Perché i libri di Peter Cameron hanno tanto succso Italia</tle><meta name="tle" ntent="Perché i libri di Peter Cameron hanno tanto succso Italia" /><meta name="scriptn" ntent=""Ho venduto più libri da voi che tutti gli altri pai msi assieme", racnta lo scrtore a Esquire." /><meta name="keywords" ntent="peter meron, peter meron tervista, peter meron libri, peter meron scrtore, film libri peter meron, peter meron gli nvenienti lla va, peter meron un grno quto dolore ti sarà utile, un grno quto dolore ti sarà utile, peter meron quella sera dorata, libri alphi, peter meron alphi" /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="1885541915095970" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="fb:pag" ntent="251375008706234" property="fb:pag" /><meta name="twter:se" ntent="@quirealia" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Perché i libri di Peter Cameron hanno tanto succso Italia" /><meta property="og:scriptn" ntent="Lo abbiamo chito direttamente a lui." /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="Libri" property="article:sectn" /><meta ntent="2020-06-14T09:40:58Z" property="article:modified_time" /><meta ntent="2019-01-21T10:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="Non è un so se la perta ll’ultima raclta di racnti di Peter Cameron, Gli nvenienti lla va, rrae il ttagl di una sla legno. Alternata e protetta da griglie metalliche a loro volta terrotte e sovrapposte da assi di diverse dimensni, quta stttura regolare e rattoppata ci rimanda" /><meta name="" ntent="cultura,Cultura,libri,Libri" /><meta name="" ntent="2019-01-21 10:00:00" /><meta name="sailth.socialtle" ntent="Perché i libri di Peter Cameron hanno tanto succso Italia" /><meta name="ntenttype" ntent="standard-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><lk rel="prefetch" href="" as="image" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="48" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" 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1pqs8">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;height:100%;marg:0 to;max-width:75rem;paddg-left:0;paddg-right:0;width:100%;z-x:1;}@media(m-width: 64rem){{-webk-box-flex-wrap:nowrap;-webk-flex-wrap:nowrap;-ms-flex-wrap:nowrap;flex-wrap:nowrap;}}</style><div class="nav-bar-ntaer css-1pqs8 efnztv76"><style data-emotn="css u2qoj2">{le-height:0.7;marg-left:0.9375rem;-webk-text-ratn:none;text-ratn:none;}@media(max-width: 64rem){{paddg:0.5rem 0.25rem 0.5rem 0.625rem;}}@media(m-width: 20rem){{paddg:0.5rem 0.25rem 0.5rem 0;} svg{fill:#000000;-webk-transn:fill 0.3s ease--out;transn:fill 0.3s ease--out;} svg:hover{fill:#595959;}}@media(m-width: 40.625rem) and (max-width: 90rem){{marg-left:2.5rem;}}@media(m-width: 48rem){{paddg:0.5rem 0.625rem 0.5rem 0.625rem;}}@media(m-width: 90rem){{marg-left:0rem;}} 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#F5F5F5;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-orr:1;-ms-flex-orr:1;orr:1;overflow-x:to;overflow-y:hidn;width:100%;}@media(m-width: 20rem){{background-lor:her;}}@media(m-width: 61.25rem){{background-lor:her;borr-top:0;borr-bottom:0;}}@media(m-width: 64rem){{-webk-orr:0;-ms-flex-orr:0;orr:0;width:to;}}{height:0rem;}</style><div style="scrollbar-width: none;" class="css-1p3bm3c efnztv73"><style data-emotn="css xs3857">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;list-style:none;marg:0rem;paddg-left:1.125rem;-webk-transform:translateX(unfedpx);-moz-transform:translateX(unfedpx);-ms-transform:translateX(unfedpx);transform:translateX(unfedpx);width:100%;}@media(m-width: 40.625rem) and (max-width: 61.25rem){{paddg-left:2.625rem;}}@media(m-width: 48rem){{paddg-left:3.125rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}</style><ul class="css-xs3857 efnztv72"><style data-emotn="css q9n041">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;letter-spacg:0.04rem;le-height:2rem;paddg:0 1.875rem 0 1.25rem;text-transform:upperse;whe-space:nowrap;}@media(m-width: 64rem){{paddg:0 1.25rem 0 1.25rem;}}</style><li class="css-q9n041 efnztv71"><style data-emotn="css c8i4ma">{lor:her;display:le-block;le-height:2.58918;m-height:3rem;m-width:3rem;paddg:.5rem 0 .5rem 0;text-align:center;-webk-text-ratn:none;text-ratn:none;-webk-transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;}@media(m-width: 61.25rem){{lor:her;}}{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;}</style><style data-emotn="css 7qn7yr">{lor:her;display:le-block;le-height:2.58918;m-height:3rem;m-width:3rem;paddg:.5rem 0 .5rem 0;text-align:center;-webk-text-ratn:none;text-ratn:none;-webk-transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;transn:outle 0.3s ease--out,outle-offset 0.3s ease--out;}@media(m-width: 61.25rem){{lor:her;}}{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;}</style><a href="//stile/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Stile</a></li><li class="css-q9n041 efnztv71"><a href="//news/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">News</a></li><li class="css-q9n041 efnztv71"><a href="//sport/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Sport</a></li><li class="css-q9n041 efnztv71"><a href="//cultura/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Cultura</a></li><li class="css-q9n041 efnztv71"><a href="//liftyle/" aria-current="false" class="e1c1bym11 css-7qn7yr e1c1bym14">Liftyle</a></li></ul></div><style data-emotn="css 8wyh98">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;height:1.875rem;width:to;marg:0 0 0 to;paddg-left:1.05rem;paddg-right:1.05rem;text-align:center;-webk-text-ratn:none;text-ratn:none;paddg-top:0.125rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;text-transform:upperse;lor:#000;borr:th solid #FF3A30;background-lor:#FF3A30;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;borr-radi:2rem;background:#FF3A30;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;} {width:unset;word-spacg:unset;}@media (any-hover: hover){{-webk-transn:box-shadow 0.2s lear,background 0.2s lear;transn:box-shadow 0.2s lear,background 0.2s lear;}{;;}}{outle-lor:#000000;} svg>path{fill:#000000;}{background-lor:#ffffff;lor:#000;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;}</style><a target="_blank" rel="noopener" href=" class="css-8wyh98 e1c1bym14">Abbonati</a><style data-emotn="css 1y41cbl">{paddg-right:0.9375rem;posn:relative;}@media(m-width: 40.625rem) and (max-width: 90rem){{paddg-right:2.5rem;}}@media(m-width: 90rem){{paddg-right:0rem;}}</style><div class="css-1y41cbl e7dmux20"><style data-emotn="css 90yh27">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;letter-spacg:0.04rem;le-height:2rem;marg-left:0.3125rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;}@media(m-width: 48rem){{marg-left:0.9375rem;}}</style><a href=" class="css-90yh27 e1c1bym14"><style data-emotn="css 1o5u0ki">{whe-space:nowrap;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.75rem;le-height:2rem;letter-spacg:0.04rem;text-transform:upperse;}</style><span class="css-1o5u0ki e7dmux21">Newsletter</span></a></div></div></nav><div class="oop-ad css-0 e1x3pu1"><div id="gpt-ad-oop-1" class="ad-ntaer css-0 e1x3pu0"></div></div><style data-emotn="css 1ny62y9">{background-lor:bg-primary;posn:relative;}@media(m-width: 64rem){{marg-right:var(--sponsor-panel-width, to);}}</style><ma id="ma-ntent" class="css-1ny62y9 e1q9j2sb0"><style data-emotn="css 179grqf">{background-lor:#E8E8E8;lor:#000;display:none;m-width:45.5rem;paddg:0.9375rem 0;text-align:center;width:100%;}@media prt{{display:none!important;}}@media(m-width: 48rem){{m-height:121px;}}@media(m-width: 61.25rem){{display:block;}}</style><div id="gpt-learboard-ad" class="css-179grqf e1hka4w80"></div><style data-emotn="css joveom">{width:100%;max-width:100vw;display:grid;marg-bottom:0.9375rem;posn:relative;z-x:to;}@media prt{{max-width:100%;}} .ejku7p03{top:0.75rem;right:0.75rem;bottom:to;}</style><hear class="css-joveom exadjwu12"><style data-emotn="css 1s0pb9c">{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}</style><div class="css-1s0pb9c m8yu71"><style data-emotn="css 8atqhb">{width:100%;}</style><div class="css-8atqhb exadjwu5"><style data-emotn="css p7qblm">{posn:relative;--posn:absolute;height:to;} img{max-width:100%;height:to;} a{posn:absolute;}</style><div class="css-p7qblm ewcw41w0"><style data-emotn="css 1pypu">{width:100%;posn:relative;} text-unr-hear-imagewidth{props:width;sle:siz;} text-unr-hear-imagewidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} height{props:height;sle:siz;} height transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mWidth{props:mWidth;sle:siz;} mWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mHeight{props:mHeight;sle:siz;} mHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxWidth{props:maxWidth;sle:siz;} maxWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxHeight{props:maxHeight;sle:siz;} maxHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} size{props:width;props:height;sle:siz;} size transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} overflow{props:overflow;sle:overflow;} overflowX{props:overflowX;sle:overflowX;} overflowY{props:overflowY;sle:overflowY;} vertilAlign{props:vertilAlign;sle:vertilAlign;} objectF{props:objectF;sle:objectF;} objectPosn{props:objectPosn;sle:objectPosn;} WebkLeClamp{props:WebkLeClamp;sle:WebkLeClamp;} WebkBoxOrient{props:WebkBoxOrient;sle:WebkBoxOrient;} mask{props:mask;sle:mask;} listStyle{props:listStyle;sle:listStyle;} listStyleType{props:listStyleType;sle:listStyleType;} unterRet{props:unterRet;sle:unterRet;} unterIncrement{props:unterIncrement;sle:unterIncrement;} cursor{props:cursor;sle:cursor;} poterEvents{props:poterEvents;sle:poterEvents;} lumnCount{props:lumnCount;sle:lumnCount;} lumnGap{props:lumnGap;sle:lumnGap;} appearance{props:appearance;sle:appearance;} ntaer{props:ntaer;sle:ntaer;} marg{props:marg;sle:space;} marg transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} m{props:marg;sle:space;} m transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margTop{props:margTop;sle:space;} margTop transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mt{props:margTop;sle:space;} mt transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margRight{props:margRight;sle:space;} margRight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mr{props:margRight;sle:space;} mr transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBottom{props:margBottom;sle:space;} margBottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mb{props:margBottom;sle:space;} mb transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margLeft{props:margLeft;sle:space;} margLeft transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} ml{props:margLeft;sle:space;} ml transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margX{props:margLeft;props:margRight;sle:space;} margX transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mx{props:margLeft;props:margRight;sle:space;} mx transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margY{props:margTop;props:margBottom;sle:space;} margY transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} my{props:margTop;props:margBottom;sle:space;} my transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockEnd{props:margBlockEnd;sle:space;} margBlockEnd transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockStart{props:margBlockStart;sle:space;} margBlockStart transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} top{props:top;sle:space;} top transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} right{props:right;sle:space;} right transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} bottom{props:bottom;sle:space;} bottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} left{props:left;sle:space;} left transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} posn{props:posn;sle:posn;} zInx{props:zInx;sle:zIndic;} clear{props:clear;sle:clear;} set{props:set;sle:set;} img{object-f:ver;vertil-align:top;}</style><style data-emotn="css xluzk0">{width:100%;posn:relative;} text-unr-hear-imagewidth{props:width;sle:siz;} text-unr-hear-imagewidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} height{props:height;sle:siz;} height transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mWidth{props:mWidth;sle:siz;} mWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mHeight{props:mHeight;sle:siz;} mHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxWidth{props:maxWidth;sle:siz;} maxWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxHeight{props:maxHeight;sle:siz;} maxHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} size{props:width;props:height;sle:siz;} size transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} overflow{props:overflow;sle:overflow;} overflowX{props:overflowX;sle:overflowX;} overflowY{props:overflowY;sle:overflowY;} vertilAlign{props:vertilAlign;sle:vertilAlign;} objectF{props:objectF;sle:objectF;} objectPosn{props:objectPosn;sle:objectPosn;} WebkLeClamp{props:WebkLeClamp;sle:WebkLeClamp;} WebkBoxOrient{props:WebkBoxOrient;sle:WebkBoxOrient;} mask{props:mask;sle:mask;} listStyle{props:listStyle;sle:listStyle;} listStyleType{props:listStyleType;sle:listStyleType;} unterRet{props:unterRet;sle:unterRet;} unterIncrement{props:unterIncrement;sle:unterIncrement;} cursor{props:cursor;sle:cursor;} poterEvents{props:poterEvents;sle:poterEvents;} lumnCount{props:lumnCount;sle:lumnCount;} lumnGap{props:lumnGap;sle:lumnGap;} appearance{props:appearance;sle:appearance;} ntaer{props:ntaer;sle:ntaer;} marg{props:marg;sle:space;} marg transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} m{props:marg;sle:space;} m transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margTop{props:margTop;sle:space;} margTop transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mt{props:margTop;sle:space;} mt transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margRight{props:margRight;sle:space;} margRight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mr{props:margRight;sle:space;} mr transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBottom{props:margBottom;sle:space;} margBottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mb{props:margBottom;sle:space;} mb transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margLeft{props:margLeft;sle:space;} margLeft transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} ml{props:margLeft;sle:space;} ml transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margX{props:margLeft;props:margRight;sle:space;} margX transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mx{props:margLeft;props:margRight;sle:space;} mx transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margY{props:margTop;props:margBottom;sle:space;} margY transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} my{props:margTop;props:margBottom;sle:space;} my transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockEnd{props:margBlockEnd;sle:space;} margBlockEnd transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockStart{props:margBlockStart;sle:space;} margBlockStart transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} top{props:top;sle:space;} top transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} right{props:right;sle:space;} right transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} bottom{props:bottom;sle:space;} bottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} left{props:left;sle:space;} left transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} posn{props:posn;sle:posn;} zInx{props:zInx;sle:zIndic;} clear{props:clear;sle:clear;} set{props:set;sle:set;} img{object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="Product, Text, Furnure, Font, Room, Door, " tle="Product, Text, Furnure, Font, Room, Door, " width="2000" height="1000" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="exadjwu13 css-xluzk0 exi4f7p0" /><style data-emotn="css 1i6sckr">{background:#c92228;bottom:0;paddg:.5rem;right:0;}@media(m-width: 64rem){{paddg:0.39rem;}}</style><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><style data-emotn="css 1l3i1cl">{display:block;height:1rem;width:1rem;}@media(m-width: 64rem){{width:1.063rem;height:1.063rem;}}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><style data-emotn="css 13l7o78">{paddg-left:0.625rem;}</style><div class="css-13l7o78 m8yu70"><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Courty Alphi</span></figptn></div></div><style data-emotn="css mktybr">{marg:0 to;max-width:75rem;paddg:0 0.938rem;text-align:center;}@media(m-width: 64rem){[data-has-sponsor] {text-align:start;}}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}@media(m-width: 48rem){{paddg:0.9375rem 1.875rem;}}@media(m-width: 64rem){{paddg:0 1.875rem;}}</style><div class="css-mktybr exadjwu4"><nav aria-label="breadcmbs" class="css-0 e9l0kn03"><style data-emotn="css 4j90ja">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.3;list-style:none;marg:0 to;max-width:75rem;paddg:1.25rem 1.25rem 0 1.6875rem;}@media(m-width: 40.625rem){{paddg:1.25rem 2.5rem 0 3.3125rem;}}@media(m-width: 90rem){{paddg:1.25rem 0 0 0.8125rem;}}</style><ol emSpe emType=" class="css-4j90ja e9l0kn02"><style data-emotn="css zxq36b">{display:le;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe 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data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Libri" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">Libri</span></a><meta emProp="posn" ntent="2" /></li><style data-emotn="css huh8md">{display:none;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe emType=" class="css-huh8md e9l0kn01"><a emProp="em" href="//cultura/libri/a25948045/peter-meron-libri/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Perché i libri di Peter Cameron hanno tanto succso Italia" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">Perché i libri di Peter Cameron hanno tanto succso Italia</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Perché i libri di Peter Cameron hanno tanto succso Italia<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>"Ho venduto più libri da voi che tutti gli altri pai msi assieme", racnta lo scrtore a <em>Esquire</em>.</p></div><style data-emotn="css 18k4ks7">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 64rem){ span{le-height:2rem;font-size:0.875rem;}}</style><div class="css-18k4ks7 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">Di Giul Zucchi</span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Pubblito: 21/01/2019</time></addrs></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - (1rem * 2));marg-left:1rem;marg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(-1 * 1rem);}}@media(m-width: 48rem) and (max-width: 61.25rem){{marg-left:to;marg-right:to;} .e152u5os0{width:100vw;marg-left:lc((100vw - (lc(20.625rem * 2 - 1rem) - 2 * 1rem)) / -2);}}@media(m-width: 61.25rem) and (max-width: 90rem){{max-width:lc(20.625rem * 2 - 1rem);marg-left:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / -2) - 1rem);}}@media(m-width: 90rem){{marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 2);max-width:lc(20.625rem * 2 - 1rem);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 + 1rem)) / -2) - lc(2 * 1rem));}[data-has-sponsor] {marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);marg-right:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);}}</style><div class="standard-ntaer ntent-ntaer article-ntaer css-7ce51e ewisyje3"><style data-emotn="css woto36">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-woto36 ewisyje7"><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="0" class="css-aeyldl et3p2gv0">Non è un so se la perta ll’ultima raclta di racnti di Peter Cameron, <em>Gli nvenienti lla va</em>, rrae il ttagl di una sla legno. Alternata e protetta da griglie metalliche a loro volta terrotte e sovrapposte da assi di diverse dimensni, quta stttura regolare e rattoppata ci rimanda immediatamente alla storia lla nostra va.</p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="1" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="Text, Archecture, Font, Wdow, Book ver, Poster, Glass, Book, Door, Metal, " tle="Text, Archecture, Font, Wdow, Book ver, Poster, Glass, Book, Door, Metal, " loadg="lazy" width="1200" height="1887" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Courty Alphi</span></figptn></div></div></div><p data-no-id="2" class="css-aeyldl et3p2gv0">Sotto quta immage, l fotografo nase Fred Herzog, il tolo appare e un’evinza. Per svegliarci dal torpore quotidiano e dal ntuo su e giù i gradi, fortunatamente possiamo ntare sugli nvenienti. Quei momenti lla va cui qualsa va storto, quando un grado si rompe. Una malattia, un ntro o uno sntro, possono sere l’ocsne per riciare tutto da zero, per metterci a nudo e per nontarci n i problemi che eviamo da quando siamo nati. In quti due racnti succti, precisi e pieni di emozne - e l rto tutti i tti di Peter Cameron -, lo scrtore amerino risveglia la nostra agilà e la nostra solude di onte alla va. Così, una ppia gay che aba un gran appartamento a Tribe, a Manhattan, e una vecchia ppia lla provcia amerina vivranno, grazie e a a di un avvenimento atto, un momento di crisi che permetterà loro di nontarsi n anchezza e lucidà. Abbiamo ntrato lo scrtore, per chiergli quali sono gli nvenienti lla sua va. </p><p data-no-id="3" class="css-aeyldl et3p2gv0"><strong>Come reagisce agli nvenienti lla va?</strong></p><p data-no-id="5" class="css-aeyldl et3p2gv0">Non si programmano e non si prevedono, ci prendono sempre alla sprovvista. Difficile immagare quale sarà la nostra reazne. Ogni cinte è uni e penso che la mia reazne sia diversa ogni volta. Cer sempre di mantenere la lma, tenendo bene a mente che le crisi non durano eterno e che, qualche modo, l’equilibr e le certezze rornano.</p><p data-no-id="6" class="css-aeyldl et3p2gv0"><strong>I due racnti pubbliti nel libro racntano la spirale di angoscia nella quale vivono i suoi protagonisti. Theo e la signora Bird i racnti si sentono persi. Pensa che saranno paci di rrovare la loro felicà?</strong></p><p data-no-id="7" class="css-aeyldl et3p2gv0">Non penso che la ndizne umana sia permanente, né n la felicà, né n la prsne. Penso che nel futuro i personaggi di quti racnti proveranno nuovamente la felicà, e tante altre emozni, sia posive che negative.</p><p data-no-id="8" class="css-aeyldl et3p2gv0"><strong>Nel racnto <em>La fe lla mia va a New York</em>, il protagonista Theo è prso e ha perso la fiducia nel futuro. Si è mai sento sì? </strong></p><p data-no-id="9" class="css-aeyldl et3p2gv0">Mi sono spso sento e Theo. Abbattuto e senza speranza. A volte perché le cirstanze lla va mi hanno spto verso la disperazne, e altre volte perché sofo di prsne e mi sento quel modo nonostante la fortuna che ho. Così, quando mi sento prso e senza speranza, cer di pire perché mi sto sentendo sì, e rispondo di nseguenza. Anche grazie alla terapia e alla psinalisi.</p><div size="medium" data-embed="body-image" data-no-id="10" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="Headgear, Hat, " tle="Headgear, Hat, " loadg="lazy" width="1169" height="1813" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Courty Peter Cameron</span></figptn></div></div></div><p data-no-id="11" class="css-aeyldl et3p2gv0"><strong><em>Dopo l’ondazne</em> è un racnto di nfsne. Il matrimon lla signora Bird è vuoto e la protagonista izia a pire di sere pletamente sola. Come è nata quta storia?</strong></p><p data-no-id="12" class="css-aeyldl et3p2gv0">Volevo scrivere la storia di un personagg la cui va è snvolta dall’ntro n un traneo. Penso che molto spso l’elemento talizzatore di un mbiamento e di un miglramento non venga dall’terno, ma da fuori. Spso è il risultato di un cinte o una cinza.</p><p data-no-id="13" class="css-aeyldl et3p2gv0"><strong>La sua scrtura scrive sempre i sentimenti umani. I suoi personaggi vivono nella tta l lettore per mi, anni. Come li stisce? Da dove viene la loro forza?</strong></p><p data-no-id="14" class="css-aeyldl et3p2gv0">I personaggi emergono dal m nsc. Propr e le prime creature lla Terra che spuntano dall’oscurà primordiale. Vivo n loro. Li penso e li sogno per molto tempo, sia prima che durante la loro creazne. Spso sono loro stsi a crearsi tonomamente. Durante la scrtura di un racnto o di un romanzo, i protagonisti, nel loro sviluppo, assumono un’tonomia, dino e fanno se che sorprendono anche me.</p><p data-no-id="15" class="css-aeyldl et3p2gv0"><strong>Il suo succso è ternaznale, e viene partilarmente apprezzato Italia. Come se lo spiega?</strong></p><p data-no-id="16" class="css-aeyldl et3p2gv0">In realtà il m succso non è ternaznale, ma legato quasi clivamente all’Italia. Ho venduto più libri Italia che negli Stati Uni e tutti gli altri pai msi sieme. Non ne posso spiegare le ragni, posso solo serne grato. Amo l’Italia e gli aliani, perché rapprentano un pae e una cultura che, n semplicà, pisce e valorizza ciò che ren la va bella e felice, rinoscendo e celebrando qute se.</p><div size="medium" data-embed="body-image" data-no-id="17" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="Text, Poster, " tle="Text, Poster, " loadg="lazy" width="877" height="1361" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Courty Alphi</span></figptn></div></div></div><p data-no-id="18" class="css-aeyldl et3p2gv0"><strong>Cosa la spaventa di più l futuro?</strong></p><p data-no-id="19" class="css-aeyldl et3p2gv0">L’erosne e la sparsa di tutto quello che amo.</p><p data-no-id="20" class="css-aeyldl et3p2gv0"><strong>Lei vive a Manhattan. Come sta mbiando la ctà?</strong></p><p data-no-id="21" class="css-aeyldl et3p2gv0">Tutte le persone, i posti e gli edifici che amo stanno sparendo.</p><p data-no-id="22" class="css-aeyldl et3p2gv0"><strong>Ha mai nsirato l’ia di lasciare New York?</strong></p><p data-no-id="23" class="css-aeyldl et3p2gv0">Quattro anni fa ho prato una sa mpagna, isolata nella natura l Vermont. Vivo lì sei mi all’anno. Lì mi sento bene, ma ntuo ad amare e ad aver bisogno di Manhattan. È un posto molto speciale, ne sento il bisogno perché è il luogo che mi ha raggiato e mi ha permso di diventare me stso, e artista e e uomo gay. Ciò che è tragi di New York è anche ciò che la ren sì bella ed eccante: è stante mutamento.</p><p data-no-id="24" class="css-aeyldl et3p2gv0"><strong>Qual è il suo luogo prefero a Manhattan?</strong></p><p data-no-id="25" class="css-aeyldl et3p2gv0">Dentro un teatro, nel momento magi cui le luci si spengono e si apre il sipar. Amo il teatro generale, le sale solenni ed eleganti di Broadway. Sono posti sacri, templi che aclgono sale da ncerto, opera e balletto. Gli altri posti che amo sono i parchi diti ai ni. Mi piaccno i ni, mi fanno sentire felice e amo passare l tempo n loro.</p><div size="medium" data-embed="body-image" data-no-id="26" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><div class="css-p7qblm ewcw41w0"><img alt="People, Tree, Event, Adaptatn, Outerwear, Photography, Su, Plant, Formal wear, Fay, " tle="People, Tree, Event, Adaptatn, Outerwear, Photography, Su, Plant, Formal wear, Fay, " loadg="lazy" width="3000" height="2066" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><a target="_blank" rel="noopener" href="//" class="ptert css-1i6sckr e1c1bym14"><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/" loadg="lazy" alt="ptert in" height="to" width="to" class="css-1l3i1cl ewcw41w1" /></a></div><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Cameron n Roberto Faenza, regista l film tratto da <em>Un grno quto dolore ti sarà utile</em>, e Elisa</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd1">Getty Imag</span></figptn></div></div></div><p data-no-id="27" class="css-aeyldl et3p2gv0"><strong>Su sa sta lavorando asso?</strong></p><p data-no-id="28" class="css-aeyldl et3p2gv0">Sto nclundo un romanzo tolato <em>What Happens at Night</em> e sto lavorando a un libro di poie, <em>What I Saw and How I Felt</em>.</p><p data-no-id="29" class="css-aeyldl et3p2gv0"><strong>Che rapporto ha n la teologia?</strong></p><p data-no-id="30" class="css-aeyldl et3p2gv0">Non è propr che la ignori, semplicemente non la nsiro, non la trovo tersante o piacevole. Forse perché amo gli oggetti, apprezzo se e i vecchi telefoni a tasti e le macche da scrivere, i vecchi orologi rotti. Non mi piace la velocà. Preferis che il mondo sia gran, e che la unizne e i viaggi siano lenti. Penso che la facilà e la velocà n cui viaggiamo, unichiamo, spendiamo naro e cuciamo ci rendano sensibili, ci allontano e ci svilisno.</p></div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-ms-flex-preferred-size:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);-webk-box-flex:0;-webk-flex-grow:0;-ms-flex-posive:0;flex-grow:0;-webk-flex-shrk:0;-ms-flex-negative:0;flex-shrk:0;}@media(max-width: 61.25rem){{display:none;}}</style><div class="no-prt css-6b9rfj ewisyje1"><div><style data-emotn="css 1tuodqg">{width:330px;paddg-left:30px;}</style><div id="ad-article-rail-flt-wrapper" class="vertil-ad css-1tuodqg eqm02p30"><style data-emotn="css w0cuw4">{display:block;posn:-webk-sticky;posn:sticky;top:5rem;}@media(max-width: 61.25rem){{display:none;}}</style><div class="vertilAdSticky css-w0cuw4 eqm02p32"><style data-emotn="css 9fasmy">{m-height:523px;top:5rem;}@media(max-width: 61.25rem){{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:jtify;-webk-jtify-ntent:space-between;jtify-ntent:space-between;}}@media(m-width: 48rem){{m-height:138px;}}@media(max-width: 61.25rem){{ntent:"";display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;borr-bottom:th solid #E8E8E8;}}</style><div class="standard-article-vertil-ad css-9fasmy eqm02p31"><style data-emotn="css 14b96eg">{m-width:18.75rem;text-align:center;}</style><div id="gpt-ad-vertil-top" class="ad-ntaer css-14b96eg e1hka4w80"></div></div></div></div></div></div></div><div data-teractive="WatchNext-1" class="css-0 e10xr3vp6"><style data-emotn="css 1pqv15d">{marg-bottom:1.875rem;marg-top:1.875rem;paddg:0 0.938rem;}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}</style><div data-embed="watch-next" class="css-1pqv15d e10xr3vp5"><style data-emotn="css 604vx7">{text-align:center;marg:0 to;max-width:60rem;borr-top:0.125rem solid #15263D;}</style><div class="css-604vx7 e10xr3vp4"><style data-emotn="css 1sowyjy">{marg-bottom:1.25rem;}</style><div class="css-1sowyjy e10xr3vp3"><style data-emotn="css ju94x7">{marg:0rem;font-weight:normal;background-lor:#ffffff;lor:#000;borr:0.125rem solid #15263D;text-align:left;width:-webk-f-ntent;width:-moz-f-ntent;width:f-ntent;borr-radi:2rem;display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70028rem;le-height:1.2;letter-spacg:0.04rem;marg-top:-1rem;paddg:0.5rem 0.9375rem 0.25rem;text-transform:upperse;}</style><h6 class="css-ju94x7 e10xr3vp2"><span aria-hidn="te" class="css-0 eagam8p0"></span><span class="css-0 e10xr3vp1">Watch Next</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css un61">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;marg:0rem;m-height:to;paddg-top:1rem;text-align:left;}@media(max-width: 48rem){{font-size:1.5rem;le-height:1.1;}}@media(m-width: 48rem){{font-size:1.875rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:2.125rem;le-height:1.2;}}</style><h6 class="css-un61 e10xr3vp0"> </h6></div><style data-emotn="css 1ui7hop">{marg-bottom:0.9375rem;--aspect-rat:56.25%;}</style><div class="__rp-ntaer css-1ui7hop e6l0f0"><style data-emotn="css 1yu8e3d">{marg-bottom:0.9375rem;width:100%;height:100%;} .__rp-ntaer{height:to;}</style><div data-embed="embed-vio" class="vio-player css-1yu8e3d e1ou1fny0"><style data-emotn="css 1uds6oo">{height:100%;width:100%;posn:relative;}</style><div class="css-1uds6oo e1f7ylgd6"><style data-emotn="css 1iiivv4">{background-lor:rgba(0, 0, 0, 0.4);borr:.1875rem solid whe;borr-radi:50%;lor:#fff;cursor:poter;height:3.75rem;left:50%;posn:absolute;top:50%;-webk-transform:translate(-50%,-50%);-moz-transform:translate(-50%,-50%);-ms-transform:translate(-50%,-50%);transform:translate(-50%,-50%);-webk-transn:all 0.4s;transn:all 0.4s;width:3.75rem;z-x:1;}.e1f7ylgd6:hover {background-lor:rgba(33, 150, 245, 0.8);lor:#ffffff;}@media(m-width: 48rem){{height:5.625rem;width:5.625rem;borr:.28125rem solid whe;}}</style><button aria-label="Play Vio" class="css-1iiivv4 e1f7ylgd1"><style data-emotn="css 1lhf7lq">{fill:#ffffff;height:1.4rem;vertil-align:middle;width:1.45rem;}@media(m-width: 48rem){{width:2.3125rem;height:3rem;}}</style><svg xmlns=" width="24" height="24" viewBox="0 0 24 24" style="fill: var(--primary, #000);" role="img" tle="Play" class="css-1lhf7lq e1f7ylgd2"><tle>play in

scrittore gay italiano

Spri quali sono i romanzi gay che hanno ntribuo a sfidare le menti chie i benpensanti e hanno lasciato un segno nella storia lla letteratura.

Contents:

I 10 SCRTORI GAY PIù CELEBRI, DA OSR WIL A PASOLI

Da Osr Wil a Pasoli, da Marguere Yourcenar a Virgia Woolf, ec gli scrtori gay più celebri lla letteratura mondiale * scrittore gay italiano *

Tra gli scrtori gay ntemporanei, rirdiamo Aldo Bi: scrtore, traduttore e personagg televisivo, nsirato e uno gli tori più importanti l panorama aliano: la sua scrtura è ntraddistta dalla cura per lo stile e per la forma lguisti l tto, dall’ironia e dall’attenzne prtata a termate tematiche sociali. Quta volta abbiamo di onte a noi romanzi che senza ombra di dubb hanno aperto una breccia nel silenz, rotto i sigilli l proibo, sfidato le menti chie e dissecte i benpensanti: parliamo i romanzi gay più importanti lla storia lla letteratura.

I romanzi gay che hanno ntribuo a mbiare la mentalà lle personeAlla ricer l tempo perduto: Sodoma e Gomorra di Marcel ProtLa stanza di Gvanni di Jam BaldwIl lore vla di Alice WalkerAllegoria di novembre di Aldo PalazzchiOrlando di Virgia WoolfLa nfsne di Mar SoldatiMrice di E. Un romanzo ambientato a Parigi dove pren va e rpiro la tormentata storia d’amore tra David, un gvane amerino che vive Francia, e Gvanni, un meriere aliano che lavora un bar gay.

I 10 ROMANZI GAY CHE HANNO SEGNATO LA STORIA LLA LETTERATURA

Il tutto acpagnato da due brevi saggi: "Un trentenn di letteratura gay", sulle origi e l'evoluzne lla narrativa omossuale angloamerina, dal romanzo pre-Stonewall al gay novel; e "La letteratura gay Italia", che daga la pervice diffinza di molti scrtori llo Stivale a dichiararsi, sistendo sulla strategia l silenz e le censure i sistemi "universalistici" predomanti nella nostra cultura, per nclure dividuando Tonlli una via aliana alla rapprentazne lle realtà gay. Gli scrtori gay di tutte le età afontano nei loro tti le diffiltà l 'dichiararsi', i le modi di ntrarsi e fare l'amore, lo sntro n lo stigma sociale, il rapporto n la sofferenza, la vecchiaia, la morte: tutti elementi irrunciabili l loro immagar.

LE PAROLE TRA GLI UOMI. ANTOLOGIA DI POIA GAY ALIANA DAL NOVECENTO AL PRENTELE PAROLE TRA GLI UOMI. ANTOLOGIA DI POIA GAY ALIANA DAL NOVECENTO AL PRENTELE PAROLE TRA GLI UOMI. ANTOLOGIA DI POIA GAY ALIANA DAL NOVECENTO AL PRENTELE PAROLE TRA GLI UOMI. ANTOLOGIA DI POIA GAY ALIANA DAL NOVECENTO AL PRENTELE PAROLE TRA GLI UOMI. ANTOLOGIA DI POIA GAY ALIANA DAL NOVECENTO AL PRENTE

A differenza di altri gppi margalizzati, che, f da picli, rino a farsi una ragne lla loro realtà, che sentono racntare storie mero alla loro ndizne di clne e di margalà, i gay e le lbiche crno isolati ambienti di solo ostili. La cultura, la storia ufficiali ci ignorano e quando, per emp, si parla di scrtori gay, lo si fa e se si trattasse di eterossuali, o e se non importasse affatto la loro intà. Alcuni gvani scrtori gay per non "ghettizzarsi" sembrano voler runciare a quello che sono e alla loro cultura ( senso stretto e antropologi) modo da raggiungere un pubbli più vasto.

Edmund Whe è uno scrtore gay, scrive libri cui parla quasi clivamente di omossuali e di omossualà ed è nsirato, gitamente, un matro lla letteratura ntemporanea da tutti, non solo dai lettori gay. Sugli sffali lle Babele (RM, MI) e gli altri punti venda di settore i libri godono di maggre 'longevà' rispetto a quanto avviene per le opere non gay nei grandi e picli supermarket l libro. Tanti scrtori, anche aliani, la realtà gay e lbi la rapprentano tutte le sue sfaccettature e le sue plsà, al di là lle banalizzazni e lle semplifizni che si vorrebbero imporre.

Certo è un momento molto difficile e i nostri nemici ormai non vanno molto per il sottile, procedono e rri armati, ma mi pare che stiamo imparando a difenrci e se riciamo a far pire, sa che sta avvenendo, che il tema l rinoscimento i gay è un tema di mocrazia che riguarda assolutamente tutti, forse possiamo ntribuire anche noi a miglrare un po' quto mondo.

WALTER SI, SCRTORE GAY/ “HO UN MARO SEGRETO, SPERO CHE PRENDA RAGG”

"Qut’antologia ambisce a lmare un vuoto edoriale rilevante: per la prima volta viene offerto al pubbli e agli studsi un panorama stivo lla produzne poeti gay aliana l Novecento. Non, dunque, un semplice florileg di poie a temati omoeroti, ma un volume che ci guida, n acume e spregiuditezza, all’terno di una tradizne molteplice e atta; dimostrando non tanto la prenza di una “poia gay”, quanto le diverse modalà cui omossualà e poia hanno terago nel nostro panorama poeti.

Così, una ppia gay che aba un gran appartamento a Tribe, a Manhattan, e una vecchia ppia lla provcia amerina vivranno, grazie e a a di un avvenimento atto, un momento di crisi che permetterà loro di nontarsi n anchezza e lucidà. L'amore per l'Italia, le nuove prospettive lla cultura gay amerina, l'ultimo romanzo, gli tersi, i prossimi libri di uno scrtore amerino che Italia ha anche vissuto per diversi anni: David Leavt. Esponente di spic lla letteratura gay (e non) amerina, impegnato nella rapprentazne di un'omossualà "morna" e "normale" lontana da ogni forma di clanstà e di malettismo, David Leavt è uno scrtore molto amato Italia, dove ha issuto per alcuni anni e dove i suoi libri hanno sempre avuto un gran succso.

*BEAR-MAGAZINE.COM* SCRITTORE GAY ITALIANO

Uno scrtore post-gay .

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