Canned cktail 'Gay Water' aims to sh on Bud Light's mistak

Contents:

• WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.
• THE 10 BT GAY MILS OF ALL TIME
• TAG ARCHIV: GAY EDY PLAY
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• CANNED CKTAIL ‘GAY WATER’ AIMS TO SH ON BUD LIGHT’S DYLAN MULVANEY DISASTER

WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.

“In the first part of Tony Khner’s epic, set 1980’s New York Cy, a gay man is abandoned by his lover when he ntracts the AIDS vis, and a closeted Mormon lawyer’s marriage to his pill-poppg wife stalls. The Temperamentals tells the story of two men—the munist Harry Hay and the Vienne refugee and signer Rudi Gernreich—as they fall love while buildg the first gay rights anizatn the pre-Stonewall Uned Stat. Inspired by the te story of the earlit stirrgs of the Amerin gay rights movement, madp classic s-style lghs give way to provotive drama as two “All-Amerin” upl are forced to stare down the closet door.

And while there is much to learn om and much to love about the many heavy gay dramas out there, we mt also take time to celebrate and revel the bright si of difference, which is why this list is all about the edi. There are plenty of gay and queer romantic edi and LGBTQ+ movi that are romantic, light-hearted, pellg, and edic, like Love, Simon, Bros, and Happit SeasonLove, Simon gaed a lot of attentn and buzz durg s 2018 release, maly bee was one of the first mastream gay romantic edi.

Risg to fame followg her special "Nate, " Gadsby has phed edy to new levels by weavg together personal stori, art history lsons, and sthg monologu — routely takg hs at men and the chronicl her childhood growg up as a lbian Tasmania, where homosexualy was illegal until 1997.

THE 10 BT GAY MILS OF ALL TIME

Yang beme the first Che-Amerin and third openly gay st member on NBC's "Saturday Night Live" edian, who hosts a pop culture podst lled "Las Culturistas, " has proven his range on the "SNL, " masterfully portrayg characters om a Che tra reprentative ed as "Tra Daddy" to former Democratic printial ndidate Andrew Yang.

Amstell, who beme known for appearanc on "Pop World" and "Never Md The Buzzcks, " stand-up edy as a nfsnal, workg through issu like his parents' divorce, eatg meat, and timacy the Brish ic speaks openly about his sexualy durg sets, Amstell said he was "terrified" of beg gay before g out durg his Netflix special "Set Free. Cho, who grew up San Francis and had parents that owned a gay bookstore, has squashed the stereotypil tras placed on Asian-Amerin gaed populary by wrg and starrg a s lled "All Amerin Girl" and has bee a celebrated stand-up ic. Amstell hid his inty as a gay man for many years his adolcence, and seeg him brg to his standup so sually is to stream: NetflixJaboie to the stage hot his feature episo of Comedy Central Stand-up Prents.

AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort. Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg. When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst.

TAG ARCHIV: GAY EDY PLAY

) Its body, race and orientatn issu are left a kd of stalemate that suggts what might happen if a foundatnal gay play like “The Boys the Band” (which had only one Black character) were multiplied fun hoe mirrors ad fum.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

That the Hamlet figure, lled Juicy, is Black and gay, wh an termtent csh on a Laert-like iend, suggts that the queer theme will domate, yet don’t; “Fat Ham” is really a play about Black masculy and, even more broadly, the vlent herance all men mt renounce.

” Beltran portrays a gay Black man hopg to adopt the young girl he’s been Klwich/The New York TimMy other favore queer plays of the past year likewise offer no bands; their gay characters (there are still far too few lbian on) operate as if their gayns were mostly ternal and pletely irrelevant. Hunter’s heartbreakg “A Case for the Existence of God, ” that turns out to be an illn, as a gay Black man, after fosterg a ltle girl for more than three years, fds his plan to adopt her undone at the last mute.

If there are subtle ways which their sexual inti affect their character or behavr, they were too subtle for me; miss a le or two and you may not even know that gayns is a part of their makp at mak sense plays about cris that threaten to oblerate a person entirely: genr, race, orientatn and all. The heartbreakg drama tells the bgraphil story of celebrated graphic artist Alison Bechl as she disvers her sexual orientatn while tryg to unrstand how she relat to her father -- himself a closeted gay man who ms suici four months after she out.

CANNED CKTAIL ‘GAY WATER’ AIMS TO SH ON BUD LIGHT’S DYLAN MULVANEY DISASTER

More5Released: 1997Directed by: Frank OzUpon wng an Amy Award, actor Cameron Drake (Matt Dillon) honors his high school teacher, Howard Brackett (Kev Kle), who he announc, before lns of viewers, is gay. An Emmy-nomated dark edy about a gay uple and their iends Silverlake Los Angel, “EastSirs” began as a $2, 000 self-fanced project, and end wh s fourth and fal season droppg on Netflix back December.

In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone. ”) Still, there was no nyg that ank plays about gay male life had never reached the mastream, never perated the circl which Kffmanns and Roths and social Crowley wrote the bt and funnit and gayt play he uld, about ne gay men (or maybe eight and a half) at a birthday party. Though some of the men fse the ambient homophobia of the time better than others, almost all of them suffer om the self-hatred that seemed then, and maybe now, to filtrate even the bt-fend personaly.

At a time when many of the classic gay plays are returng to the Broadway stage — “Boys the Band, ” “Angels Ameri” and “Torch Song Trilogy” among them — almost no new on are on the horizon to jo them. I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope, ” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory. They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe was a liberate statement, meant to acknowledge how far the world has e sce 1968.