story: Claggart, who has the self-loathg of those who have ternalized homophobia, and who is “praved bee he is, his sir, a pervert, ” or “homosexual” (Sedgwick, 1990, p.

The many homosexual Amerin poets the early twentieth century who were athet clud Amy Lowell (1874–1925), Wilbur Unrwood (1876–1935), Donald Evans (1884–1921), Gee Sylvter Viereck (1884–1962), John Gould Fletcher (1886–1950), Clark Ashton Smh (1893–1961), and Samuel Greenberg (1883–1917), whose poems Hart Crane emulated his own early work. That year he published his most popular novel, The Hoe of the Vampire, which vampirism is a for homosexualy, and Neveh and Other Poems, much of which volv sexual passn of a thoroughly f--siècle stamp.

POEMS / GAY POEMS - THE BT POETRY ON THE WEBNEWTMARIA MORISOT   FOLLOWON JUL 16 2023 07:59 PM PST  RAISG NOAH'S FLAG

Poems about Gay at the world's largt poetry se. Ranked poetry on Gay, by famo & morn poets. Learn how to wre a poem about Gay and share !" name="scriptn * gay poet *

Viereck knew Magn Hirschfeld (1868–1935), an early German “sexologist” and fenr of male-male love, and based Children of Lilh on Hirshfeld's fn of homosexualy as a “transnal sex, ” mergg the mascule wh the feme. Public attus toward homosexuals are suggted by an cint the early 1940s when John Crowe Ransom (1888–1974), who had accepted a poem by Robert Dunn (1919–1988) for the Kenyon Review, whdrew his offer after Dunn published an say another journal on homosexualy.

Ransom plimented Dunn for havg taken such a bold stand—although actually the say is impartial, argug that homosexualy is no better, if no worse, than any other kd of life—but sisted that the poem schled for the Review might now be read as “homosexual advertisement” (Faas, 1983, p. Astonishg though Ransom's act seems today, homosexualy at this time was still treated throughout the untry as crimal behavr, and until 1973 was nsired a mental disorr by the Amerin Psychiatric Associatn. Stt Fzgerald (1896–1940), but the evince is slight, and any se, a lerature domated by Ezra Pound (1885–1972), William Flkner (1897–1962), and Eugene O'Neill (1888–1953), gay and lbian ncerns had ltle room.

1928), and William Inge (1913–1973), and highly regard novels wh homosexual them and suatns, such as Two Ser Ladi (1943) by Jane Bowl (1917–1973), The Member of the Weddg (1946) by Carson McCullers (1917–1967), The Cy and the Pillar (1948) by Gore Vidal (b.

JOHN GAY

Poet and playwright John Gay was born Devon to an aristocratic though impoverished fay. Unable to afford universy, Gay went to London to… * gay poet *

The so-lled School of Boston, which provid one of the avant-gar's rpons the 1960s to the mastream works of Robert Lowell (1917–1977) and Sylvia Plath (1932–1963), was almost entirely gay, cludg such poets as John Weers (1934–2002), Gerr Lansg, and Stephen Jonas (1920–1970). The gay liberatn movement and the gradual public awarens that homosexualy was not the disease the psychiatric tablishment had claimed led to a luge of “g-out” stori, which the thor narrat her or his progrs om “the closet” to an open life as a gay woman or man.

GAY POETRY BOOKS

In Washgton, Ms. Pratt helped lead gay and lbian activism the 1980s. * gay poet *

Numero anthologi of gay wrg—Stephen Coote's The Pengu Book of Homosexual Verse (1983), Carl Morse and Joan Lark's Gay and Lbian Poetry Our Time (1989), and Edmund Whe's Faber Book of Gay Short Fictn (1991), to ce three of the most rpected—prent no evince that “gay wrg” is sentially more than wrg about gay life.

1965), refully documents a range of poetic tradns om the formalist to the highly experimental whout fdg any that grew om a basilly gay athetic: “Of urse there are poems that overtly flnt their sexualy, ” Liu nclus, “but there are so many quieter poems (and poets) who might elu the most fely tuned gaydar [sensivy to others' gay inty]. The thirty-two years that separate Isherwood's and Holleran's books were so fired wh crisis—the gay liberatn movement and then AIDS—that the fundamental flaw homosexual culture, namely, that has been profoundly a culture for and of the young, has not received as much attentn as should. Melville's isolato exemplify Emersonian self-reliance, but homosexualy Isherwood's and Holleran's works is seen all too accurately as a re of passage to a dimished sexual and emotnal matury that no culture should wish on s members.

The homophobia wh which early wrers had to battle has certaly not vanished, remag some parts of the untry as vilent and vlent as ever, but elsewhere gay life and valu have been tegrated to so much of the culture at large that they have often ceased to operate as an opposnal force.

GAY LERATURE: POETRY AND PROSEGAY LERATURE: POETRY AND PROSE

Books shelved as gay-poetry: Csh by Richard Siken, Physil by Andrew McMillan, Prelu to Bise by Saeed Jon, bury by Sam Sax, and Slow Lightn... * gay poet *

Gay is the thor of four llectns of poetry: Be Holdg (Universy of Ptsburgh Prs, 2020); Catalog of Unabashed Gratu (Universy of Ptsburgh Prs, 2015), wner of the Natnal Book Crics Circle Award and the Kgsley Tufts Award; Brgg the Shovel Down (Universy of Ptsburgh Prs, 2011); and Agast Which (Cavankerry Prs, 2006). "The 17-Year-Old & the Gay Bar" by Danez Smhthis g-heavy heaven, blsed ground to thk gay & mean the fake id & the bouncer who knewthis need to be need, to belong, to know howDanez Smh is the thor of [sert] boy and Don't Call Us this poem full here. A history lson: A faggot is a bundle of sticksOrigally ed as kdlg for fir that engulfed gaysWhen they were burned at the stake, people were firewoodBut Mos me across wood on fire and saw God , What is a burng bh but bundl of branchOn fire, isn't funny how faggots and God n look the same sometim?

GAY

Edward Heath was told poet should be led out over ‘utterly revoltg’ vers about gay sex and Aun’s cisn to be an Amerin cizen * gay poet *

The double meang wh body and “boy” is clever and the acronym wh the poem metaphorilly speaks to the plights of a trans bo’y wak upthe bo’y looks at selfthe bo’y notic somethg missgthere is both too much and not enough flh on the bo’ythe bo’y is vered hairwhat a hairy bo’ysome mak look more like a bo’ysome mak look more like a monsterthe bo’y did not learn to shave om s fatherso tght self how to graze s sk and cut thgs offthe bo’y cuts self by accintthe blood remds the bo’y is a bo’yremds the bo’y how a bo’y bleedsremds the bo’y that not every bo’y bleedsthe bo’y talks to a girl about bleedgshe explas how this bo’y worksthis bo’y is different om hersbo’y has too much and not enough flh to be herthe blogy of a bo’y is jtbo’y will only ever be a bo’ythe bo’y is Blackso the bo’y is and will only ever be a bo’ythe bo’y uldn’t be a man if triedthe bo’y triedthe bo’y feels emptythe bo’y feels like will only ever be emptythe bo’y feels that will never hold the weight of another bo’y si of no matter how many ds f si the bo’ythe bo’y is a hollow fa attempts a nvcg veneerbo’y drs — what hips on the bo’ybo’y pats s face — what lips on the bo’ybo’y adorns self wh labels wrten for lovelier amwhat a betiful bo’ystill a bo’ybut a fierce bo’y nowa royal bo’y nowa bo’y worthy of beg lled queenwhat a dazzlg seto turn a bo’y to a lie everyone lov to look atthe bo’y looks at selfthe bo’y se all the gawkg at s glossthe bo’y hears all the mass askg for s missgthe bo’y offers all of s letters— ‘ b ’ for the birth— ‘ o ’ for the operatn— ‘ y ’ for the lack left s genwhat this bo’y would abandonfor the risk of  beg realthe bo’y is realenough and too muchexistg as s own erasure— what an elive d —evadg removalavoidg regnnleavg jt a bo’ythat is never lostbut n’t be found2"Dear Gaybashers" by Jill McDonoughMIGUEL SCHINCARIOL/AFP/Getty ImagWrten 2014, “Dear Gaybashers” by Jill McDonough is a mt-read for everybody, but pecially those who thk their tnts and jabs will sre off the LGBTQ+ muny om livg and lovg their life.

3“Gay Pri Weekend” by Brenda ShghnsyThis LGBTQ+ poem by Brenda Shghnsy touch on an experience she had wh a lover and discs how they’re brought together by their past trmas and how wonrful is to be out, loud, and proud.

WORDS OF A GAY POET, AS OLD AS INDIA'S INPENNCE, HEAL

* gay poet *

4“The 17-Year-Old and the Gay Bar” by Danez SmhDanez Smh’s LGBTQ+ poem about a 17-year-old a gay bar tells the story of feelg like you belong, and feelg like they mt be heaven to have found others like them and to be g-heavy heaven, blsed ground to thk gay & mean the fake id & the bouncer who knewthis need to be need, to belong, to know howa man taste full on vodka & ee of s. 9"A Queerifitn" by Regie CabiDANIEL MIHAILESCU/AFP/Getty ImagAnother excerpt, this piece om “A Queerifitn” preach acceptance, inty, and that scriptns like 'queer' really don't mean anythg the bigger me shift me transgrs me tell my stunts i’m gay tell chick fil a i’m queer tell the new york tim i’m straight tell the mail man i’m a lbian tell amerin airl i don’t know what my genr is like melikg youlike summer blockbter armrt datarmrt cematic loveelbow to forearm the dark humor me queerly fill me wh lghter make me high wh queer gas prs me om centuri of spanish quisn& self-righteo judgment10"Exclively On Ven" by Trace PetersonHere’s an excerpt om Trace Peterson's “Exclively on Ven.

Both the doctor and the patient are the same age, both are gay, and the poem is an credible look at the emotnal attachment between the two men, both as patient and doctor, and as gay day, I drew his blood, and while I didHe lghed, and said I was his girliend now, His blood-brother.

Ross Gay - Ross Gay is the thor of Catalog of Unabashed Gratu (Universy of Ptsburgh Prs, 2015), wner of the Natnal Book Crics Circle Award and the Kgsley Tufts Award. * gay poet *

That shop was owned by John Mzel, a member of the queer anarchist llective that published Fag Rag, a gay liberatn newspaper that ran om 1971 to 1987, and whose tersectnal mix of ee sex and polics was Whmanic spir.

Photograph: Quique PalomoLike the bgraphy, offers a portra of what Gibson lls Lor’s “spir of generosy” and his fence of the margalised and fotten, be they women, black people or those who, like the poet himself, are gay. 95) / Number of pag 288 / Publitn date Febary 12, 2019 / ISBN 9781616207922Purchase: Algonqu / IndieBound / Bookshop / Powell'sFrom the Publisher: The New York Tim btsellg book of says celebratg ordary lights the world around by one of Ameri's most origal and observant wrers, award-wng poet Ross Gay. The remarkable piec serve as a powerful and necsary remr that we n, and should, stake out a space our liv for & Reviews“Ross Gay’s eye lands upon wonr at every turn, bolsterg my belief the untls small miracl that surround .

Gay, an award-wng poet, knows the value of formal nstrat: his experienc of ‘light, ’ rerd daily for a year, vary wily but yield revealg patterns through sights about everythg om nature and the body to race and masculy.

Gay Poems - Gay Famo Poems om * gay poet *

’” —The New Yorker“Ross Gay’s poems are ltle celebratns of joy, and this book of mi-says—each centerg around a particular 'light, ’ om sleepg your cloth to plantg tomato seedlgs to the nod of greetg between the only two black people a room—is a pure balm for your soul.

It’s filled to the brim wh spir and the temporal allegiance wh dails that abis at the root of mortaly and spirual practice alike…In Gay’s ecumenil view, light is found the poignant and the lovg, the light and the shadows, and the tentnal procs of tung to all the plac — expected and unexpected — where may ri.

His lights are wi-rangg and unrtraed, the greater of them often terpted by smaller on a cha of digrsns…Throughout the llectn, Gay’s voice is imable, his says as particular as a fgerprt…Stamped wh their own rhythm and equency, each say is equally thoughtful, gent, and tertg…Gay’s says sparkle wh charm, w, and lgh-out-loud funny bs jostlg cheek and jowl agast chatologil exploratns and philosophil ncerns. " — Orn"Everyone uld e a b more light their days (particularly durg the doldms of wter) and Gay, who is the wner of the NBCC Award for Poetry, is here to provi jt that, wh says celebratg everythg om air quot to ndy wrappers to pickup basketball gam. " — BookPage"The Book of Delights rtor pleasure as a se of ser thought and, even more, as a mo quiry self, while Gay’s wholome (but never sacchare) voice nvc that a mo of quiry, a way of thkg, too, n be a pleasure self.

John Gay, English poet and dramatist, chiefly remembered as the thor of The Beggar’s Opera, a work distguished by good-humoured satire and technil assurance. A member of an ancient but impoverished Devonshire fay, Gay was ted at the ee grammar school Barnstaple. He was * gay poet *

—Tayari Jon, btsellg thor of An Amerin Marriage“What I love most about the lights is how Ross Gay is able to e as ltle language as possible to populate a world where his memori are your memori, tertwed, reachg out of the pag. ” —Pam Hoton, thor of Contents May Have Shifted “Ross Gay is back to remd , a voice raspily ftooned wh bank shots and flowers and ndy and garlands of diamond-sharp sancti, that light is always l om wh. ” —Elizabeth Alexanr, btsellg thor of The Light of the World“What I love most about this book, and what I love about so much of Ross Gay’s work, is that gently nudg to take note of those small thgs that might otherwise elu our attentn.

*BEAR-MAGAZINE.COM* GAY POET

TOUR — ROSS GAY .

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