Which actors The Wizard of Oz were gay? – AnswersAll

Contents:

• OVER THE RABOW: THE GAY MALE OBSSN WH THE WIZARD OF OZ
• WHICH ACTORS THE WIZARD OF OZ WERE GAY?
• THE ENDURG (GAY?) APPEAL OF 'THE WIZARD OF OZ': MISTER OF CULTURE
• GAY MILLER
• GAY MILLER
• WHAT'S THE GAYT PART OF "THE WIZARD OF OZ"?
• GAY MILLER
• THE ENDURG (GAY?) APPEAL OF 'THE WIZARD OF OZ': MISTER OF CULTURE

OVER THE RABOW: THE GAY MALE OBSSN WH THE WIZARD OF OZ

It is, of urse, mon knowledge that Judy Garland is a gay in — beloved and worshiped by gay men of a certa age and class — but what else explas the ubiquo referenc to “Oz” drag performanc and the nam of bars and bs terg to the muny?

WHICH ACTORS THE WIZARD OF OZ WERE GAY?

It would be a mistake to nfe a discsn of The Wizard of Oz to a certa class of gay men, but seekg a pot of orig, there is a domant narrative of queer history which “Oz” and Garland were important parts of a mostly whe, middle-class, urban gay male subculture by the 1950s. The orig of the exprsn “Friend of Dorothy, ” which beme a phrase ed by gay men to intify themselv to each other, is lost to history — may have predated this era, and may not even refer to Garland’s role the movie, but the belief that do is wispread (another possibily is that refers to Dorothy Parker, who was also a iend to gays). Acrdg to “Oz” scholar Dee Michel, who is wrg a book on “Oz” and gay men, there are certa beliefs about the film and the LGBT muny that persist spe of a lack of clear historil evince.

“The beliefs, ” he said, “overlap and rerce each other and have bee part of gay folklore, creasg our sense of history and rercg gay inty.

Some disparagg remarks about gay men attendg Garland ncerts were prted reviews the late 1960s.

THE ENDURG (GAY?) APPEAL OF 'THE WIZARD OF OZ': MISTER OF CULTURE

Other prt referenc to “Oz” as an unrground culture shared by gay men seem to show up the 1970s and ’80s, lookg back and attemptg to expla the appeal of the film.

The explanatns often take the form of an intifitn of gay men and others wh a girl om a small muny who is misunrstood by her fay, who is whisked away to a place where she be iends wh characters who seem like they uld be gay men (pecially the Cowardly Ln, who refers to himself as a “sissy” and “dandy ln”).

GAY MILLER

The story beme a metaphor for the real-life dreams and experienc of gay men who left middle Ameri for the gay muni of New York Cy and San Francis, which were analogized to Oz or the Emerald Cy. There is, of urse, also the unique place occupied by Garland among gay ins.

Garland’s stggl seemed to mirror those of gay men at the time, and she was admired for risg above her problems performance, although as she noted herself, she was never able to get over the rabow her life off the stage or screen.

Neverthels, gay folklore and film ntue to tell the story, que possibly imposg the perspective of whe, cisgenr gay male historians on an event that was largely the work of queer and trans people of lor. Ten years later, at the 1979 March on Washgton, acrdg to Michael Bronski, lbian sger Holly Near end her set wh Over the Rabow, llg the gay natnal anthem.

GAY MILLER

The Wiz, a Broadway mil produced by a black gay man and adapted as a film starrg Diana Ross, occupi an important place both black and gay culture, as evinced by the muny-watch parti and Twter rpons to the recent live broadst on NBC. After the suici aths of several young people the fall of 2010, cludg Rutgers Universy stunt Tyler Clementi, crowds gathered for a vigil New York’s Washgton Square Park, wavg rabow-lored glow sticks while openly gay Broadway star Cheyenne Jackson led them sgg Over the Rabow. Over the Rabow: The Gay Male Obssn wh The Wizard of Oz | Joseph Sciambra.

Over the Rabow: The Gay Male Obssn wh The Wizard of Oz.

WHAT'S THE GAYT PART OF "THE WIZARD OF OZ"?

Early on, durg my first ial days wh the gay culture of San Francis, I was bemed by the near reverential treatment paid to the film “The Wizard of Oz. It was a high holy day for gay men San Francis.

GAY MILLER

The atmosphere around the theater was one of a relig procsn; all seemed like harmls fun; but, as wh all public spectacl gay culture – beyond the revelry was always a pervasively tragic overtone. At the time, for myself, was the send wave of gay aths om AIDS: wh the mic om the movie servg as some horrific funeral dirge. Now, so many years later, I perceive the film and the gay obssn wh somewhat differently.

Most remarkably, is the homosexual male intifitn wh Dorothy herself; perfectly embodied by the equally happy and sad Judy Garland – whose untimely ath 1969 advertently sparked the Stonewall Rts. Along wh other glamoro, but ultimately self-stctive screen legends, like Jean Harlow, Joan Crawford, and Marilyn Monroe, gay men saw Garland the mirror for their own manic-prsive reali: feigng a perfect exuberance to the adorg mass while gog home alone and nursg the fterg wounds. Subnscly, I thk most “gay” men realize that homosexualy is sentially a ad end.

THE ENDURG (GAY?) APPEAL OF 'THE WIZARD OF OZ': MISTER OF CULTURE

Remds me of the strobg lights, imprsive sounds, and pyrotechnics at the San Francis “gay” dance clubs, or on a larger sle, at a Madonna ncert. Furthermore, the three characters of the Srecrow, the T-man, and the Cowardly Ln, are also metaphors for the gay male fantasy: of fdg their perfected selv; nstantly dogged by a feelg of aquacy and missgns, that is forever and unntrollably throwg before your ey a sensatn that you are lackg; though cintly, as the characters fally fd out – was not wantg at all, but was wh them.