We look back at the bt French gay cema.
Contents:
- THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
- 10 GREAT FRENCH GAY FILMS
- 16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
Our celebratn of post-war gay, bisexual, and straight movie stars wearg next to nothg at all. * classic gay *
Knowg as much as we do about some LGBT stars is a feat nsirg how much rewrg and verg up the Hollywood stud heads did to everyone they managed, whether gay or straight.
10 GREAT FRENCH GAY FILMS
* classic gay *
In his own words, he felt “pafully isolated, strand between the sual homophobia of most ‘normal’ people and the flagrantly gay Hollywood subculture – where [he] was even ls fortable and ls accepted. Five years before Hunter beme a star, he was arrted along wh several other men for “lewdns, ” a mon charge for men showg any signs of homosexualy public. Their marriage is believed to be a lavenr marriage, which was an arrangement ma to bunk mors that they were both gay.
16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
Diana McLellan mentns this her book The Girls and the uple’s relatnship is heavily analyzed William Mann’s Behd the Screen: How Gays and Lbians Shaped Hollywood, 1910-1969. Gaynor and Adrian were succsful durg a time when any sort of evince of their homosexualy would have hurt their reers, so ’s not surprisg that there isn’t ncrete evince about the tth of their relatnship.
Cast a few top-shelf gay ins there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playg Joan Crawford — and pecially have them reparteeg bchy l tearg each other to piec, and have an athetic that’s outre and unironilly mp, and you’ve got the wng-formula starter-pack for somethg licly fabulo and queer, even if not by tentnal sign. But settg a precent for movi now nonized by gay culture that don’t technilly have any (non-d, anyway) gay characters were some of Hollywood’s most all-time legendary actrs: Bette Davis “All About Eve” ma “’s gog to be a bumpy ri” an idmatic quip, while Elizabeth Taylor then ma Bette Davis’ “what a dump” even more inic aga the openg le of “Who’s Aaid of Virgia Woolf, ” livered while gnawg down on a chicken wg. Ed Bianchi’s 1981 “The Fan, ” meanwhile, livered perhaps the greatt gift to gay film fans of a certa era stg Lren Ball as an agg actrs stgglg to hold onto her legacy while beg stalked by, what else but, a psychotic gay fan.