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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">High Not</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hearaccredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Tony Bent the stud—wh Lady Gaga.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx bylename-lk button" href="/ntributors/gay-tale">Gay Tale</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2011-09-12T00:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">September 12, 2011</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-bodyntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path 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class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa EOneK body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embedasset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="A black and whe photo of Tony Bent." class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embedptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptntext">Bent says that Gaga is an enormo talent, but, unrneath all, she’s jt “a sweet ltle Italian-Amerin girl who studied at N.Y.U.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptncred">Photograph by Mary Ellen Mark</span></div></figure></div><p class="has-dropp has-dropplead-standard-headg">On a bright Sunday afternoon shortly after one o’clock Manhattan, a few days before his eighty-fifth birthday, which he would mostly acknowledge on Augt 3rd by dg at a neighborhood rtrant on the East Si wh his wife, San—who, wh a few weeks, would be celebratg her own, forty-fifth birthday—Tony Bent was standg behd a microphone at the Avatar Studs, on Wt Fifty-third Street, rehearsg a few l om “The Lady Is a Tramp” while awag the prence of Lady Gaga.</p><p class="paywall">Lady Gaga was expected to arrive at two o’clock, wh her hairdrser, her makp artist, her creative director, her vol ach, her producer, her secury guards, and others who know her by her pre-fame name, Stefani Germanotta; and then, after she had warmed up, she would jo Bent sgg “The Lady Is a Tramp,” the fal rerdg for his latt album of duets, “Duets II,” which will be released by R.P.M. Rerds/Columbia on September 20th. It is a sequel to his 2006 Grammy Award-wng album, and sixteen other sgers had already llaborated wh him. They clud John Mayer (“One for My Baby”), Carrie Unrwood (“It Had to Be You”), Queen Latifah (“Who Can I Turn To?”), Mariah Carey (“When Do the Bells Rg for Me?”), Aretha Frankl (“How Do You Keep the Mic Playg?”), Willie Nelson (“On the Sunny Si of the Street”), Andrea Bocelli (“Stranger Paradise”), and Amy Wehoe (“Body and Soul”). Bent and Wehoe had sung together London March, four months before her ath, July, at twenty-seven, followg years of faiary wh dgs and alhol.</p><p class="paywall">Over dner a uple of weeks before the ssn wh Lady Gaga, Bent told me that he had been ncerned about Wehoe’s well-beg when he spent time wh her London. He said, “I wanted to tell her that she need to shape up or she uld end up stroyg herself.” In Augt, he appeared on the MTV Vio Mic Awards a special tribute to Wehoe, sayg, “She was a te jazz artist the tradn of Ella Fzgerald and Billie Holliday.” After the broadst, he told a reporter, “What I wanted to do, I wanted to stop her. I wanted to tell her that many years ago I was nghty also wh some dgs.” He went on, “Woody Allen’s manager at the time”—Jack Rolls—“said he knew Lenny Bce, and he said one sentence that changed my life. He said, ‘He sned agast his talent.’ I wanted to tell her that.”</p><p class="paywall">As a few dozen people gathered wh the glass-enclosed ntrol room anticipatg Lady Gaga’s appearance, Bent was standg alone on a whe platform, the center of the stud. He had on a hand-tailored Brni tux wh a red pocket square, a whe shirt, and a black tie that had been a gift om his dmmer, and he was sgg the troductory verse to “The Lady Is a Tramp,” the Rodgers and Hart show tune om their 1937 mil, “Bab Arms”:</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--article-mid-ntent nsumer-marketg-unslot---ntent"></div><div class="journey-un"></div></div></div><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>I’ve wed and ded on Mulligan stew and never wished for turkey as I hched and hiked and grifted, too, om Mae to Albuquerque.</p></div></blockquote><p class="paywall">He then turned toward his mil director, Lee Miker, a sharp-featured, energetic, dark-haired man of fifty-five, who sat behd a grand piano, a few yards away. “Let me ask you somethg,” Bent began, his characteristilly soft and ferential manner. “Can you go up another key?”</p><p class="paywall">“You want me to raise up more?” Miker asked.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Bent nodd. And, as Miker’s fgers moved wh accelerated energy along the keyboard, Bent appeared to be more ntented as he aga sang the openg l of the tro:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>I’ve wed and ded on Mulligan stew</p><p>and never wished for turkey.</p></div></blockquote><p class="paywall">After he had satisfactorily rehearsed the next eight l of the tro, which he planned to sg alone on the rerd before participatg wh Lady Gaga the duet, he cid to rt his voice for a while. She was due about half an hour.</p><p class="paywall">“I did my sl today,” he said, as he stepped down om the platform. Bent practic sl for fifteen to twenty mut every day, sgg along to a small tape rerr that plays a ssette of exercis created by his longtime teacher, the late Pietro D’Andrea. Once, I heard Bent say, “The first day you don’t do the sl, you know. The send day, the micians know. The third day, the dience knows.”</p><p class="paywall">At Avatar, he popped a dime-size yellow lozenge to his mouth and head over to the ntrol room to spend some time wh his guts and fay members, cludg San, who is often wh him when he sgs.</p><p class="paywall">A week earlier, she had flown wh him and his quartet to ncerts Reno, Las Vegas, and Denver, three of nearly a hundred appearanc he mak every year around the natn and overseas; and she tends to be the dience on Sunday eveng, September 18th, when he and his quartet are schled to prent a few dozen of his favore songs om the stage of the Metropolan Opera Hoe. But, no matter where Tony Bent is featured, what he sgs and how he sgs have pretty much remaed the same for most of his more than sixty years as an entertaer. As his iend Count Basie once remd him, “Why change an apple?”</p><p class="has-dropp has-dropplead-standard-headg paywall">San began datg Bent 1985,on the eve of his fifty-nth birthday, when she was eighteen. Her mother, Marn Crow, a fourth-generatn native of the San Francis Bay Area—and a votee of Bent’s mic sce her stunt days at the Convent of the Sacred Heart, the early fifti—had troduced San to the sger five years earlier. Marn and her hband, Dayl Crow—a broker wh Merrill Lynch who had been a fighter pilot Korea—were vatng Las Vegas, acpanied by their dghter. After they had seen Bent’s show, they bumped to each other outsi the venue, and Marn iated the troductn. San shyly shook hands wh the sger but was quickly put at ease by his gracns.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Marn and Dayl had first met Bent New York many years before, 1966. Dayl Crow was the cy on bs and was stayg wh Marn at the Plaza. After she read that Bent was booked at the Copabana, she asked Dayl to get tickets. While they were havg a drk at their table before the show, a young woman photographer stopped by and offered to take their picture.</p><p class="paywall">“Y,” Marn replied, “but only if Tony Bent is .”</p><p class="paywall">Soon the photographer returned to say that Bent would see them his drsg room before the performance, and was there that he posed wh them. Marn was two months pregnant wh San. Forty-one years later, after she married Tony Bent, 2007, San explaed to a reporter, “It was a prenatal fluence that led me to him.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Their marriage, a civil ceremony New York, at which Mar and Matilda Cuomo were the prcipal wns, had been preced by a twenty-four-year urtship, owg to Bent’s prolonged and ntent separatn om his send wife, Sandra, wh whom he has two dghters—Johanna, born 1969, and Antonia, 1974. He retas a warm relatnship wh both. Antonia, a sger, often travels wh him and his micians, opens his shows, and ocsnally do a few numbers wh him onstage, cludg a Sondheim song, “Old Friends.”</p><p class="paywall">Bent’s marriage, 1952, to his first wife, Patricia, end more amibly; and Patricia and Tony’s two sons, Danny, born 1954, and Daegal, a year later, are both profsnally engaged their father’s reer and were among those wag for Lady Gaga. Danny, a well-proportned six-footer who box a gym about three tim a week, is Bent’s manager. He has hazel ey, a recedg hairle, and an engagg meanor not lackg self-assurance. His somewhat shorter but equally f brother, Daegal, who has hered their father’s green ey and Roman nose, is charge of sound.</p><p class="paywall">Daegal—monly lled Dae, pronounced “day”—has his own rerdg stud, Englewood, New Jersey. Earlier the week, a seventeen-piece orchtra had met there to prererd the mic that would soon flow through the system at Avatar and blend wh Tony Bent’s and Lady Gaga’s voic as they sang to their microphon. Dae believed was more efficient to have the orchtra plete s work the New Jersey stud, where the atics were ial and which afford the Bent anizatn some flexibily when pg wh the tight schl imposed by most of the high-profile sgers sought for the duets.</p><p class="paywall">Dae knew that Lady Gaga’s time was very limed. As he waed for her to arrive at Avatar, he seemed unable to relax, stg the rear of the ntrol room. When his father waved his directn, Dae failed to notice him, bee he was focsg on the nsole, a black soundboard about five feet wi and led vertilly and horizontally wh rows of illumated knobs (green, red, yellow, amber) that alternately st slight reflectns upon his forehead.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="vv5zf4"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="r6osue"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa EOneK body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">Danny Bent was standg behd him, lookg through the big wdow at a documentary film crew wheelg a mera along tracks laid on the stud floor near the whe platform. Also the ntrol room, close to the doorway, were two longtime iends of Bent’s—seventy-year-old Leonard Rigg, the chairman of Barn & Noble, and seventy-one-year-old Joseph Segreto, who owns a rtrant lled Eleven 79, New Orleans, and first met Bent Las Vegas 1961, when Segreto was a roadie for a band om Philalphia that was playg the lounge of the Sahara.</p><p class="paywall">Both Segreto and Rigg were smartly attired, and San, who has blond hair and brown ey, stood talkg wh them. She was wearg orange len pants wh a yellow-and-whe striped short-sleeved shirt and sandals.</p><p class="paywall">As Bent joed them, Segreto patted him on the back and plimented him on how well he had sung the tro. Bent sed but changed the subject to Lady Gaga, whom he relled meetg early May when they had each performed at a chary event for the Rob Hood Foundatn at the Javs Conventn Center. He also met her mother and father that night, he said, as well as a young man who had told him, “I’m her boyiend, so you’d better watch out.”</p><p class="paywall">The others lghed. Segreto shook his head. “She’s big,” he said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">“She’s gog to be bigger than Elvis Prley,” Bent said.</p><p class="paywall">He went on to scribe Lady Gaga as beg enormoly talented not only as a sger but as a dancer and a pianist—and he suggted that, at the same time, unr all her makp and marketg, she was jt a normal human beg, “a sweet ltle Italian-Amerin girl who studied at N.Y.U.”</p><p class="paywall">Bent and his iends stood talkg near the door for the next fifteen mut, discsg, among other thgs, his upg show at the Metropolan Opera. That remd Rigg of a story about Luciano Pavarotti dog a book signg at Barn & Noble.</p><p class="paywall">“There were five thoand people led up outsi,” Rigg said.</p><p class="paywall">Bent let out a low whistle.</p><p class="paywall">“So we go si the store, and Pavarotti, you know, he is signg slow, and talkg to people, and the people are givg him pictur, and other books, to sign, and I feel bad for the people outsi, so I’m sayg, ‘Only one book!’ and I’m tryg to move . So Pavarotti looks at me, and he smacks me the face, and he go, ‘Md-a your own-a bs-a!’ ”</p><p class="paywall">Everybody lghed, and Bent offered his own Pavarotti story.</p><p class="paywall">He said, “I remember Satra once asked Pavarotti, ‘How do you sg a soft high note?’ and Pavarotti replied, ‘You keep-a your mouth closed!’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Conversatn turned to Bent’s forthg vis to New Orleans, where he will jo Rigg and Rigg’s wife, Louise, celebratg the pletn of the hundred-and-first hoe built unr the spic of the uple’s nonprof foundatn, Project Home Aga New Orleans, which has provid furnished hog, whout st, to low- and morate-e fai wishg to reëstablish themselv the cy followg Hurrine Katra. Bent said that he and his quartet would enterta the Riggs and the other celebrants there on November 11th, and Segreto promised to ok somethg special at his rtrant. Segreto has veloped a warm relatnship wh the uple ever sce they lnched their foundatn, and Leonard Rigg has acknowledged by namg one of his many racehors, a two-year-old Thoroughbred, Mr. Segreto.</p><p class="paywall">“How about that, Tony?” Rigg lled out, as Segreto took a ltle bow.</p><p class="paywall">“That’s nice,” Bent replied, and gave his signature se. He then nced beg a equenter of racetracks back the seventi, when he lived Los Angel, and he remembered one day when he went to the track at the vatn of Cary Grant.</p><p class="paywall">“All the women were jt fatg as he’s walkg,” Bent relled. “All the women the box fatg. Cary Grant, you know. So I said, ‘You e here often?’ ‘Y,’ he said. ‘I own the track.’ ”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embedasset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoonimage-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoonimage rponsive-image"><noscript><img alt="“Momma Is Rick Perry real”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoonptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptntext">“Momma? 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Who bet more on hors than two guys, iends of yours, Mickey Rooney and Fred Astaire?”</p><p class="paywall">“I didn’t know that,” Bent said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">“Fred Astaire was at the track all the time,” Segreto went on. Then Segreto mentned the name of a woman who was once volved wh Astaire, a woman whom Bent was also acquated wh, and Bent thought for a moment and then said, a lowered voice, “She msed him up.”</p><p class="paywall">“Oh sure she msed him up,” Segreto clared knowgly. “But he was such a great fan of the rac.”</p><p class="has-dropp has-dropplead-standard-headg paywall">Lee Miker approached Bent om behd and asked, “You want to do a uple of warmups before she arriv?”</p><p class="paywall">“O.K.,” he said. Wh a ltle nod toward San and his iends, he turned and head back to the stud, where he soon rumed his earlier posn on the whe platform. While Miker began playg the piano, Bent, microphone hand, began to sg, whout full voice, the first l of the duet he would soon rerd:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>She gets too hungry for dner at eight,</p><p>Lov the theatre but she never late.</p></div></blockquote><p class="paywall">On the mic stand ont of him, se he fot the lyrics to “The Lady Is a Tramp,” there were three sheets of paper on which were prted, large letters, triple-spaced, every word of the song—approximately forty l that he and Lady Gaga would alternately liver, wh her words prted red and his black.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="1z9s"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa EOneK body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p>G<em class="small">AGA</em>: I never bother wh people I hate . . .</p><p>B<em class="small">ENNETT</em>: Don’t dig crap gam wh barons and earls . . .</p><p>G<em class="small">AGA</em>: I won’t go to Harlem erme and pearls</p><p>I won’t dish the dirt wh the rt of those girls . . .</p></div></blockquote><p class="paywall">But before he had pleted his send n-through of the tune, his attentn was drawn to the sounds of a crowd of newly arrived people—who, havg exed the eight elevator, had proceed down a hall the directn of the ntrol room, led by Lady Gaga, a slenr young woman wh aquamare bobbed hair. She wore dark glass, a long black lace gown that you uld see through, and, over , a sleevels black leather motorcycle jacket, unzipped, wh studs on the lapels. A silver buckle dangled om a belt that flapped along her right thigh as she ran gleefully toward Bent.</p><p class="paywall">“Hello, Tony!” she lled out, her arms extend.</p><p class="paywall">“Oh, great!” he exclaimed, steppg down om the platform to embrace her as she removed her dark glass, revealg a small scimar-shaped stroke of eyeler bi each of her ey, extendg back toward the temple, remblg a uple of anchovi. As Miker rose om the piano bench to shake hands wh her, Dae and Danny were on their way down om the ntrol room to review the rerdg procre. When she removed her leather jacket, and Bent tried to assist her, she good-naturedly shoved him away, sayg, “No, that’s O.K. Don’t <em>you</em> hold a thg.” She dangled the jacket the air until a young man hastened to the stud to take and rry to her drsg room.</p><p class="paywall">Lady Gaga stood silently near the piano for a few sends, lookg around the stud and up at the ceilg, which was thirty-five feet at s hight pot. She was tuggg at the waist of her black lace gown, which she said had been signed by Tom Ford. The gown was so long that several ch of swept along the floor, and had twisted around her ankl. It was impossible to see the sho she was wearg, but unrneath the lace drs she had on what looked like a black biki.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">“I love the way you wrap that skirt,” Bent said fally. “It’s fabulo.”</p><p class="paywall">“I thought I’d give a ltle <em>twist</em> for you, Tony,” she said.</p><p class="paywall">Bent was eager to tell her a story. “I’ve got to tell you that when my wife and I exercise we look out our wdow at a synagogue right across the street.” He said that some men were workg hard erectg a sffoldg there. “And then I noticed that, on the si of their tck, big letters, the word ‘Gaga’ was pated!”</p><p class="paywall">“Workg so hard!” she said, and lghed.</p><p class="paywall">Danny Bent me up and troduced himself, and then poted out his brother.</p><p class="paywall">“Such an honor to meet you, wow, hello,” she began, and then she asked some qutns, such as “Do we both e the same mike?” (no, there was one for each sger) and “Should I e headphon?” Dae explaed that his father did not want headphon, after which she turned to Bent and said, “I love that you don’t want them.”</p><p class="paywall">“Betiful gown” was his reply.</p><p class="paywall">“Thank you,” she rpond. “I wore for you. The whole thg, head to toe, as ‘What would Tony want?’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-7 viewport-monor-anchor"></div><p class="paywall">“Great,” he ntued, his bronzed face creased wh s almost permanent se.</p><p class="paywall">She then asked Danny Bent whether or not there was a lim on the rehearsal time before they began the rerdg.</p><p class="paywall">“As many tim as you want to rehearse , or do —anythg,” Danny said. “Everyone’s really flexible here.”</p><p class="paywall">“Great,” she said. “Thank you,” and then a loud voice she said, “Tt,” and proceed on her own, whout the acpaniment of the prererd mic, to sg, “That’s why this chick is a tramp.”</p><p class="paywall">Bent lghed.</p><p class="paywall">Then she rrected herself. “That’s why the lady is a tramp,” she sang, pronouncg the last word “tray-amp.”</p><p class="paywall">She was havg fun, flectg a slight Southern redneck tonatn and a b of “Guys and Dolls” spir to the mic of Rodgers and Hart: the words “I never bother wh people I hate” she sang as “Eye-ha never bother wh people I hay-yate.”</p><p class="paywall">Bent joed : “Don’t dig crap gam, wh barons and earls.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-8 viewport-monor-anchor"></div><p class="paywall">When she followed wh “I won’t go to Harlem erme and pearls,” she pronounced the words as “oimens” and “poils.”</p><p class="paywall">“Oh, I’m so nervo!” she said.</p><p class="paywall">“No, ’s terrific,” he said.</p><p class="paywall">“If I tap out, you n jt tell ’em that was all planned.”</p><p class="paywall">“Sounds great,” he rpond.</p><p class="paywall">Then, after they had lghed through the rt of the song, she turned to him and asked, “What was like wh the girls?”</p><p class="paywall">He looked at her quizzilly.</p><p class="paywall">“Do they always get this way around you?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-9 viewport-monor-anchor"></div><p class="paywall">When he failed to answer, she ntued, “Do they always get really nervo and stand there sweatg and blhg?”</p><p class="paywall">Among those jog the lghter were San and the others the ntrol booth, who now clud members of Lady Gaga’s troupe and also her vol ach, a gray-haired, bpectacled man of sixty-six named Don Lawrence, who first heard her sg when she was thirteen, and whose clients have clud Mick Jagger, Christa Aguilera, Whney Hoton, Bono, and Jon Bon Jovi.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="13m8xp"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="0dznnk"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa EOneK body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">Danny Bent, who had been stg near Don Lawrence, returned to the stud rryg a newspaper clippg om the Yonkers <em>Rerd</em>, dated Augt 26, 1951, bearg the headle “<em class="small">GIRLS ‘GAGA’ AS TONY CROONS A HIT.</em>” The article displayed a photograph of a youthful, dark-haired Tony Bent a tuxedo surround by four sg young female fans; the ptn explaed that he had jt serenad them wh one of his all-time h tun, “Bee of You.”</p><p class="paywall">Lady Gaga began readg the article aloud, standg next to Bent. “Girls ‘gaga’ as Tony croons a h,” she read, and movg closer to him she said, “See, I told you. You make women do that. Look what you did! . . . Oh, Tony, I would have been chasg you around. Oh, Tony, do you die when you read that?”</p><p class="paywall">“Oh, you’re right,” San Bent replied, her voice echog through the speaker the ntrol room. “Gotta keep the girls off him.”</p><p class="paywall">“Keep Gaga off!” Lady Gaga rrected her, before turng to somebody on her staff and requtg a drk. A young man scurried to the stud rryg a glass of whiskey. Bent watched as she took a sip. Then she announced, “Now that I’ve had a ltle b to drk, I’m not so nervo.” Aga she turned to Bent.</p><p class="paywall">“Do women do that around you, too?” she persisted.</p><p class="paywall">“What’s that?” he asked.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-10 viewport-monor-anchor"></div><p class="paywall">“Do they jt knock ’em back, jt so they n be your prence?” she asked. He grned.</p><p class="paywall">“Y, they all do,” she answered for him. “We’re all very nervo around him.” She took another swallow, holdg the glass one hand and the microphone the other.</p><p class="paywall">Dae’s voice was heard over the speaker the ntrol room, askg, “All set?”—meang, effect, Shall we fally get to work?</p><p class="paywall">“I’m all set,” Lady Gaga said. Then she add, “Hey, Tony.”</p><p class="paywall">“Y?”</p><p class="paywall">“I missed you, baby.”</p><p class="paywall">Sudnly, the brassy up-tempo sound of the orchtra filled the stud, and immediately was acpanied by the two sgers’ voic:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embedntent"><p><em class="small">BENNETT</em>: She gets too hungry for dner at eight,</p><p>Lov the theatre but she never late.</p><p>G<em class="small">AGA</em>: Eye-ha never bother wh people I hay-yate.</p></div></blockquote><p class="paywall">They smoothly got through the song, takg a ltle more than two mut, and after the ncln Dae Bent, the ntrol room, said, “O.K., that sounds really good. We jt need to do some serts on the end, and we’ll have everythg.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-11 viewport-monor-anchor"></div><p class="paywall">“O.K.,” Bent said.</p><p class="paywall">“Great,” Gaga replied.</p><p class="paywall">But then Bent went on, “I thk we should do a uple more tim, I really do, and get whatever’s good there.” He turned to Lady Gaga: “Is that all right wh you?”</p><p class="paywall">She agreed, sayg, “We’re havg a good time.”</p><p class="paywall">She looked around at some of the guts standg the hallway and the ntrol room, and, seeg the dapper Leonard Rigg, and Joe Segreto his seersucker su, whe shirt, blue-kn tie, and whe sho, she said to Bent, “You know, all my iends—you have to meet them sometime, they’re always three-piece sus, wh betiful hats on. They like to go out and pretend like ’s the fifti.”</p><p class="paywall">“Right,” Bent said. They agreed to do another take.</p><p class="paywall">Gaga said, “I’m gog to give a ltle more character.”</p><p class="paywall">He started sgg aga, and when they fished she said, “It’s like our third date now!”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-12 viewport-monor-anchor"></div><p class="paywall">Over the next half hour, they did six more tak, some wh sttg, all of them acceptable to Bent’s sons, the ntrol room, but at the ncln of each take neher Bent nor Lady Gaga wanted the duet to end.</p><p class="paywall">“Oh, fun!” she exclaimed, after yet another take. “We n do this all day?”</p><p class="paywall">“Y, I liked ,” he said.</p><p class="paywall">“Shall we do one more?” she asked.</p><p class="paywall">“Whatever we want,” he said. “We n do till we’re very happy wh .”</p><p class="paywall">“Oh, let’s keep havg fun. I’m havg a good time.”</p><p class="paywall">“Good.”</p><p class="paywall">“Is your mil director happy?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-13 viewport-monor-anchor"></div><p class="paywall">“So far,” Dae Bent replied over the speaker.</p><p class="paywall">“Everybody’s happy,” Lady Gaga clared. “Happy fac!” she loudly announced, addg, “I’ve never done this whout headphon. It’s so liberatg.” She took another sip of whiskey.</p><p class="paywall">For a different take, they cid to improvise some lyrics.</p><p class="paywall">When Gaga burst out, “I like the Yanke,” Bent followed wh “and Jeter’s jt fe.”</p><p class="paywall">Lady Gaga terpted. “Maybe I should pick another Yankee. Posada’s my favore. But is he not playg anymore?”</p><p class="paywall">Somebody shouted that he’d been benched.</p><p class="paywall">“Mak me sad,” Lady Gaga said, then improvised a new le: “I miss Posada!”</p><p class="paywall">When they fally cid that there was a lim to their alacry, and their duet was done for the day, they were lled upon to do a short taped terview for the documentary film, which Danny was overseeg.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-14 viewport-monor-anchor"></div><p class="paywall">“Was O.K.?” Lady Gaga asked Bent, as they stepped off the platform.</p><p class="paywall">“Aw, c’mon. It’s the bt thg that ever happened.”</p><p class="paywall">“I n’t wa. I’m gog to cry so hard when out.”</p><p class="has-dropp has-dropplead-standard-headg paywall">Wh Bent and Lady Gaga stg si by si ont of a mera, a staff member named Sylvia Weer asked her to reunt some of her feelgs about workg wh Tony Bent.</p><p class="paywall">Lady Gaga replied that, when she knew she’d be rerdg a duet wh him, first she cid she would have to change her wardrobe: “Well, I have to meet Mr. Bent! What do I wear. Do I look classy? Do I look elegant? Do I look sexy? I don’t know what he lik. So I tried a uple of different outfs on, and then I jt ran out there, and”—turng toward him as she spoke—“I met your betiful wife. It was wonrful.”</p><p class="paywall">“Well,” Weer went on, “tell why ‘Lady Is a Tramp’ lent self so well for your duet.”</p><p class="paywall">Lady Gaga thought for a moment, and then replied, “Well, ’e I’m a tramp. And,” she went on, gturg at Bent, “he knows .”</p><p class="paywall">She lghed.</p><p class="paywall">But he shook his head.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-15 viewport-monor-anchor"></div><p class="paywall">“I know that you’re a lady,” he said, emphatilly. “Playg a tramp.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="z7j61s"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyle-barrier articlebody"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-bodyfooter"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2011/09/19" data-reactroot="">September 19, 2011</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/gay-tale">Gay Tale</a> is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a 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G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Lows of the High Life" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-embric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">The Lows of the High Life</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-emk">I had never had money, and then I did. For three days New York, I learned how not to e .</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>Andre Dub III</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Sarah Jsi Parker Keeps Playg Carrie Bradshaw" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-embric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">Why Sarah Jsi Parker Keeps Playg Carrie Bradshaw</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-emk">In all of her profsnal enavors, cludg the “Sex and the Cy” anchise, Parker nsirs herself a “bter enr.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>Rachel Syme</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-embric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-emk">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" 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gay talese new yorker

3 Dec 2024

Gay Tale is Gay Tale is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern. on The New Yorker. Read Gay Tale's b and get latt news stori and articl. Connect wh ers and jo the nversatn at The New Yorker.

GAY TALE
GAY TALE: A MAN OF RERD
GAY TALE: WRER, SCRAPBOOKER
NOT OM UNRGROUND: GAY TALE’S OFFICE
GAY TALE’S OTHER PROBLEM
ONE ON 1: NEW YORK LERARY GIANT GAY TALE
GAY TALE DEFENDS ‘THE VOYR’S MOTEL’ AFTER SOURCE IS UNRCUT
GAY TALE AND A CY OF PERMANENT CHANGE
WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

GAY TALE

* gay talese new yorker *

I'm a practner of puttg up a very fe Italians, well I'm Italian, they ll la bella figura, the good name is Gay Tale. Gay Tale is a legendary wrer who works a sgular way.

Unr the townhoe where the legendary wrer Gay Tale and his wife, Nan, have lived for over half a century is what Tale lls his “subterranean thk tank. Gay Tale’s Other Problem. Gay Tale.

GAY TALE: A MAN OF RERD

Gay Tale giv a tour of his bunker, explas his wrg procs, and reflects on why he beme a "man of rerd." * gay talese new yorker *

Gay Tale probably wish he’d had a ld.

Gay Tale Exam His Very-Public, 50-Year Marriage for Upg Book -- New York Magaze - Nymag. It isn’t until our third terview that I notice Gay Tale has been stg unrneath a patg of a naked woman wh a rabow g out of her vaga.

GAY TALE: WRER, SCRAPBOOKER

Gay Tale is a legendary wrer who works a sgular way. While tucked to his office—which is known to all as “the bunker,” and reached through… * gay talese new yorker *

It is here where they began their life together as a uple their mid-twenti, when the five-story brownstone was like a tenement and Gay lived 3F, a stud they both still refer to as his “bachelor pad”; this is where they raised their two dghters, Pamela and Cathere, and slowly took over every apartment the buildg before fally buyg 1973; this is where they have held numerable book parti for Nan’s celebrated thors; and this is where Gay has done much of the wrg—the historic Esquire piec, the bt sellers wh biblil tl—that brought him fame, fortune, and no small amount of personal agony. Gay wr his new afterword that the immediate aftermath of the book’s publitn, Nan acpanied him on talk shows “to expla that our maral love had remaed unthreatened while I nducted rearch New York massage parlors and a hedonistic nudist lony Los Angel”—which is only half te.

Nan and Gay elopg Rome, 1959.Photo: Courty of Gay Tale.

NOT OM UNRGROUND: GAY TALE’S OFFICE

Gay Tale probably wish he'd had a ld. Instead, the 84-year-old journalist ventured out to Boston Universy last week, and ma a seri of... * gay talese new yorker *

It seems far removed om Gay’s realm, jt a floor above, where he keeps the artifacts of his storied reer (cludg a life-size rdboard cutout of himself) along wh his untls bpoke sus and dozens of hand-bbled sho. “Was my first apartment 60 bucks a month?” Gay asks his wife. “What are you two up to?” As slowly dawns on me that Gay has not told her that he has agreed to participate an article about their marriage, I n feel the tensn beg to rise.

“Jonathan is gog to ll you,” says Gay.

She turns to me and, lghg nervoly, says, “You’re wrg what?” About Gay, I say, but you too.

GAY TALE’S OTHER PROBLEM

Sudnly, Gay pip up, a stern edge to his voice, givg an orr. “So, he’ll see you alone, Nan.” Then to me: “Do you have her number?” Nan giv me the digs and then Gay says, “Good!

That was when she put the A (her main name is Ahearn) to her name, as if to say wh a sgle letter: I am not jt Gay’s wife. The fay 1980, the year Thy Neighbor's Wife was published.Photo: Thomas Victor/Courty of Gay Tale. When I first lled Nan to schle an terview, the small talk was brief and mostly about Gay.

ONE ON 1: NEW YORK LERARY GIANT GAY TALE

Stuff of legend: One eveng 1972, when Nan and Gay were walkg home om dner at P.J. Clarke’s, Gay spied a neon sign above a buildg on Lexgton Avenue near 59th Street that read LIVE NUDE MODELS.

GAY TALE DEFENDS ‘THE VOYR’S MOTEL’ AFTER SOURCE IS UNRCUT

Gay said to Nan, “Let’s go check that out.” Nan said to Gay, “No, no, no.

The rultg piece, “An Eveng the Nu Wh Gay Tale,” scrib Tale nng around the cy wh a bunch of louche swgers and livg up at sex clubs. To be fair, seemed that Gay had already been tryg Nan’s patience wh his rearch. Nan told Gay: “It’s your book, ’s your style of rearch.

“I told Gay, ‘Don’t do .

GAY TALE AND A CY OF PERMANENT CHANGE

I prs a ltle further: There are a lot of people who still believe that Gay huiated you, I tell her.

In the Hamptons, 1987.Photo: Courty of Gay Tale. “Her fn of marriage up agast me—they’re not what would be the dictnary,” retorts Gay. Nan has said the past that she has not, though Gay, through y hts the prs, would perhaps like to believe otherwise.

WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

This is not a woman livg a nunnery,” Gay said an em the Daily News last year.) Eher way, their relatnship fascat people as much as troubl them.

BEAR-MAGAZINE.COM GAY TALESE NEW YORKER

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href="/magaze/onward-and-upward-wh-the-arts"><span class="RubricName-fVtemz cLxcNi">Onward and Upward wh the Arts</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">High Not</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Tony Bent the stud—wh Lady Gaga.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/gay-tale">Gay Tale</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2011-09-12T00:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">September 12, 2011</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" 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3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="A black and whe photo of Tony Bent." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Bent says that Gaga is an enormo talent, but, unrneath all, she’s jt “a sweet ltle Italian-Amerin girl who studied at N.Y.U.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Mary Ellen Mark</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">On a bright Sunday afternoon shortly after one o’clock Manhattan, a few days before his eighty-fifth birthday, which he would mostly acknowledge on Augt 3rd by dg at a neighborhood rtrant on the East Si wh his wife, San—who, wh a few weeks, would be celebratg her own, forty-fifth birthday—Tony Bent was standg behd a microphone at the Avatar Studs, on Wt Fifty-third Street, rehearsg a few l om “The Lady Is a Tramp” while awag the prence of Lady Gaga.</p><p class="paywall">Lady Gaga was expected to arrive at two o’clock, wh her hairdrser, her makp artist, her creative director, her vol ach, her producer, her secury guards, and others who know her by her pre-fame name, Stefani Germanotta; and then, after she had warmed up, she would jo Bent sgg “The Lady Is a Tramp,” the fal rerdg for his latt album of duets, “Duets II,” which will be released by R.P.M. Rerds/Columbia on September 20th. It is a sequel to his 2006 Grammy Award-wng album, and sixteen other sgers had already llaborated wh him. They clud John Mayer (“One for My Baby”), Carrie Unrwood (“It Had to Be You”), Queen Latifah (“Who Can I Turn To?”), Mariah Carey (“When Do the Bells Rg for Me?”), Aretha Frankl (“How Do You Keep the Mic Playg?”), Willie Nelson (“On the Sunny Si of the Street”), Andrea Bocelli (“Stranger Paradise”), and Amy Wehoe (“Body and Soul”). Bent and Wehoe had sung together London March, four months before her ath, July, at twenty-seven, followg years of faiary wh dgs and alhol.</p><p class="paywall">Over dner a uple of weeks before the ssn wh Lady Gaga, Bent told me that he had been ncerned about Wehoe’s well-beg when he spent time wh her London. He said, “I wanted to tell her that she need to shape up or she uld end up stroyg herself.” In Augt, he appeared on the MTV Vio Mic Awards a special tribute to Wehoe, sayg, “She was a te jazz artist the tradn of Ella Fzgerald and Billie Holliday.” After the broadst, he told a reporter, “What I wanted to do, I wanted to stop her. I wanted to tell her that many years ago I was nghty also wh some dgs.” He went on, “Woody Allen’s manager at the time”—Jack Rolls—“said he knew Lenny Bce, and he said one sentence that changed my life. He said, ‘He sned agast his talent.’ I wanted to tell her that.”</p><p class="paywall">As a few dozen people gathered wh the glass-enclosed ntrol room anticipatg Lady Gaga’s appearance, Bent was standg alone on a whe platform, the center of the stud. He had on a hand-tailored Brni tux wh a red pocket square, a whe shirt, and a black tie that had been a gift om his dmmer, and he was sgg the troductory verse to “The Lady Is a Tramp,” the Rodgers and Hart show tune om their 1937 mil, “Bab Arms”:</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>I’ve wed and ded on Mulligan stew and never wished for turkey as I hched and hiked and grifted, too, om Mae to Albuquerque.</p></div></blockquote><p class="paywall">He then turned toward his mil director, Lee Miker, a sharp-featured, energetic, dark-haired man of fifty-five, who sat behd a grand piano, a few yards away. “Let me ask you somethg,” Bent began, his characteristilly soft and ferential manner. “Can you go up another key?”</p><p class="paywall">“You want me to raise up more?” Miker asked.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Bent nodd. And, as Miker’s fgers moved wh accelerated energy along the keyboard, Bent appeared to be more ntented as he aga sang the openg l of the tro:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>I’ve wed and ded on Mulligan stew</p><p>and never wished for turkey.</p></div></blockquote><p class="paywall">After he had satisfactorily rehearsed the next eight l of the tro, which he planned to sg alone on the rerd before participatg wh Lady Gaga the duet, he cid to rt his voice for a while. She was due about half an hour.</p><p class="paywall">“I did my sl today,” he said, as he stepped down om the platform. Bent practic sl for fifteen to twenty mut every day, sgg along to a small tape rerr that plays a ssette of exercis created by his longtime teacher, the late Pietro D’Andrea. Once, I heard Bent say, “The first day you don’t do the sl, you know. The send day, the micians know. The third day, the dience knows.”</p><p class="paywall">At Avatar, he popped a dime-size yellow lozenge to his mouth and head over to the ntrol room to spend some time wh his guts and fay members, cludg San, who is often wh him when he sgs.</p><p class="paywall">A week earlier, she had flown wh him and his quartet to ncerts Reno, Las Vegas, and Denver, three of nearly a hundred appearanc he mak every year around the natn and overseas; and she tends to be the dience on Sunday eveng, September 18th, when he and his quartet are schled to prent a few dozen of his favore songs om the stage of the Metropolan Opera Hoe. But, no matter where Tony Bent is featured, what he sgs and how he sgs have pretty much remaed the same for most of his more than sixty years as an entertaer. As his iend Count Basie once remd him, “Why change an apple?”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">San began datg Bent 1985,on the eve of his fifty-nth birthday, when she was eighteen. Her mother, Marn Crow, a fourth-generatn native of the San Francis Bay Area—and a votee of Bent’s mic sce her stunt days at the Convent of the Sacred Heart, the early fifti—had troduced San to the sger five years earlier. Marn and her hband, Dayl Crow—a broker wh Merrill Lynch who had been a fighter pilot Korea—were vatng Las Vegas, acpanied by their dghter. After they had seen Bent’s show, they bumped to each other outsi the venue, and Marn iated the troductn. San shyly shook hands wh the sger but was quickly put at ease by his gracns.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Marn and Dayl had first met Bent New York many years before, 1966. Dayl Crow was the cy on bs and was stayg wh Marn at the Plaza. After she read that Bent was booked at the Copabana, she asked Dayl to get tickets. While they were havg a drk at their table before the show, a young woman photographer stopped by and offered to take their picture.</p><p class="paywall">“Y,” Marn replied, “but only if Tony Bent is .”</p><p class="paywall">Soon the photographer returned to say that Bent would see them his drsg room before the performance, and was there that he posed wh them. Marn was two months pregnant wh San. Forty-one years later, after she married Tony Bent, 2007, San explaed to a reporter, “It was a prenatal fluence that led me to him.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Their marriage, a civil ceremony New York, at which Mar and Matilda Cuomo were the prcipal wns, had been preced by a twenty-four-year urtship, owg to Bent’s prolonged and ntent separatn om his send wife, Sandra, wh whom he has two dghters—Johanna, born 1969, and Antonia, 1974. He retas a warm relatnship wh both. Antonia, a sger, often travels wh him and his micians, opens his shows, and ocsnally do a few numbers wh him onstage, cludg a Sondheim song, “Old Friends.”</p><p class="paywall">Bent’s marriage, 1952, to his first wife, Patricia, end more amibly; and Patricia and Tony’s two sons, Danny, born 1954, and Daegal, a year later, are both profsnally engaged their father’s reer and were among those wag for Lady Gaga. Danny, a well-proportned six-footer who box a gym about three tim a week, is Bent’s manager. He has hazel ey, a recedg hairle, and an engagg meanor not lackg self-assurance. His somewhat shorter but equally f brother, Daegal, who has hered their father’s green ey and Roman nose, is charge of sound.</p><p class="paywall">Daegal—monly lled Dae, pronounced “day”—has his own rerdg stud, Englewood, New Jersey. Earlier the week, a seventeen-piece orchtra had met there to prererd the mic that would soon flow through the system at Avatar and blend wh Tony Bent’s and Lady Gaga’s voic as they sang to their microphon. Dae believed was more efficient to have the orchtra plete s work the New Jersey stud, where the atics were ial and which afford the Bent anizatn some flexibily when pg wh the tight schl imposed by most of the high-profile sgers sought for the duets.</p><p class="paywall">Dae knew that Lady Gaga’s time was very limed. As he waed for her to arrive at Avatar, he seemed unable to relax, stg the rear of the ntrol room. When his father waved his directn, Dae failed to notice him, bee he was focsg on the nsole, a black soundboard about five feet wi and led vertilly and horizontally wh rows of illumated knobs (green, red, yellow, amber) that alternately st slight reflectns upon his forehead.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vv5zf4"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="r6osue"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Danny Bent was standg behd him, lookg through the big wdow at a documentary film crew wheelg a mera along tracks laid on the stud floor near the whe platform. Also the ntrol room, close to the doorway, were two longtime iends of Bent’s—seventy-year-old Leonard Rigg, the chairman of Barn & Noble, and seventy-one-year-old Joseph Segreto, who owns a rtrant lled Eleven 79, New Orleans, and first met Bent Las Vegas 1961, when Segreto was a roadie for a band om Philalphia that was playg the lounge of the Sahara.</p><p class="paywall">Both Segreto and Rigg were smartly attired, and San, who has blond hair and brown ey, stood talkg wh them. She was wearg orange len pants wh a yellow-and-whe striped short-sleeved shirt and sandals.</p><p class="paywall">As Bent joed them, Segreto patted him on the back and plimented him on how well he had sung the tro. Bent sed but changed the subject to Lady Gaga, whom he relled meetg early May when they had each performed at a chary event for the Rob Hood Foundatn at the Javs Conventn Center. He also met her mother and father that night, he said, as well as a young man who had told him, “I’m her boyiend, so you’d better watch out.”</p><p class="paywall">The others lghed. Segreto shook his head. “She’s big,” he said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">“She’s gog to be bigger than Elvis Prley,” Bent said.</p><p class="paywall">He went on to scribe Lady Gaga as beg enormoly talented not only as a sger but as a dancer and a pianist—and he suggted that, at the same time, unr all her makp and marketg, she was jt a normal human beg, “a sweet ltle Italian-Amerin girl who studied at N.Y.U.”</p><p class="paywall">Bent and his iends stood talkg near the door for the next fifteen mut, discsg, among other thgs, his upg show at the Metropolan Opera. That remd Rigg of a story about Luciano Pavarotti dog a book signg at Barn & Noble.</p><p class="paywall">“There were five thoand people led up outsi,” Rigg said.</p><p class="paywall">Bent let out a low whistle.</p><p class="paywall">“So we go si the store, and Pavarotti, you know, he is signg slow, and talkg to people, and the people are givg him pictur, and other books, to sign, and I feel bad for the people outsi, so I’m sayg, ‘Only one book!’ and I’m tryg to move . So Pavarotti looks at me, and he smacks me the face, and he go, ‘Md-a your own-a bs-a!’ ”</p><p class="paywall">Everybody lghed, and Bent offered his own Pavarotti story.</p><p class="paywall">He said, “I remember Satra once asked Pavarotti, ‘How do you sg a soft high note?’ and Pavarotti replied, ‘You keep-a your mouth closed!’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Conversatn turned to Bent’s forthg vis to New Orleans, where he will jo Rigg and Rigg’s wife, Louise, celebratg the pletn of the hundred-and-first hoe built unr the spic of the uple’s nonprof foundatn, Project Home Aga New Orleans, which has provid furnished hog, whout st, to low- and morate-e fai wishg to reëstablish themselv the cy followg Hurrine Katra. Bent said that he and his quartet would enterta the Riggs and the other celebrants there on November 11th, and Segreto promised to ok somethg special at his rtrant. Segreto has veloped a warm relatnship wh the uple ever sce they lnched their foundatn, and Leonard Rigg has acknowledged by namg one of his many racehors, a two-year-old Thoroughbred, Mr. Segreto.</p><p class="paywall">“How about that, Tony?” Rigg lled out, as Segreto took a ltle bow.</p><p class="paywall">“That’s nice,” Bent replied, and gave his signature se. He then nced beg a equenter of racetracks back the seventi, when he lived Los Angel, and he remembered one day when he went to the track at the vatn of Cary Grant.</p><p class="paywall">“All the women were jt fatg as he’s walkg,” Bent relled. “All the women the box fatg. Cary Grant, you know. So I said, ‘You e here often?’ ‘Y,’ he said. ‘I own the track.’ ”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Momma Is Rick Perry real”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Momma? 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Who bet more on hors than two guys, iends of yours, Mickey Rooney and Fred Astaire?”</p><p class="paywall">“I didn’t know that,” Bent said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">“Fred Astaire was at the track all the time,” Segreto went on. Then Segreto mentned the name of a woman who was once volved wh Astaire, a woman whom Bent was also acquated wh, and Bent thought for a moment and then said, a lowered voice, “She msed him up.”</p><p class="paywall">“Oh sure she msed him up,” Segreto clared knowgly. “But he was such a great fan of the rac.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Lee Miker approached Bent om behd and asked, “You want to do a uple of warmups before she arriv?”</p><p class="paywall">“O.K.,” he said. Wh a ltle nod toward San and his iends, he turned and head back to the stud, where he soon rumed his earlier posn on the whe platform. While Miker began playg the piano, Bent, microphone hand, began to sg, whout full voice, the first l of the duet he would soon rerd:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>She gets too hungry for dner at eight,</p><p>Lov the theatre but she never late.</p></div></blockquote><p class="paywall">On the mic stand ont of him, se he fot the lyrics to “The Lady Is a Tramp,” there were three sheets of paper on which were prted, large letters, triple-spaced, every word of the song—approximately forty l that he and Lady Gaga would alternately liver, wh her words prted red and his black.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="1z9s"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>G<em class="small">AGA</em>: I never bother wh people I hate . . .</p><p>B<em class="small">ENNETT</em>: Don’t dig crap gam wh barons and earls . . .</p><p>G<em class="small">AGA</em>: I won’t go to Harlem erme and pearls</p><p>I won’t dish the dirt wh the rt of those girls . . .</p></div></blockquote><p class="paywall">But before he had pleted his send n-through of the tune, his attentn was drawn to the sounds of a crowd of newly arrived people—who, havg exed the eight elevator, had proceed down a hall the directn of the ntrol room, led by Lady Gaga, a slenr young woman wh aquamare bobbed hair. She wore dark glass, a long black lace gown that you uld see through, and, over , a sleevels black leather motorcycle jacket, unzipped, wh studs on the lapels. A silver buckle dangled om a belt that flapped along her right thigh as she ran gleefully toward Bent.</p><p class="paywall">“Hello, Tony!” she lled out, her arms extend.</p><p class="paywall">“Oh, great!” he exclaimed, steppg down om the platform to embrace her as she removed her dark glass, revealg a small scimar-shaped stroke of eyeler bi each of her ey, extendg back toward the temple, remblg a uple of anchovi. As Miker rose om the piano bench to shake hands wh her, Dae and Danny were on their way down om the ntrol room to review the rerdg procre. When she removed her leather jacket, and Bent tried to assist her, she good-naturedly shoved him away, sayg, “No, that’s O.K. Don’t <em>you</em> hold a thg.” She dangled the jacket the air until a young man hastened to the stud to take and rry to her drsg room.</p><p class="paywall">Lady Gaga stood silently near the piano for a few sends, lookg around the stud and up at the ceilg, which was thirty-five feet at s hight pot. She was tuggg at the waist of her black lace gown, which she said had been signed by Tom Ford. The gown was so long that several ch of swept along the floor, and had twisted around her ankl. It was impossible to see the sho she was wearg, but unrneath the lace drs she had on what looked like a black biki.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">“I love the way you wrap that skirt,” Bent said fally. “It’s fabulo.”</p><p class="paywall">“I thought I’d give a ltle <em>twist</em> for you, Tony,” she said.</p><p class="paywall">Bent was eager to tell her a story. “I’ve got to tell you that when my wife and I exercise we look out our wdow at a synagogue right across the street.” He said that some men were workg hard erectg a sffoldg there. “And then I noticed that, on the si of their tck, big letters, the word ‘Gaga’ was pated!”</p><p class="paywall">“Workg so hard!” she said, and lghed.</p><p class="paywall">Danny Bent me up and troduced himself, and then poted out his brother.</p><p class="paywall">“Such an honor to meet you, wow, hello,” she began, and then she asked some qutns, such as “Do we both e the same mike?” (no, there was one for each sger) and “Should I e headphon?” Dae explaed that his father did not want headphon, after which she turned to Bent and said, “I love that you don’t want them.”</p><p class="paywall">“Betiful gown” was his reply.</p><p class="paywall">“Thank you,” she rpond. “I wore for you. The whole thg, head to toe, as ‘What would Tony want?’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-7 viewport-monor-anchor"></div><p class="paywall">“Great,” he ntued, his bronzed face creased wh s almost permanent se.</p><p class="paywall">She then asked Danny Bent whether or not there was a lim on the rehearsal time before they began the rerdg.</p><p class="paywall">“As many tim as you want to rehearse , or do —anythg,” Danny said. “Everyone’s really flexible here.”</p><p class="paywall">“Great,” she said. “Thank you,” and then a loud voice she said, “Tt,” and proceed on her own, whout the acpaniment of the prererd mic, to sg, “That’s why this chick is a tramp.”</p><p class="paywall">Bent lghed.</p><p class="paywall">Then she rrected herself. “That’s why the lady is a tramp,” she sang, pronouncg the last word “tray-amp.”</p><p class="paywall">She was havg fun, flectg a slight Southern redneck tonatn and a b of “Guys and Dolls” spir to the mic of Rodgers and Hart: the words “I never bother wh people I hate” she sang as “Eye-ha never bother wh people I hay-yate.”</p><p class="paywall">Bent joed : “Don’t dig crap gam, wh barons and earls.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-8 viewport-monor-anchor"></div><p class="paywall">When she followed wh “I won’t go to Harlem erme and pearls,” she pronounced the words as “oimens” and “poils.”</p><p class="paywall">“Oh, I’m so nervo!” she said.</p><p class="paywall">“No, ’s terrific,” he said.</p><p class="paywall">“If I tap out, you n jt tell ’em that was all planned.”</p><p class="paywall">“Sounds great,” he rpond.</p><p class="paywall">Then, after they had lghed through the rt of the song, she turned to him and asked, “What was like wh the girls?”</p><p class="paywall">He looked at her quizzilly.</p><p class="paywall">“Do they always get this way around you?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-9 viewport-monor-anchor"></div><p class="paywall">When he failed to answer, she ntued, “Do they always get really nervo and stand there sweatg and blhg?”</p><p class="paywall">Among those jog the lghter were San and the others the ntrol booth, who now clud members of Lady Gaga’s troupe and also her vol ach, a gray-haired, bpectacled man of sixty-six named Don Lawrence, who first heard her sg when she was thirteen, and whose clients have clud Mick Jagger, Christa Aguilera, Whney Hoton, Bono, and Jon Bon Jovi.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="13m8xp"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="0dznnk"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Danny Bent, who had been stg near Don Lawrence, returned to the stud rryg a newspaper clippg om the Yonkers <em>Rerd</em>, dated Augt 26, 1951, bearg the headle “<em class="small">GIRLS ‘GAGA’ AS TONY CROONS A HIT.</em>” The article displayed a photograph of a youthful, dark-haired Tony Bent a tuxedo surround by four sg young female fans; the ptn explaed that he had jt serenad them wh one of his all-time h tun, “Bee of You.”</p><p class="paywall">Lady Gaga began readg the article aloud, standg next to Bent. “Girls ‘gaga’ as Tony croons a h,” she read, and movg closer to him she said, “See, I told you. You make women do that. Look what you did! . . . Oh, Tony, I would have been chasg you around. Oh, Tony, do you die when you read that?”</p><p class="paywall">“Oh, you’re right,” San Bent replied, her voice echog through the speaker the ntrol room. “Gotta keep the girls off him.”</p><p class="paywall">“Keep Gaga off!” Lady Gaga rrected her, before turng to somebody on her staff and requtg a drk. A young man scurried to the stud rryg a glass of whiskey. Bent watched as she took a sip. Then she announced, “Now that I’ve had a ltle b to drk, I’m not so nervo.” Aga she turned to Bent.</p><p class="paywall">“Do women do that around you, too?” she persisted.</p><p class="paywall">“What’s that?” he asked.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-10 viewport-monor-anchor"></div><p class="paywall">“Do they jt knock ’em back, jt so they n be your prence?” she asked. He grned.</p><p class="paywall">“Y, they all do,” she answered for him. “We’re all very nervo around him.” She took another swallow, holdg the glass one hand and the microphone the other.</p><p class="paywall">Dae’s voice was heard over the speaker the ntrol room, askg, “All set?”—meang, effect, Shall we fally get to work?</p><p class="paywall">“I’m all set,” Lady Gaga said. Then she add, “Hey, Tony.”</p><p class="paywall">“Y?”</p><p class="paywall">“I missed you, baby.”</p><p class="paywall">Sudnly, the brassy up-tempo sound of the orchtra filled the stud, and immediately was acpanied by the two sgers’ voic:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p><em class="small">BENNETT</em>: She gets too hungry for dner at eight,</p><p>Lov the theatre but she never late.</p><p>G<em class="small">AGA</em>: Eye-ha never bother wh people I hay-yate.</p></div></blockquote><p class="paywall">They smoothly got through the song, takg a ltle more than two mut, and after the ncln Dae Bent, the ntrol room, said, “O.K., that sounds really good. We jt need to do some serts on the end, and we’ll have everythg.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-11 viewport-monor-anchor"></div><p class="paywall">“O.K.,” Bent said.</p><p class="paywall">“Great,” Gaga replied.</p><p class="paywall">But then Bent went on, “I thk we should do a uple more tim, I really do, and get whatever’s good there.” He turned to Lady Gaga: “Is that all right wh you?”</p><p class="paywall">She agreed, sayg, “We’re havg a good time.”</p><p class="paywall">She looked around at some of the guts standg the hallway and the ntrol room, and, seeg the dapper Leonard Rigg, and Joe Segreto his seersucker su, whe shirt, blue-kn tie, and whe sho, she said to Bent, “You know, all my iends—you have to meet them sometime, they’re always three-piece sus, wh betiful hats on. They like to go out and pretend like ’s the fifti.”</p><p class="paywall">“Right,” Bent said. They agreed to do another take.</p><p class="paywall">Gaga said, “I’m gog to give a ltle more character.”</p><p class="paywall">He started sgg aga, and when they fished she said, “It’s like our third date now!”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-12 viewport-monor-anchor"></div><p class="paywall">Over the next half hour, they did six more tak, some wh sttg, all of them acceptable to Bent’s sons, the ntrol room, but at the ncln of each take neher Bent nor Lady Gaga wanted the duet to end.</p><p class="paywall">“Oh, fun!” she exclaimed, after yet another take. “We n do this all day?”</p><p class="paywall">“Y, I liked ,” he said.</p><p class="paywall">“Shall we do one more?” she asked.</p><p class="paywall">“Whatever we want,” he said. “We n do till we’re very happy wh .”</p><p class="paywall">“Oh, let’s keep havg fun. I’m havg a good time.”</p><p class="paywall">“Good.”</p><p class="paywall">“Is your mil director happy?”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-13 viewport-monor-anchor"></div><p class="paywall">“So far,” Dae Bent replied over the speaker.</p><p class="paywall">“Everybody’s happy,” Lady Gaga clared. “Happy fac!” she loudly announced, addg, “I’ve never done this whout headphon. It’s so liberatg.” She took another sip of whiskey.</p><p class="paywall">For a different take, they cid to improvise some lyrics.</p><p class="paywall">When Gaga burst out, “I like the Yanke,” Bent followed wh “and Jeter’s jt fe.”</p><p class="paywall">Lady Gaga terpted. “Maybe I should pick another Yankee. Posada’s my favore. But is he not playg anymore?”</p><p class="paywall">Somebody shouted that he’d been benched.</p><p class="paywall">“Mak me sad,” Lady Gaga said, then improvised a new le: “I miss Posada!”</p><p class="paywall">When they fally cid that there was a lim to their alacry, and their duet was done for the day, they were lled upon to do a short taped terview for the documentary film, which Danny was overseeg.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-14 viewport-monor-anchor"></div><p class="paywall">“Was O.K.?” Lady Gaga asked Bent, as they stepped off the platform.</p><p class="paywall">“Aw, c’mon. It’s the bt thg that ever happened.”</p><p class="paywall">“I n’t wa. I’m gog to cry so hard when out.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Wh Bent and Lady Gaga stg si by si ont of a mera, a staff member named Sylvia Weer asked her to reunt some of her feelgs about workg wh Tony Bent.</p><p class="paywall">Lady Gaga replied that, when she knew she’d be rerdg a duet wh him, first she cid she would have to change her wardrobe: “Well, I have to meet Mr. Bent! What do I wear. Do I look classy? Do I look elegant? Do I look sexy? I don’t know what he lik. So I tried a uple of different outfs on, and then I jt ran out there, and”—turng toward him as she spoke—“I met your betiful wife. It was wonrful.”</p><p class="paywall">“Well,” Weer went on, “tell why ‘Lady Is a Tramp’ lent self so well for your duet.”</p><p class="paywall">Lady Gaga thought for a moment, and then replied, “Well, ’e I’m a tramp. And,” she went on, gturg at Bent, “he knows .”</p><p class="paywall">She lghed.</p><p class="paywall">But he shook his head.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-15 viewport-monor-anchor"></div><p class="paywall">“I know that you’re a lady,” he said, emphatilly. “Playg a tramp.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="z7j61s"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2011/09/19" data-reactroot="">September 19, 2011</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/gay-tale">Gay Tale</a> is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/amy-wehoe" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Amy Wehoe</span></a><a href="/tag/aretha-ankl" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Aretha Frankl</span></a><a href="/tag/barn-and-noble" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Barn & Noble</span></a><a href="/tag/ry-grant" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Cary 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G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Lows of the High Life" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Lows of the High Life</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">I had never had money, and then I did. For three days New York, I learned how not to e .</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Andre Dub III</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Sarah Jsi Parker Keeps Playg Carrie Bradshaw" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Why Sarah Jsi Parker Keeps Playg Carrie Bradshaw</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">In all of her profsnal enavors, cludg the “Sex and the Cy” anchise, Parker nsirs herself a “bter enr.”</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Rachel Syme</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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GAY TALE

GAY TALE: A MAN OF RERD

GAY TALE: WRER, SCRAPBOOKER

NOT OM UNRGROUND: GAY TALE’S OFFICE

GAY TALE’S OTHER PROBLEM

ONE ON 1: NEW YORK LERARY GIANT GAY TALE

GAY TALE DEFENDS ‘THE VOYR’S MOTEL’ AFTER SOURCE IS UNRCUT

GAY TALE AND A CY OF PERMANENT CHANGE

WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

BEAR-MAGAZINE.COM GAY TALESE NEW YORKER

Recent Posts

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Contents:

GAY TALE

GAY TALE: A MAN OF RERD

GAY TALE: WRER, SCRAPBOOKER

NOT OM UNRGROUND: GAY TALE’S OFFICE

GAY TALE’S OTHER PROBLEM

ONE ON 1: NEW YORK LERARY GIANT GAY TALE

GAY TALE DEFENDS ‘THE VOYR’S MOTEL’ AFTER SOURCE IS UNRCUT

GAY TALE AND A CY OF PERMANENT CHANGE

WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

*BEAR-MAGAZINE.COM* GAY TALESE NEW YORKER

BEAR-MAGAZINE.COM GAY TALESE NEW YORKER