Gay Bar by Jeremy Atherton L – a gog out memoir | Autobgraphy and memoir | The Guardian

Contents:

• GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR
• A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME
• IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE
• 'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE
• GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT
• NEW PAPERBACK: ‘GAY BAR’ AND ‘AFTERPARTI’
• GAY BAR: WHY WE WENT OUT
• GAY BAR
• THE 13 GAY ROMANCE NOVELS YOU SHOULD HAVE ALREADY READ BY NOW

GAY BAR BY JEREMY ATHERTON L – A GOG OUT MEMOIR

On Irish televisn news, the headl rmed the natn that Panti Bliss, a brilliantly articulate mpaigner, had arrived at Dubl Castle, as ed she gay was all the rage jt then. Leo Varadkar, mister for health, soon to be taoiseach, had announced that he was gay, as did a former mister om the other ma party, as did a well-known TV news journalist.

A MEMOIR ABOUT QUEER INTY, TOLD ONE GAY BAR AT A TIME

That day would not have been surprisg had all the bishops of Ireland arrived their fery to let know that they, too, wanted to jo our Gay Bar, a brilliantly wrten and cisive acunt of gay life Los Angel, San Francis and London, Jeremy Atherton L quot the cric Ben Walters on gay history that is “agile om fear and fettg, too often wrten whispers and saved scraps”.

I imaged a walk that two men of my generatn – I me to Dubl 1972 – might do to revis the gay plac that have gone, such as The Gym, a sna jt a stone’s throw om Dubl Castle, or Ingno, another sna, much favoured by prits. Photograph: Clodagh Kilyne/Getty ImagThe arrival of the big, loud gay venu Dubl me at the same time as other eedoms. In Barcelona 1975, when Fran died, there was not a sgle bar that was clearly signated as gay the cy.

IN ‘GAY BAR,’ TIME-HOPPG SNAPSHOTS OF QUEER NIGHTLIFE

The explosn of gay bars both ci me wh mocracy. ” In gay bars, he beme someone on whom nothg was lost.

“Gays, ” he wr, “n relax a gay bar, people will say, but I went out for the tensn the room. ”His book is also hnted by the dotted le the gay story, the gaps the narrative. He wr about a DJ his 40s lled B Statn John who “played ecstatic sets of arne dis … He was there to bear wns, to ttify, g rare tracks om what he lled ‘the goln age of gay’, the perd between Stonewall and Aids.

'GAY BAR' TRACKS THE WAVE OF A WHOLE CULTURE — AND ONE LIFE

We were nsc the discs on the turntable may have e om the llectns of ceased gay men. ”But the ghosts his book are also those who created gay San Francis self, where there were 18 gay bars 1964 and “an timated hundred and eighteen wh a ”.

Atherton L registers the nostalgia that me wh all this change, quotg Fouult: “I actually liked the scene before gay liberatn, when everythg was more vert. Some thgs give him the creeps, like a gay thrift shop: “I crged when I passed , imagg the store to be filled wh stuff svenged om the hom of ad queens … I hadn’t found a way to nsir the multifar story of my people – and to read wh, but not through, the disease. When they stop shavg, their beards “were perverted, their bristl perfumed wh the sudor of scrotum” gay group, observed San Francis, “uld be tected om a distance by the stk … Each of them seemed to have a magnificent ass and be wrg a book.

”Atherton L wants to reimage a nnectn between “the goln age of gay” and the future.

GAY BAR BY JEREMY ATHERTON L REVIEW – A LURID, LERARY NIGHT OUT

There were three bars that he and his partner lled the Triangle: “jolly Gee and Dragon, sordid Joers Arms and laid-back Nelson’s Head – a rpective five-, ten- and fifteen-mute walk om our buildg” wr well about another hntg the London years, the spectre of gay-bashg, quotg Neil Bartlett: “Those nights out were spirg – but the solary walks home were foolish. London, 1986, was not a safe place for a visibly gay man like my twenty-eight-year-old self to be out alone after dark – or even by daylight for that matter.

NEW PAPERBACK: ‘GAY BAR’ AND ‘AFTERPARTI’

”The closg of Atherton L’s favoure gay venu London seems to make the cy e alive for him. AdvertisementSKIP Jeremy Atherton LWhen you purchase an penntly reviewed book through our se, we earn an affiliate 9, 2021GAY BARWhy We Went OutBy Jeremy Atherton LHistory, as is tght, is a straight le of domo fallg — the relentls clack of fact htg fact, an orrly que of aly stretchg on forever.

History, as is lived, is a reelg spiral of flight and return; the erative reawakeng of new selv faiar plac; a never-endg terrogatn of our own nfed and nfg motiv; a msy slather of dots on a graph where the center n be plotted only Atherton L’s betiful, lyril memoir, “Gay Bar: Why We Went Out, ” cloaks this lived history that learned history, examg an objective subject — gay bars — to create a highly subjective object: a book about his life, flensed down to jt the bs that ma past the chapter foc on one particular gay bar (jumpg om London to Los Angel to San Francis and back), s history and s place the trajectory of Atherton L’s life. As Atherton L remds , “disassociatn is a gay rual as much as any other.

“Gay Bar” danc on the edge of that third space between fictn and nonfictn, a space often rerved for poetry. Atherton L himself is renred only relatn to the bars he walks through; you’ll fd yourself hard-prsed at the end to say where he was born or how many siblgs he has (and you won’t re) Atherton L has a five-octave, Mariah Carey-que range for discsg gay sex.

GAY BAR: WHY WE WENT OUT

Like any good gay bar, this book has a bouncer, and his name is is Atherton L’s first book, but benefs om his extensive experience as an sayist and an edor of Failed Stat, a journal about plac.

GAY BAR

“Gay Bar” is well crafted (which is pecially pleasg nsirg this is a memoir about stctur), wh a strong thorial hand that mak the rear feel refully shepherd through the text, even as Atherton L jumps s and ntents.

When he discs an important 1966 prott at the historic Greenwich Village gay bar Juli’, he c a New York Tim article to talk about the “tr of activists” volved — not realizg that the article left out a fourth man, Randy Wicker (the only one still alive, cintally enough) a half page later, though, Atherton L warns that spe the activist claim that gay bars “should be kept open to facilate knowledge passg between generatns, ” he himself had never really received gay wisdom “on a barstool. ” This book is not about history, the subject you study, but history, that thg you have wh that guy by the jebox whose name you n’t the fal chapter of “Gay Bar, ” Atherton L grappl wh gog to a new generatn of bars, created by very different forc, meetg very different needs.

If you felt a twge of boredom (bon if you thrill to disheveled, elive, gamy), then I have a book for Atherton L’s “Gay Bar” is a rtls and telligent cultural history of queer nightlife.

THE 13 GAY ROMANCE NOVELS YOU SHOULD HAVE ALREADY READ BY NOW

Atherton L began wrg 2017; more than half of London’s gay bars had shuttered the prev 10 years. ” There was an “upsurge stay-at-home gays” and rovg is beg lost? If you’re expectg an elegy, thk aga; “Gay Bar” has somethg knottier, more troubled, to offer.

“The gay bars of my life have nsistently disappoted. In the openg scene, Atherton L and his partner (rather regrettably referred to as the Famo Blue Raat, after the Leonard Cohen song) go out to a London gay bar, lookg for a ltle adventure, and enter a crowd: “Wh a kd of btal elegance, the group spread apart like the blas of a pocketknife. Atherton L is a skilled rear of the signifiers of cloth and archecture, the fetishizatn of workg-class fashn, for example, and how the rise of AIDS fluenced sign cisns: “A new type of gay bar began to appear London’s Soho the ’90s — airy, glossy, ntental.