Gay Theatre & Dance - Actors, Directors, Shows |

Contents:

• THE 10 BT GAY MILS OF ALL TIME
• DUMBLEDORE IS SO GAY!
• GAY AND NONBARY PERFORMERS SWEEP THE TONY AWARDS
• WHAT’S WH GAY MEN AND MIL THEATER?
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• SPECTACLETHéâTRE : TROIS SPECTACL GAYS à DéUVRIR EN CE MOMENT à PARIS
• GAY FRIENDLY
• RENNTRE GRATUE GAY à PARIS, (75)
• KNOW YOUR ENTERTAERS: SANDRA GAY
• THE VIEW STAR REVEALS WHY SHE AGRE WH SUPREME COURT LG FOR SIGNER WHO OPPOS GAY MARRIAGE

THE 10 BT GAY MILS OF ALL TIME

You will be hard-prsed to fd anyone who works theatre who hasn’t heard the words ‘theatre is gay’ at some pot durg their reer.

Gay people may fd solace and fort theatre, but there are other groups who do not, and we should make every effort to change MasculyThe other reason why theatre is sometim labeled as queer, most often by men, is that there are aspects of stagecraft that n ntrary to entrenched ias of masculy. Obvly, to label perceived non-mascule tras as ‘gay’ or ‘queer’ is and of self a misnomer.

DUMBLEDORE IS SO GAY!

Lane stag the pri and perils of beg young, Black, and gay his new tobgraphil 20 2023 10:24 AMTheatergallery. From Bottoms and Problemistas to theatre mps and gay wrtlers, this summer has somethg for everyone — pecially if you're left: Tilda Swton Problemista; Ayo Eberi Bottoms; Franz Rogowski Passag.

" A fiery, joyo portra of an unlikely in, Cassandro stars Gael Garcia Bernal as a man on a fearls journey to bee a rare openly gay star the Mexin wrtlg world of the early ReadIf wrtlg is art, then Kenny Omega is one of Canada's greatt performg artistsLed by an electrifyg Bernal, also featur great supportg turns om Roberta Coldrez (A League of Their Own), Raúl Castillo (The Inspectn) and none other than Bad Bunny.

GAY AND NONBARY PERFORMERS SWEEP THE TONY AWARDS

Rottg the SunThere's absolutely one thg Barbie and Oppenheimer fail at when pared to Sebastián Silva's rto meta-edy Rottg In The Sun: onscreen penis and graphic gay sex.

And next year is gog to be even the first major stud gay rom-, to queer-clive horror, to Harry Styl playg a queer p, the next year will have a ton of great LGBTQ+ ntent on the big screen. Billy Eichner wrote and starred this gay rom- wh an all LGBTQ+ prcipal st, cludg Bowen Yang, Ts Madison, Guillermo Diaz, and Le Macfarlane as Eichner's love tert.

The movie, which is beg lled the first gay romantic edy by a major stud, jt wrapped filmg and is schled to h theaters Augt 22, 2022. Tells the story of bt iends Jane and Lucy, when one of them gets a promotn to move to London and the other out as gay. While many gay legends took home awards, cludg Sean Hay and Joel Grey, J.

WHAT’S WH GAY MEN AND MIL THEATER?

”Out gay actor Sean Hay won the award for Bt Performance by an Actor a Leadg Role a Play for his role Goodnight, Osr. ”At this year’s Tony Awards, both lifetime achievement awards also went to gay men: Joel Grey, whose creds clu Cabaret, Gee M!, Wicked, Anythg Go, and Chigo, and John Kanr, who -wrote the sre for fifteen mils, cludg Cabaret and addn, out gay director Michael Arn won the Tony Award for Bt Directn of a Mil for Para and was bleeped for g the f word.

He loved opera too, which is another mon stereotype about gay men that ntas a good b of hnted Broadway together, we subscribed to opera seri, and we regularly spread a blanket out Central Park to sip Chardonnay and thrill to why? I hered a certa love of mil theater and opera om hered om other, olr gay men when he was a had hered too, and the generatn before 's culture.

Lbians and gay men beme fixtur the theater. Most of the theater people of his day didn't know how their culture had evolved jt knew that many of them were gay and even transgenr, not that transgenr was a word Lenny knew is that men who liked other men liked the theater.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

I don't have anythg agast show tun, I jt don't many gay men of my generatn and younger, tradnal gay culture is not somethg I actively we tegrate and normalize, our special cultur are fadg 're the last lks to the old rogu of the travellg theater , those ancient tradns will live on only history books. “The Boys the Band” was very much a ghetto play, a peephole aimed at gay men. In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone.

SPECTACLETHéâTRE : TROIS SPECTACL GAYS à DéUVRIR EN CE MOMENT à PARIS

” are not, as he suggted, gay upl masquera.

GAY FRIENDLY

Nor do homosexuals suffer om an “emotnal-psychologil illns, ” as he sually mentns — for this was an era which such public slurs were chic and permissible, pecially the guise of lerary cricism.

RENNTRE GRATUE GAY à PARIS, (75)

”) Still, there was no nyg that ank plays about gay male life had never reached the mastream, never perated the circl which Kffmanns and Roths and social Crowley wrote the bt and funnit and gayt play he uld, about ne gay men (or maybe eight and a half) at a birthday party. Though some of the men fse the ambient homophobia of the time better than others, almost all of them suffer om the self-hatred that seemed then, and maybe now, to filtrate even the bt-fend personaly. That’s one of the reasons remas a classic gay play, spe s overpowerg associatn wh the 1960s.

(The dialogue crackl wh the sual racism and misogyny of the time, much as Kffmann’s prose glters wh homophobia. It is also an acknowledgment of a larger urgency about the reprentatn of gay men popular entertament: a moment that, the theater at least, is both sprgboard and logy.

At a time when many of the classic gay plays are returng to the Broadway stage — “Boys the Band, ” “Angels Ameri” and “Torch Song Trilogy” among them — almost no new on are on the horizon to jo them. When Luckbill, then 33, agreed to play Hank — the “straightt” of the gay men, who’d left his wife and children — his agent said he might as well bid goodbye to his reer.

KNOW YOUR ENTERTAERS: SANDRA GAY

But so heavy and lgerg was the perfume of gayns g off the project that even a heterosexual actor like Luckbill was thought to be mtg theatril suici to book . William Friedk’s fahful movie versn, released 1970 and starrg the entire stage st, turned to a touchstone of gay style and sufferg for gays and straights well beyond New York. As such, is whout doubt the first play the Amerin gay male theatril non.

I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope, ” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory.

THE VIEW STAR REVEALS WHY SHE AGRE WH SUPREME COURT LG FOR SIGNER WHO OPPOS GAY MARRIAGE

They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe was a liberate statement, meant to acknowledge how far the world has e sce 1968. “The guys that are the leads, ” Murphy says, “are the first generatn of gay actors who said, ‘We’re gog to live thentic liv and hope and pray our reers rema on track’ — and they have.

In 1968 he sent his play to a world that, however much might lgh at his gay zgers, seemed likely to rema forever and fundamentally hostile. Mantello pots out the startlg paradox that all the gay members of the origal pany felt pelled to stay the closet “even though they were a groundbreakg play about gay men. ”But the way the world se gay people and the way gay people see themselv have changed so much, and of late so fast, that plays om even jt a few years ago n seem like Ken Burns documentari.

In one sense, then, the classic gay plays are tnal: remdg a placent generatn of the stggl and tragedi (and fabulons) that unrlie the glossy image of rapid progrs. The normalizatn of gayns that has most ways been a boon has also shnk the historil eye to, well, another peephole. The mistake the play’s many gay crics have ma is thkg that transformative art should be a form of boosterism.