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“The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men.
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He pots to the gay mstrel stereotyp the 1967 film The Producers, along wh the timid-lookg guys on the illtrated vers of gay pulp books wh nam like All the Sad Young Men. ”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom.
Drsg like a clone, he says, was a rejectn of those olr gay ’s not so easy to ppot precisely who origated the clone ial, guys who were alive at the time ually brg up Al Parker, an adult film star turned producer and director who worked om the 70s to the early 90s. (Parker would eventually bee an advote for gay rights and safe sex, producg only safe-sex films before he passed away om plitns due to AIDS 1992. “When I thk back on havg lived through the time, was like gay guys were pg om this stereotype that was jt culted to the culture of sissi and faggots, ” says Woodff.
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“The clone look was certaly about a whe gay man’s rponse and engagement wh those archetyp, ” says Ben Barry, the an of the school of fashn at the New School’s Parsons School of Dign, whose rearch foc on fashn’s relatnship to masculy, sexualy, and the body.
”)Prentg as mascule public was physilly safer for gay guys, but the clone stume pulled double duty, Barry says, tweakg tradnal masculy while also signalg to other queer folks. “There’s this munal thg happeng right now where people are more open that they’re trans and non-bary or bisexual and not jt on the spectm of beg straight, gay, male, female.
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Otherwise, if you're already prssed enough om havg lived them, and want answers about g to terms wh beg gay and fdg happs, then i'd look elsewhere.
It also spired me to redirect ternal hatred (an ongog procs) to the homophobic society which, ankly, ed me so much undue pa and sufferg for many many sential read for any gay du or ally. I am sure that some gay men (as the book has virtually nothg to say about women) will fd the book helpful g to terms wh their sexualy, and the book is very graphic s scriptns of the morn (predomately urban) gay life-world.
However, we mt bear md that this book is predomately alg wh the experienc of one gay man and some of his signifint others, Our own personal histori and experienc are unique to , and my problem wh this book is that is do appear to have an unrlyg assumptn (although this is nied) that all gay men wh the morn world are all as equally troubled at Matthew.
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I am not wantg to unrme much of the book's nsired ntent, but I do fd rather one sid and at tim reviewers have stated that this book offers a "soclogy" of morn gay life, but this is tegorilly not the se. Although this was not the aim of the book, I believe that any eful analysis of morn gay life mt also have a nsiratn of the wir social stctur that we hab. Why homophob ntu to exist, wh s rultant personal troubl (well documeed the book), needs to be analysed om a wir soclogil perspective that tak to acunt history, social stctur, culture and human agency.