50 Essential Gay Films

Contents:

• 16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
• THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
• 10 GREAT CANADIAN LBIAN, GAY AND TRANSGENR FILMS

16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN

Director Stephen Frears tells The Guardian, “If you’d asked me what was important about the film, I’d have said enomics, sce the homosexual element was really que straightforward. Spoiler alert: Sebastian ed Cathere to lure attractive young men for him to have sex wh, and a group of them killed Sebastian an pecially barbaric the time, the release of a film pend on whether met the standards of the Productn Co (this was before the Motn Picture Associatn of Ameri's ratg system) and the film was approved to pict Sebastian as gay only "sce the film illtrat the horrors of such a liftyle, n be nsired moral theme even though als wh sexual perversn. Spoiler alert: One of the women is ed gay and love wh her worker, and thgs don't end well for a box office flop, the movie opened to cril acclaim, and received five Amy Award nomatns and three Goln Globe nods, cludg one for MacLae for Bt (1962)This Brish film, wrten by a woman (Ja Green wh John McCormick), was a repudiatn of that natn's harsh antigay laws.

THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’

The sidns of ernment-sponsored homophobia is at the foreont of the movie, which is revolutnary for s pictn of a bisexual protagonist not to be msed wh; he's the furtht thg om a victim. Midnight Cowboy (1969)This prsg drama om gay director John Schlger stars Jon Voight and Dt Hoffman as htlers who enter to a "plited" bs relatnship while workg the streets of New York.

The film received an X ratg om the MPAA due to s "homosexual ame of reference and possible fluence upon youngsters, " and end up beg the only X-rated film to w the Bt Picture Amy Award. The homosexualy was more implied than featured -- the relatnship between Voight and Hoffman is not what you'd ll passnate -- but there is a memorable scene wh Voight beg serviced by a young man at a movie theater. You n cred gay director John Schlger for that; y, the same John Schlger who directed the ld Midnight Cowboy and the absolutely rid Madonna vehicle The Next Bt Daniel Day-Lewis, then a teenager, has a small, uncreded role.

10 GREAT CANADIAN LBIAN, GAY AND TRANSGENR FILMS

Wrten by mored lovers Stephen Sondheim and Anthony Perks (that would be the famo poser and the star of Psycho), The Last of Sheila lifted a mpy veil on the gay athetic that remas so tegral to Trouble (1974)For any lennial unfaiar wh out wrer-director John Waters: Shame on you! The movie attacked every Amerin nventn (for example, an obe nt played by Edh Massey repeatedly tri to nvce her straight nephew to go gay bee "If they're smart they're queer, if they're stupid they're straight") Cage x Foll (1978)This French-Italian film about a middle-aged gay uple, Renato (Ugo Tognazzi) and Alb (Michel Serrlt), who try to pose as straight to w over their son's fiancee and her nservative parents, walked the tightrope between homage and stereotype -- the gay characters were over-the-top but still lovable (pare that to The Boys the Band). Cast a few top-shelf gay ins there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playg Joan Crawford — and pecially have them reparteeg bchy l tearg each other to piec, and have an athetic that’s outre and unironilly mp, and you’ve got the wng-formula starter-pack for somethg licly fabulo and queer, even if not by tentnal sign.

But settg a precent for movi now nonized by gay culture that don’t technilly have any (non-d, anyway) gay characters were some of Hollywood’s most all-time legendary actrs: Bette Davis “All About Eve” ma “’s gog to be a bumpy ri” an idmatic quip, while Elizabeth Taylor then ma Bette Davis’ “what a dump” even more inic aga the openg le of “Who’s Aaid of Virgia Woolf, ” livered while gnawg down on a chicken wg. Ed Bianchi’s 1981 “The Fan, ” meanwhile, livered perhaps the greatt gift to gay film fans of a certa era stg Lren Ball as an agg actrs stgglg to hold onto her legacy while beg stalked by, what else but, a psychotic gay fan. Films like “9 to 5” and “Steel Magnolias” keep ptivatg bee their sts are all top-to-toe, inic-among-the-gays women who n duce tears and lghs and shout unfettably quotable l the same scene.

There’s also, of urse, the trend many of the movi of men beg huiated and based — somethg the gay mal the dience love to partake — leavg our inic women wh all the chips the end and whom we n leave the theater rootg for. But even if you thk everyone the film is heterosexual, s gay appeal is unniable, wh an in like Davis the lead, geo stum, and all of the lightfully bchy snark between the magnificent actrs.

Why ’s gay: Ameri’s arguably greatt director is normally regard as heteronormative (Wterns, war films, John Wayne, Amerin history), but his work is full of subtextual gay tert, rarely as much as here. Why ’s gay: Beyond s possible cln bee of the bare-chted Holn — a 1950s Hollywood beefke, seen here ep to his reer — what is notable is a possible alternative terpretatn of two female characters. From the tfight the powr room to the over-the-top dialogue to the jaw-droppg mil numbers and not one but two montag that serve as md-bogglg time psul of the ’60s, the film is so outrageo that spired generatns of gay viewers to scream, “Sparkle, Neely, sparkle!