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viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Wear black and talk softly, whdraw om the crowd and tra your md on higher thgs—’s strange how much of the etiquette of grief is also a shortcut to cultivatg an ra of sexy mystery. Maybe that’s the logic behd stg Ato Blankson-Wood, an creasgly and jtly by actor around New York, the tle role of the new Shakpeare the Park productn of “Hamlet,” at the Delarte. Blankson-Wood has a world-class sulk—onstage, he pouts and rolls his ey and projects tense dissatisfactn before he ever livers a le. A few years ago, Jeremy O. Harris’s “Slave Play,” he played Gary, a gay Black man whose partner uldn’t—or, more precisely, wouldn’t—acknowledge the repercsns of their racial differenc. Gary was a magic malntent, for whom pa and sex appeal went hand hand and seemed to sprg om the same source.</p><p class="paywall">There’s somethg siar happeng wh Blankson-Wood’s pictn of the theatre’s most famo mourner. His Hamlet is bereft but flirtat, abive speech but stylish drs, lividly angry but unr his own perfect ntrol, mixed emotn and motive and utterly impossible to read. This is ls a take on Hamlet—an assertn that he’s mad, or juvenile, or the only tly sane character the kgdom—than a further blurrg of the many lors that the play provis. There’s “mirth funeral” and “dirge marriage,” and, Blankson-Wood’s terpretatn, a ht of eros that plays agast the chaos that after ath. That eroticism is often aimed odd, Oedipal directns: this renrg of the text, Hamlet seems to have absolutely no past or prent tert Ophelia (Solea Pfeiffer), to whom he’s been sendg claratns of love, but speaks wh a strikgly emphasized suggtivens to his mother, Gert (Lorrae Tosat), and to his uncle, Cldi (John Douglas Thompson), the new kg and Gert’s new hband.</p><p class="paywall">New York dienc were recently treated to the German director Thomas Ostermeier’s “Hamlet,” starrg Lars Eidger, who eats cemetery dirt and gets wet the ra and plays wall-breakg gam wh the dience. Blankson-Wood’s Hamlet would <em>never</em>. He’s undone but strangely put together—his mourng cloth look signer. We’re beg tricked, but I’m not sure exactly how, or which directn. Wh a few exceptns, Hamlet’s “hectic” blood is strangely ol.</p><p class="paywall">Blankson-Wood’s multifaceted, ultimately unsettled approach may be an outflow of the tennci of his director, Kenny Leon, who never miss an opportuny to let that hundredth flower bloom. The productn is set, we’re told the program not, Atlanta, 2021. Hamlet’s father was—as we gather om a huge pated portra that looms upstage—a member of the Uned Stat Mare Corps. In a kd of prologue to the actn of the play, at the father’s funeral, people e up, one by one or solemn pairs, to the sket where his body li, apparently still timidated by him ath. Off to the si of the stage, what looks like a ed lawn (Beowulf Bort signed the set), is a psized “Stacy Abrams 2020” banner—a holdover om Leon’s Shakpeare the Park productn of “Much Ado About Nothg,” 2019. A praise team sgs tight harmony to send the great man off. The productn seems to want to say somethg about a nt Ameri skippg past opportuni for hope on s way down a nihilistic dra, but that le of meang is never fully pursued.</p><p class="paywall">Instead of a unary ia, Leon—whose specialty is spectacle—offers a wi-rangg, endlsly clive <em>Gamtkunstwerk</em>, which song and dance n appear to be jt as important as Shakpeare’s text. The settg looks like a spoiled upper-middle-class utopia, a horrified Alpharetta, Geia, of the md, where, better days, a fay like Hamlet’s would s an air-ndned livg room, sippg lemona and listeng to Sa. Sometim the productn seems to want to tip over to a full mil, wh songs playg ntrapuntally agast the story of the Dane.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">At pots, the show is more of a baret than a narrative aimed like a dagger at the heart. The advantage of that loose approach is that each of the actors the ensemble surroundg Blankson-Wood gets to put their own bt foot forward, rather than followg any strong thread of terpretatn put forward by Leon. I’ve never felt more sympathy for the murro Cldi than I did this productn, which he’s rved by Thompson down to hand-wrgg human size. Tosat’s Gert is thrillgly vulnerable—her fear and guilt and trepidatn are, at every pot, visible her body and dible her speech. Daniel Pearce’s Poloni be heartwarmg ic relief, his prolix speech nng together to an anx, often hilar slurry. Poor Ophelia is portrayed soulfully by Pfeiffer; Laert, Ophelia’s vengeful brother, is played wh admirable tensy by Nick Rehberger.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">I was pecially tickled by Warner Miller’s take on Hamlet’s pendable pal Horat—here, he’s an around-the-way guy, not easily excable, the kd of du who’s standg on the rner when you leave for work and somewhere near the same spot when you’re on your way home. You know he’s had an active day, full of talk and bs, but you’d never thk to ask after each of his mov. If he giv you advice, you shut up and gratefully take .</p><p class="paywall">When, early on, Hamlet and Horat are up late, lookg out for Hamlet’s dad’s ghost, you tst that the errand isn’t ivolo precisely bee ol Horat’s there, takg part. When the spectre do arrive, bearg the atricidal news of his fal hour, one of the bt and most focsed moments of Blankson-Wood’s performance follows. Instead of g another actor to fill the father’s figure, Leon shows Hamlet beg posssed by his ad father—Blankson-Wood mouths the ghost’s portento speech. His slky physily sudnly be regal and strange. His ey roll back to his head. Fire might as well be spoutg om the tips of his fgers. That’s another unexpected thg about grief, how ax you to an attempt at beg the other, takg on their tics and savorg how they ed to talk, fishg a rg out of their jewelry box and stuffg onto your fger—all evince of a great hope that, by embodyg those tails, you might permanently save them.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Leon’s tert creatg a kd of party onstage has s charms, but I end up wishg that this productn had followed the cur, perhaps narrower path laid out by Blankson-Wood’s performance. As stands, Hamlet’s great monologu seem like grand but fatuo exc for his chaotic vigilantism, not language born anilly om the parallel prsur of sadns and filial loyalty.</p><p class="paywall">Listeng to the mic of the nversatns between Hamlet and Horat, I kept thkg about the Kg and Queen’s nstant admonishments that Hamlet go abroad—he needs a b of travel, the ia go, to help him ol off and shake the worst of his sorrow. For the first time, I thought that his mom and stepdad might be right. I n image a quieter play, off to the si of Shakpeare’s but doublg s them, showg this ntemporary Amerin Hamlet on the road. He might go sleep a iend’s extra room L.A., or seek shelter a New England summer home, or take his black rry-on bag across the Atlantic, sowg tears like seeds lonely hotel rooms all over Europe.</p><p class="paywall">Blankson-Wood has all the goods to play that lost young man, not adrift amid sudn songs but tryg to sort out the phony of anger and pa, recrimatn and nfn, paranoia and sexual suggtn that’s clangg around si his head. He might e back even more unscrewed, but one would hope that the trip uld mark a reëntry to society. The way back om the gravi to the wir world is strewn wh petals fallen om the flower of love. You might need to be alone, far om your fay, to bend down and gather them, one by one. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="6xskc9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Deborah Treisman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“Thunrclap,” “Grand Deln,” “Fire Rh,” and “Nth Buildg.”</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You My Mother?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Are You My Mother?</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Transference and the ntemporary classroom.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Merve Emre</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Kelly Clarkson’s Captivatg Divorce Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Listeng Booth</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Kelly Clarkson’s Captivatg Divorce Album</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Wh her tenth stud album, “chemistry,” the sger turned talk-show host drills to the specific heartbreak of a marriage’s end.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Hanif Abdurraqib</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad 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gay talese motel new yorker

Gay Tale probably wish he'd had a ld. Instead, the 84-year-old journalist ventured out to Boston Universy last week, and ma a seri of...

Contents:

GAY TALE

Gay Tale is Gay Tale is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern. on The New Yorker. Read Gay Tale's b and get latt news stori and articl. Connect wh ers and jo the nversatn at The New Yorker. * gay talese motel new yorker *

But here’s what me first: Back April, when the New Yorker published “The Voyr’s Motel, ” Gay Tale’s article tailg how Gerald Foos had spied on guts havg sex his East Colfax Avenue motel for s through special ventilatn screens he’d...

GAY AND GAY-IENDLY HOTELS NEW YORK

Back April, when the New Yorker published “The Voyr’s Motel,” Gay Tale’s article tailg how Gerald Foos had spied on guts havg sex his East Colfax Avenue motel for s through special ventilatn screens he’d stalled the ceilgs of the now-funct Manor Hoe, I was as amed, horrified and fascated by the tale as were most people who read . Sce then, I've had a uple of tertg nversatns wh Foos. * gay talese motel new yorker *

Back April, when the New Yorker published “The Voyr’s Motel, ” Gay Tale’s article tailg how Gerald Foos had spied on guts havg sex his East Colfax Avenue motel for s through special ventilatn screens he’d stalled the ceilgs of the now-funct Manor Hoe motel, I was as amed, horrified and fascated by the tale as were most people who read . [Below: a YouTube vio which Foos scrib his llectn, also featurg Gay Tale.

MAKG A CASE FOR ‘THE VOYR’S MOTEL’ BY GAY TALE

Why did thor Gay Tale’s “Voyr’s Motel” article om an eerily siar crime? * gay talese motel new yorker *

AdvertisementSKIP ADVERTISEMENTCred...Rob Marchant/Getty ImagJuly 1, 2016In Gay Tale’s forthg book, “The Voyr’s Motel,” about a Colorado motel owner who spied on his guts for years whout their knowledge, Mr.

GAY TALE’S OTHER PROBLEM

* gay talese motel new yorker *

Foos was not the owner, stg doubt on some of his rellectns.Man Entrek, the chief executive and publisher of Grove Atlantic, said the pany would move forward wh the publitn and the promotn of the book, and might add a new thor’s note.“Gay is gog to do all his planned promotn and publicy, and we’ll make any necsary rrectns, as any publisher do,” Mr.

“Gay is an impassned person and he tak what he do very serly, and he’s trated alg wh this guy who isn’t pletely reliable.”Much of the narrative is based on journals that Mr. “The fact that he uld sometim prove an unreliable and accurate narrator is also somethg that Gay Tale mak clear to the rear, repeatedly, and is part of the way Foos is characterized throughout the article.”Mr. Many took to Twter wh the hashtag #womengaytalhouldread.If more qutns arise about “The Voyr’s Motel,” uld leave a sta on Mr.

To this day, no one has been murr Foos claims he saw is a key element of "The Voyr's Motel, " a forthg book by acclaimed journalist Gay Tale about Foos's lifelong voyrism obssn. But the facts that Gay is reportg, I believe, are facts.

VOYR REVIEW: A FASCATG, COMPLITED FILM ABOUT SEX AND SECRETSTHE HUBBUB SURROUNDG GAY TALE’S BOOK ABOUT A NOTOR MOTEL VOYR GETS THE FULL-LENGTH DOCUMENTARY TREATMENT.BY JORDAN HOFFMANOCTOBER 5, 2017COURTY OF NETFLIX.SAVE THIS STORYSAVESAVE THIS STORYSAVEVOYR, A MARVELO DOCUMENTARY BUTG AT THE NEW YORK FILM FTIVAL BEFORE HEADG TO NETFLIX DECEMBER 1, IS PACKED BEYOND VANCY WH DISCSNS OF WEIGHTY TOPICS LIKE THORIAL TENT, TTH JOURNALISM, AND MEDIA MANIPULATN. BUT BEFORE ANY OF THAT, THERE’S THE PREMISE, WHICH MAY PEL YOU TO JUMP TO A HOT SHOWER. (ONE YOU’RE SURE HAS NO PEEPHOLE.)FOR S, A MOTEL OWNER OUTSI OF DENVER, GERALD FOOS, ED HIS BS AS HIS OWN PRIVATE SOCLOGY LABORATORY. HE NSTCTED AN “OBSERVATN CK” ABOVE THE ROOMS WHERE, THROUGH VENTS, HE WOULD SPY ON HIS CTOMERS. HIS PRIMARY TERT WAS SEX: HE WAS, AS HE GLOATS, THE WORLD’S GREATT VOYR. MOREOVER, BOTH OF HIS WIV (HIS FIRST PASSED AWAY) AID HIS CRIME. THEY BROUGHT HIM SNACKS THE MIDDLE OF THE NIGHT AS HE HOVERED ABOVE HIS SUBJECTS, WAG, WATCHG, AND TAKG NOT.THAT LAST PART IS IMPORTANT. AS FOOS, NOW HIS EIGHTI, EXPLAS HIS RONANT, NO-NONSENSE TON, ONE N ONLY MASTURBATE SO MANY TIM A NIGHT. HIS TAILED JOURNALS ABOUT THE HABS OF THE MOTEL OCCUPANTS GREW, AFTER S, TO AN UNNIABLY EFUL AND FASCATG STUDY. (HE’D DO THGS LIKE LEAVE PORNOGRAPHY THE DRAWERS TO SEE HOW PEOPLE WOULD REACT.) IF ONLY SOMEONE WOULD EVER TAKE HIS FDGS SERLY.ENTER JOURNALIST GAY TALE WHO, 1980, WAS READYG THE RELEASE OF THY NEIGHBOR’S WIFE, HIS OUTSTANDG HISTORY OF THE SEXUAL REVOLUTN. (IF YOU’VE NEVER READ , PSE FOR A MOMENT, OPEN A BROWSER WDOW TO THE BOOK-PURCHASG SE OF YOUR CHOICE, AND HAVE A PY SENT TO YOU STANTLY. APART OM BEG BRILLIANT, IS SURPRISGLY TIMELY; THE RECENTLY PARTED HUGH HEFNER IS A KEY PART OF THE HISTORY.) TALE, PHG HIS NEW WORK ON SHOWS LIKE DONAHUE, RECEIVED A LETTER OM FOOS. THEY BEGAN RRPONDG, AND TALE EVEN VISED THE MOTELIER TO SEE HOW HIS NIGHTLY VOYRISM WORKED. (INED, THE FASHN-FORWARD TALE’S TIE SLIPPG THROUGH A GRATE NEARLY GAVE THE GAME AWAY.)DES LATER, WH TALE AND FOOS BOTH HTG THEIR EIGHTI, THEY AGREED WAS TIME TO SHARE THIS STORY.AND THEN THGS GOT WEIRD.VOYR VIGORATGLY LAYS OUT HOW TALE TRANSLATED HIS IENDSHIP TO BOOK FORM, G A [SHOCKG EXCERPT THE NEW YORKER TO MAKE HEADL. BUT DOCUMENTARIANS MYL KANE AND JOSH KOURY ARE ALSO SLY ABOUT KEEPG THE STORY’S SUBSEQUENT TWISTS CLOSE TO THE VT, EVEN THOSE THAT VIEWERS MAY SEE G THANKS TO PREV PRS VERAGE OF THE FALLOUT OM THAT EXCERPT.THERE ARE ISSU OF TST BETWEEN THE TWO MEN. IT’S UNCLEAR WHO IS EXPLOG WHOM—AND IMPOSSIBLE TO KNOW WHAT IS BEG RECREATED FOR THE MERA AND WHAT IS BEG PTURED “LIVE.” THIS IS ALL TO THE BETTERMENT OF VOYR, WHICH, ISN’T TOO MUCH OF A SPOILER TO SAY, ULTIMATELY NCLUS THAT MR. TALE AND MR. FOOS AREN’T ALL THAT DIFFERENT OM ONE ANOTHER.THAT SUMMATN MIGHT SHOCK BOTH MEN, WHO PORT THEMSELV AS IF OM SEPARATE WORLDS. TALE IS A SLENR, BONAIR DANDY RARELY SEEN ANYTHG BUT A BPOKE SU WHO STEPS TO MANHATTAN’S NIGHT LIFE OM HIS UPPER EAST SI TOWNHOE. FOOS IS AN OVERWEIGHT SHUT- THE COLORADO SUBURBS WHO WATCH TELEVISN SWEATPANTS. A PARTICULARLY CHOICE MOMENT THE FILM IS AN ANGRY MONOLOGUE FOOS GIV WHILE SLOWLY SCENDG A STAIRSE A MOTORIZED CHAIR. IN FOOS’S BASEMENT ARE ENDLS BOX EXPOSG HIS LIFE AS AN OBSSIVE LLECTOR. (BASEBALL RDS, CEREAL BOX, S, YOU NAME .) TALE’S BASEMENT MAY HAVE A MORE NOBLE GOAL—’S WHERE HE WR HIS AWARD-WNG JOURNALISM—BUT IS NO LS A WAREHOE OF CLIPPGS, FIL, AND BETS ABOUT THE SUBJECTS HE’S BEEN FOCED ON FOR S.TALE KEEPS AN ENORMO RDBOARD CUTOUT OF HIMSELF HIS HOME, AS WELL AS MANY AMED PORTRAS. HE IS A LIVG LEGEND AND A TALENT WH FEW RIVALS, BUT HE ALSO LIK THE SPOTLIGHT. THAT’S LUCKY FOR THE FILM, AS HIS EAGERNS AS A DOCUMENTARY SUBJECT EXPOS HIM TO SOME FASCATG SCTY. BUT ’S EVEN BETTER LUCK FOR THOSE OF WATCHG ON THE OTHER SI OF THE SCREEN, THE DARK WHERE WE N’T BE SEEN.MOST POPULARAND JT LIKE THAT… PREPAR FOR ITS LAST SUPPERBY CHRIS MURPHYRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHTHE TV MOVIE IS MAKG A WEIRD, WONRFUL COMEBACKBY DAVID CANFIELDJORDAN HOFFMAN

Voyr, the new Netflix documentary starrg Gay Tale about his article and book The Voyr’s Motel, is a nfed illtratn of te-crime’s pfalls. * gay talese motel new yorker *

From private rooms and apartments to LGBTQ-iendly hotels, you have the optn to stay the heart of gay districts as well as other neighborhoods the plac you vis.

A loft Soho, a shared room Barcelona or the Castro, a gay-iendly hotel Le Marais or Chelsea, experience misterb&b all gay travel statns! Harris’s “Slave Play, ” he played Gary, a gay Black man whose partner uldn’t—or, more precisely, wouldn’t—acknowledge the repercsns of their racial differenc.

GAY CHIGO

The hubbub surroundg Gay Tale’s book about a notor motel voyr gets the full-length documentary treatment. * gay talese motel new yorker *

”) We all lghed and swayed to “Whatever You’re Up For, ” an fect dance-party number by the Kentucky Gentlemen, stylish gay tws who shimmied around a stable wearg leather pants and leopard-prt shirts. And gay stars—particularly Black gay stars—are a rary, even the wake of a trickster like Lil Nas X, who hacked the untry charts 2019, wh “Old Town Road.

GAY TALE: A MAN OF RERD

The bt gay bars, dance clubs, gay-rated hotels, gay snas and gay cise clubs Chigo. * gay talese motel new yorker *

Was easier to be openly gay now that big nam like Brandi Carlile were out? ” They were playg their first Bluebird showse, performg songs om their breakout sophomore album, “Whe Trash Revelry.

Osborne, of the popular duo Brothers Osborne, nfirmed that he was gay, 2021, his management pany arranged a reful mpaign: one profile, wrten by a sympathetic journalist, and one relevant sgle, the eful but vague “Younger Me, ” which felt signed to offend no, who is spired as much by Andy Kfman’s absurdism as by John Pre’s smarts, was part of a different breed.

*BEAR-MAGAZINE.COM* GAY TALESE MOTEL NEW YORKER

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SplScreenContentHearMa-fNigKG daohZh"><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearTleBlock-sCMXE jActCi"><div data-ttid="ContentHearRubric"><div class="RubricWrapper-dKmCNX dZhWBL bric SplScreenContentHearRubric-cLHEJQ ildzkT"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-theatre"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></a></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearHed-lcUSuI iUEiRd NbxED dfelga">A Sexy, Myster Hamlet, Central Park</h1><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearDek-emptdL iUEiRd wOnsu dJrDEb">Kenny Leon’s productn of “Hamlet,” at the Delarte, starrg Ato Blankson-Wood, is at tim more of a baret than a narrative aimed like a dagger at the heart.</div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl SplScreenContentHearByle-kvEhqE ejWxsm"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" 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Story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z" fill="black"></path><path class="in-bookmark-stroke" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z" fill="black"></path></svg></div></a></li></ul></div></div></div><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearLeadWrapper-jYfGAC kBeEbL"><div data-ttid="ContentHearLeadAsset" class="SplScreenContentHearLeBlock-nUOA cwQiEB"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SplScreenContentHearLe-bGywFh gyNssY"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SplScreenContentHearLe-bGywFh gyNssY rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Three people standg ont of a ary portra the background." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 SplScreenContentHearGrid-kFpOdh fLkIyA"><div class="GridItem-buujkM kHPPIF grid--em"><div class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In Kenny Leon’s show, the theatre’s most famo mourner is bereft but flirtat, abive speech but stylish drs.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Dennis Eriksson</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button 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viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Wear black and talk softly, whdraw om the crowd and tra your md on higher thgs—’s strange how much of the etiquette of grief is also a shortcut to cultivatg an ra of sexy mystery. Maybe that’s the logic behd stg Ato Blankson-Wood, an creasgly and jtly by actor around New York, the tle role of the new Shakpeare the Park productn of “Hamlet,” at the Delarte. Blankson-Wood has a world-class sulk—onstage, he pouts and rolls his ey and projects tense dissatisfactn before he ever livers a le. A few years ago, Jeremy O. Harris’s “Slave Play,” he played Gary, a gay Black man whose partner uldn’t—or, more precisely, wouldn’t—acknowledge the repercsns of their racial differenc. Gary was a magic malntent, for whom pa and sex appeal went hand hand and seemed to sprg om the same source.</p><p class="paywall">There’s somethg siar happeng wh Blankson-Wood’s pictn of the theatre’s most famo mourner. His Hamlet is bereft but flirtat, abive speech but stylish drs, lividly angry but unr his own perfect ntrol, mixed emotn and motive and utterly impossible to read. This is ls a take on Hamlet—an assertn that he’s mad, or juvenile, or the only tly sane character the kgdom—than a further blurrg of the many lors that the play provis. There’s “mirth funeral” and “dirge marriage,” and, Blankson-Wood’s terpretatn, a ht of eros that plays agast the chaos that after ath. That eroticism is often aimed odd, Oedipal directns: this renrg of the text, Hamlet seems to have absolutely no past or prent tert Ophelia (Solea Pfeiffer), to whom he’s been sendg claratns of love, but speaks wh a strikgly emphasized suggtivens to his mother, Gert (Lorrae Tosat), and to his uncle, Cldi (John Douglas Thompson), the new kg and Gert’s new hband.</p><p class="paywall">New York dienc were recently treated to the German director Thomas Ostermeier’s “Hamlet,” starrg Lars Eidger, who eats cemetery dirt and gets wet the ra and plays wall-breakg gam wh the dience. Blankson-Wood’s Hamlet would <em>never</em>. He’s undone but strangely put together—his mourng cloth look signer. We’re beg tricked, but I’m not sure exactly how, or which directn. Wh a few exceptns, Hamlet’s “hectic” blood is strangely ol.</p><p class="paywall">Blankson-Wood’s multifaceted, ultimately unsettled approach may be an outflow of the tennci of his director, Kenny Leon, who never miss an opportuny to let that hundredth flower bloom. The productn is set, we’re told the program not, Atlanta, 2021. Hamlet’s father was—as we gather om a huge pated portra that looms upstage—a member of the Uned Stat Mare Corps. In a kd of prologue to the actn of the play, at the father’s funeral, people e up, one by one or solemn pairs, to the sket where his body li, apparently still timidated by him ath. Off to the si of the stage, what looks like a ed lawn (Beowulf Bort signed the set), is a psized “Stacy Abrams 2020” banner—a holdover om Leon’s Shakpeare the Park productn of “Much Ado About Nothg,” 2019. A praise team sgs tight harmony to send the great man off. The productn seems to want to say somethg about a nt Ameri skippg past opportuni for hope on s way down a nihilistic dra, but that le of meang is never fully pursued.</p><p class="paywall">Instead of a unary ia, Leon—whose specialty is spectacle—offers a wi-rangg, endlsly clive <em>Gamtkunstwerk</em>, which song and dance n appear to be jt as important as Shakpeare’s text. The settg looks like a spoiled upper-middle-class utopia, a horrified Alpharetta, Geia, of the md, where, better days, a fay like Hamlet’s would s an air-ndned livg room, sippg lemona and listeng to Sa. Sometim the productn seems to want to tip over to a full mil, wh songs playg ntrapuntally agast the story of the Dane.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">At pots, the show is more of a baret than a narrative aimed like a dagger at the heart. The advantage of that loose approach is that each of the actors the ensemble surroundg Blankson-Wood gets to put their own bt foot forward, rather than followg any strong thread of terpretatn put forward by Leon. I’ve never felt more sympathy for the murro Cldi than I did this productn, which he’s rved by Thompson down to hand-wrgg human size. Tosat’s Gert is thrillgly vulnerable—her fear and guilt and trepidatn are, at every pot, visible her body and dible her speech. Daniel Pearce’s Poloni be heartwarmg ic relief, his prolix speech nng together to an anx, often hilar slurry. Poor Ophelia is portrayed soulfully by Pfeiffer; Laert, Ophelia’s vengeful brother, is played wh admirable tensy by Nick Rehberger.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">I was pecially tickled by Warner Miller’s take on Hamlet’s pendable pal Horat—here, he’s an around-the-way guy, not easily excable, the kd of du who’s standg on the rner when you leave for work and somewhere near the same spot when you’re on your way home. You know he’s had an active day, full of talk and bs, but you’d never thk to ask after each of his mov. If he giv you advice, you shut up and gratefully take .</p><p class="paywall">When, early on, Hamlet and Horat are up late, lookg out for Hamlet’s dad’s ghost, you tst that the errand isn’t ivolo precisely bee ol Horat’s there, takg part. When the spectre do arrive, bearg the atricidal news of his fal hour, one of the bt and most focsed moments of Blankson-Wood’s performance follows. Instead of g another actor to fill the father’s figure, Leon shows Hamlet beg posssed by his ad father—Blankson-Wood mouths the ghost’s portento speech. His slky physily sudnly be regal and strange. His ey roll back to his head. Fire might as well be spoutg om the tips of his fgers. That’s another unexpected thg about grief, how ax you to an attempt at beg the other, takg on their tics and savorg how they ed to talk, fishg a rg out of their jewelry box and stuffg onto your fger—all evince of a great hope that, by embodyg those tails, you might permanently save them.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Leon’s tert creatg a kd of party onstage has s charms, but I end up wishg that this productn had followed the cur, perhaps narrower path laid out by Blankson-Wood’s performance. As stands, Hamlet’s great monologu seem like grand but fatuo exc for his chaotic vigilantism, not language born anilly om the parallel prsur of sadns and filial loyalty.</p><p class="paywall">Listeng to the mic of the nversatns between Hamlet and Horat, I kept thkg about the Kg and Queen’s nstant admonishments that Hamlet go abroad—he needs a b of travel, the ia go, to help him ol off and shake the worst of his sorrow. For the first time, I thought that his mom and stepdad might be right. I n image a quieter play, off to the si of Shakpeare’s but doublg s them, showg this ntemporary Amerin Hamlet on the road. He might go sleep a iend’s extra room L.A., or seek shelter a New England summer home, or take his black rry-on bag across the Atlantic, sowg tears like seeds lonely hotel rooms all over Europe.</p><p class="paywall">Blankson-Wood has all the goods to play that lost young man, not adrift amid sudn songs but tryg to sort out the phony of anger and pa, recrimatn and nfn, paranoia and sexual suggtn that’s clangg around si his head. He might e back even more unscrewed, but one would hope that the trip uld mark a reëntry to society. The way back om the gravi to the wir world is strewn wh petals fallen om the flower of love. You might need to be alone, far om your fay, to bend down and gather them, one by one. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="6xskc9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Tsa Hadley on Marriage’s Metamorphos" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">This Week Fictn</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Tsa Hadley on Marriage’s Metamorphos</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The thor discs “The Maths Tutor,” her story om the latt issue of the magaze.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Deborah Treisman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">“Thunrclap,” “Grand Deln,” “Fire Rh,” and “Nth Buildg.”</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You My Mother?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Are You My Mother?</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Transference and the ntemporary classroom.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Merve Emre</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Kelly Clarkson’s Captivatg Divorce Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Listeng Booth</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Kelly Clarkson’s 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