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Loïs Mailou Jon: Creatg A New Ain-Amerin Image | WBUR News</tle><lk rel="nonil" href="><lk rel="alternate" type="applitn/rss+xml" tle="RSS" href="/wbur/rss"/><meta name="scriptn" ntent="For much of the past century of Morn art, Ain-Amerin artists often looked like outliers. Why did pneerg black paters like Boston-native Loïs Mailou Jon ntue to work realistilly as the thst of Wtern art was toward abstractn?"/><meta property="og:type" ntent="webse"/><meta property="og:tle" ntent="Loïs Mailou Jon: Creatg A New Ain-Amerin Image"/><meta property="og:scriptn" ntent="For much of the past century of Morn art, Ain-Amerin artists often looked like outliers. 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You n try<!-- --> <a href="/newsletters">subscribg here</a> or try aga later.</span></div></div></div></div></hear><article class="article" data-rid="359790" data-rtype="story"><div id="gtm-visibily-50" class="gtm-pixel"></div><div id="gtm-visibily-75" class="gtm-pixel"></div><div id="gtm-visibily-100" class="gtm-pixel"></div><sectn class="sectn--breakout sectn--uw sectn--first sectn--learboard"><div class="uw uw--rponsive"><div class="uw-ner"><p class="uw-label">Advertisement</p><div class="uw-ntent uw-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><hear class="article-sectn--tle article-sectn--island"><div class="article-actn"><h1 class="article-hdr">Loïs Mailou Jon: Creatg A New Ain-Amerin Image</h1></div><div class="article-meta"><span class="article-meta-em--date"><span tle="Wednday, Febary 27th 2013, 8:48:53 am">Febary 27, 2013</span></span><ul class="article-meta-em--thorlist article-meta-group"><li class="article-meta-em article-meta-em--thor"><a class="article-meta-lk article-meta-em--thor" href="/si/staff/greg-ok">Greg Cook</a></li></ul><div class="article-share article-share-ins"><a href=" & target="_blank" rel="noreferrer" class="article-share-lk" tle="Share on Facebook"><svg class="in in-facebook" viewBox="0 0 128 128" role="img" width="24" aria-labelledby="tle"><tle id="tle">facebook</tle><path display="le" d="M120.1,0H8.2c-4.4,0-8,3.6-8,8v112c0,4.4,3.6,8,8,8h60.4V78.2h-16V59.8h16V43.9 c0-14.6,8.9-24.3,26.4-24.3c7.7,0,13.1,0.9,13.1,0.9V37h-12c-5.3,0-8,3-8,8.2v14.5h18.7l-2.7,18.4h-16v49.7h32c4.4,0,8-3.6,8-8V8 C128.1,3.6,124.5,0,120.1,0z"></path></svg></a><a href="mailto:?body=Loïs Mailou Jon: Creatg A New Ain-Amerin Loïs Mailou Jon: Creatg A New Ain-Amerin Image" class="article-share-lk" tle="Share by email"><svg class="in in-email" viewBox="0 0 128 128" width="20" aria-labelledby="tle"><tle id="tle">Email</tle><path display="le" d="M64.2,86.3l-64-48V104c0,4.4,3.6,8,8,8h112c4.4,0,8-3.6,8-8V38.4L64.2,86.3z M64.2,72l64-48 c0-4.4-3.6-8-8-8H8.2c-4.4,0-8,3.6-8,8L64.2,72z"></path></svg></a></div></div></hear><sectn class="article-sectn--ntent hang-punctuatn article-sectn--first article-sectn--centered"><p class="">For much of the past century of Morn art, Ain-Amerin artists often looked like outliers. Why did pneerg black paters like Boston-native Loïs Mailou Jon ntue to work realistilly as the thst of Wtern art was toward abstractn?</p><figure class="article-fig size-medium article-fig--pull-right"><a href="><picture><img class="size-medium article-image" src=" alt="Loïs Mailou Jon patg her Paris stud 1937 or '38. (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">1937 or '38. (Courty of the Mm of Fe Arts, Boston)</figptn></figure><p class="nt-medium">“The thg that scrib Mornism more than anythg else is revolt,” says Edmond Barry Gaher, director of the Mm of the Natnal Center of Ao-Amerin Artists Boston and a longtime iend of Jon.</p><p class="">While whe Mornists were blastg apart the realism pursued the Wt sce at least the Renaissance, Gaher says, “The radil parture, the revolt of Ain-Amerin artists at the begng of the 20th century was the reclamatn of Ain-Amerins as human.”</p><p class="">In the face of a Wtern tradn that portrayed blacks primarily meang racist riture, if at all, Gaher says, Ain Amerin art “was volved retablishg the validy of a tradn, not volved wh smashg one.” Black artists “really took on this role early of creatg a new image.”</p><p class="">Loïs Mailou Jon (1905-1998) is the subject of a one-room reer survey at Boston’s Mm of Fe Arts (465 Huntgton Ave., through Oct. 14) anized by MFA curator Ellt Bostwick Davis. She was born Boston. Her mother ran a bety parlor and ma hats. Her father was a buildg supertennt who attend night school to bee, at age 40, the first Ain-Amerins to graduate om Suffolk Law School.</p><p class="nt-medium">“She thought of herself always as a Bostonian,” Gaher says. Long after she moved away, she ntued to return to Massachetts annually, he says, often spendg time on Martha’s Veyard, where, while growg up, her fay summered on land her grandmother bought wh money she earned as a hoekeeper and nanny.</p><p class="">After graduatg om the School of the Mm of Fe Arts and the Boston Normal School (now Massachetts College of Art) 1927, Jon lnched a reer textile sign. But drivg to Martha’s Veyard one summer, Jon spotted her signs the wdows of terr-ratn shops, but noted that fabrics bore only the name of the patterns, not her name.</p><figure class="article-fig article-fig--pull-right"><a href="><picture><img class=" article-image" src=" alt="Loïs Mailou Jon "Negro Stunt," 1934, charal on paper (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "Negro Stunt," 1934, charal on paper (Courty of the Mm of Fe Arts, Boston)</figptn></figure><p class="nt-medium">“That bothered me bee I was dog all this work but not gettg any regnn,” she told a bgrapher. “And I realized I would have to thk serly about changg my profsn if I were to be known by name.”</p><p class="nt-medium">“She was a very warm person and she was very persistent,” Gaher says. “She ma up her md to work on somethg and she stuck wh .” Such termatn was required to get much of anywhere the face of huge societal hurdl for women and Ain-Amerins to even enter the art world.</p><p class="">Jon applied to teach at the Mm School, but got the msage that her optns the whe Boston art world were tratgly limed when the director told her “go South and help your people.” Still she followed his suggtn, briefly teachg art at Palmer Memorial Instute North Carola and then at the legendary black llege Howard Universy Washgton, D.C., om 1930 to 1977.</p><p class="">The 1930s saw her drawg and patg realist portras of Ain-Amerins and illtratg books. This art, Gaher says, was part of the “New Negro” movement’s effort at creatg “sympathetic reprentatns of black Amerin experience and reclamatn of Ain herage.”</p><p class="">Major shifts Jon’s style were often precipated by travels. On a year sabbatil om Howard 1937, she studied at the Adémie Julian Paris. “It was the first time when she was workg a ntext where race was gog to be irrelevant and she was gog to be judged on the mer of her work,” Gaher says.</p><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Loïs Mailou Jon "My Mother's Hats," 1943, oil on nvas. (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "My Mother's Hats," 1943, oil on nvas. (Courty of the Mm of Fe Arts, Boston)</figptn></figure><p class="">Her 1938 patg “Jeanne, Martiquais” and her 1943 patg “My Mother’s Hats” show how she phed her amic realism toward an exprsive late Imprsnist style—somewhere between Cale Pissarro and the early work of Henri Matisse. This was s after those styl had been veloped and nsired radil. “She st her lot wh the nservative style, as many Ain Amerin artists did, to achieve a certa level of rpect,” Gaher says.</p><p class="">In Paris, she met artist Ee Bernard, dancer Josephe Baker, and artist Céle Tabary. And she beme acquated wh the ternatnal black muny via artists om the Uned Stat, Ai and the Caribbean. “That also gave her a larger sense of the prence possible for her the world,” Gaher says.</p><p class="">Back Washgton, she rolved to subm her patg of “Indian Shops, Gay Head, Massachetts” (not this show) to the Corran Gallery of Art’s annual petn 1941, even though the mm banned Ain-Amerin participatn. She got around this by havg a whe iend drop off her patg for her. When her patg won the Robert Woods Bliss Landspe Prize, she prerved her se by havg the award mailed to her.</p><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Lois Mailou Jon "Veve Voudou II," 1963, oil and llage on nvas (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Lois Mailou Jon "Veve Voudou II," 1963, oil and llage on nvas (Courty of the Mm of Fe Arts, Boston)</figptn></figure><p class="">Jon’s style shifted aga after she married Haian graphic artist Louis Pierre-Noel 1953 at age 47. They summered Hai om 1954 to ’66 where she was wowed by the valy of Caribbean art. “The art of Ai is lived the daily life of the people of Hai,” she said.</p><p class="">In abstractns like her 1963 patg “Veve Voudou II” and her 1985 patg “Glyphs,” she tegrat the imagery she soaked up Hai wh the Abstract Exprsnism of artists like Adolph Gottlieb, a New York pater who’d summered Gloucter and Provcetown, Massachetts.</p><p class="">Wh the rise of black polil nscns the 1960s, as Ain-Amerins fought for civil rights here and blacks Ai won pennce om European lonial le, Jon’s work beme “a celebratn of Ain lor and pattern,” Gaher says.</p><figure class="article-fig article-fig--pull-right"><a href="><picture><img class=" article-image" src=" alt="Loïs Mailou Jon "Ubi Girl om Tai Regn," 1972, acrylic on nvas (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "Ubi Girl om Tai Regn," 1972, acrylic on nvas (Courty of the Mm of Fe Arts, Boston)</figptn></figure><p class="nt-medium">“Loïs’s own temperament was much more terted the joy of lor and sign. She’s not really a prott artist,” Gaher says. Her art is about portrayg and embracg Ain-Ameri and s cultural legacy wh accuracy and digny at a time when jt portrayg Ain-Amerins was radil. Gaher says, “It’s very much the spir of black largens, a global way.”</p><p class="">In 1970 she ma her first trip to Ai, visg 11 Ain natns wh a grant om Howard Universy to document artists there. She returned to the ntent 1972, ’76 and ’77.</p><p class="">Inspired by what she saw and mergg wh the flat graphics and image samplg of Pop art, she pated works like 1972’s “Ubi Girl om Tai Regn.” Jon layers imag of an Ubi girl wh her face pated wh the X sign of a fertily rual, masks om Zaire, a sculptural profile om the Ivory Coast, and Ain textile patterns.</p><p class="nt-medium">“She b [Pop] wh source material om Ai, wh Ain sign and Ain pattern, and out of this she synthiz a new body of work,” Gaher says. Arrivg at her late mature style, “she eely draws om all of them to create somethg that is a nsummate exprsn of the Diaspora.”</p><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Loïs Mailou Jon "Glyphs," 1985, acrylic on nvas (Courty of the Mm of Fe Arts)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "Glyphs," 1985, acrylic on nvas (Courty of the Mm of Fe Arts)</figptn></figure><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Loïs Mailou Jon "Jeanne, Martiquaise," 1938, oil on nvas (Courty of the Mm of Fe Arts)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "Jeanne, Martiquaise," 1938, oil on nvas (Courty of the Mm of Fe Arts)</figptn></figure><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Loïs Mailou Jon "Seventh Street Promena," 1943, waterlor wh graphe unrdrawg on paper (Courty of the Mm of Fe Arts, Boston)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "Seventh Street Promena," 1943, waterlor wh graphe unrdrawg on paper (Courty of the Mm of Fe Arts, Boston)</figptn></figure><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Loïs Mailou Jon "La Baker," 1977, acrylic and llage on nvas (Courty of the Mm of Fe Arts)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Loïs Mailou Jon "La Baker," 1977, acrylic and llage on nvas (Courty of the Mm of Fe Arts)</figptn></figure></sectn><sectn class="article-sectn--story-group article-sectn--centered"><p class=""><em>This program aired on Febary 27, 2013. The d for this program is not available.</em></p></sectn><sectn class="article-sectn--story-group article-sectn--centered Tags_article-sectn--tags__NOKiB"><a data-ec="Article Tags" data-el="Visual Arts" data-ea="Click" class="article-tag" href="/news/tag/sights">Visual Arts</a></sectn></article><sectn class="article-sectn--story-group article-sectn--centered"><div class="ntributor has-photo"><div class="ntributor-profile"><figure class="ntributor-profile-em ntributor-photo"><a href="/si/staff/greg-ok"><picture><img src=" class="lazy rd-image" alt=""/></picture></a></figure><p class="ntributor-profile-em ntributor-b"><a class="ntributor-name" href="/si/staff/greg-ok">Greg Cook</a> <span class="ntributor-tle">Arts Reporter</span><br/>Greg Cook was an arts reporter and cric for WBUR's The ARTery.</p><p class="ntributor-more"><a class="ntributor-lk ntributor-b-lk" href="/si/staff/greg-ok">More…</a></p></div></div></sectn><sectn class="sectn--breakout sectn--uw"><div class="uw uw--rponsive"><div class="uw-ner"><p class="uw-label">Advertisement</p><div class="uw-ntent uw-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><div></div><div class="global-d-ponents onmand--is-playg"><div class="global-player"><d preload="to"></d><div class="global-player-bar"><div class="global-player-bar-left"><button class="global-player-bar-ntrol"><i class="in-play in-play--global-player-bar in-play--psed"><span class="in-play-shape"><span class="in-label" data-note="for-screen-rears">Rume</span></span></i></button><div class="global-player-label global-player-label--live"><div class="global-player-channel"><span>Listen Live</span></div><div class="global-player-tle"><a class="global-player-label-lk" href="/">Loadg...</a></div></div></div><div class="global-player-bar-right"><div class="global-player-x"><svg class="in in-close" viewBox="0 0 24 24" aria-labelledby="tle"><tle id="tle">Close
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