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CHIGO’S GAY GRANDADDY OF TATTOOG
“Most shops — not jt Illois and Chigo — are n by cis whe guys that are homophobic, transphobic and racist, ” said Fah, who only go by their first an effort to dismantle that narrative, Fah is openg their own tattoo shop, which will double as a trag lab for aspirg Black, Brown, Indigeno, queer and transgenr tattoo artists gettg their start the dtry. So I wasn’t aware of all the s and outs and trigu [of gay polics]. It’s between him and one of the most fluential tattooers Amerin history whose succs is owed, large part, to volvement wh gay Chigo.
Shortly afterward, he met Renslow and his partner Dom Orejudos, perhaps better known unr his art monicker “Etienne” as a pneer of the buxom gay imagery monly attributed to Tom of Fland. At the time, tattoog was a dangero le of work, but existg as part of an unrworld ma feel like a safe job for a man who wanted to be more openly gay. This helped members share rourc, cludg nam for paperwork sce homophobic arrts barred some, cludg Renslow, om legally assumg certa rponsibili.
This is when Raven started to feel removed om, as he would say, the “s and outs and trigu” of a larger gay scene, but his muny was always his life force. When HIV emerged, studs began refg homosexual ctomers, and many gay tattooers left the field. His muny’s palpable anxiety bolstered Raven’s mment to providg a medil-gra sterile environment, and secured him as a bean to gay men who wanted k.