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The Booksellers : Fran Lebowz, San Orlean, Gay Tale: Movi & TV

Contents:

GAY TALE

Voyr, the new Netflix documentary starrg Gay Tale about his article and book The Voyr’s Motel, is a nfed illtratn of te-crime’s pfalls. * gay talese film *

“You n’t make this stuff up, ” Gay Tale says the begng of Voyr, the new documentary chroniclg the velopment of his book The Voyr’s Motel, which was excerpted as a ntroversial New Yorker article, and, as of Friday, is available on Netflix.

In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy. BgraphyTriviaActorWrerPlay trailer2:00The Booksellers (2019)More at IMDbProContact Agent RumeView ntact at IMDbProKnown for: Wrer1973Boom Boom Room Celebry2016Gay Tale2003Self1976ActorPrev2Bld5.

30, 2017Peppered wh sleazy re-enactments and unflatterg close-ups, “Voyr” — a squirmy documentary about the celebrated journalist Gay Tale’s famo vtigatn of a perverted motel owner — leav you wh an urgent need to take a you done so the Colorado tablishment owned by Gerald Foos some time between 1966 and 1990, your host might have been peerg through a ceilg vent, takg p not on your ablutns. Gay Tale was perhaps the most notable of the group. The film follows famed wrer Gay Tale the fallout om his 2016 nonfictn book The Voyr Motel, which was about motel owner Gerald Foos.

‘VOYR’ REVIEW: NETFLIX’S DEVIANT GAY TALE DOC CAN’T DECI WHAT WANTS TO LOOK AT

Gay Tale. Wrer: Honor Thy Father. Gay Tale was born on 7 Febary 1932 Ocean Cy, New Jersey, USA. He is an actor and wrer, known for Honor Thy Father (1973), Bld (2016) and Shortcut to Happs (2003). He has been married to Nan Tale sce 10 June 1959. They have two children." data-id="ma * gay talese film *

Cast & crewUser reviewsTrivia2017TV-MA1h 35mJournalism in Gay Tale reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guts wh the aid of specially signed ceilg vents, peerg down o... Read allJournalism in Gay Tale reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guts wh the aid of specially signed ceilg vents, peerg down om an "observatn platform" he built the motel's attic. Journalism in Gay Tale reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guts wh the aid of specially signed ceilg vents, peerg down om an "observatn platform" he built the motel's productn, box office & pany Vios1More like thisReview A sad tale of two unenlightened and unenlightenable agg menThis is the sad story of two old men who were unable to learn the lsons that a long life should have tght them.

) If only someone would ever take his fdgs journalist Gay Tale who, 1980, was readyg the release of Thy Neighbor’s Wife, his outstandg history of the sexual revolutn. Netflix has unveiled a pair of documentari — Gay Tale’s “Voyr” and “Joan Didn: The Center Will Not Hold” — and plans to release both later this year.

NYFF is the perfect place to premiere this film about legendary New York journalist Gay Tale. VOYEUR, GAY TALESE, 2017. VOYEUR, FROM LEFT: GERALD FOOS, GAY TALESE, 2017.

WATCH THE TRAILER FOR NETFLIX’S GAY TALE DOC VOYR

This squirmy documentary follows the celebrated journalist Gay Tale’s famo vtigatn of a motel owner who spied on guts. * gay talese film *

VOYEUR, GERALD FOOS (LEFT), GAY TALESE (SCARF), 2017. Gay Tale at arrivals for GENIUS Premiere, Mm of Morn Art (MoMA), New York, NY June 5, 2016. In the April 11, 2016, issue of The New Yorker, the fabled journalist Gay Tale, at the sprightly age of 84, published a luridly provotive article entled “The Voyr’s Motel.

The filmmakers, Myl Kane and Josh Koury, are too enthralled wh the pun of their tle: The film is about a pulsive voyr — but Gay Tale, the man reportg on the voyr, is a voyr too! There are only a few journalists Ameri who are so teemed — and well-drsed — that they atta the stat of aristocrats, and Gay Tale is one of them. EXCLUSIVE: Here’s yet another new twist the saga of The Voyr’s Motel, the Gay Tale book about a voyristic motel owner named Gerald Foos that sold a ln-dollar screen rights ctn to DreamWorks for a film that Sam Mens might direct.

After three years productn, edg has begun on the documentary feature Gay Tale and the Voyr. Mandatory Cred: Photo by Dave Alloc/Starpix/REX/Shutterstock (5725400ao) Gay Tale Mart Srse Hosts a New York Screeng of A24’s “De Palma”, New York, USA – 09 Jun 2016. Actor, Wrer Born Febary 7, 1932 Ocean Cy, New Jersey, USA Gay Tale was born on Febary 7, 1932 Ocean Cy, New Jersey, USA.

VOYR REVIEW: A FASCATG, COMPLITED FILM ABOUT SEX AND SECRETSTHE HUBBUB SURROUNDG GAY TALE’S BOOK ABOUT A NOTOR MOTEL VOYR GETS THE FULL-LENGTH DOCUMENTARY TREATMENT.BY JORDAN HOFFMANOCTOBER 5, 2017COURTY OF NETFLIX.SAVE THIS STORYSAVESAVE THIS STORYSAVEVOYR, A MARVELO DOCUMENTARY BUTG AT THE NEW YORK FILM FTIVAL BEFORE HEADG TO NETFLIX DECEMBER 1, IS PACKED BEYOND VANCY WH DISCSNS OF WEIGHTY TOPICS LIKE THORIAL TENT, TTH JOURNALISM, AND MEDIA MANIPULATN. BUT BEFORE ANY OF THAT, THERE’S THE PREMISE, WHICH MAY PEL YOU TO JUMP TO A HOT SHOWER. (ONE YOU’RE SURE HAS NO PEEPHOLE.)FOR S, A MOTEL OWNER OUTSI OF DENVER, GERALD FOOS, ED HIS BS AS HIS OWN PRIVATE SOCLOGY LABORATORY. HE NSTCTED AN “OBSERVATN CK” ABOVE THE ROOMS WHERE, THROUGH VENTS, HE WOULD SPY ON HIS CTOMERS. HIS PRIMARY TERT WAS SEX: HE WAS, AS HE GLOATS, THE WORLD’S GREATT VOYR. MOREOVER, BOTH OF HIS WIV (HIS FIRST PASSED AWAY) AID HIS CRIME. THEY BROUGHT HIM SNACKS THE MIDDLE OF THE NIGHT AS HE HOVERED ABOVE HIS SUBJECTS, WAG, WATCHG, AND TAKG NOT.THAT LAST PART IS IMPORTANT. AS FOOS, NOW HIS EIGHTI, EXPLAS HIS RONANT, NO-NONSENSE TON, ONE N ONLY MASTURBATE SO MANY TIM A NIGHT. HIS TAILED JOURNALS ABOUT THE HABS OF THE MOTEL OCCUPANTS GREW, AFTER S, TO AN UNNIABLY EFUL AND FASCATG STUDY. (HE’D DO THGS LIKE LEAVE PORNOGRAPHY THE DRAWERS TO SEE HOW PEOPLE WOULD REACT.) IF ONLY SOMEONE WOULD EVER TAKE HIS FDGS SERLY.ENTER JOURNALIST GAY TALE WHO, 1980, WAS READYG THE RELEASE OF THY NEIGHBOR’S WIFE, HIS OUTSTANDG HISTORY OF THE SEXUAL REVOLUTN. (IF YOU’VE NEVER READ , PSE FOR A MOMENT, OPEN A BROWSER WDOW TO THE BOOK-PURCHASG SE OF YOUR CHOICE, AND HAVE A PY SENT TO YOU STANTLY. APART OM BEG BRILLIANT, IS SURPRISGLY TIMELY; THE RECENTLY PARTED HUGH HEFNER IS A KEY PART OF THE HISTORY.) TALE, PHG HIS NEW WORK ON SHOWS LIKE DONAHUE, RECEIVED A LETTER OM FOOS. THEY BEGAN RRPONDG, AND TALE EVEN VISED THE MOTELIER TO SEE HOW HIS NIGHTLY VOYRISM WORKED. (INED, THE FASHN-FORWARD TALE’S TIE SLIPPG THROUGH A GRATE NEARLY GAVE THE GAME AWAY.)DES LATER, WH TALE AND FOOS BOTH HTG THEIR EIGHTI, THEY AGREED WAS TIME TO SHARE THIS STORY.AND THEN THGS GOT WEIRD.VOYR VIGORATGLY LAYS OUT HOW TALE TRANSLATED HIS IENDSHIP TO BOOK FORM, G A [SHOCKG EXCERPT THE NEW YORKER TO MAKE HEADL. BUT DOCUMENTARIANS MYL KANE AND JOSH KOURY ARE ALSO SLY ABOUT KEEPG THE STORY’S SUBSEQUENT TWISTS CLOSE TO THE VT, EVEN THOSE THAT VIEWERS MAY SEE G THANKS TO PREV PRS VERAGE OF THE FALLOUT OM THAT EXCERPT.THERE ARE ISSU OF TST BETWEEN THE TWO MEN. IT’S UNCLEAR WHO IS EXPLOG WHOM—AND IMPOSSIBLE TO KNOW WHAT IS BEG RECREATED FOR THE MERA AND WHAT IS BEG PTURED “LIVE.” THIS IS ALL TO THE BETTERMENT OF VOYR, WHICH, ISN’T TOO MUCH OF A SPOILER TO SAY, ULTIMATELY NCLUS THAT MR. TALE AND MR. FOOS AREN’T ALL THAT DIFFERENT OM ONE ANOTHER.THAT SUMMATN MIGHT SHOCK BOTH MEN, WHO PORT THEMSELV AS IF OM SEPARATE WORLDS. TALE IS A SLENR, BONAIR DANDY RARELY SEEN ANYTHG BUT A BPOKE SU WHO STEPS TO MANHATTAN’S NIGHT LIFE OM HIS UPPER EAST SI TOWNHOE. FOOS IS AN OVERWEIGHT SHUT- THE COLORADO SUBURBS WHO WATCH TELEVISN SWEATPANTS. A PARTICULARLY CHOICE MOMENT THE FILM IS AN ANGRY MONOLOGUE FOOS GIV WHILE SLOWLY SCENDG A STAIRSE A MOTORIZED CHAIR. IN FOOS’S BASEMENT ARE ENDLS BOX EXPOSG HIS LIFE AS AN OBSSIVE LLECTOR. (BASEBALL RDS, CEREAL BOX, S, YOU NAME .) TALE’S BASEMENT MAY HAVE A MORE NOBLE GOAL—’S WHERE HE WR HIS AWARD-WNG JOURNALISM—BUT IS NO LS A WAREHOE OF CLIPPGS, FIL, AND BETS ABOUT THE SUBJECTS HE’S BEEN FOCED ON FOR S.TALE KEEPS AN ENORMO RDBOARD CUTOUT OF HIMSELF HIS HOME, AS WELL AS MANY AMED PORTRAS. HE IS A LIVG LEGEND AND A TALENT WH FEW RIVALS, BUT HE ALSO LIK THE SPOTLIGHT. THAT’S LUCKY FOR THE FILM, AS HIS EAGERNS AS A DOCUMENTARY SUBJECT EXPOS HIM TO SOME FASCATG SCTY. BUT ’S EVEN BETTER LUCK FOR THOSE OF WATCHG ON THE OTHER SI OF THE SCREEN, THE DARK WHERE WE N’T BE SEEN.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHRED, WHE & ROYAL BLUE MAY BE “THE MOST EXPENSIVE B OF FAN FICTN EVER”BY SAVANNAH WALSHTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISJORDAN HOFFMAN

Voyr: Directed by Myl Kane, Josh Koury. Wh Gay Tale, Gerald Foos, Nan Tale, San Morrison. Journalism in Gay Tale reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guts wh the aid of specially signed ceilg vents, peerg down om an "observatn platform" he built the motel's attic." data-id="ma * gay talese film *

That’s the suatn Gay Tale fds himself , but there’s a twist: He wrote the article for Esquire over 50 years ago. Author and journalist Gay Tale (right) and Gerald Foos, the Colorado motel owner who for years spied on his guts, are the foc of the Netflix documentary Voyr.

Kane and Koury were ridg shotgun on Gay Tale’s iffy story about Gerald Foos, the Colorado motel owner who for years spied on his guts through vents the ceilgs and wrote up what he claims are pastakg not of their dogs — pecially their sexual dogs, of urse. Superficially, Gay Tale and Gerald Foos would seem to have nothg mon bis their age.

NETFLIX TO RELEASE GAY TALE, JOAN DIDN DOCUMENTARI

The hubbub surroundg Gay Tale’s book about a notor motel voyr gets the full-length documentary treatment. * gay talese film *

GAY TALE

Gay Tale wrote a book about a motel owner who spied on his guts. But this doc should have gotten closer to s subject's creepy humany * gay talese film *

DOCUMENTARY FILM ON GAY TALE AND ‘THE VOYR’S MOTEL’ WRAPS FILMG

* gay talese film *

GAY TALE

Documentary Film Completed On Gay Tale And 'The Voyr's Motel' * gay talese film *

PETER BART: GAY TALE’S FAMED “FRANK SATRA HAS A COLD” BE HOT MOVIE PROJECT

The former baseball god didn't want to talk. And 1966, wrer Gay Tale didn't need him to. * gay talese film *

VOYR REVIEW: A FASCATG, COMPLITED FILM ABOUT SEX AND SECRETSTHE HUBBUB SURROUNDG GAY TALE’S BOOK ABOUT A NOTOR MOTEL VOYR GETS THE FULL-LENGTH DOCUMENTARY TREATMENT.BY JORDAN HOFFMANOCTOBER 5, 2017COURTY OF NETFLIX.SAVE THIS STORYSAVESAVE THIS STORYSAVEVOYR, A MARVELO DOCUMENTARY BUTG AT THE NEW YORK FILM FTIVAL BEFORE HEADG TO NETFLIX DECEMBER 1, IS PACKED BEYOND VANCY WH DISCSNS OF WEIGHTY TOPICS LIKE THORIAL TENT, TTH JOURNALISM, AND MEDIA MANIPULATN. BUT BEFORE ANY OF THAT, THERE’S THE PREMISE, WHICH MAY PEL YOU TO JUMP TO A HOT SHOWER. (ONE YOU’RE SURE HAS NO PEEPHOLE.)FOR S, A MOTEL OWNER OUTSI OF DENVER, GERALD FOOS, ED HIS BS AS HIS OWN PRIVATE SOCLOGY LABORATORY. HE NSTCTED AN “OBSERVATN CK” ABOVE THE ROOMS WHERE, THROUGH VENTS, HE WOULD SPY ON HIS CTOMERS. HIS PRIMARY TERT WAS SEX: HE WAS, AS HE GLOATS, THE WORLD’S GREATT VOYR. MOREOVER, BOTH OF HIS WIV (HIS FIRST PASSED AWAY) AID HIS CRIME. THEY BROUGHT HIM SNACKS THE MIDDLE OF THE NIGHT AS HE HOVERED ABOVE HIS SUBJECTS, WAG, WATCHG, AND TAKG NOT.THAT LAST PART IS IMPORTANT. AS FOOS, NOW HIS EIGHTI, EXPLAS HIS RONANT, NO-NONSENSE TON, ONE N ONLY MASTURBATE SO MANY TIM A NIGHT. HIS TAILED JOURNALS ABOUT THE HABS OF THE MOTEL OCCUPANTS GREW, AFTER S, TO AN UNNIABLY EFUL AND FASCATG STUDY. (HE’D DO THGS LIKE LEAVE PORNOGRAPHY THE DRAWERS TO SEE HOW PEOPLE WOULD REACT.) IF ONLY SOMEONE WOULD EVER TAKE HIS FDGS SERLY.ENTER JOURNALIST GAY TALE WHO, 1980, WAS READYG THE RELEASE OF THY NEIGHBOR’S WIFE, HIS OUTSTANDG HISTORY OF THE SEXUAL REVOLUTN. (IF YOU’VE NEVER READ , PSE FOR A MOMENT, OPEN A BROWSER WDOW TO THE BOOK-PURCHASG SE OF YOUR CHOICE, AND HAVE A PY SENT TO YOU STANTLY. APART OM BEG BRILLIANT, IS SURPRISGLY TIMELY; THE RECENTLY PARTED HUGH HEFNER IS A KEY PART OF THE HISTORY.) TALE, PHG HIS NEW WORK ON SHOWS LIKE DONAHUE, RECEIVED A LETTER OM FOOS. THEY BEGAN RRPONDG, AND TALE EVEN VISED THE MOTELIER TO SEE HOW HIS NIGHTLY VOYRISM WORKED. (INED, THE FASHN-FORWARD TALE’S TIE SLIPPG THROUGH A GRATE NEARLY GAVE THE GAME AWAY.)DES LATER, WH TALE AND FOOS BOTH HTG THEIR EIGHTI, THEY AGREED WAS TIME TO SHARE THIS STORY.AND THEN THGS GOT WEIRD.VOYR VIGORATGLY LAYS OUT HOW TALE TRANSLATED HIS IENDSHIP TO BOOK FORM, G A [SHOCKG EXCERPT THE NEW YORKER TO MAKE HEADL. BUT DOCUMENTARIANS MYL KANE AND JOSH KOURY ARE ALSO SLY ABOUT KEEPG THE STORY’S SUBSEQUENT TWISTS CLOSE TO THE VT, EVEN THOSE THAT VIEWERS MAY SEE G THANKS TO PREV PRS VERAGE OF THE FALLOUT OM THAT EXCERPT.THERE ARE ISSU OF TST BETWEEN THE TWO MEN. IT’S UNCLEAR WHO IS EXPLOG WHOM—AND IMPOSSIBLE TO KNOW WHAT IS BEG RECREATED FOR THE MERA AND WHAT IS BEG PTURED “LIVE.” THIS IS ALL TO THE BETTERMENT OF VOYR, WHICH, ISN’T TOO MUCH OF A SPOILER TO SAY, ULTIMATELY NCLUS THAT MR. TALE AND MR. FOOS AREN’T ALL THAT DIFFERENT OM ONE ANOTHER.THAT SUMMATN MIGHT SHOCK BOTH MEN, WHO PORT THEMSELV AS IF OM SEPARATE WORLDS. TALE IS A SLENR, BONAIR DANDY RARELY SEEN ANYTHG BUT A BPOKE SU WHO STEPS TO MANHATTAN’S NIGHT LIFE OM HIS UPPER EAST SI TOWNHOE. FOOS IS AN OVERWEIGHT SHUT- THE COLORADO SUBURBS WHO WATCH TELEVISN SWEATPANTS. A PARTICULARLY CHOICE MOMENT THE FILM IS AN ANGRY MONOLOGUE FOOS GIV WHILE SLOWLY SCENDG A STAIRSE A MOTORIZED CHAIR. IN FOOS’S BASEMENT ARE ENDLS BOX EXPOSG HIS LIFE AS AN OBSSIVE LLECTOR. (BASEBALL RDS, CEREAL BOX, S, YOU NAME .) TALE’S BASEMENT MAY HAVE A MORE NOBLE GOAL—’S WHERE HE WR HIS AWARD-WNG JOURNALISM—BUT IS NO LS A WAREHOE OF CLIPPGS, FIL, AND BETS ABOUT THE SUBJECTS HE’S BEEN FOCED ON FOR S.TALE KEEPS AN ENORMO RDBOARD CUTOUT OF HIMSELF HIS HOME, AS WELL AS MANY AMED PORTRAS. HE IS A LIVG LEGEND AND A TALENT WH FEW RIVALS, BUT HE ALSO LIK THE SPOTLIGHT. THAT’S LUCKY FOR THE FILM, AS HIS EAGERNS AS A DOCUMENTARY SUBJECT EXPOS HIM TO SOME FASCATG SCTY. BUT ’S EVEN BETTER LUCK FOR THOSE OF WATCHG ON THE OTHER SI OF THE SCREEN, THE DARK WHERE WE N’T BE SEEN.MOST POPULARTHE 25 BT SHOWS ON NETFLIX TO WATCH RIGHT NOWBY TARA ARIANOWELE TO SALTBURN’S TWISTED GOTHIC TALEBY REBEC FORDWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORDJORDAN HOFFMAN

Frank Satra’s dghter have optned rights to Gay Tale's famed Esquire article "Frank Satra Has A Cold" to make to a movie. * gay talese film *

IN NETFLIX’S VOYR, GAY TALE LEARNS THAT MAYBE YOU SHOULDN’T TST A PEEPG TOM

The hubbub surroundg Gay Tale’s book about a notor motel voyr gets the full-length documentary treatment. * gay talese film *

NETFLIX TO RELEASE GAY TALE, JOAN DIDN DOCUMENTARI

DOCUMENTARY FILM ON GAY TALE AND ‘THE VOYR’S MOTEL’ WRAPS FILMG

*BEAR-MAGAZINE.COM* GAY TALESE FILM

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cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd bwDymH isouMH"><em>Voyr</em>, on Netflix, Arriv at a Very Bad Time for Creepy Old Men</h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH uMYIE byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hHRAkO haUSoQ eErqIx byle__name-lk button" 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class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“You n’t make this stuff up,” Gay Tale says the begng of <em>Voyr,</em> the <a href=">new documentary</a> chroniclg the velopment of his book <em>The Voyr’s Motel</em>, which was excerpted as a ntroversial <em>New Yorker</em> <a href=">article</a>, and, as of Friday, is available on <a href=">Netflix</a>. The “stuff” qutn refers to the explos of a man named Gerald Foos, who, the 1960s, bought and rigged up a motel suburban Colorado so that he uld spy on guts om an attic twalk through the ceilg vents. Foos wrote to Tale 1980 wh his story, gusg rrectly that would pique the tert of the wrer, who had ma a name for himself as a kd of unrver reporter the jungl of ee love wh his book <em>Thy Neighbor’s Wife.</em> But Foos was unwillg to reveal himself to be “the voyr,” so Tale abandoned the ia, left behd his many archiv the basement of his Upper East Si townhoe.</p><p><em>Voyr</em> starts 2013, when Tale and Foos are back touch, wh the latter ready to e forward on the rerd and the former ready to pick up the thread. Immediately, the film ti the figur of Tale and Foos together—or, rather, Tale ti himself to the voyr, explicly, when he says matter-of-factly, “I’m a voyr myself.” He giv a tour of his obssive archiv, materials kept box vered llag wh headl and imag om articl on and by Tale. We get a Cliffs Not versn of Tale’s ntroversial reer, cludg his most famo say, <a href=">“Frank Satra Has a Cold”</a> <em>Esquire</em>, and his talk show appearanc after <em>Thy Neighbor’s Wife,</em> which st Tale as a sexual renega.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Foos, of urse, is not famo, and this ntext is a crimal, but he also nsirs himself a sort of eelance social scientist, an Aled Ksey–type, and says that he bought the Manor Hoe Motel as a “laboratory.” In a set of typed diary entri hundreds of pag long, Foos logged the sexual acts he wnsed, as well as the mundani of the daily liv of the guts a middle-of-the-road Colorado motel: posns, numbers of asms (and who had them); as well as pacg, televisn-watchg, and bedspread piic-eatg. It’s a level of obssn that echo Tale’s own: To him, the voyr provis an unparalleled look to a particular slice of post-war Amerina—sex, a motel—one that’s so thorough that, like he said, you n’t make up.</p><div class="Contaer-bkChBi byNLHx"></div><p>Except that, apparently, you n. After the publitn of Tale’s <em>New Yorker</em> article on Foos 2016, but before the release of the book om which was excerpted, a <em>Washgton Post</em> reporter <a href=">lled to qutn</a> how long Foos had fact owned the motel, whom he had sold to, and whom he had bought om. And was exposed that one of the juicit tidbs of Tale’s book, when Foos wns a man strangle a woman a room below 1977, has strikg siari to a crime that occurred a motel a few away, but no rerds uld be found to rroborate the event that Foos scribed. When the news broke, Tale <a href=">lashed out</a> at his subject, who he lled “certifiably unreliable” and “dishonorable,” and trashed his own book: “How dare I promote when s credibily is down the toilet?” For his part, Foos chalked up the mistak to his diary keepg, sayg he uld have ma errors when typg up his handwrten diari.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vqzhhc"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="zkg5gb"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The succs of some kds of documentari n often be traced to what is, ankly, serendipy. <a href="><em>The Jx,</em></a> for example, the vtigatn to the crim of Robert Durst, pivots around Durst nfsg on a hot mic. <a href="><em>Weer</em></a> was ially nceived as a eback for disgraced Democratic Congrsman Anthony Weer but beme a mmerizg portra of narcissism and addictn, and his downfall, stead. The latter ia is closer to what directors Myl Kane and Josh Koury got out of <em>Voyr,</em> which begs as a return to the spotlight for Tale, who visibly brims wh excement and speratn for rurgent relevance at 81, and ends as a nfed, regrettable illtratn of two men’s unstoppable egos. If only the filmmakers weren’t jt as ught up the need for a good story as Foos and Tale are.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="9r56b"></div></div><p>“I would have done anythg for the story; I sold my soul,” Tale says of wrg <em>Thy Neighbor’s Wife,</em> and s effects on his wife, the publisher Nan Tale, and his children. The same impulse is shared by the entire “Voyr” project—the article, book, and documentary—which tras so heavily on lurid tails (which aren’t even that lurid) that giv up any artistic or tellectual center. In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. Instead, they glamorize both Foos’s story and Tale’s storytellg. When Foos scrib the first time he watched a woman, his nt, undrs, he the phrase “the wdow beckong,” the poetics of which Tale go gaga over. “Beckong wdow is perfect,” he exclaims. “She had big boobs,” Foos ntu, which gets an “Oh, my god” out of Tale—’s like watchg two middle schoolers share a <em>Playboy</em>. As the film go on, more and more people appear to fend <em>Voyr</em> as a lerary enavor, om Tale’s book publisher to his edor at <em>The New Yorker.</em> They even unver the discrepanci later revealed by <em>The Washgton Post,</em> but are unterred. It’s astonishg that, on so many levels, Tale’s work was validated, and fund, to such an extent (the documentary clud).</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="37v1mk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-2053"><div 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Texas" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX eNRqSb bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Weddgs</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ bfdOCB summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">This <em>Vogue</em> Edor Wore a Watte-Tra Drs and Opera Glov for Her Cowboy-Chic Weddg Texas</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY kLWdHC summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Elise Taylor</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="v1mvb8"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5tluzu"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That’s what mak <em>Voyr</em> both a product of s time and a pletely outdated one. Tale and Foos are sentially two old whe men tryg to go out wh a bang (sorry), drsg up an act of sexual viancy and illegal voyrism wh an old-fashned wk that, much like ’s nce, no longer que works the strgent light of late 2017. Not once the film do anyone, edors clud, ever show ncern for those who stayed Foos’s motel, who were watched and rerd whout their nsent. A few mentns of the fact that most people who stayed the motel are likely ad (qutnable, given that Foos is still alive) serve to amelrate any guilt or regret. That word, <em>nsent</em>, is pecially charged now, a time where powerful men om the very dtri that <em>Voyr</em> is ncerned wh—journalism, publishg, and film—<a href=">have been rocked</a> by accatns of not knowg or rg to thk about what exactly that word means. That Foos’s s-long misnduct is exced by the disputable fact that is “fascatg” marks the film’s tonal dissonance. This is no time for old perverts.</p><p>And yet the methods by which the documentarians exce are hallmarks of a media genre that is very much of-the-zegeist: <a href=">te crime</a>. Kane and Koury employ the qutsential background stments of the genre, the <em>Serial</em>-que xylophone and harp, to make scen plucky and quirky, if creepy, but never edgg to outright disturbg. And the adorable mol of the motel they e to show how Foos spied on his ctomers is a twee reprentatn of what was sentially a crime scene. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at here.</p><p>Anyone faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.” Nowadays we n replace “apparat of scholarship” wh “apparat of televisn,” the most prolific mo of te-crime storytellg, and the pfalls of which <em>Voyr</em> illtrat. There’s such a huge drive for ntent now that our bast stcts n be fed not only quickly and efficiently, but wh the trappgs of prtige and tellectualism. Y, ’s paful to scroll through reboot after reboot of ’90s televisn shows, or artful miseri, but te-crime packag the liv of real people for nsumptn. It mak the qutn of what kds of stori, and which storytellers, we’re rewardg—and y, ’s rewardg when money is volved—all the more imperative to reckon wh.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="x6arsn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" 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full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="jqabnn"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s the women <em>Voyr</em> who uld have divulged the most tertg tails about their partners, but who rema the background. I would give as much money as Tale’s book advance to hear what Nan Tale has to say about all of this. Ana, Foos’s quiet and strange wife (who should be played by Kate McKnon if the scrapped <em>Voyr</em> movie ever gets ma), says she “miss” the motel, and even cri when the documentary crew viss s molished plot. When Foos worri that the media will portray him as “nothg but a creep,” she rponds, sg placidly, “Well, you are.”</p><figure class="CneVioEmbedFigure-kCfJjN hdJOda e-vio-embed"><div data-ttid="script-ntaer"></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="lq2bi"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk 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class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN kPdOXg newsletter-subscribe-form 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