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class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z" fill="black"></path><path class="in-bookmark-stroke" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z" fill="black"></path></svg></div></a></li></ul></div></div></div><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearLeadWrapper-jYfGAC kBeEbL"><div data-ttid="ContentHearLeadAsset" class="SplScreenContentHearLeBlock-nUOA cwQiEB"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SplScreenContentHearLe-bGywFh gyNssY"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SplScreenContentHearLe-bGywFh gyNssY rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Torr a puter screen and miscellaneo objects." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SplScreenContentHearGrid-kFpOdh fLkIyA"><div class="GridItem-buujkM kHPPIF grid--em"><div class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Torr has an “ethereal, gossamer qualy,” “S.N.L.” ’s Bowen Yang observed.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by David Brandon Geetg for The New Yorker</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this 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class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">There once was a chanlier at the Metropolan Opera who thought that the dience was appldg jt for him. The chanlier fell love wh one of the janors, a man named Roc, and wanted only Roc to change his bulbs. Roc returned the chanlier’s love, but when his boss found out about the affair he was fired. Late one night, Roc broke to the Met and stole the chanlier. They settled to Roc’s apartment, blissful their unn, the chanlier’s light blazg through the wdow onto the street below.</p><p class="paywall">This peculiar romance is not om a magil-realist novel or a quarante fever dream. It’s an ia for a digal short that Jul Torr pched aga and aga at “Saturday Night Live,” where he worked as a wrer om 2016 to 2019. The piece never got ma, bee prented practil problems. The show would need to take over the Met for an eveng. Also, a lot of “Saturday Night Live” sketch are tailored to the celebry gut hosts, and, as Torr said recently, “one of the pivotal flaws ‘The Chanlier’ is that there was no juicy human role.” Many of his rejected ias dwelled the surreal, closer to Ovid or Gabriel García Márquez than to “Dick a Box.” In one, a man go to Heaven and disvers that the angels act like birds, buildg nts and eatg terrifyg, beaky thsts. Another was an mercial for a miature stairse that people n put next to their ears at night, so that their dreams n e out and dance, to prevent headach. Speakg about his unma piec, Torr told me, “I have mourned every loss.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">But the on that ma to air were strange and fanciful enough to earn him a cult followg—rare for a wrer who don’t appear on the show. In “Papys,” Ryan Goslg plays a man hnted by the fact that the movie “Avatar” ed the Papys font for s logo. “Wells for Boys,” a mock Fisher-Price mercial, featur a toy well, meant for “sensive boys” to s bi longgly and wish upon. (“Some boys live unexamed liv,” a voice-over says, “but this one’s heart is full of qutns.”) Torr, who grew up gay El Salvador, wrote “Wells for Boys” wh Jeremy Beiler, who helped shape his abstract ncept to the fake-ad format. “We uldn’t que ppot what was so funny about ,” Beiler told me. “But that to me was a signal that was absolutely worth pursug.” Even Torr’s polil humor had a whiff of fairy tale. The first sketch he got on the air was “Melania Moments,” 2017, which rest the new First Lady as a sort of ptive prcs, gazg out at Fifth Avenue om Tmp Tower and wonrg if a Sixth Avenue exists. (He lost tert Melania’s ner life after she wore the “<em class="small">I REALLY DON’T CARE DO U</em>?” jacket on her way to an immigrant-tentn center.)</p><p class="paywall">Torr, who is thirty-three, is more attuned to the visual world than most edians. His imagatn is a ic synthia, assigng anthropomorphic tras to lors, objects, and sign flaws. Another digal short was spired by a vis to a bland, newly renovated apartment on the Upper East Si. When he ed the bathroom, he was appalled by the ornate green glass sk. “My world was rocked,” he said. “I took, like, thirty pictur of .” At “S.N.L.,” he wrote an ternal monologue for the sk (“Am I too much? Oh, my God. I’m simply too much”) and had the crew return to the apartment to film . That week’s host, Ey Blunt, did the trembly voice-over. “She n play damaged very well,” Torr said.</p><p class="paywall">Last year, Torr left “S.N.L.” to foc on “Los Espookys,” the outré HBO s that he created wh the edian Ana Fabrega and Fred Armisen, a former “S.N.L.” st member. Torr plays the heir to a cholate fortune, who go to bs wh his iends producg ctom horror and gore effects. (In the pilot, a prit hir the gang to stage an exorcism so that he n show up a younger rival prit.) The seri, which is bilgual, premièred 2019; the send season is panmic limbo. Armisen told me that, before he started workg wh Torr, he would ll his iends at “S.N.L.” to ask who was behd certa sketch. “Most of the time, turned out to be Jul,” he said.</p><p class="paywall">Torr has a boyish face, a small, f torso that he flnts on Instagram (his handle is @spaceprcejul), and the self-posssn of an oracle. The “Saturday Night Live” st member Bowen Yang spoke of his “ethereal, gossamer qualy.” Armisen pared Torr’s “outer space” ra to that of the Icelandic mician Björk. In Torr’s HBO special, “My Favore Shap,” which was released 2019, Torr ss on a dreamlike pastel set, and, as small ems e out on a nveyor belt, he narrat their ner thoughts. A pk rectangle wh a chipped rner is “havg a really bad day.” An oval is prone to gazg at s reflectn, “wishg he were a circle.” The nce sounds twee, but Torr’s livery has the matter-of-factns of a child scribg the secret liv of his toys. He appears his space-prce guise: bleached hair, silver jacket, see-through vyl sho. “My favore lor is clear,” he tells the dience, as a repli of Crella’s glass slipper down the track. When he started dog standup edy, he wore only black, but gradually he has expand his palette to clu whe, silver, clear, and blue. His hair functns as a mood rg. When he got melanoma a few years ago, he dyed om whe back to s natural brown, bee, he rells thkg, “blond me n’t handle this.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Standup edy favors mimalism: a bare stage, a microphone, and outfs that range om sual to barely out of bed. Its optil elements are ually limed to wacky props (Carrot Top), bber fac (Llie Jon), or, when the budget allows, arena-rock effects (Kev Hart). But Torr approach edy like an spiratn board. Dcribg an ia for a future special about fabl, he told me, “The set is a garn, and there’s a pond. Maybe there are clouds pated, and then I walk about the garn and talk about the fabl.” He had not wrten any of the fabl. One of his few stylistic antecents is Pee-wee Herman, the antic character played by Pl Rbens, who habed a ndy-lored playhoe. Pee-wee’s hyperactivy matched his visual maximalism, though; Torr has a adpan stillns at odds wh his twk-om-space look. On the “Tonight Show,” he has appeared, unsg, to give Jimmy Fallon suggtns for Halloween stum (“the lost cy of Atlantis”) and Christmas gifts (“a mic box that n only be locked om the si, by the ballera”).</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="wzbef"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5ngs6b"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">I first met Torr late 2019, the pre-<em class="small">COVID</em> world, at his apartment Williamsburg. He had lived there only four months, but the livg room looked art-directed: blue lightg that ma feel like the si of a fishbowl, metallic statement lamps, a wavy sectnal. Torr sat beneath a circular mirror, near a row of lite-lookg ceramic hooks ma by a iend. “I love them, bee, if you were to e them, they would break,” he said. “So, stead of me puttg them through the pa of failg, they’re jt arranged together. They’re like actors, I gus. Fragile ltle thgs.”</p><p class="paywall">Torr wore blue socks, a black shirt, and a sky-prt jacket wh a clear breast pocket, which held a watch. He had worn the watch on his mute to the “Los Espookys” wrers’ room that morng but had taken off to work. (“I n’t thk when I have stuff on my hands.”) The watch, like all three of his wall clocks, was broken. “It’s a symptom of a bigger problem, which is I never know where I’m supposed to be or what I’m supposed to be dog,” he said. He led me to his small office, where the sk was strewn wh spheril dice, an ostrich figure, a squiggly metal brooch. (Squiggly shap, he said, were “a nstant for the time beg.”) “And then you n never have enough of <em>the</em>,” he said, spillg out a che of plastic diamonds left over om Halloween, when he drsed up as a gem mer.</p><p class="paywall">On a sofa was a throw pillow ma of clear plastic filled wh shredd Mylar, signed by someone he had met through Instagram. I remarked that, if Torr were a pillow, he would be this one. “Y,” he said. “Impractil. A pillow by fn, but not executn. A pillow, bee what else are you gog to ll ?”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Los Espookys,” set an unnamed Lat-Amerin untry, is shot Santiago, Chile. The seri origated wh Armisen, who had been thkg about creatg a show Spanish. His mother is Venezuelan, and his fay lived Brazil for a time when he was growg up. “There was a real obssn wh ath,” Armisen relled. “I remember soap operas had a sort of morbid element.” After visg Mexi Cy several years ago, he got terted the Lat goth scene and, drawg on a range of tonal fluenc, om “Tw Peaks” to “The Monke,” me up wh a show about a “Soby-Doo”-type gang that stag horror scen.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Armisen gave himself the part of a mtached valet and brought Torr and Fabrega to wre and star alongsi him. He had imaged one member of the gang beg able to sculpt prosthetics out of cholate. Torr spun the character, Andrés, to a “pouty ltle prce,” and phed the humor to the mystil. In the first season, Andrés has visns of a water mon (played by Torr’s former roommate, the nonbary edian Spike Ebr), who promis to reveal the secret of Andrés’s origs if he agre to watch “The Kg’s Speech.” Fabrega told me that, while the send season was beg wrten, “Jul was, like, ‘I want to have the moon be Andrés’s iend that do him favors.’ And we were, like, ‘O.K.’ ”</p><p class="paywall">Torr dyed his hair midnight blue for the role, “to trick the eye to thkg I’m actg.” (While shootg the first season, he left blue stas all over the furnure of his Airbnb.) The lor plemented his air of wtry accsibily, but, when I met him one day the ad of January, his hair was sunset orange. “For such a big chunk of my edy reer, I was very to the ia of ice and diamonds and silver,” he explaed. “And now I’m feelg a ltle warmer. I feel like lava.”</p><p class="paywall">We were at Mood Fabrics, a store the garment district. Torr viss several tim a year, to pick out materials for his wardrobe. He then livers the fabrics to a tailor San Salvador, where his mother, Ta, an archect and signer, still liv and n oversee the fabritn procs. “Then we experiment, wh, like, a sixty-per-cent succs rate,” Torr said, wanrg the aisl. He was there to select materials for his summer attire, anticipatg a months-long turnaround. He eyed some shimmerg silk. “Normally I’d be, like, ‘This,’ ” he said. “But now I’m not feelg too shy.”</p><p class="paywall">On the send floor, he gravated toward a roll of neon-orange neoprene. “Could be some fun shorts,” he said, and asked an employee to cut him a strip. We walked through the spanx aisle, where he took a swath of purple mh. “I have tried to make swimwear,” he said. “Micromanagg the f of a Speedo long distance is very difficult.” But difficulty seemed to be the pot: why buy a pair of shorts when you n make your own across hemispher? “It’s somethg that up therapy a lot—not always havg to pick the harr way,” Torr said. In a few days, he was leavg for Chile, which had epted civil unrt, to beg filmg the send season of “Los Espookys.” The whole seri felt like an act of ostentat difficulty: a bilgual show wh a nvoluted premise, shot a untry the thro of a revolutn. “It’s a miracle that was ma,” he said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">“My Favore Shap” was also a Pan-Amerin project. Torr enlisted his mother and his younger sister, Marta, who liv San Salvador as well, to create the look of the show, down to his two-toned blue chair and translucent sho. (They were creded wh “Archecture and Overall Visual Concept,” a signatn that stumped the Emmy mtee.) “He said that we were the only on who would unrstand what he wanted to do,” Ta told me, Spanish. The fay shar an athetic language, fluenced by the Memphis sign movement of the eighti, which favors bold lors and cutout shap; Ta and Marta llaborate on a le of handbags that remble seashells or open ey. For “My Favore Shap,” they ma digal renrgs of the set, which Torr reviewed New York. Marta relled, “Every time we would send him somethg, he was, like, ‘More shap! More levels!’ ”</p><p class="paywall">At the fabric store, Torr placed his fds at the sh register and kept browsg. He ref to e cred rds (“I jt don’t like gam”) and, for a time, shut down his bank acunt. “At that pot, I had, like, forty dollars,” he said. He surveyed the bro aisle. The store was closg soon, and he was gettg impatient. “There’s somethg that we’re jt not fdg,” he said. “I’m vibg wh flowers a lot, but I hate florals.” Fally, he spied a bro wh a blue-and-green waterlor pattern. He pulled the bolt om the shelf and felt the cloth between his fgers. “A floral that’s not a floral!” he said. “It do exist.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Torr’s unlikely rise was foretold shortly after his birth, when a fortune-teller rmed his grandmother that one of her scendants would bee a succs New York Cy. The grandmother claimed the prophecy for several of her grandchildren, but Ta was nvced that was about her six-month-old son. She had vised New York while pregnant, not long after an earthquake vastated San Salvador. Ta loved science fictn and Brazilian telenovelas, which often feature fantastil story l. Torr half-remembered one about a man a dungeon whose lover is rernated as the moon.</p><p class="paywall">Torr was born durg the last years of the Salvadoran Civil War, and he has dim memori of hidg unr the dg table wh his mother as helipters noisily hovered. But, by his acunt, his childhood San Salvador was idyllic. The fay lived a stylish apartment above his mother’s clothg store. (His father, also named Jul, is a civil engeer.) Ta sewed his and his sister’s cloth; she told me that her children were “<em>mis muñes”</em>—“my dolls.” Torr had few iends, immersg himself his toys. When his father brought home miature rs, he created elaborate traffic jams, mimickg the phono streets of San Salvador, and sold the drivers imagary lottery tickets. “I was jt my own ltle world,” he said.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="TITLE All Drsed Up And Nowhere To Go" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE iTuhkZ ptn RponsiveCartoonCred-bKlQqO faLAFb rponsive-rtoon__cred"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT bmQtfn ptn__cred">Cartoon by Mick Stevens</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" 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class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">A large chunk of his time was spent on Barbi. Unhappy wh Mattel’s prema Dream Ho, he enlisted his mother to make ctomized hom out of rdboard. “I wanted circular wdows and for the doors to open a certa way, so she ma them per my specifitns, settg me on this lifelong journey of beg, like, ‘If don’t exist, I have to create ,’ ” he said. (At “Saturday Night Live,” he channelled his Barbie obssn to a recurrg sketch which terns at Mattel wre ptns for Barbie’s Instagram acunt.) His parents enuraged his nontradnal terts. “It gave him the power to be different agast the world,” his sister said.</p><p class="paywall">When Torr was eleven, his grandfather died, leavg cripplg bts, which his father hered. His mother’s store went out of bs, and the fay had to move to a farmhoe where Ta had been brought up, on the outskirts of the cy. Torr was prone to allergi and veloped a rpiratory ndn. He hated the outdoors. And he no longer had his mother’s seamstrs at his beck and ll. “It was almost like that ltle kgdom me tumblg down,” he said. He thks of “My Favore Shap” as a way of “claimg back my childhood, like: ‘I want to go back that ltle room and jt play, whout worryg about other stuff.’ ”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5hzdgo"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">As an adolcent, he beme whdrawn and drsed plaly, as if hibernatn. “Tly the dark ag,” he relled. “I wasn’t even an angsty teen-ager—I was a patient one.” In le wh the fortune-teller’s prophecy, he vowed to move to New York someday. He and his sister won scholarships to attend a private high school San Salvador, where their rich classmat were picked up by servants. “I got picked up by my dad, whose r was olr than I am,” he said. “Oh, my God, the noise the r ma, pullg up to this <em>stle</em>.”</p><p class="paywall">He knew that he was gay, but nsired his sexualy a “ivoly” that he would addrs only when he absolutely had to, like gog to the ntist. “It felt like one of a myriad of thgs that ma me an other,” he said. He was more preoccupied wh his atheism. As a child, he had been told the tth about Santa Cls—a “polilly difficult year to navigate,” sce some kids were still believers—and expected a siar revelatn about God to follow, but never did. After high school, unable to afford tun at an Amerin llege, he enrolled a two-year advertisg program El Salvador, at a “sm of a nothg school” that he spised. He fished the program, and, while workg at an ad agency, he gathered his relativ and gave a tailed prentatn on why they should pay for him to go to school New York. His send time applyg to the New School, he got a signifint scholarship, and 2009 he moved to Manhattan, wh enough money to live there for two years. “They wanted a translatn of my transcripts, bee they were Spanish, so I translated them myself and I embellished a bunch of urs,” he said. “And then I sheepishly put ont of the admissns officer, and she was, like, ‘Oh, my God, why didn’t you say you took all the urs when you applied?’ And she tak out her lculator and says, ‘You’re a junr, not a hman.’ And I’m, like, ‘Ooh, I gus I am.’ ”</p><p class="paywall">Torr majored English lerature but dabbled playwrg. Spike Ebr, whom he met a class, acted one of his short plays, as a woman who is obssed wh a gargoyle on the Chrysler Buildg. “There was nstctn that was obscurg her apartment’s view of , and ma her go crazy,” Ebr relled. After graduatg, Torr had a year to get a work visa his area of study, but no pany would sponsor him. By the summer of 2012, he was panickg and need to foc. He wore only black and whe and beme a vegan. “There was somethg very monklike about ,” he said. “I was, like, I need to thrive wh lims.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Fally, he found a job as an art archivist for the tate of the late pater John Heliker. He worked a wdowls vlt Newark, talogug Heliker’s papers. “I glamorized the optics of that job,” he said. “Solu has never really been a problem for me. I liked how weird and difficult was.” He had a si gig at the Ne Galerie, on the Upper East Si. Workg at the at check one day, he relled, “I overheard this elrly rich woman tell this other elrly rich woman, ‘Oh, remd me to send you that article on how good standg is for you.’ That was the moment where I realized that <em>New Yorker</em> rtoons were based on a realy.” He wrote his notebook, “Standup edy?” That night, he Googled “standup edy open mics NYC” and found one the East Village, where he told the at-check story his edy début.</p><p class="paywall">By then, he was livg an apartment Bhwick wh Ebr and another iend. Ebr, whose mother, Larae Newman, was an origal st member on “Saturday Night Live,” enuraged Torr’s edy reer. They started makg funny vios, cludg one which Ebr plays a mermaid tern navigatg the microaggrsns of office life. (Her -workers assume she knows everyone the ocean.) They performed live sketch at bars and edy clubs. “In one, we were bchy ltle angels textg on a cloud, jt talkg about how bored we were, and about a party and who’s gog to be there om Heaven,” Ebr relled. “And then we started spreadg cream chee all over ourselv.”</p><p class="paywall">Torr was a peculiar prence the edy scene, which is riddled wh dus flannel shirts plag about their girliends. He ually read non sequurs om a notebook, wh a flat affect. “He would always say ‘Hi’ before he started,” Ebr said. “And then, at the end, he would always say, ‘So unls anyone has any qutns . . .’ ” In 2015, his visa was about to expire. In orr to apply to stay the untry as a edian, he had to pay more than five thoand dollars legal and filg fe. His new iends the edy world, cludg Chris Gethard, Jo Firtone, and Newman, ma a YouTube vio lled “Legalize Jul,” and the money was raised an hour. His new visa classified him as an “alien of extraordary abily.”</p><p class="paywall">Feelg liberated, he had begun drsg silver and had dyed his hair whe. Ana Fabrega, who had been workg at a cred-risk-management firm when Torr axed her to tryg standup edy, relled, “He ma a pot to say, ‘I was wearg dark lors bee I was absorbg, and now I want to reflect.’ ” His otherworldly new look matched his place the edy scene. “I realized that I was so much of an other that world, as much as I had been throughout my childhood,” he told me. “I wanted to lean on that: If I’m an alien, then I will be <em>the</em> alien.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In Febary, “Los Espookys” returned to Santiago to beg productn on Season 2. Bee of the natnwi uprisgs, producers had looked to shootg elsewhere, but Mexi’s film crews were overbooked, Colombia was havg s own protts, and other Lat-Amerin untri lacked the astcture to host an HBO s. By March, news of the ronavis was pickg up, but there were only a few s South Ameri. One day, a st member who had jt e om the Uned Stat found out that he’d been ntact wh someone who’d tted posive. Shootg was psed. Everyone worried—the actor’s makp artist was an olr woman, and she had touched his face. The actor tted negative, but “that fear was enough for to say, ‘You know what? It’s jt not worth ,’ ” Torr told me. Productn was halted, wh a third of the season unfished.</p><p class="paywall">He flew home the day that Chile closed s borrs to foreigners. In Brooklyn, he spent nearly three months isolatn his apartment. He bought a new g, a mirror the shape of a human profile, and a lamp that looks like a “blob of lava.” He had a chair rpholstered wh more floral-but-not-floral fabric he’d got the garment district. But his splashy summer wardrobe remaed unma. He cut his hair down to s natural dark sha. “It’s almost like my shy performance self is on hold,” he told me. “He’s asleep. My first self is back.”</p><p class="paywall">When the Black Liv Matter protts began, he went out to march two masks and a pair of goggl. Several weeks later, he was still procsg his place his adopted untry, and wh the larger palistic forc that shape the entertament bs. “I’ve seen so many rporatns—HBO clud—talk about how now ’s time to ‘elevate Black voic,’ and that got me thkg about the Hollywood fairy tale that reprentatn equals change,” he said. “For a while, I have felt like a pawn this hollow reprentatn game. Bee what the hell do Disney’s ‘Co’ do for Mexin children? Bob Iger gets richer. That’s the climax. And then I’m rearchg the C.E.O.s of the media nglomerat, and they’re predictably the mhit whe fac you n thk of. You see who is reapg the benefs of all the ‘woke’ ntent that me and my peers produce, and ’s jt the kgs. The monarchs.” He let out a cynil lgh. “I don’t know what the answer is.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="roh"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="cm66hw"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Torr was hired at “Saturday Night Live” 2016, as the show was feelg prsure to diversify. He had applied for a wrg job and been rejected, but then was asked to dn as a st member. “Instead of showg a wi array of characters that I uld play, I jt stood there and did my standup, wh glter on my face,” he relled. He was brought on ially as a gut wrer. Torr managed to float above the show’s nerve-rackg backstage culture. “It’s the tradn to wear a su on Saturdays,” Jeremy Beiler told me. “On Jul’s first Saturday show, he showed up a sparkly silver jacket. I was jt, like, ‘Oh, that’s another way to do .’ ”</p><p class="paywall">Torr, along wh Beiler and Bowen Yang, who was a wrer on “S.N.L.” before beg s first Che-Amerin st member, helped brg a stealth gay athetic to the show. When John Mulaney hosted, Yang and Torr wrote a sketch for him about a social-media tern at Ntlé who gets chastised for accintally postg hookup msag (“Wreck me, daddy”) on the rporate Instagram acunt. The sketch got cut after drs rehearsal, but, last fall, after Torr had left “S.N.L.,” was revived for Harry Styl. Before the broadst, the work’s lawyers asked them not to e Ntlé, an advertiser, so Yang and Torr had to brastorm. “That was two to three hours of jt textg each other back and forth, puttg photos of grilled-chee sandwich wh the rnchy ptns, dog experimental trial-and-error work,” Yang said. They land on Sara Lee, and the sketch went viral. “I feel like Jul gettg hired and gettg his stuff on was this huge quantum leap for the show,” Yang told me. “He brought both his queerns and his hyper-specific pot of view, and then he glued those two thgs together.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Torr is clear-eyed about his succs. “I’m certaly not brgg the big bucks for HBO,” he told me. “It feels like ‘Game of Thron’ is a rich stunt, and I’m the scholarship kid.” Abstract as seems, his edy is attuned to the polics of the real world, cludg the Tmp Admistratn’s monizatn of Lat-Amerin immigrants. In “My Favore Shap,” as he ntemplat a crystal pyramid, he talks about how difficult was to choose which shap should appear what orr: “And, as I was jt cidg all of that, I thought, Oh, I’m sorry, is this one of the many good jobs I’m stealg om hardworkg Amerins?”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">One night May, Torr hosted a Zoom edy benef to help undocumented workers durg the lockdown, tled “My Sun Aquari.” A few mut after eight, he appeared onscreen a psychelic sweater, unr the blue light of his livg room. “The lack of lghter is jarrg,” he said, as he greeted more than two thoand remote spectators. One by one, he summoned an all-star roster of gut performers. First up was the edian Nick Kroll, who was loungg ont of a roarg fireplace. Torr gave lsons “hand actg,” stctg him to act out scenars g only his hands, such as droppg a knife after mtg a murr: “But you didn’t plan for the murr— sort of jt happened.” Kroll tried , g a pen. “One thg I found missg om your knife-droppg was regret,” Torr said, then tilted his own mera toward his hands and acted the scene wh quiverg fgers.</p><p class="paywall">Next, he lled up the actrs Natasha Lyonne to discs the personali of lors, cludg gunmetal gray and rose gold. (Torr: “Rose gold jt moved out of Stuyvant Town or even Hoboken. Rose gold jt got together, and now they live Cobble Hill.” Lyonne: “It pends what era. Did rose gold leave Joan Rivers’s hoe and move to Miami? I don’t know.”) Fred Armisen played a siar game wh letters of the alphabet. “I have very strong feelgs about Q,” Torr proclaimed. “To me, Q is misplaced the alphabet. Q should be all the way the back wh the avant-gar X-Y-Z.” He imaged Q performg early the eveng at a rock club, between the more mastream letters P and R. “Q is dog noise mic, and people are, like, Whoa.”</p><p class="paywall">“That is so right on,” Armisen said.</p><p class="paywall">When I spoke to Torr’s mother, she scribed a recurrg dream she’s been havg, which she is told that her son is an alien. “Right before the panmic, I had aga,” she said. “I n’t fd him, and then the aliens e and tell me to go wh them, and they take me to a ship. And they tell me, ‘Don’t worry about your son. Your son is fe. He’s here wh .’ ” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="f54skl"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2020/12/28" data-reactroot="">December 28, 2020</a>, issue, wh the headle “Extraordary Alien.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/michael-schulman"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/michael-schulman">Michael Schulman</a>, a staff wrer, has ntributed to The New Yorker sce 2006. His most recent book is “<a href=">Osr Wars: A History of Hollywood Gold, Sweat, and Tears</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/televisn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Televisn</span></a><a href="/tag/edians" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Comedians</span></a><a href="/tag/edy" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Comedy</span></a><a href="/tag/saturday-night-live" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Saturday Night Live</span></a><a href="/tag/hbo" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">HBO</span></a><a href="/tag/ed-armisen" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Fred Armisen</span></a><a href="/tag/el-salvador" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">El Salvador</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">How to Draw the Rats and Pigeons om Your Nightmar</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The New Yorker rtoonist Will McPhail on illtratg verm and daydreamg about pigeon skeletons.</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div 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summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span 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All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center 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