En la ciudad: Directed by Cc Gay. Wh Móni López, Eduard Fernánz, María Pujalte, Alex Brenmühl. Relatnships are not easy. A multi-story film wh tersectg liv which adult relatnships are closely examed durg challeng." data-id="ma
Contents:
- IMPACTO CE SECUR LAT AMERI ON CC GAY’S FILMAX-SOLD ‘STORI NOT TO BE TOLD” (EXCLUSIVE)
- 'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
IMPACTO CE SECUR LAT AMERI ON CC GAY’S FILMAX-SOLD ‘STORI NOT TO BE TOLD” (EXCLUSIVE)
Cc Gay’s film is an timate, performance-driven take on a iendship nearg s evable end. * cesc gay filmin *
Argenta’s Impacto Ce (“Lady Di”) has swooped on all Lat Amerin sal rights to Cc Gay’s edy “Stori Not To Be Told” (“Historias Para No Contar”), propellg to the terrory and cementg s regnal footg.
Internatnal sal on the tle are handled by Filmax, a longterm relatnship wh Gay. “We’re proud to have the opportuny to jo forc wh Filmax and brg this Spanish film, om the excellent Cc Gay to Lat Amerin dienc, ” Impacto Ce’s Luis Ignac Perez Endara told Variety, talkg “Stori Not To Be Told.
'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
Gay’s unnventnal iendship feature “Tman, ” starrg Rirdo Dar, Javier Cámara and Dolor Fonzi, earned five Goya awards. Wh his nth effort, Gay tackl the mortifyg bs of beg human, layg his characters bare to face their nsequenc and, even worse, their pri. The director, Cc Gay, is highly regard there.
The sense that Cc Gay might make a signifint mark on the offshore art hoe has been the air for a long time, and Tman reprents his bt shot yet. In the years sce his but 2000 wh Krampack, Gay has quietly been tablishg himself, via such tl as Fictn and A Gun Each Hand, as a key chronicler of the securi of Spa’s Generatn X as anxly grows olr: and Tman, his evably melancholy rerd of four days the shared liv of a dyg man and his visg iend, tackl the biggt secury of all for a generatn that, around now, is startg to bee aware of s own mortaly. It’s Gay’s most emotnally direct work to date, thoroughly sheddg the clever-cleverns of some of his earlier work, and also his most accsible — a clean-led, sensively-wrten and betifully played two-hanr that tackl plex issu a rehgly straightforward, downbeat way.