From "Today" show highs to rock-bottom lows, trailblazg gay style rrponnt Steven Cojo mak his way back to the light.
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HOW CELEBRY STYLE MAVEN STEVEN COJO BATTLED ‘TOO GAY’ LABEL, LOST IT ALL AND LIVED TO TELL
Their necklac say thgs like “gay” and “dope, bold, sexy”. The fashn dtry is fely gay iendly, but I'm always lookg for more lbians and queer and trans women of lor fashn. But when one particular look cropped up the post-Stonewall gay scene of the 1970s, was so popular—and so distct—that the guys who sported were dismissed as “clon.
)And while the nickname was ially pejorative, the clone perd marked perhaps the first time that gay men prented themselv wh a queer-signalg uniform that was a direct rponse to societal stereotyp. “The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men.
He pots to the gay mstrel stereotyp the 1967 film The Producers, along wh the timid-lookg guys on the illtrated vers of gay pulp books wh nam like All the Sad Young Men. (Not to mentn the 1964 article Life magaze lled “Homosexualy Ameri, ” which scribed a “sad and often sordid world.