From Nosferatu to A Nightmare on Elm Street, LGBTQ+ viewers have long tected a queer unrtone many horror films. Now the genre is brgg s gay subtext to the surface
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* modern gay horror films *
Before homosexualy was formally legislated out of existence Hollywood by the Productn Co — monly referred to as the Hays Co, which tablished mandat for “moral standards” motn pictur and banned pictns of “sexual perversy” — the legendary filmmaker Jam Whale was buildg the foundatn for Amerin genre cema wh films like Frankenste, The Old Dark Hoe, and The Invisible Man. Here was Whale, a gay man, buildg horror his own image and havg astoundg box office succs as some groups were lobbyg Hollywood to censor queerns out of existence. Now we n choose om a lbian domtic drama volvg a baby werewolf Good Manners, a transfemist vampire movie B, or a French slasher set a gay porn muny wh Knife + Heart.
Synopsis: A gay zombie (Jey Crisfar) manag to be st a horror film.... Synopsis: In the summer of 1979, Paris-based filmmaker Anne is a producer of third-rate gay porn.
Over the next few years, var wags of Tumblr began to sist that the film’s eponymo monster – a towerg charal-sketched ghoul wh a stovepipe hat, icepick fgers and an ordate number of sharply rectangular teeth – was fact a gay in. In promotg his new documentary seri Queer for Fear, a history of queer horror cema currently streamg on the chiller-themed platform service Shudr, gay TV wrer Bryan Fuller (creator of the TV seri Hannibal) argued that an tn the genre n beg early life, wh somethg as nocuo as The Wizard of Oz. Irish thor Sheridan Le Fanu’s Carla, about a female vampire preyg on a young woman, effectively ed the lbian vampirism trope faiar later horror storytellg; long believed to have been a closeted homosexual, Bram Stoker load Dracula wh enough polysexual allns to keep amics by for over a century.
The spookit, and gayt, time of year is here! * modern gay horror films *
In 1922, closeted German film-maker FW Murn squeezed a good number of them to his unofficial, rampantly sire-fuelled adaptatn, Shelley’s siarly suoly load Frankenste, meanwhile, beme the source of one of Hollywood’s first nonilly queer horror films: gay English director Jam Whale’s five 1931 adaptatn is marked by a distctly queer empathy wh Boris Karloff’s socially vilified monster, prented as more vulnerably human than the vengeful villagers bayg for his bristle … Elsa Lanchter Bri of Frankenste. The rints of the hoe are scribed as “godls”, and d as sexually ee and viant; one, the tellgly named Horace Femm, is mply played to the rafters by gay actor Ernt Thiger. Psycho’s tone was a far cry om the gleefully rampant sexualy of a spate of Sapphic vampire B-movi om the 1970s – cludg Hammer Films’ own Carla adaptatn The Vampire Lovers, not to mentn Jús Fran’s self-explanatory Vampyros Lbos – and, of urse, the Rocky Horror the Aids panmic raged, more hostile queer reprentatns beme wispread: horror films rangg om W Craven’s Deadly Blsg to Brian De Palma’s Drsed to Kill to Jonathan Demme’s The Silence of the Lambs, serial killg was routely lked to homosexualy, transgenrism and/or past newsletter promotnafter newsletter promotnIf this turnaround was le wh the Aids panic, allyship me om sourc both highbrow and low.