20 Gay Greek Gods

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Contents:

20 GAY GREEK GODS

A biblil perspective of the myths surroundg homosexualy, cludg: 10% of the populatn is gay, people are born gay, J said nothg about homosexualy, and gay teen suici rat. * gay mythologies *

Above: Enrique Simo, El Juic Paris (1904)ErosWhile the bt-known myths of Eros pict the son of Aphrode as a fertily god -- the versn that proved spiratnal to the popularized Roman god Cupid -- later Greek myths portrayed Eros as one of several wged erot, and the one regard as a protector of homosexual culture, acrdg to rearch the scholarly book Among Women: From the Homosocial to the Homoerotic the Ancient World. Its mercial succs led to a 1959 sequel, Hercul Hendrick Goltzi, Farne Hercul, 1592A perfect partg shot of Goltzi's etchg of the ancient Roman statue known as the Farne Hercul, which had been disvered the Baths of Caralla Rome 1546 and stalled a urtyard of the Farne fay's palace on the banks of the is not one thg about this etchg that is not supergay, om the credible renrg of the mcl to the morn-day queens peerg up om the right to the astoundgly phallic (uncut as well) pediment that Hercul rts on. Tags: achill, the song of achill, patrocl, patrochill, tsoa, mythology, greek, male ler, greek mythology, quote, song of achill, gay, book, lgbt, ancient greece, history, iliad, lgbtq, love, athetic, classics, dark amia, homer, quot, achille, books, greece, mimal, the iliad, trojan war, amia, ancient, book quote, classic art, ttagere, greek myth, hero, lerature, myth, odyssey, pottery, socrat, study, the illiad, tiktok.

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THE TTH ABOUT BEG GAY ANCIENT EGYPT

Books shelved as gay-mythology: Has and Seph by Eileen Glass, Patron of Mercy by Sam Burns, Open for Bs by Angel Martez, Prisoner of Shadows by... * gay mythologies *

GAY MYTHOLOGY BOOKS

Hercul has been the in of alpha-masculty for centuri -- do you know about his gay love life? * gay mythologies *

GAY PHILIPP: QUEER CULTURE, LOL LIFE, AND WHAT YOU SHOULD KNOW! ??

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WHY THIS CHARMG GAY FAIRYTALE HAS BEEN LOST FOR 200 YEARS

It’s long been prumed by historians and folklorists that heroic LGBTQ characters simply didn’t exist. But when one ancient gay fairytale was disvered, one amic has explas they were actually eded out of history as recently as the 1960s. * gay mythologies *

10 ANTI-GAY MYTHS DEBUNKED

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GREEK MYTHOLOGY AS AN ALLEGORY FOR GAY DATG

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ONE TEN: A GAY MYTHOLOGY

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GAY MYTHOLOGIGAY MYTHOLOGI

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GAY HERO OF ANCIENT GREECE

*BEAR-MAGAZINE.COM* GAY MYTHOLOGIES

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class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/books/page-turner"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Roland Barth: Myths We Don’t Outgrow</h1></div><div class="ContentHearAccredatn-lfctVB cKRKZx ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/mar-roth">Mar Roth</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2012-04-18T08:47:52-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">April 18, 2012</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN iEWtkN article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Roland Barth Myths We Dont Outgrow" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div></figure></div><p>Perhaps the bt way to unrstand what drove Roland Barth, then a thirty-ne-year-old profsor of lerature, to beg wrg the seri of short says later published as “Mythologi” is to take a brief glance at the myth of the supposedly nt fluence of French theory on Amerin tellectual life. “He’d met Roland Barth, at a dner party, and been nverted, over ssoulet, to the new fah,” go a le about a Brown semtics profsor Jefey Eugenis’s recent novel, “The Marriage Plot.” It’s a sentence that both scrib and reënacts the myster procs by which an sayist and lerary cric who would have “terrogated” that dish of duck fat, beans, and ssage, mandg to know what thought was dog at his dner party, somehow me to be seen as jt another aspect of the stereotypil Frenchns he’d set out to unmask as a reprsive d.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Anyone who reads Barth on the myth of steak , or the recip neteen-fifti <em>Elle</em> magaz—“A peasant dish is admted only on ocsn as the stic whim of blasé cy folk”—will immediately unrstand that the Amerin profsor is one more dupe of a nsumer mentaly that leads to haplsly nfe our gastronomic, relig, and tellectual experienc of other cultur. An tert the wrg of a gay profsor of rhetoric, born to a prottant fay on France’s Atlantic seaboard, ought not to be nflated wh a taste for Provençal okg; neher should the lure of French theory be assiated to the grand tourist’s reverence for the mysteri of Notre Dame or Chartr. That is to say, ’s a good thg we still have Barth to help unrstand what’s always at risk of happeng to wrers like Barth.</p><p class="paywall">A <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">new, unabridged edn of “Mythologi,”</a> translated by Richard Howard and Ante Lavers, provis addnal antidot to another stereotype about so-lled French theorists. Ante Lavers’s 1970 translatn clud only twenty-eight of Barth’s origal fifty-three short says, most no longer than two pag, but the entirety of his afterword, “Myth Today.” (In the longer say, he explas how the verage of royal weddgs, sensatnal crim, jet pilots, and famo wrers photographed “on vatn,” set alongsi advertisements for cleang products and food, nstuted a language wh l as dified as those of the classil French theatre he’d studied.) The rat of theory to practice the origal edn uld give the imprsn that Barth was tryg to erect a rigoro social science of semlogil analysis on the rather gzy foundatn of a few photographs, articl, and advertisements that he’d arbrarily selected om <em>Paris Match</em> and <em>L’Exprs</em>.</p><p class="paywall">In fact, “Mythologi” began as a speci of cultural journalism, of which certa blogs (Pl Kgman’s, for example) might be the clost ntemporary analogue. Begng 1954, Barth had been asked to wre a monthly or bimonthly lumn for the Paris lerary magaze <em>Lettr Nouvell</em>, which he did, dutifully, for two years. His attempt to synthize the piec to a larger statement of methodology me later, as Barth reread his own closely observed and documented associatns. The myth—current sce Edmund Burke nounced the Declaratn of the Rights of Man—of French tellectuals bld by their own theori, implicly ntrasted wh the more empiril and procs-driven Anglo-Amerin md, th b the dt, as Barth himself hoped would.</p><p class="paywall">“Mythologi,” like Kgman’s blog, also n be read as a kd of chronicle. Barth ed his platform at the magaze, part, as a way of trackg his tratns wh social and polil landspe of France om 1954 to 1956: a time of creasg middle-class prospery, cidg wh France’s stggle to hold onto s loni North Ai and Southeast Asia, and DeGlle’s attempts to rtore some kd of natnal pri the aftermath of the Send World War. Most worrygly for Barth, the were years that also saw the rise of an explicly anti-tellectual, racist, and populist polil party—the forenner of today’s Front Natnal—head by a former French Air Force pilot, gby player, and gym teacher, Pierre Pouja.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Barth tects elements of <em>Poujadisme</em> the prs’s fondns for ttologi (“bs is bs,” “Race is Race”); the cult of jet pilots (“the jet man is fed ls by his urage than by his weight, his diet, and his habs (temperance, ugaly, ntence)”); and a brief vogue for the hypnotic spectacle of mass Amerin evangelil “csas” (“If God is really speakg through Dr. Graham’s mouth, mt be acknowledged that God is que stupid,” he wr of Billy Graham’s appearance at the Vélodrome D’Hiver, where, thirteen years earlier, thoands of Paris’s Jews had been herd prr to their portatn to Achwz). Barth uld be sthg, or sometim jt tty—and much of the pleasure of readg “Mythologi” om s archly posed anger—but his tentn often seems ls to plore than to unrstand the habs of md that led his untrypeople to rise, open-mouthed, to such ba.</p><p class="paywall">The urge to succumb to the mythic appeal of morn products, cludg policians and celebri, as well as to the stori we e to associate wh them, affected Barth. It tak a certa unabashed enthiasm to beg an say on r sign “I believe the tomobile is, today, the almost exact equivalent of the great Gothic thedrals,” even as he nclus psimistilly that the to dtry has fallen prey to “pet bourgeois annexatn.” His piece on “profsnal” wrtlg—“ is no more ignoble to watch a wrtled performance of Sufferg than the sorrows of Arnulphe or Andromaque”—was a direct fluence on Sontag’s “Not on Camp,” and pretty much every subsequent, ser exaltatn of low or popular arts and culture. When Barth wr of the “impassive anonymo” hero or bastard of the rg, leavg wh a gym bag and his wife on his arm, like a prit packg up after Mass, he tablish a particular tone of genue fascatn that mak see the spectacle and s actors a new way—through style—and also remds that the word “theory” really jt means a way of seeg thgs.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="3h6tu"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="bu8l1"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Contemporary rears will also tect a ht— says like those on Croens and the marketg of margare through an early versn of the “I n’t believe ’s not butter” mpaign—of the current practice of “semtic brand analysis,” when pani hire telligent people, ually wh an unrgraduate background the class Eugenis mak fun of, to expla to them how to crease the appeal of their own brands. Barth may not have looked favorably on what he lled “the domtitn” of the tomobile, but when he not how “the dashboard looks more like the worktable of a morn kchen than a factory ntrol room,” he was articulatg a change that ma rs more acceptable to women and fai, of which the Croen signers themselv may have been only dimly aware.</p><p class="paywall">The legacy of “Mythologi” falls short of the plete smashg of signs, the “semclasm” Barth wished for his 1970 preface—neher he nor anyone else has solved the problem of why certa basic human longgs for eedom, or hero, or cleanls attach themselv so easily to travel guis, bicycle rac, plastics, and lndry tergent. And he probably uld not have anticipated how pletely the very stments of his analysis uld then be adapted to sell even more of those thgs, pecially Europe’s former lonial domas. Yet the says reta a force of example that harn them agast beg read, wh fond nostalgia, as mere articl of an outmod age of cultural cricism. The very ease wh which, as a party game, you n substute “The Tea Party” for “<em>Poujadisme</em>” certa sentenc whout changg the meang very much should be proof that there are certa myths we don’t outgrow, even if the signifiers change. For another generatn ught the idci and ntradictns of s moment, the says reveal how an acutely telligent and sensive md n wre s way through and set s own poise agast them.</p><p class="paywall"><em>Photograph by Ferdando Scianna/Magnum.</em></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="0znh9t"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/mar-roth">Mar Roth</a> is Tablet Magaze’s cric-at-large.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/roland-barth" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Roland Barth</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div 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tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Rereadg Rsian Classics the Shadow of the Ukrae War" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Letter om Tbilisi</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Rereadg Rsian Classics the Shadow of the Ukrae War</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">How to reckon wh the iology of “Anna Karena,” “Eugene Oneg,” and other beloved books.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj 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Some nservativ blame a crisis of masculy, but the problems—and their solutns—are far more plex.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Idre Kahloon</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 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Books of 2022" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">2022 Review</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Bt Books of 2022</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The New Yorker’s edors and crics choose this year’s sential reads fictn, poetry, and nonfictn.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>The New Yorker</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div 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class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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