Author Jeremy Atherton L wr of the history of gay bars, as their existence is threatened by the populary of datg apps and risg property sts, and reflects on their prence his life.
Contents:
- 'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
- THE NUMBER OF GAY BARS HAS DWDLED. A NEW GENERATN PLANS TO BRG THEM BACK.
- GAY BAR MALABONOT
- RH, “AN ALL NEW GAY BAR” G TO SHAW, POSTS LIQUOR LICENSE PLARD
- A GAY UPLE RAN A RAL RTRANT PEACE. THEN NEW NEIGHBORS ARRIVED.
'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
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Gay Bar: Why We Went Out, Jeremy Atherton L.
THE NUMBER OF GAY BARS HAS DWDLED. A NEW GENERATN PLANS TO BRG THEM BACK.
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"We go out to get some, " wr Jeremy Atherton L his new book, Gay Bar. Gay Bar b memoir, history and cricism; 's a difficult book to p down, but that's what mak so readable and so endlsly fascatg. Atherton L's book starts off a crowd room a gay bar where he's gone cisg wh his partner, whom he refers to throughout the book wh the Leonard Cohen-spired nickname Famo Blue Raat.
That kd of gay bar — all kds of gay bars, really — are danger of closg, Atherton L wr, due to the populary of datg apps and risg property sts.
He's ambivalent about the velopment, wrg, "I had to nsir whether gay bars promised a sense of belongg then lured to a trap.
GAY BAR MALABONOT
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In a gay bar, am I penned to mory stat, swallowg drks that nourish my opprsn — have gay bars kept me my place? " The prospect of losg gay bars leads him to reflect on their prence his life.
He wr betifully about his llege days Los Angel, where he went to his first one, though he n't rell the name, wryly notg, "Of urse I n't remember my first gay bar — I was dnk. " He's also spired to dig to the past: "Enough time has passed that gay bars, once a surge, have bee monumental their own way. " That history clus the famo 1969 uprisg at the Stonewall Inn New York, but Atherton L also div to other, lser-known bars, cludg on that endured police raids meant to put gay people their place.
Throughout the book, Atherton L scrib the gay bars that he equented, and his scriptns of the tablishments are endlsly evotive.
RH, “AN ALL NEW GAY BAR” G TO SHAW, POSTS LIQUOR LICENSE PLARD
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" Atherton L explor topics like archecture and urban geography, as they relate to gay bars, betifully; he wr wh a real knowledge that's more than jt tellectual dilettantism. About the changg looks of bars before the turn of the century, he observ, "A new type of gay bar began to appear London's Soho the neti — airy, glossy, ntental.
The gay bars were born that way.
They were nceived specifilly to take gay men's money. " Along the way, Atherton L dips to other topics related to the gay muny: the appropriatn of gay culture by straight people, mic, drkg, and the valu of the younger generatn of LGBTQ people.
A GAY UPLE RAN A RAL RTRANT PEACE. THEN NEW NEIGHBORS ARRIVED.
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Gay Bar is a book that's beyond imprsive, and Atherton L's wrg is both extremely telligent and rehgly unpretent. And while succeeds on many levels, perhaps the most remarkable one is Atherton L's nstant qutng of himself, and the realizatns of how he's changed sce he walked to his first gay bar years ago: "Maybe, I thought, I'm a dis ball.
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Everyone knows that change n be cremental, but the phrase “gay bar” sounds cliché anymore.
The cy’s nizens talk about often: Nightlife tablishments, be they storied or new on the scen, have seen their rpective clientel grow to be clive of not jt gay, lbian, bisexual, and transgenr lols and visors recently. It’s not overtly “gay!