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Other articl where Gay Tale is discsed: New Journalism: From muckrakg to Wolfe, Tale, and Capote: …himself gave that cred to Gay Tale. Tale began his reer while high school the 1940s as a reporter for the Ocean Cy Sentel-Ledger New Jersey and, after graduatg om llege, was hired as a pyboy by The New York Tim. In his spare time he wrote…

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GAY TALE: PNEER OF NEW JOURNALISM

Forty years after Tom Wolfe, Hunter S. Thompson, and Gay Tale lnched the New Journalism movement, Robert S. Boynton ss down wh neteen practners of what he lls the New New Journalism to discs their methods, wrgs and reers. * gay talese new journalism *

Author Gay Tale looks over a mancript at his home Ocean Cy, 1992. paterly style of Gay Tale’s legendaryEsquiremagaze article, ‘Frank Satra Has A Cold’.

Some make their livg by wrg; Gay. his wife sce 1959, legendary lerary edor Nan Tale, Gay explaed the negotiatns prr to his.

WHEN NEW JOURNALISM WAS NEW: GAY TALE ON HIS LEGENDARY ESQUIRE PROFILE OF FRANK SATRA

In the sprg of 1964, Gay Tale was on assignment for Esquire at Floyd Patterson’s upstate New York trag mp, when the former heavyweight champn of the world got a phone ll om his wife Sandra. The Pattersons lived Srsdale, and they were hero of the liberal imagatn, but was only 1964 and they were still racial pneers. Their seven-year-old dghter, Jeannie, was the onl... * gay talese new journalism *

Durg the nt days when Gay was immersed.

GAY TALE AND THE PROBLEM WH NEW JOURNALISM

* gay talese new journalism *

”Talkg about the salac 1970s wh an ABC TV terviewer, Gay posed the qutns,. Aged 85, Gay Tale ntu to wre books — he’s currently workg on one about. Gay Tale is a rake.

Gay Tale’s outle for “Frank Satra Has a Cold, ” sketched on one of his tramark shirt boards, 1966.

WRER GAY TALE DEFENDS 'NEW JOURNALISM'{GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{MARG-BOTTOM:1EM;}{DISPLAY:BLOCK;MARG:0PX TO;MAX-WIDTH:640PX;Z-X:20;POSN:RELATIVE;} > DIV{BOX-SIZG:NTENT-BOX;PADDG:0PX 20PX;MARG:0PX TO;} > DIV.SHORT-LEFT{FLOAT:LEFT;} > DIV.SHORT-RIGHT{FLOAT:RIGHT;} > DIV.SHORT-SMALL{MAX-WIDTH:200PX;} > DIV.SHORT-MEDIUM{MAX-WIDTH:400PX;} > DIV.SHORT-LARGE{MAX-WIDTH:600PX;} > DIV.SHORT-XLARGE{MAX-WIDTH:1000PX;} > DIV.SHORT-FULLSCREEN{PADDG:0PX;}{WIDTH:100%;}{MAX-WIDTH:1000PX;MARG:5PX 0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#777;FONT-SIZE:15PX;}LERARY IN GAY TALE, LEFT, AND CHRIS JON, RIGHT, WRER-AT-LARGE FOR ESQUIRE MAGAZE, LEAD A DISCSN ON WRG NARRATIVE JOURNALISM FRIDAY THE FONG AUDORIUM. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}GA K. HACKETT, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}ESTEEMED WRER GAY TALE—NSIRED ONE OF THE FATHERS OF THE “NEW JOURNALISM” STYLE THE 1960S—SPOKE TO A CROWD OF FANS AND WRERS ABOUT NARRATIVE JOURNALISM BOYLSTON HALL ON FRIDAY.TALE HAS WRTEN SEVERAL FAMO NARRATIVE PIEC LIKE “FRANK SATRA HAS A COLD” FOR PUBLITNS RANGG OM ESQUIRE TO THE NEW YORKER, AND IS CREDED WH BEG ONE OF THE FIRST WRERS TO SERT LERARY TECHNIQU TO JOURNALISM.PART OF A LECTURE SERI THAT IS UALLY ANIZED SOLELY BY THE NIEMAN FOUNDATN FOR JOURNALISM, FRIDAY'S TALK WAS -ANIZED WH THE HARVARD WRERS AT WORK LECTURE SERI TO ATTRACT A BROAR DIENCE.TALE SHARED SOME OF HIS QUIRKY WRG METHODS, SUCH AS WRG NOT ON SHIRT BOARDS. TALE ALSO KEEPS NEARLY EVERY PIECE OF PAPER HE ACROSS, HE SAID, CLUDG NOT OM HIS WIFE, REJECTN SLIPS, AND TERVIEW NOT. TALE LLECTED 33 SETS OF NOT OM HIS TERVIEWS WH FRANK SATRA.KEEPG THGS IS IMPORTANT TO TALE, HE SAID, BEE HE OFTEN REVISS HIS NOT AND FDS TERTG PIEC OF THE PUZZLE THAT HE FAILED TO NOTICE BEFORE.“YOU SHOULD KNOW THAT THE STORY NEVER ENDS,” TALE SAID.TALE ALSO SHARED HIS DISDA FOR MORN REPORTG TECHNOLOGY. HE STILL WR ON YELLOW NOTEPADS WH PENCIL AND A TYPEWRER. TAPE-RERRS, TALE SAID, CHEAPEN THE RELATNSHIP BETWEEN THE REPORTER AND THE SUBJECT.“YOU TEND TO FALL PREY TO THE CHARM OF THAT, THE EASE OF ... THOSE LTLE, PLASTIC, SPNG WHEELS THAT GIVE YOU EVERYTHG, BUT GIVE YOU NOTHG,” TALE SAID.AS THE SON OF ITALIAN IMMIGRANTS, TALE SAID HE ALWAYS FELT LIKE AN OUTSIR. BUT TALE ATTRIBUT HIS CURSY AS A JOURNALIST TO THIS FEELG.“I ALWAYS FELT LIKE I WAS DIVID AS A PERSON, AND THAT WAS PERFECT FOR A JOURNALIST,” TALE SAID. “YOU N’T BE AN SIR.”{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTTO TCH THE TAILS THAT ARE SENTIAL NARRATIVE NON-FICTN, TALE SAID, A REPORTER HAS TO MASTER “THE ART OF HANGG OUT,” OR SPENDG A LOT OF TIME WH A SUBJECT.TALE ALSO EMPHASIZED THE IMPORTANCE OF DRSG WELL TO SUCCEED JOURNALISM. HE WORE A PEA-GREEN SU, A YELLOW SILK TIE, AND A NDY-NE STRIPED DRS SHIRT TO THE TALK.TALE, WHO STARTED OUT WRG FOR NEWSPAPERS, BEGAN WRG NARRATIVE NON-FICTN BEE HE WANTED TO WRE ABOUT REAL PEOPLE—A FORM HE LLS “STORI WH REAL NAM.”“I WAS THKG, ‘WHY N’T I DO AS A NON-FICTN WRER WHAT SHORT STORY WRERS DO, WHAT DRAMATISTS DO, WHAT NOVELISTS DO?’ WHICH IS WRE SCEN,” TALE SAID.WRG ABOUT DIVIDUAL STORI OF SUCCS, MOTN, AND PERSEVERANCE, TALE SAID, IS WORTHWHILE BEE EVERYONE EXPERIENC THE SAME THGS.JT HAVG FISHED A NEW YORKER STORY ON TONY BENT AND LADY GAGA’S LLABORATN, TALE IS CURRENTLY WORKG ON A NARRATIVE PIECE ABOUT JOE GIRARDI, THE MANAGER OF THE NEW YORK YANKE.TALE DID NOT ALWAYS ENJOY UNIVERSAL SUCCS. MANY HAVE ACCED HIM OF WRG FICTN, BUT TALE SAID HIS GOAL WAS TO MOVE BEYOND THE RTRICTNS OF NEWS WRG.“I RPECTED [NEWS WRERS] BEE THEY GOT RIGHT, BUT I DIDN’T WANT TO EMULATE THEM ANY WAY BEE THEY WERE BORG,” TALE SAID. “IT IS GETTG RIGHT, AND THEN BEG A STORYTELLER. AND THAT MEANS YOU HAVE TO HAVE CHARACTERS.”{FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{DISPLAY:LE-BLOCK;BACKGROUND-LOR:#AAA;BORR-RADI:5PX;PADDG:2PX 4PX;TEXT-TRANSFORM:UPPERSE;FONT:13PX 'COLABORATE LIGHT';MARG:2PX;LOR:WHE;}ON CAMPNIEMAN {GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA 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Many cred the articl Gay Tale wrote for Esquire magaze the 1960s as the begng of New Journalism. Tale talks about his new memoir, A Wrer's Life. * gay talese new journalism *

© 2015 and urty of Gay other tim I make not unobserved by the terviewee—such as durg those terptns our talks when the person has temporarily left the room, th allowg me moments which to jot down what I believe to be the relevant parts of our nversatn. © 2015 and urty of Gay chronicle is kept an ever-expandg seri of rdboard folrs ntag such data as the plac where I and my sourc had breakfast, lunch, and dner (rtrant receipts enclosed to document my expens); the exact time, length, lole, and subject matter of every terview; together wh the agreed-upon ndns of each meetg (i. ” © 2015 and urty of Gay tryg whout succs to rchle the Satra terview durg my send week Los Angel (I was told that he still had a ld), I ntued to meet wh people who were varly employed some of Satra’s many bs enterpris—his rerd pany, his film pany, his real tate operatn, his missile parts firm, his airplane hangar—and I also saw people who were more personally associated wh the sger, such as his overshadowed son, his favore haberdasher Beverly Hills, one of his bodyguards (an ex–pro leman), and a ltle gray-haired lady who traveled wh Satra around the untry on ncert tours, rryg a satchel his 60 hairpiec.

GAY TALE: THE NEW YORK OBSERVER

Gay Tale is Gay Tale is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern. on The New Yorker. Read Gay Tale's b and get latt news stori and articl. Connect wh ers and jo the nversatn at The New Yorker. * gay talese new journalism *

Copyright © 2021 by Gay Tale. The wrers often creded wh begng the movement clu Tom Wolfe, Tman Capote, and Gay tradnal vtigative reportg, wrers the genre immersed themselv their subjects, at tim spendg months the field gatherg facts through rearch, terviews, and observatn. Although Wolfe received perhaps the most cred for tablishg the New Journalism as a lerary movement, he himself gave that cred to Gay Tale.

Gay Tale is livg through every journalist’s nightmare.

GAY TALE

And now we all know about Gay Tale, possibly doomg his book before even out. Gay Tale troduced storytellg to the practice of journalism. Gay Tale: Well, I thk was Tom Wolfe who creded me wh beg a forefather that bs.

Esteemed wrer Gay Tale—nsired one of the fathers of the “new journalism” style the 1960s—spoke to a crowd of fans and wrers about narrative journalism Boylston Hall on has wrten several famo narrative piec like “Frank Satra Has a Cold” for publitns rangg om Esquire to The New Yorker, and is creded wh beg one of the first wrers to sert lerary techniqu to of a lecture seri that is ually anized solely by the Nieman Foundatn for Journalism, Friday's talk was -anized wh the Harvard Wrers at Work lecture seri to attract a broar shared some of his quirky wrg methods, such as wrg not on shirt boards. Gay Tale helped lnch lerary journalism 1966 when Esquire published his profile “Frank Satra Has a Cold. Inved by the Nieman Foundatn, Gay Tale recently spoke at Harvard’s Wrers at Work seri nversatn wh Esquire wrer at large Chris Jon.

GAY TALE, THE ART OF NONFICTN NO. 2

Gay Tale, even as a young reporter, was drawn to wrg scen, as short-story wrers and novelists do. In the sixti, Brl was often associated, along wh Pete Hal, Tom Wolfe, and Gay Tale, wh a movement lled the New Journalism, which brought the techniqu of fictn to first-person nonfictn.

GAY TALE ON 'A WRER'S LIFE'

In the sprg of 1964, Gay Tale was on assignment for Esquire at Floyd Patterson’s upstate New York trag mp, when the former heavyweight champn of the world got a phone ll om his wife Sandra.

Learn about this topic the articl:New Journalism In New Journalism: From muckrakg to Wolfe, Tale, and Capote…himself gave that cred to Gay Tale. In orr to get to Gay Tale’s study you have to leave his Upper East Si town hoe and go down the elegantly curlg stairs, to another entrance, wh another set of keys, and down another flight of steps. GAY TALESE.

WE ASKED A PUTER PROGRAM TO IMATE GAY TALE’S WRG. THEN WE ASKED TALE WHAT HE THOUGHT.

Gay Tale on 'A Wrer's Life'. Many cred the articl that Gay Tale wrote the 1960s as the begng of New Journalism. At the age of 74, the wrer has a new book out, lled Gay Tale: A Wrer's Life.

GAY TALE

To do so, I turned to one of the most famo piec of journalism the 20th century: Gay Tale’s “Frank Satra Has a Cold, ” which ran Esquire an exemplar of “New Journalism, ” the piece b lorful observatn wh immersive reportg. I didn’t want to be the guy to tell Gay Tale a puter jt wrote sentenc that uld possibly stand for his. Early October Gay Tale me to the Boston Athenam to celebrate publitn of “The Silent Season of a Hero: The Sports Wrg of Gay Tale.

Contug the Nieman Foundatn narrative wrg speaker seri set up by Paige Williams, journalism legend Gay Tale appeared on mp two weeks ago nversatn wh Esquire’s Chris Jon. Adam Tanner: Gay Tale is an pecially good choice for those seekg to study great wrg.

GAY TALE: ON WHAT ENDUR SPORTS WRG AMID CHANGE

Jon: We were jt havg ffee the feteria, and Gay [was tellg me he] is workg on a piece for the New Yorker on Joe Girardi, the [Yanke’] manager. Gay is gog to Peoria to s wh Girardi while he viss his father, who has Alzheimer’s.

Here’s Gay Tale 50 years later, and I had saved all my not. Like Gay’s sayg – if you put some of those great vers om the ‘60s, like the black Vietnam war ver or the Andy Warhol –. It’s horsecrap, bee when you do the kd of work that Gay do or that I try to do, and you spend weeks or months wh someone you’re gog to form an opn.

GAY TALE HAS A COKE*: REFLECTNS OF A NARRATIVE LEGEND, NVERSATN WH ESQUIRE'S CHRIS JON

What unts, I thk, and I thk Gay will agree wh me, is not objectivy, ’s tth. Esquire published a ltle booklet that clud the story and also clud pictur of your shirt boards wh your outle, and if you haven’t seen Gay’s outl they’re like maps to Narnia – there’s arrows and lists and diagrams.

WRER GAY TALE DEFENDS 'NEW JOURNALISM'{GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{MARG-BOTTOM:1EM;}{DISPLAY:BLOCK;MARG:0PX TO;MAX-WIDTH:640PX;Z-X:20;POSN:RELATIVE;} > DIV{BOX-SIZG:NTENT-BOX;PADDG:0PX 20PX;MARG:0PX TO;} > DIV.SHORT-LEFT{FLOAT:LEFT;} > DIV.SHORT-RIGHT{FLOAT:RIGHT;} > DIV.SHORT-SMALL{MAX-WIDTH:200PX;} > DIV.SHORT-MEDIUM{MAX-WIDTH:400PX;} > DIV.SHORT-LARGE{MAX-WIDTH:600PX;} > DIV.SHORT-XLARGE{MAX-WIDTH:1000PX;} > DIV.SHORT-FULLSCREEN{PADDG:0PX;}{WIDTH:100%;}{MAX-WIDTH:1000PX;MARG:5PX 0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#777;FONT-SIZE:15PX;}LERARY IN GAY TALE, LEFT, AND CHRIS JON, RIGHT, WRER-AT-LARGE FOR ESQUIRE MAGAZE, LEAD A DISCSN ON WRG NARRATIVE JOURNALISM FRIDAY THE FONG AUDORIUM. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}GA K. HACKETT, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}ESTEEMED WRER GAY TALE—NSIRED ONE OF THE FATHERS OF THE “NEW JOURNALISM” STYLE THE 1960S—SPOKE TO A CROWD OF FANS AND WRERS ABOUT NARRATIVE JOURNALISM BOYLSTON HALL ON FRIDAY.TALE HAS WRTEN SEVERAL FAMO NARRATIVE PIEC LIKE “FRANK SATRA HAS A COLD” FOR PUBLITNS RANGG OM ESQUIRE TO THE NEW YORKER, AND IS CREDED WH BEG ONE OF THE FIRST WRERS TO SERT LERARY TECHNIQU TO JOURNALISM.PART OF A LECTURE SERI THAT IS UALLY ANIZED SOLELY BY THE NIEMAN FOUNDATN FOR JOURNALISM, FRIDAY'S TALK WAS -ANIZED WH THE HARVARD WRERS AT WORK LECTURE SERI TO ATTRACT A BROAR DIENCE.TALE SHARED SOME OF HIS QUIRKY WRG METHODS, SUCH AS WRG NOT ON SHIRT BOARDS. TALE ALSO KEEPS NEARLY EVERY PIECE OF PAPER HE ACROSS, HE SAID, CLUDG NOT OM HIS WIFE, REJECTN SLIPS, AND TERVIEW NOT. TALE LLECTED 33 SETS OF NOT OM HIS TERVIEWS WH FRANK SATRA.KEEPG THGS IS IMPORTANT TO TALE, HE SAID, BEE HE OFTEN REVISS HIS NOT AND FDS TERTG PIEC OF THE PUZZLE THAT HE FAILED TO NOTICE BEFORE.“YOU SHOULD KNOW THAT THE STORY NEVER ENDS,” TALE SAID.TALE ALSO SHARED HIS DISDA FOR MORN REPORTG TECHNOLOGY. HE STILL WR ON YELLOW NOTEPADS WH PENCIL AND A TYPEWRER. TAPE-RERRS, TALE SAID, CHEAPEN THE RELATNSHIP BETWEEN THE REPORTER AND THE SUBJECT.“YOU TEND TO FALL PREY TO THE CHARM OF THAT, THE EASE OF ... THOSE LTLE, PLASTIC, SPNG WHEELS THAT GIVE YOU EVERYTHG, BUT GIVE YOU NOTHG,” TALE SAID.AS THE SON OF ITALIAN IMMIGRANTS, TALE SAID HE ALWAYS FELT LIKE AN OUTSIR. BUT TALE ATTRIBUT HIS CURSY AS A JOURNALIST TO THIS FEELG.“I ALWAYS FELT LIKE I WAS DIVID AS A PERSON, AND THAT WAS PERFECT FOR A JOURNALIST,” TALE SAID. “YOU N’T BE AN SIR.”{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTTO TCH THE TAILS THAT ARE SENTIAL NARRATIVE NON-FICTN, TALE SAID, A REPORTER HAS TO MASTER “THE ART OF HANGG OUT,” OR SPENDG A LOT OF TIME WH A SUBJECT.TALE ALSO EMPHASIZED THE IMPORTANCE OF DRSG WELL TO SUCCEED JOURNALISM. HE WORE A PEA-GREEN SU, A YELLOW SILK TIE, AND A NDY-NE STRIPED DRS SHIRT TO THE TALK.TALE, WHO STARTED OUT WRG FOR NEWSPAPERS, BEGAN WRG NARRATIVE NON-FICTN BEE HE WANTED TO WRE ABOUT REAL PEOPLE—A FORM HE LLS “STORI WH REAL NAM.”“I WAS THKG, ‘WHY N’T I DO AS A NON-FICTN WRER WHAT SHORT STORY WRERS DO, WHAT DRAMATISTS DO, WHAT NOVELISTS DO?’ WHICH IS WRE SCEN,” TALE SAID.WRG ABOUT DIVIDUAL STORI OF SUCCS, MOTN, AND PERSEVERANCE, TALE SAID, IS WORTHWHILE BEE EVERYONE EXPERIENC THE SAME THGS.JT HAVG FISHED A NEW YORKER STORY ON TONY BENT AND LADY GAGA’S LLABORATN, TALE IS CURRENTLY WORKG ON A NARRATIVE PIECE ABOUT JOE GIRARDI, THE MANAGER OF THE NEW YORK YANKE.TALE DID NOT ALWAYS ENJOY UNIVERSAL SUCCS. MANY HAVE ACCED HIM OF WRG FICTN, BUT TALE SAID HIS GOAL WAS TO MOVE BEYOND THE RTRICTNS OF NEWS WRG.“I RPECTED [NEWS WRERS] BEE THEY GOT RIGHT, BUT I DIDN’T WANT TO EMULATE THEM ANY WAY BEE THEY WERE BORG,” TALE SAID. “IT IS GETTG RIGHT, AND THEN BEG A STORYTELLER. AND THAT MEANS YOU HAVE TO HAVE CHARACTERS.”{FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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Photo of Gay Tale and Chris Jon by Jonathan Sez.

*BEAR-MAGAZINE.COM* GAY TALESE NEW JOURNALISM

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ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/jonathan-alter">Jonathan Alter</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-03-20T14:49:35-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">March 20, 2017</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz bNQltj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="The ath of Jimmy Brl pictured here 1986 the same year he won a Pulzer Prize ends a storied era Amerin..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The ath of Jimmy Brl, pictured here 1986, the same year he won a Pulzer Prize, ends a storied era Amerin journalism.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">PHOTOGRAPH BY MICHAEL BRENNAN / GETTY</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" 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class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Jimmy Brl’s first big break me when he was hired, 1963, as a lumnist for the New York <em>Herald Tribune</em>. There was a reason so many Amerin newspapers were lled Tribun, after the Romans who reprented the pleb. The newspapers, many now ad or much dimished, saw themselv as voic of the people, a ncept that today sounds almost quat. All over the untry, shoe-leather lumnists beme lol celebri when they wrote wh w and empathy about ordary people and savaged the powerful. At their bt, they ptured the soul of a particular cy, helpg to create an inty that digal journalism—wh s global reach but clumsy lol verage—often nnot. When I was growg up Chigo, my god was Mike Royko, who end his reer at the Chigo <em>Tribune</em>, but the most famo and fluential was Brl, whose ath, on Sunday, ends a <a href=">storied era Amerin journalism</a>.</p><p class="paywall">Jack Newfield scribed Brl as “Charl Dickens disguised as Archie Bunker.” Mike Lupi said that “watchg Jimmy wre was like watchg Willie Mays play baseball.” Between novels and other books, Brl managed to crank out four or five lumns a week, most memorably for the New York <em>Daily News</em>, a publitn that still exists but is now pafully th. His n extend through the send half of the twentieth century, om 1951, when he vered a dnk Senator Joe McCarthy arrivg at LaGuardia Airport and knew he was a liar (bee he lied about beg on his way to attend mass, which had already occurred), to 2001, when he happened to be on Liberty Street downtown Manhattan on September 11th, and <a href=">wrote</a> about nng om the smoke, and about the firefighters who didn’t. In between, he brought his talent and ego to bear on nearly every big natnal and lol story of his time—Vietnam, Watergate, the Mafia, Son of Sam—and thoands of ltle on, om the homels man who slept on a median strip to the Lata p wrongly fired for posg nu for a magaze before she joed the N.Y.P.D.</p><p class="paywall">Brl ma his name verg the assassatn of Print John F. Kennedy. He arrived Dallas on the night of November 22, 1963. The next day, he stuck wh the doctors at Parkland Hospal after other reporters left and terviewed them wh a novelist’s eye for tail. He found the unrtaker who provid the sket, and enlisted his wife to e their Queens parish to fd the Dallas prit who admistered last r. That eveng, he filed a twenty-five-hundred-word story for the <em>Herald Tribune</em> that ntaed so much chillg and evotive tail that rears might have thought there were seven people, not six, si Emergency Room One: the dyg Print, his wife, Dr. Mallm Perry, Dr. M. T. Jenks, Dr. Kemp Clark, Father Osr Huber—and Jimmy Brl. Brl wrote that Perry “saw only the throat and the cht, shg unr the huge lamp, and when he would look up or move his ey between motns, he would see this plum drs and the terribly discipled face standg over agast the gray tile wall.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Two days later, Brl followed his masterful verage of the biggt story the world wh a lyril lumn on Clifton Pollard, the most man who dug Kennedy’s grave, at Arlgton Natnal Cemetery. “It’s an Honor” is still tght journalism schools as an example of how to fd a new angle on a big story by stayg away om the prs pack, which was verg the funeral that day.</p><p class="paywall">Before Brl, lumnists were mostly Washgton thumb-suckers (Walter Lippmann), si-dope merchants (Walter Wchell), or Hollywood wags (Ed Sullivan). He studied Damon Runyon, whose life he later chronicled, and the fotten sportswrer Jimmy Cannon, orr to fashn a h, often ic tabloid voice. In the sixti, Brl was often associated, along wh Pete Hal, Tom Wolfe, and Gay Tale, wh a movement lled the New Journalism, which brought the techniqu of fictn to first-person nonfictn. Brl didn’t like the term. He preferred to thk of himself the tradn of neteenth-century swashbucklg reporters.</p><p class="paywall">Brl was often acced of g New Journalism pos and too-perfect quot. A. M. Rosenthal, the executive edor of the <em>Tim</em>, once travelled to Queens to prove that Brl had vented characters like “Kle the Lawyer” (a sleazy attorney), “Marv the Torch” (an arsonist for hire), and “Fat Thomas” (a four-hundred-pl-pound bookie). Rosenthal met them and admted that they were real people, though he was right that Brl had embellished them unr the ver of nicknam—a tradn among that generatn of lumnists (Royko did , too) that most rears unrstood was tongue cheek. For years, tablishment edors, who beltled the tabloids for their sensatnalism and disliked Brl’s moody narcissism, kept him om receivg the Pulzer Prize. Brl fally won , 1986, for lumns on <em class="small">AIDS</em> patients, police abg spects a Queens police statn, and the se of Bernhard Goetz, the “Subway Vigilante,” who beme a whe-workg-class hero when, threatened on the subway, he shot four black teen-agers. Brl showed that he shot two of them the back.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Journalism is transn, skewed by a digal bs mol which talk is cheap and reportg is expensive. It sts much ls time and money to have wrers pontifite about Donald Tmp than do to send them to red stat to fd out why so many people voted for him. One explanatn for our based civic disurse may be the cle of a sense of muny that the old lol lumnists once helped provi. Isolatn feeds rentment, which n be exploed by the Print, talk-rad hosts, and other media provotrs. But n also be channelled to prsure for change by talented journalists workg on behalf of the people. There are still lumnists and reporters dog great work (pecially on Tmp sce the Inguratn), though not as many are gettg out of the office and “climbg the tenement stairs,” as Brl scribed the sence of his craft. But, toward the end of his life, I found him surprisgly sangue about the chanc of the human stori survivg the mise of tabloids and beg told onle. Were he wrg now, he would be seekg out stori on the personal nsequenc of Tmp’s health-re and budget plans. And he would tell those stori wh a ltle more fun and a lot more rage.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="g2y9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div 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class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/jimmy-brl" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jimmy Brl</span></a><a href="/tag/journalism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Journalism</span></a><a href="/tag/new-york" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">New York</span></a><a href="/tag/reporters" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Reporters</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div 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href="/news/news-sk/postscript-jimmy-brl" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Postscript: Jimmy Brl" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj 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byle__preamble">By </span>Tom Robbs</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2009/03/02/talk--up" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Talk It Up" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Cric at Large</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2009/03/02/talk--up" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Talk It Up</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Damon Runyon’s guys and dolls.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Adam Gopnik</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Creatn Story" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Poems</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Creatn Story</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Tayi Tibble</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="An Oedipal Fish Story on Broadway" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Boards</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">An Oedipal Fish Story on Broadway</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The actor Robert Shaw ed to brg his son Ian to the “Jaws” set. Now Ian’s playg his dad “The Shark Is Broken,” his play about the mechanil predator.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Michael Schulman</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="07ws6t"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN 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