TV show 'Call My Agent' on Netflix is a rare look at gay parentg problems through Andréa: ctody battl, blogil mom's bond, more.
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BIDDG ADI TO CALL MY AGENT!, FRANCE’S ANSWER TO THE OFFICETHE FOURTH AND FAL SEASON OF THE EDY-DRAMA ISN’T AAID TO NONT THE LS GLAMORO ASPECTS OF THE ENTERTAMENT DTRY.BY CASSIE DA COSTAJANUARY 25, 2021COURTY OF NETFLIX.SAVE THIS STORYSAVESAVE THIS STORYSAVELAST THURSDAY, NETFLIX RELEASED THE FAL SEASON OF THE FRENCH TELEVISN SERI CALL MY AGENT!, WHICH FOLLOWS THE PROFSNAL AND PERSONAL EMBROILMENTS OF A PARISIAN TALENT AGENCY LLED ASK. REAL FRENCH MOVIE STARS—LIKE ISABELLE HUPPERT, FABRICE LUCHI, JULIETTE BOCHE, AND JOEYSTARR—APPEAR AS SUPPORTG CHARACTERS ALONGSI MASTAYS CALE COT, PLAYG SELF-ASSURED LBIAN POWERHOE AGENT ANDRéA MARTEL, LRE CALAMY AS A HILARLY EXPRSIVE AND TENAC ASSISTANT, STéFI CELMA AS AN ASPIRG ACTRS WHO WORKS RECEPTN, AND NILAS MRY AS THE DROLL, GAY OFFICE GOSSIP WH A RICH TERR LIFE. THE SHOW IS A HUGE H FRANCE, WH 3-4 LN VIEWERS PER EPISO, AND TERNATNALLY, TOO—THERE ARE MBLGS OF REMAK OM EUROPE TO ASIA TO, OF URSE, THE U.S.BUT LIKE ONE OF S FOREBEARS, BELOVED WORKPLACE EDY THE OFFICE, THERE WILL LIKELY NEVER BE ANYTHG QUE LIKE THE ORIGAL. CALL MY AGENT!’S FRENCH TLE IS THE MORE-TO-THE-POT DIX POUR CENT, A REFERENCE TO THE TEN PERCENT AGENTS MAKE OM THEIR CLIENTS’ PRODUCTN ALS. AND ’S FRENCH DIRECTNS THAT HAS FED THIS FAST-PACED, BGEABLE EDY-DRAMA, CREATED BY FANNY HERRERO, THROUGHOUT S FOUR SEASONS. RATHER THAN GLAMORIZG THE WORLD OF MOVIE STARS AND PRODUCTN ALS LIKE SOME SORT OF FRENCH ENTOURAGE, THE SHOW HAS ALWAYS BEEN ANK ABOUT THE MORAL AND ARTISTIC PROMIS MA FOR BIG MONEY—AND THE STGGL EVEN THE MOST ETHIL AGENTS ENDURE NOT MERELY TO RAISE THEIR CLIENTS’ PROFIL, BUT TO ELEVATE THE QUALY OF THEIR OPPORTUNI.OF URSE, THIS PERSPECTIVE MAK SENSE FOR A SHOW THAT TAK A STUDIED YET FACET LOOK TO THE FRENCH FILM DTRY. WTERN EUROPE HAS PUMPED OUT S SHARE OF CYNIL BLOCKBTERS, BUT FUNDG FOR THE ARTS AND HIGH-MD IALS ARE STILL RELATIVELY EASIER TO FD THERE THAN THEY ARE STATI. IN FACT, FRANCE SELF HAS RISTED THE NETFLIX-IZATN OF CEMA FAVOR OF KEEPG THEATERS AND SMALLER PRODUCTN PANI ALIVE, WHICH HAS HAD THE EFFECT OF MAKG HARR FOR NETFLIX-PRODUCED FILMS TO BE ELIGIBLE FOR THE CANN FILM FTIVAL. THIS IRONY ISN’T LOST ON CALL MY AGENT!; THE SHOW’S WRERS SNEAK LIGHT-HEARTED ANTI-TV DIGS WHEREVER THEY N.THE SHOW IS ALSO, TO E A WORTHY CLICHé, VERY FRENCH. ADULTERY IS A FACT OF LIFE, BARELY WORTHY OF SRN; BOTH NEPOTISM AND CRONYISM ARE JTIFIED THROUGH THE GOOD LUCK OF GREAT TALENT. AND OF URSE, BLACK AND ARAB ACTORS JT MANAGE TO FIGURE TO THE NARRATIVE, WH THEIR RACIAL INTI GENERALLY ELID FOR A FOC ON THEIR SOCENOMIC BACKGROUNDS. BIS JOEYSTARR (AND A BRIEF APPEARANCE BY FORMER NBA STAR TONY PARKER), THE SHOW NEVER MANAGED TO SECURE THE PARTICIPATN OF FRANCE’S FEW BIG NAME ACTORS OF LOR, LIKE LEïLA BEKHTI (TOUT CE QUI BRILLE, A PROPHET, THE EDDY), OMAR SY (THE INTOUCHABL, LUP), TAHAR RAHIM (A PROPHET, THE MRANIAN, THE EDDY), OR AïSSA MAïGA (BAMAKO, RSIAN DOLLS, CACHé). WHETHER THEY TURNED OFFERS DOWN OR SIMPLY WEREN’T ASKED WILL BE UP TO SHREWD TERVIEWERS TO FD OUT.STILL, THE SHOW MANAG TO LIVER ON S AIMS, WHICH THE FALE MAK CLEARLY KNOWN. RATHER THAN DRAGGG ON THE POPULAR SERI LONG PAST S EXPIRATN DATE, HERRERO LETS THE GANG GO OUT ON A HIGH AND WHOUT THE SACCHARE BOW-TYG WHICH MANY POPULAR SERI DULGE. INSTEAD, A BORRLE SOCPATHIC RIVAL AGENT PLAYS HER LAST HAND, AND ASK’S “FAY” OF PROFSNALS FACE UNAVOIDABLE EXISTENTIAL QUTNS. THE SHOW MTN’T GO ON, CALL MY AGENT! SEEMS TO SAY A NCLUDG EPISO THAT BEGS WH TERNATNAL BOX OFFICE TAN JEAN RENO THROWG THE TOWEL ON HIS OWN ILLTR REER. IT’S A SURPRISG DIRECTN FOR A LUCRATIVE SHOW FUND BY A STREAMG GIANT—AND A YEAR FILLED WH MANY DTRI’ AVOIDANCE OF HARD-TO-FACE REALI, ’S ALSO A RELIEF.WHERE TO WATCH CALL MY AGENT!POWERED BYJTWATCHALL PRODUCTS FEATURED ON VANY FAIR ARE PENNTLY SELECTED BY OUR EDORS. HOWEVER, WHEN YOU BUY SOMETHG THROUGH OUR RETAIL LKS, WE MAY EARN AN AFFILIATE MISSN.MORE GREAT STORI FROM VANY FAIR— INSI BRIDGERTON’S SEXY, MORN MAKEOVER OF THE REGENCY PERD DRAMA— BORAT’S MARIA BAKALOVA HAD A SWEET RNN WH JEANISE JON— TA FEY AND ROBERT CARLOCK WRTLE CLUMSILY WH POLICS MR. MAYOR— BLAZG BLON BOMBSHELL: BARBARA PAYTON’S BOULEVARD OF BROKEN DREAMS— BRYAN CRANSTON DANC WH THE DEVIL YOUR HONOR— MEET BRIDGERTON’S DREAMBOAT DE, REGé-JEAN PAGE— STEPHEN COLBERT ANSWERS THE PROT QUTNNAIRE— FROM THE ARCHIVE: SAN SIMEON’S CHILD— NOT A SUBSCRIBER? JO VANY FAIR TO RECEIVE FULL ACCS TO AND THE PLETE ONLE ARCHIVE NOW.MOST POPULARSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISRUTH HANDLER: SEX TOYS, FANCIAL CRIM AND THE ORIG OF BARBIEBY ANTHONY BREZNINCASSIE DA COSTA
It generated a lot of discsn, partly by beg great, and partly bee was, as she says, the first prime-time French drama to feature a lbian whose “homosexualy was not the subject. As Andréa – tough, thls, gay, and agent to some of France’s biggt movie stars – Cott’s is the standout role a show that has brought her ternatnal attentn, cludg a role seri three of Killg origal ia for Call My Agent!, or Dix pour cent, as ’s known France, me om a famo talent agent, Domique Bnehard, who thought that what he had seen and lived through his long reer would make for a juicy dramatic edy about the life of a Parisian talent agency, a ltle-known metier wh the film dtry.