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You n try<!-- --> <a href="/newsletters">subscribg here</a> or try aga later.</span></div></div></div></div></hear><article class="article" data-rid="484054" data-rtype="story"><div id="gtm-visibily-50" class="gtm-pixel"></div><div id="gtm-visibily-75" class="gtm-pixel"></div><div id="gtm-visibily-100" class="gtm-pixel"></div><sectn class="sectn--bo sectn--bp sectn--first sectn--learboard"><div class="uw bp--rponsive"><div class="bp-ner"><p class="bp-label">Advertisement</p><div class="bp-ntent bp-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><hear class="article-sectn--tle article-sectn--island"><div class="article-actn"><h1 class="article-hdr">At SpeakEasy, An Intersectn Of Morn And '70s Gay Culture</h1></div><div class="article-meta"><span class="article-meta-em--date"><span tle="Tuday, June 4th 2019, 5:00:52 am">June 04, 2019</span></span><ul class="article-meta-em--thorlist article-meta-group"><li class="article-meta-em article-meta-em--thor"><a class="article-meta-lk article-meta-em--thor" href="/si/staff/rosald-bevan">Rosald Bevan</a></li></ul><div class="article-share article-share-ins"><a href=" & target="_blank" rel="noreferrer" class="article-share-lk" tle="Share on Facebook"><svg class="in in-facebook" viewBox="0 0 128 128" role="img" width="24" aria-labelledby="tle"><tle id="tle">facebook</tle><path display="le" d="M120.1,0H8.2c-4.4,0-8,3.6-8,8v112c0,4.4,3.6,8,8,8h60.4V78.2h-16V59.8h16V43.9 c0-14.6,8.9-24.3,26.4-24.3c7.7,0,13.1,0.9,13.1,0.9V37h-12c-5.3,0-8,3-8,8.2v14.5h18.7l-2.7,18.4h-16v49.7h32c4.4,0,8-3.6,8-8V8 C128.1,3.6,124.5,0,120.1,0z"></path></svg></a><a href="mailto:?body=At SpeakEasy, An Intersectn Of Morn And '70s Gay At SpeakEasy, An Intersectn Of Morn And '70s Gay Culture" class="article-share-lk" tle="Share by email"><svg class="in in-email" viewBox="0 0 128 128" width="20" aria-labelledby="tle"><tle id="tle">Email</tle><path display="le" d="M64.2,86.3l-64-48V104c0,4.4,3.6,8,8,8h112c4.4,0,8-3.6,8-8V38.4L64.2,86.3z M64.2,72l64-48 c0-4.4-3.6-8-8-8H8.2c-4.4,0-8,3.6-8,8L64.2,72z"></path></svg></a></div></div></hear><sectn class="article-sectn--lead-image article-sectn--lead-image--standard"><figure class="article-fig" style="aspect-rat:1000 / 667"><picture class="article-fig-ner"><img class="article-image" src=" alt="Eddie Shields and J'royce Jata SpeakEasy Stage's productn of &quot;The View UpStairs.&quot; (Courty Nile Stt Stud)"/></picture><figptn class="article-fig-ptn">Eddie Shields and J'royce Jata SpeakEasy Stage's productn of "The View UpStairs." (Courty Nile Stt Stud)</figptn></figure></sectn><sectn class="article-sectn--ntent hang-punctuatn article-sectn--first article-sectn--centered article-sectns"><p class="">One summer eveng 1973, a blazg fire ripped through a vibrant gay bar New Orleans. The fire was set by lighter fluid and s stctn took the liv of 32 people jt mut, makg the arson attack on the UpStairs Lounge the adlit attack on a gay bar U.S. history before the Pulse Nightclub shootg Orlando, Florida 2016. The media neglected to diligently ver the horrific cint, and therefore the UpStairs Lounge has fad to the shadows of other proment moments LGBTQ+ history.</p><p class="">I have to adm, I had never heard of the firebombg of the UpStairs Lounge before enunterg Max Vernon’s mil, “<a href=">The View UpStairs</a>,” which opens at SpeakEasy Stage Company this week.</p><p class="">Director Pl Daignelt was first drawn to the mil for s celebratn of the history of gay liberatn, but found that the bety of the story li s emphasis on the human need for muny. Today, “we don’t do a lot of work on one-on-one nnectn,” says Daignelt. “The View UpStairs” suggts that perhaps fdg muny starts wh strippg away the fas we vent an effort to protect ourselv.</p><p class="nt-medium">“The View UpStairs” tersects two generatns: the prent moment and the 1970s era on the precipice of the gay liberatn movement.</p><p class="">W, a lennial up-and-g fashn signer wh an Instagram followg of 40,000, buys a shabby buildg the French Quarter. He has no ia that the property was once the UpStairs Lounge, and wh a stroke of theatril magic, fds himself back 1973, immersed the bar’s muny.</p><p class="">The productn ptur the perilo realy of queer-intifyg dividuals 46 years ago. The nstant fight for survival and the fear of ridicule, ostracizatn, and ath erned the liv of many, like the character Buddy, a closeted gay man wh a wife and kids, played by Will McGarrahan. “I pray for a moment [...] to leave the hoe and not have to lie. To be myself once before I die,” Buddy sgs. When W pops up om an unimagable future, his unapologetic ownership of his queer inty shak up the group. “You better stop beg so wi-eyed,” they all warn him.</p><figure class="article-fig size-large"><picture><img class="size-large article-image" src=" alt="Shawn Verrier wh the st of SpeakEasy Stage's productn of &quot;The View UpStairs&quot; (Courty Nile Stt Stud)" loadg="lazy"/></picture><figptn class="article-fig-ptn">Shawn Verrier wh the st of SpeakEasy Stage's productn of "The View UpStairs." (Courty Nile Stt Stud)</figptn></figure><p class="">J’royce Jata, who plays W, thks as the play as an exploratn of what we n learn om those who me before orr to appreciate what eedoms we have today, and still serve as a soberg revelatn of the work that li ahead. It’s an “effort to honor those who have ma our liv fiercer,” says Jata.</p><p class="">In mil theater, “we rarely get to see a gay black lead; one that go on a journey of self-acceptance and self-love. It was the first time I really saw a part of myself a craft that I had been studyg my entire life,” Jata adds.</p><p class="">Although Jata adms that there are tim when “I thk I know everythg,” (they proudly own that they are a triple Leo wh a lot of fire their astrology chart), there are sis to W that were challengg for them to grasp. In his first song, W sgs, “I’ll make a ln dollars and prove once and for all that I’m not a basic bch,” which pretty much sums up his prri as an fluential signer the age of hashtags and lik. Jata lls W’ superficial persona his “plastic energy.” Perhaps, a lot of n relate to the prsure to tablish a social media image that mak our liv seem reee and practilly perfect.</p><p class="">But travellg back to the '70s v W to abandon the guise and nvenience of his iPhone after two bar-goers smash bee might be dangero “surveillance technology.”</p><figure class="article-fig size-large"><picture><img class="size-large article-image" src=" alt="Eddie Shields and J'royce Jata SpeakEasy Stage's productn of &quot;The View UpStairs&quot; (Courty Nile Stt Stud)" loadg="lazy"/></picture><figptn class="article-fig-ptn">Eddie Shields and J'royce Jata SpeakEasy Stage's productn of "The View UpStairs." (Courty Nile Stt Stud)</figptn></figure><p class="">SpeakEasy’s productn jos queer actors of different generatns and experienc. Jata and McGarrahan both exprsed that llaboratg wh artists who approached the work om unique perspectiv was the highlight of the procs. “I’m nstantly learng om younger people and I’m surprised that they are learng om me. You see people e to an unrstandg,” says McGarrahan.</p><p class="">A lot has changed sce the UpStairs burned, but the world still feels prer and the future uncerta. McGarrahan says, “We’ve all e om somewhere and we have a rponsibily to where we are gog... It felt sry back then and feels sry now and we’ll get through and keep dog the bt [we] n.”</p><p class="">The tersectn of now and then sparks a nversatn about what sts to ver up one’s tth. “Authentic nnectns of the heart will keep the human race movg forward,” says Daignelt. It’s when we dare to shed our protective armor that we are able to foster unrstandg and muny.</p></sectn><sectn class="article-sectn--story-group article-sectn--centered Tags_article-sectn--tags__NOKiB"><a data-ec="Article Tags" data-el="Performg Arts" data-ea="Click" class="article-tag" href="/news/tag/stag">Performg Arts</a></sectn></article><sectn class="article-sectn--story-group article-sectn--centered"><hear class="zone"><div class="zone-ner"><h2 class="zone-hdr">Related:</h2></div></hear><ul class="article-story-group"><li class="story-group-em"><a data-ec="Article Related Lks" data-el="How Jocelyn Bh Created A Play About Both Teen Bullyg And Colorism" data-ea="Click" class="story-group-lk" href=">How Jocelyn Bh Created A Play About Both Teen Bullyg And Colorism</a></li><li class="story-group-em"><a data-ec="Article Related Lks" data-el="The Cambodian Performers Are Usg The Circ Arts To Heal Intergeneratnal Trma" data-ea="Click" class="story-group-lk" href=">The Cambodian Performers Are Usg The Circ Arts To Heal Intergeneratnal Trma</a></li></ul></sectn><sectn class="article-sectn--story-group article-sectn--centered"><div class="ntributor has-photo"><div class="ntributor-profile"><figure class="ntributor-profile-em ntributor-photo"><a href="/si/staff/rosald-bevan"><picture><img src=" class="lazy rd-image" alt=""/></picture></a></figure><p class="ntributor-profile-em ntributor-b"><a class="ntributor-name" href="/si/staff/rosald-bevan">Rosald Bevan</a> <span class="ntributor-tle">Theater Wrer</span><br/>Rosald Bevan is a former ntributor to The ARTery.</p><p class="ntributor-more"><a class="ntributor-lk ntributor-b-lk" href="/si/staff/rosald-bevan">More…</a></p></div></div></sectn><sectn class="sectn--bo sectn--bp"><div class="uw bp--rponsive"><div class="bp-ner"><p class="bp-label">Advertisement</p><div class="bp-ntent bp-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><div></div><div class="global-d-ponents onmand--is-playg"><div class="global-player"><d preload="to"></d><div class="global-player-bar"><div class="global-player-bar-left"><button class="global-player-bar-ntrol"><i class="in-play in-play--global-player-bar in-play--psed"><span class="in-play-shape"><span class="in-label" data-note="for-screen-rears">Rume</span></span></i></button><div class="global-player-label global-player-label--live"><div class="global-player-channel"><span>Listen Live</span></div><div class="global-player-tle"><a class="global-player-label-lk" href="/">Loadg...</a></div></div></div><div class="global-player-bar-right"><div class="global-player-x"><svg class="in in-close" viewBox="0 0 24 24" aria-labelledby="tle"><tle id="tle">Close

gay upstairs

"The View UpStairs" is a mil celebratg the history of gay liberatn, but also emphasiz the human need for nnectn.

Contents:

AT SPEAKEASY, AN INTERSECTN OF MORN AND '70S GAY CULTURE

* gay upstairs *

Sunday marks the 45th anniversary of the UpStairs Lounge arson, a flash fire that killed 32 people the New Orleans gay bar on June 24, 1973. ”But the UpStairs wasn’t jt a space for the New Orleans gay muny to e together and socialize. Some of those who were intified went unclaimed by fai who were too ashamed to llect the remas of their gay sons and brothers.

A ‘FOTTEN TRAGEDY’ AT A NEW ORLEANS GAY BAR AND A NEW EFFORT TO HONOR VICTIMS’ REMAS

After nearly 50 years, New Orleans issued a formal apology for s rponse to an arson at the popular gay bar UpStairs Lounge and renews the search for the remas of four victims. * gay upstairs *

Bettmann via Getty ImagWhat happened the aftermath of the fire mak clear the pervadg homophobia at the time. “It took a good five or six years before I would fally walk to a gay bar, ” he said. ” Click below to see more pictur of the UpStairs Lounge before the earlier versn of this article was published June You GoGay Pri Around The World.

" (Courty Nile Stt Stud)One summer eveng 1973, a blazg fire ripped through a vibrant gay bar New Orleans. The fire was set by lighter fluid and s stctn took the liv of 32 people jt mut, makg the arson attack on the UpStairs Lounge the adlit attack on a gay bar U. Director Pl Daignelt was first drawn to the mil for s celebratn of the history of gay liberatn, but found that the bety of the story li s emphasis on the human need for muny.

UPSTAIRS LOUNGE: GAY CULTURE & THE METROPOLAN COMMUNY CHURCH

Robert L. Cama's new documentary tak an unflchg look at "the largt gay mass murr U.S. history," the 1973 UpStairs Lounge fire New Orleans. * gay upstairs *

“The View UpStairs” tersects two generatns: the prent moment and the 1970s era on the precipice of the gay liberatn, a lennial up-and-g fashn signer wh an Instagram followg of 40, 000, buys a shabby buildg the French Quarter.

The nstant fight for survival and the fear of ridicule, ostracizatn, and ath erned the liv of many, like the character Buddy, a closeted gay man wh a wife and kids, played by Will McGarrahan. It’s an “effort to honor those who have ma our liv fiercer, ” says mil theater, “we rarely get to see a gay black lead; one that go on a journey of self-acceptance and self-love.

A DEADLY ARSON AT A GAY BAR WAS NEVER OFFICIALLY SOLVED. A NEW PODST EXAM WHY.

The creator of a new mil about New Orleans's UpStairs Lounge fire says gay tragedi too easily fa om our llective memory. * gay upstairs *

This Saturday, June 24 marks the 50th anniversary of the UpStairs Lounge Fire, an arson attack on a gay bar that claimed 32 liv 1973.

Ana Bryant the 1970s wh the ‘save our children’ mpaign is an absolute precursor and parallel to Ron DeSantis today wh the ‘don't say gay’ nonsense, ” Gray explas.

NEW ORLEANS – For nearly a half-century, the remas of gay World War II veteran Ferris LeBlanc have been hidn away an overgrown potter’s field on the far east si of New Orleans. Fifteen people, mostly men, were also jured at the popular New Orleans gay bar, which served as one of the cy’s ma LGBTQ safe spac at the time.

REVIEW: A GAY NIGHTCLUB TRAGEDY, DES BEFORE ORLANDO, ‘THE VIEW UPSTAIRS’

Until the Pulse nightclub shootg 2016, the UpStairs Lounge fire was the adlit known attack at a gay club U. “The entire intifitn [of the remas] was summarily dismissed by cy ernment bee they simply did not want to go through the effort of notifyg his fay and also bee they simply didn’t re about another ad gay man, ” Morrell said. “We are a cy that is seen as one of the most welg ci to the LGBTQIA+ muny, but we were also a cy that was horrifilly homophobic, ” he add.

*BEAR-MAGAZINE.COM* GAY UPSTAIRS

A ‘fotten tragedy’ at a New Orleans gay bar and a new effort to honor victims’ remas | PBS NewsHour .

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