Do You Know How to Say Gay Italian?

Contents:

• HOW TO SAY GAY ITALIAN
• TRANSLATN OF GAY – ENGLISH–ITALIAN DICTNARY
• FOCCH. GAY DICTNARY (ITALY).
• ITALIAN TRANSLATN OF 'GAY'
• GAY DICTNARY ITALIAN
• TRANSLATN OF GAY – ITALIAN–ENGLISH DICTNARY
• TRANSLATN OF "GAY" ITALIAN
• GAYSPEAK AND GAY SUBJECTS AUDVISUAL TRANSLATN: STRATEGI ITALIAN DUBBG
• GAY TO TRANSLATN | ENGLISH-ITALIAN DICTNARY
• TRANSLATN OF "GAY" TO ITALIAN
• HOW TO SAY GAY ITALIAN?GEɪGAY
• HOW TO SAY GAY ITALIAN
• GAY TRANSLATN | ITALIAN-ENGLISH DICTNARY
• GAY TRANSLATN | ENGLISH-ITALIAN DICTNARY
• TRANSLATNS FOR GAY THE ITALIAN»SPANISH DICTNARY (GO TO SPANISH»ITALIAN)

HOW TO SAY GAY ITALIAN

The Italian word Focch is one of the most ed and known words Italy to sult homosexual men, and s equivalent the English language would be the word faggot.

However, there is no reference or document, for now, to support this assertn, strange thg if you nsir that people hate homosexuals too much at that time as well as the public and exemplary character of those ath sentenc.

TRANSLATN OF GAY – ENGLISH–ITALIAN DICTNARY

Th this explanatn seems an ventn that would extend, an tertg manner, that exemplary character of medieval stak a homophobic and ntemporary Italy. There are others that tablish the orig of this Focch slang the asexual character (whout geic exchange) of the plant reproductn, makg a double pirouette to relate to homosexual behavr, the sense that gay fuckg not tend to reproductn or do not need “her”, explanatn that, addn to yokel and to have a backout relig stk, would mean that the Italian populatn has a que remarkable knowledge of botany.

Jt simply take a look at our Italian Gay Dictnary to realize that when Italy image a gay, they thk about a hole, a ntaer, a hollow, an issue that seems like a “ll to actn” and that serv a psychologil pth analysis, maybe at another time we addrs ?. Instead, already the Middle Ag the word Focch was ed to name the idt person, stupid, mean, treachero, ntemptible man, whom you n not tst, featur that have tradnally been supposed to homosexual men, as occurs wh other Italian exprsns as “Froc” ed origally for foreigners for not be tsted, and then beg applied to men you uld not tst, to ultimately be ed to sult gay men. That is why our opn, the orig of this slang is the procs of attributg negative characteristics of some men to gay people, for the simple fact of beg gay.

In the vast Italian Gay Dictnary placed at your disposal highlights the obssn Italy wh bottom gays and this is probably due to the timate and peculiar relatnship that Italy has had wh male homosexual behavr.

FOCCH. GAY DICTNARY (ITALY).

As we explaed our article Focch for Prott Collectn, or Pedibo Ego Vos et Irmabo for Funny Collectn, Italians hered the Greek homosexual relatnship system, teacher-pupil, and transformed to the master-slave system, that allowed a man fuck their slav and men general, whout prejudice to his manhood as long as fulfill his role as father and man society. Already said Jeanne More Fassbr film, Querelle, “each man kills the thg he lov”, and seems that Italy homophobia is directly proportnal to the love for gay “Il gergo queer nell’aliano novecent e ntemporaneo” Doctoral This by Daniel Lucia, Universà “G. Keep md that the Roman Empire was transformed the Greek homosexual nstctn system, teacher-pupil, to the master-slave system that socially allowed men fuck their slav, and general the homosexual behavr if was a top (active) sex role.

This term had special diffn by the actns of the group Spaventapassere (Srecrow) orig of this exprsn is not clear, but revolv around the patriarchal intifitn, that is, the attributn of female characteristics to gay men, sce acrdg to this pot of view, gays are men who are like women:Is the dimutive of Franc, women’s name, and as the se of the Spanish exprsn Mari is a woman’s name ed to name homosexual some parts of Italy as Tny and Laz, is slang for female reproductive Venice and Tny ed exprsns like Cec and Che, ditg vulgar, stupid and rels woman. Other terms, such as Pato (Gay Dictnary: Lat Ameri), have their orig the attributn of many negative featur to gays, so that g this slang uld extend the negative characteristics of some women to all homosexual is wily ed Laz, Tny, and Lombardy, where the mascule form Chec is ed too and is also ed to a lser extent the rt of Italy.

ITALIAN TRANSLATN OF 'GAY'

Variatns: Amichec (hag fag), Checgge, Criptochec (homosexual the closet), Chierichec (fanatic tholic homosexual), Schecre (actg effemately, angry or hysteril way), Arcichec (of Arcigay associatn), Aristochec (Dandy), Melochec (mic lover).

GAY DICTNARY ITALIAN

The ia is to nceive the gay man as a ntaer, as is the se wh exprsns of Neapolan “Vasetto”, Lumo the South, the Tn terms like Bu and Bulo, and the Eian term Bone.

However, at that time Focch meant silly man, worthls, spible, untstworthy, etc., negative characteristics of men that were attributed to homosexuals by the simple fact of beg gay. In the se of Italy, they suffered attacks of German mercenari, jok agast the Frenchmen who occupied Rome and the papal Swiss Guard, men om neighborg untri, France, Swzerland, and Germany, socially gifted of the worst habs and ways of beg as homosexual behavr.

TRANSLATN OF GAY – ITALIAN–ENGLISH DICTNARY

Dpible man or small man: om the Froc exprsn, or s variatns, would be ed to ll foreigners, uld also be ed to name the spible man general, and th by extensn, ed for homosexual men. +Mammoterm ed a rogatory sense as the mascule form of the Italian word Mamma (mother), om those who oppose the regnn of the existence of a homosexual parentg or even planng a gay parentg.

Heterosexual woman who equents gay people, gay bars, lerature, and gay culture general, who lik to surround himself of gay people, and sometim even falls love wh them. It is a loan word om the German language, Urngtum, created 1864 by the homosexual activist Karl Herich Ulrichs (1825-1895), reference to the godss Aphrode Urania on the Symposium of Plato, protective of homosexual love, and would be the so-lled third sex.

De Haln if the Venice Film Ftival would have weled an award meant to specifilly honor gay-themed movi, the same way Berl Internatnal Film Ftival had done 20 years earlier (wh Teddy Bear Award). In quell'ocsne Casagran chie a De Haln se anche a Venezia, e già venti anni prima a Berlo, avrebbe permso la nasca di un prem specifi per la cematografia gay (il Teddy Award).

TRANSLATN OF "GAY" ITALIAN

This is the first time that the word gay was ed a feature film the prumed sense of homosexual and not s origal meang of happy (Boswell 1980: 43). What mak the e of this word the sense of homosexual a ltle more than prumed is the fact that gay had long acquired this meang and had been monly ed as a slang word at least sce the 1920s the Uned Stat, although the term did not enter mastream language until the 1940s the USA and the 1950s England (Partridge 2002).

Notable as the Hollywood age of the word gay is, I would like to shift the foc to the Italian dubbed versn of Hawks’s film, entled Sanna, which David’s Italian answer to the lady’s qutn about his peculiar choice of clothg is: Perché sono diventato pazzo, ec perché! Gays 1938 Italy were mad for two reasons: the first is that the very ncept of a homosexual uld never have ma past the fascist ernment’s own censorship ; sendly and more importantly, as the word gay the sense of homosexual entered the Italian lexin as a loan word only the late 1960s (De Mro 1979: 103), is more than likely that the Italian adapter did not know what Cary Grant was talkg about. This quotatn helps me to troduce the object of this article which tends to highlight two ma sensive areas the dubbg of the solled gayspeak to Italian: first, the possible existence of overt and vert manipulative and censorg practic which, at all tim and even today, may have tend to phemize, dilute or alter homosexual ntent and, more simply, to supprs the words of homosexualy; sendly, the necsy of an asssment of the Italian gay lexin as pared to the richns of the rrpondg English termology, orr to terme whether there exists objective problems for the translators who do not have a particular skill for makg up neologisms.

Gayspeak self is a word ed by Hay a paper first published 1976 and more recently a 2006 llectn on language and sexualy eded by Cameron and Kulick.

GAYSPEAK AND GAY SUBJECTS AUDVISUAL TRANSLATN: STRATEGI ITALIAN DUBBG

Acrdg to Hay, homosexuals e gayspeak three suatns: the secret settg, which is necsary to exprs one’s own sexualy wh circumspectn; the social settg, which gays speak to other people they know to be gay; and the radil-activist settg, which gays ntrol and filter their language what we today ll polilly rrect ways. This is not the place to tackle fundamental issu, namely the qutn of whether is acceptable, terms of polil rrectns but also of lguistic rrectns, to draw general assumptns on gayspeak as if were the language of a sgle muny, while the social landspe is obvly varied and sceptible to numerable distctns.

While is important to keep md the distctns, my purpose here is the analysis of fictnal homosexuals and of their fictnal language as portrayed on the screen mos and ways which may be realistic but are more often than not stereotyped. Even the most naturalistic and polilly rrect exampl, homosexuals on screen are often regnisable by a marked way of speakg often borrg on what is popularly known as mp.

This kd of fictnal speech is the foc of my article as well as the way which Italian translators and dubbg adapters have alt wh gayspeak and wh homosexual lexin particular. At issue here is the image of this speech muny as portrayed films wh gay subjects, their fictnal plexy and the relative simplifitn that tends to take place terms of lexil choice and manipulatn of ntents. Acrdg to Hay, the richt featur of social gayspeak are found the lexin, particularly pound nstctns, wh queen beg possibly the most wily employed stem word for buildg pounds ed for a limls seri of imag to scribe sexual preferenc (i.

GAY TO TRANSLATN | ENGLISH-ITALIAN DICTNARY

One of the most tertg them related to lexin is, I would argue, the way gay activists have managed to create new, more posive referenc for some of the most mon, rogatory homosexual terms:. Italian gay lexin has also had a siar evolutn, a siar posive turn as the one Stanley refers to, although the rpective terms eher stggled to fd their way to mastream language or were absorbed as loan words, th keepg an exotic feel to them, a foreign rg.

This ttifi to the fact that, at least at the begng, the words stggled to be absorbed by the target culture: gay, transgenr, gout, dragqueen, are now words regnisable by most Italian people, but they are jt about the only words of the homosexual jargon to have entered mastream language. Acrdg to the thor, the glossary was far om exhstive, though was part of a longer list of 329 terms – the selectn beg words which were ed exclively by homosexuals. This feature is part of a wir disurse which se gayspeak as speakg om a certa place to a certa dience, as Leap (1997: xi) stat, quotg Irigaray (1985: 135-136), who famoly applied this fn to women’s speakg.

The “actg wh actg” (Hay 1976/2006: 71) and the allns to film stars of the past or other inic figur are, ed, a feature of gayspeak which is often portrayed films and ed stereotypilly to pict mpier characters. Wh s unique style, between the oneiric and the naturalistic, the play vers var issu, cludg the ndn of homosexuals Reagan’s Ameri a perd – 1985 – which AIDS was still nsired the gay plague. Both the play and the film, the most theatril mp speaker is Belize, an ex drag queen whose speech prents all the tras that Harvey (2004: 449-450) fds characteristic of gay mp talk: the preoccupatn wh sexual activy and a tragi-ic awarens of the ephemeral nature of sexual sire; the ironic, feigned adherence to prcipl of cency; the versn of genr-specific terms, the girl talk; the practice of renamg that clus the adoptn of male nam marked as queer, and the equent e of French, which Harvey (2004: 451) f one of verbal mp’s most nsistent vic English, wh s humoro nod to sophistitn and smopolanism.

TRANSLATN OF "GAY" TO ITALIAN

In the followg scene, two of the protagonists, Louis and Prr, a homosexual uple, have jt been to the funeral of Louis’s grandmother (the words bold, all the exampl, dite the exprsns which are relevant the analysis of gayspeak):.

HOW TO SAY GAY ITALIAN?GEɪGAY

Or, to be more precise, shows how the Italian lexin of homosexualy lacks the ventivens of English, shi away om neologisms and prefers to rort to borrowg. Instead of rortg, as do, to the general term of omossuale [homosexual] and htg vaguely at nasnre sempre i difetti [always hi the flts], the Italian adaptatn uld have ed the more banal word ‘macho, ’ which is also ed Italian, perhaps losg the homosexual and ironic nnotatns but at least stickg more closely to the meang of Prr’s words.

The fact is that ocia, the feme of oc, which is the most mon rogatory word for homosexual Italian, has not entered the general lexin as dyke has English.

The word closety, although not exclive of the gay vobulary, is nohels often ed the sense of a person who is rerved about his/her sexual orientatn, but also this se Italian lacks a rrpondg term which has the same exprsive ncisens.

HOW TO SAY GAY ITALIAN

But the characteristic preoccupatn wh sexual activy allud to by Harvey (2004: 449), which is a mon feature at least of fictnal homosexuals, is here severely phemized when transferred to Italian. The word nocente – here the sense of both ‘naïf’ and ‘pure, ’ someone who do not enterta any impure sexual thought – is tertg s e here: impli that Louis is fact far om “nocent” and is ed substutn of the origal straight, th implyg that straight is “pure” and homosexual is “impure.

The followg exampl, taken on purpose om different media – televisn and cema – and different tim – the prent and the 1970s – are stanc of a more nsc sign to adapt a homosexual disurse to a heteronormative view of homosexuals.

GAY TRANSLATN | ITALIAN-ENGLISH DICTNARY

It is much more than jt a matter of sanisatn: is the purposeful dismantlg of a work of associatns which the origal texts overtly relate to a gay imagary. The example shows how the Italian translatn neglects some of the typil (or stereotypil) featur of gayspeak, for what seems to be a lack of an appropriate analysis of this particular idlect. Not only are all the famo Hollywood nam, and John Ford’s film Mogambo (1953), [10] which is not quoted but evoked, not transferred to the Italian versn, but the gay fantasy of the handsome drifter be the ntral image of il protagonista [the protagonist].

As for genr-related issu, what is tertg Six Feet Unr is that, whenever possible, an Italian heterosexual disurse is superimposed to the English homosexual one. As Cameron and Kulick note, today we unrstand homosexualy as an attractn of like to like but “as recently as 50 years ago, homosexualy was more monly unrstood as a matter of genr ‘versn’” (Cameron and Kulick 2006: 4), homosexuals were effemate mal and masculized femal. In different ways, the three exampl show one of the lemotifs of the Italian adaptatn of Six Feet Unr: the purpose to transform a homosexual disurse to a heterosexual one, a purpose achieved by manipulatg both ntents and speech.

GAY TRANSLATN | ENGLISH-ITALIAN DICTNARY

If some of the adaptatns n be strikg – see for example the Italian translatn of the film Sudnly, Last Summer (1959), [11] entled Improvvisamente l’tate srsa (1959), which I have discsed elsewhere (Ranzato 2009) – my purpose wh this paper is to show the extent to which gayspeak and gay ntents were manipulated subtler ways more recent dvisual products.

TRANSLATNS FOR GAY THE ITALIAN»SPANISH DICTNARY (GO TO SPANISH»ITALIAN)

Roughly om the 1970s onwards, cema has gradually portrayed more multi-faceted, more plex, more liberated homosexuals than the eher parodistic or the tortured and closeted gay men and women of earlier cema. Often nsired a turng pot the history of queer cema as one of the first, full screen portrayals of male homosexualy, the film The Boys the Band (1970)[12] is probably the first example of an explicly all-gay plot. If gayspeak ow much of s substance to films and actg, cema has certaly given somethg return and films such as The Boys the Band have ma gayspeak words like ntie, butch, cise, drag, queen, and gay more faiar to the general public.

[13] It prents a group of mostly stereotyped homosexual characters (except maybe for the uple of Hank and Larry) who meet to celebrate the birthday of one of them. This is evint the followg exchange between two of the protagonists which, the origal, featur some tras regnised as typil of gayspeak, namely the versn of mascule/feme pronouns and the reference to the sibilant S:. The explic sexual exchange is sanised, as vivid reprentatns of sexual practic are generally censored favour of a view of homosexualy seen as an versn of normal heterosexual sire: Alan’s le (How’d you like to blow me!

As Six Feet Unr, this is another stance of how the Italian translatn filters the origal text such a way as to portray homosexuals as people whose genr is verted: Emory propos to kiss Alan, wh the mouth of a woman. In this homosexual edy on homosexuals, the irony directed to heterosexuals is often subtly reverted translatn, as the followg example, where the Italian versn of Donald do not make fun of the way some heterosexual men s but of the way some homosexuals supposedly walk, th turng irony to self-pretn:.