A brief history of lbian, gay, bisexual, and transgenr social movements

Contents:

• UNRSTANDG GAY CULTURE
• A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS
• UNRSTANDG GENERATN GAPS LGBTQ+ COMMUNI: PERSPECTIV ABOUT GAY NEIGHBORHOODS AMONG HETERONORMATIVE AND HOMONORMATIVE GENERATNAL COHORTS
• CANNED CKTAIL ‘GAY WATER’ AIMS TO SH ON BUD LIGHT’S DYLAN MULVANEY DISASTER

UNRSTANDG GAY CULTURE

Dpe the persistence of stereotyp that portray lbian, gay, and bisexual people as disturbed, several s of rearch and clil experience have led all mastream medil and mental health anizatns this untry to nclu that the orientatns reprent normal forms of human experience. Helpful rpons of a therapist treatg an dividual who is troubled about her or his same sex attractns clu helpg that person actively pe wh social prejudic agast homosexualy, succsfully rolve issu associated wh and rultg om ternal nflicts, and actively lead a happy and satisfyg life.

The phrase “g out” is ed to refer to several aspects of lbian, gay, and bisexual persons’ experienc: self-awarens of same-sex attractns; the tellg of one or a few people about the attractns; wispread disclosure of same-sex attractns; and intifitn wh the lbian, gay, and bisexual muny. Lbian, gay, and bisexual youth who do well spe strs—like all adolcents who do well spe strs—tend to be those who are socially petent, who have good problem-solvg skills, who have a sense of tonomy and purpose, and who look forward to the future. If they are a heterosexual relatnship, their experienc may be que siar to those of people who intify as heterosexual unls they choose to e out as bisexual; that se, they will likely face some of the same prejudice and discrimatn that lbian and gay dividuals enunter.

Internatnal stunts g om some untri (such as Belgium, Canada, the Netherlands, Norway, Spa, and South Ai where same-sex upl have the right to marry and genr rol may be more fluid) may fd US attus or stanc of homophobia and heterosexism puzzlg and “behd the tim. However, throughout 150 years of homosexual social movements (roughly om the 1870s to today), lears and anizers stggled to addrs the very different ncerns and inty issu of gay men, women intifyg as lbians, and others intifyg as genr variant or nonbary. Such eyewns acunts the era before other media were of urse riddled wh the bias of the (often) Wtern or Whe observer, and add to beliefs that homosexual practic were other, foreign, savage, a medil issue, or evince of a lower racial hierarchy.

A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS

Biblil terpretatn ma illegal for a woman to wear pants or a man to adopt female drs, and sensatnalized public trials warned agast “viants” but also ma such martyrs and hero popular: Joan of Arc is one example, and the chillg origs of the word “faggot” clu a stick of wood ed public burngs of gay men. This creasg awarens of an existg and vulnerable populatn, upled wh Senator Joseph McCarthy’s vtigatn of homosexuals holdg ernment jobs durg the early 1950s outraged wrers and feral employe whose own liv were shown to be send-class unr the law, cludg Frank Kameny, Barbara Gtgs, Allen Gsberg, and Harry Hay. Fstrated wh the male learship of most gay liberatn groups, lbians fluenced by the femist movement of the 1970s formed their own llectiv, rerd labels, mic ftivals, newspapers, bookstor, and publishg ho, and lled for lbian rights mastream femist groups like the Natnal Organizatn for Women.

The creasg expansn of a global LGBT rights movement suffered a setback durg the 1980s, as the gay male muny was cimated by the Aids epimic, mands for passn and medil fundg led to renewed alns between men and women as well as angry street theatre by groups like Aids Coaln to Unleash Power (ACT UP) and Queer Natn. Wh greater media attentn to gay and lbian civil rights the 1990s, trans and tersex voic began to ga space through works such as Kate Boernste’s “Genr Outlaw” (1994) and “My Genr Workbook” (1998), Ann Fsto-Sterlg’s “Myths of Genr” (1992) and Llie Feberg’s “Transgenr Warrrs” (1998), enhancg shifts women’s and genr studi to bee more clive of transgenr and nonbary inti.

UNRSTANDG GENERATN GAPS LGBTQ+ COMMUNI: PERSPECTIV ABOUT GAY NEIGHBORHOODS AMONG HETERONORMATIVE AND HOMONORMATIVE GENERATNAL COHORTS

Through this rehed unrstandg, we exame parative s that scribe the bgraphi, general behavrs, and generatnal loc of four well-known gay men as a means to explore how dividuals born a particular birth generatn may experience vastly different experienc life due to the LGBTQ + generatn wh which they intify. This parison provis a basis for better unrstandg broar societal forc that shape the evolutn of gay neighborhoods throughout the twentieth century and to the twenty-first century along wh observatns about the perceived cle or plate of gay neighborhoods.

Explorg LGBTQ+ Generatns: Through the Ey of Warhol, Vidal, Capote & HudsonExamg the liv of celebri and well-known LGBTQ + dividuals offers a lens to summarize and illtrate typil behavrs and attus that have been formative shapg gay culture and the LGBTQ+ llective inty. In this se, the disntuy between the birth generatn to which each man belonged and the perd durg which their g of age wh regard to their LGBTQ+ inty occurred was shaped not only by the valu, behavrs, and mor of their birth generatn but also overlaid by the generatn to which they “me of age” as a gay man and a member of the LGBTQ+  muny.

His g of age occurred early life, which plac his behavr, the outward exprsn of genr inty, and sexual orientatn a much more ntemporary timeame closer behavr to a member of Generatn X (people born about fifty years after Capote) ntrast, Vidal did not publicly acknowledge his sexual orientatn or genr exprsn, and much later life vaguely intified first as bisexual (1999), and later as homosexual (Kaplan 2013). Their behavrs, outward exprsn of genr, and gree of fort wh intifyg as LGBTQ + varied pendg more on their LGBTQ + generatn than their birth wh Capote, Vidal, and Hudson, a sire or lack of sire to ngregate and be associated wh other LGBTQ + dividuals public impacted the emergence and subsequent velopment of gay neighborhoods. In this way, Warhol’s liberal attu mirrored attus gay neighborhoods as home to not only LGBTQ+ dividuals but as clive, accsible, and permissive neighborhoods where enomic stat beme ls important than creative energy, potential, and persona.

CANNED CKTAIL ‘GAY WATER’ AIMS TO SH ON BUD LIGHT’S DYLAN MULVANEY DISASTER

In the old days you uld go over there on a Sunday and nobody would be around, but now ’s gay gay gay as far as the eye n see—dyk and leather bars wh the nam right out there broad daylight—the Ramrod-type plac” ( Warhol and Hackett 1989: 51).

The plexy of his g of age a time when homosexualy was illegal, mixed wh his fascatn wh celebry and outlandishns, sparked a cursy Warhol that helped to shape and support the culture of gay neighborhoods New York Cy the 1960s through the 1980s as clive and creative spac.

He provid for his followers and for succsive generatns of LGBTQ+ people a type of eedom that he himself seemed reluctant to Homonormative Saeculum and the Events that Shaped a Century of LGBTQ+ CultureThe experience for LGBTQ + people—amed by the unrstandg and treatment of LGBTQ+ dividuals reflected the valu of mastream society—is often que different om that of non LGBTQ+ people. We propose appendg the heteronormative generatnal nam popularized by Strss and Howe to better rporate LGBTQ+ experienc as follows:The Silent Generatn —or the “Closeted Generatn”—gay men me of age jt before, durg, and immediately after World War II and lived a world which there was tense social prsure to nform to genr stereotyp.