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grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="The actor prob his characters but his method isnt Method. “Im Damian Lewis not Daniel DayLewis” he said." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The actor prob his characters, but his method isn’t Method. “I’m Damian Lewis, not Daniel Day-Lewis,” he said.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Pari Dovic for The New Yorker</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">At a rner table the dg room of Marea, a rtrant on Central Park South, the nversatn was smooth but disputat. Three men sus were drkg red we and eatg pasta that st thirty-four dollars a servg. One of them was a hedge-fund manager, a famo short seller. Another was the fancial journalist Andrew Ross Sork. The third man, om London, was the actor Damian Lewis.</p><p class="paywall">Sork had ma the troductn. The hedge-fund manager and Lewis were dog most of the talkg. “Do your bs have a societal benef?” Lewis asked. He wanted to know what ma a hedge-fund manager more than “a paper shuffler.”</p><p class="paywall">The hedge-fund manager said that he and his peers basilly functn as market-based regulators—that they have a fancial centive to expose wrongdog. Sork had set up other dienc for Lewis wh fancial machers. One of them urged Lewis to nsir an unrperformg pany wh entrenched management or a sclerotic board: an activist vtor, even if he me and cut thgs and fired people—well, that’s palism.</p><p class="paywall">“What about your pensatn?” Lewis said, at the rtrant. “Do you serve ?”</p><p class="paywall">Lewis was preparg for his latt role. In “Billns,” which premièr on Showtime this week, he plays Bobby (Axe) Axelrod, a knockaround guy—Yonkers native, Hofstra grad—who scraps his way up om golf ddie to hedge-fund emence: library benefactor, wearer of shmere hoodi, keynote speaker at the Deliverg Alpha nference. (Sork created the show wh Brian Koppelman and David Levien, whose other creds clu “Rounrs” and “Ocean’s Thirteen.”) Lewis was born London 1971. He is the son of an surance broker (Lloyd’s) and the brother of an equi trar (Merrill Lynch). He went to Eton, where he rells srg up funds om “somebody’s rich uncle” to rent the school theatre—he and his troupe of iends, llg themselv the Chameleons, put on a productn of “The Long and the Short and the Tall.” As Sergeant Nicholas Brody, a Uned Stat mare and recently rcued prisoner of war, “Homeland,” he reportedly mand two hundred and fifty thoand dollars an episo. He is at ease the world of money, and fortable wh acknowledgg .</p><p class="paywall">As a preproductn exercise, tourg boardrooms wasn’t the sort of extravagantly crafty immersn program that prompts other actors to equent bootmakers’ ateliers and mental hospals. “I am Damian Lewis, not Daniel Day-Lewis,” he told me, wh a w as self-assured as was self-pretg. Rather, his approach was forensic. He wasn’t tryg to <em>be</em> a hedge-fund manager but to intify and analyze what distguished one. He was, a sense, gatherg evince.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“I found the hedge-fund guys I met all to be very, very ncentrated listeners—watchful and articulate and quick to fend, if need,” Lewis relled. “They all seemed to have this ntaed stg posture. The legs, if they weren’t crossed at right angl, tend to be close over the knee, their hands put together.” In tryg to “unlock” a character, he often zero on a sgle fe-graed physil attribute. (“Perhaps stealg a b om Lrence Olivier, who said, ‘Always start wh the sho.’ ”) The key to Soam Forsyte, Lewis’s weirdly allurg misanthrope om the 2002 versn of “The Forsyte Saga,” was a nstipated limp. In orr to differentiate his character’s walk “The Espist,” he shot the entire film wearg a woman’s thong. When productn for “Billns” began, July, Lewis tend to embody a “pellg stillns.” But as the season progrsed the Zen-master approach no longer felt appropriate. He said, “I jt found, for Bobby, once we ma the choice that he was a jeans-and-traers guy, and that he liked wearg <em>knwear</em>”—he broke to a sort of garmento-flected Amerin accent—“that he was gog to take the space. It was a way to fd the expansivens of the kg.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The U.S. Attorney Chuck Rhoas, played by Pl Giamatti, is Axelrod’s potential throner. In tryg to persua Lewis to take the role, Koppelman and Levien spoke of the characters’ nflict grand terms, as a “huge Kg Lear, Shakpeare kd of battle,” but the show acknowledg more parochial clash. It is a knowg study of the folkways of the tristate area—the orphans’ funds, the Spzer jok, the way you might not get prosecuted for sir tradg until you buy an eighty-three-ln-dollar beach hoe, embarrassg the law to vigilance. The New York <em>Post</em> has speculated that the seri is “spired by US Attorney Preet Bharara’s pursu of crimal charg agast hedge-fund mogul Steve Cohen.” The creators say that the characters are amalgams, but the rarefied gusg game is an obv part of the fun. “Billns” seems to aspire to be to bankers and lawyers what “The Wire” was to dg alers. (A private screeng of the first episo will be held at Goldman Sachs.) In the pilot, Axelrod meets Hall, his fixer:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p><em class="small">Hall</em>: You remember that night Reykjavik?</p><p><em class="small">Axe</em>: Wish I didn’t, but I do.</p><p><em class="small">Hall</em>: You said there was only one thg you were aaid of.</p><p><em class="small">Axe</em>: Wdbreakers.</p><p><em class="small">Hall</em>: Guys  wdbreakers walkg your office sayg, “Step away om the puter.”</p></div></blockquote><p class="paywall">Before the dner at Marea, Sork received an e-mail om Lewis. He’d been readg about short sellg and the ethil of “the hedgi.” Were they policg Wall Street, he asked, or were they simply opportunists? The e-mail’s subject le posed the qutn that would orient his performance: “Vultur or Csars?”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Upstate, the sun was gog down Orangeburg, yellow and purple above a er crossg, ntrails makg looseleaf paper of the sky. Driveways termated basketball hoops. A right off Chief Bill Harris Way and a quick left led to Corporate Drive, where a lotn sut had seen f to turn a former Olymp headquarters—“Certa required posns will relote, and is our tentn to nsir any of those employe as a good ndidate for the reloted posns or for new lotns,” a pany reprentative had asserted, the tortured flackspeak of the summer of 2008—to Axe Capal, a showse of Fairfield County extravagance.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" 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11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">The set signers had rehed the walls wh would-be Basquiats and reimaged a dated atrium as a sort of gangway that led to Axelrod’s terrifygly spare office. The tradg floor suggted the prence of a ficky overlord—even the staplers were whe. A fleece hugged the back of an Aeron chair. Bised bananas languished on sks, suggtg a certa meanns amid the plenty. There were Post- Not on puter termals: “I’m horny”; “Remember to throw up after this”; “Big hands smell like beef.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Outsi, Lewis and Maggie Siff, who plays the U.S. Attorney’s wife—she is also Axe Capal’s -hoe psychiatrist—were markg out the eveng’s first scene. It required them to leave the buildg together, and ntue down the siwalk as they hashed over an office tragedy, to which Axelrod has rpond ldly. The scene seemed fairly straightforward, but, after several tri, Lewis stopped unr a tree, pullg over the director.</p><p class="paywall">“The dialogue is wrten as though they’re mid-stroll, walkg over—to me seems that way,” he said, prentg his argument as most while brookg no disagreement. “Which jt pruppos a very short distance.”</p><p class="paywall">They huddled for a few mut.</p><p class="paywall">“I mean, part of me feels like there’s somethg great havg this be the piece that transns om not wantg to talk about this tragedy to dog ,” the director said. “I thk works unls you guys are bumpg up agast somethg.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The actors went back to the walk-through.</p><p class="paywall">“Actg balm, ahhh!” Lewis toned, between tak, slatherg his lips wh petrolm jelly.</p><p class="paywall">He kept up the banter and th—on a bone-ld night—his llaborators’ morale. He chatted wh the wardrobe assistants (“You have on a peaat, almost a pea <em>tunic</em>”); he broke to song (Madonna’s “Holiday”; the Welsh natnal anthem). Between antics, he kept phg the director to refe the enunter.</p><p class="paywall">“I asked for some more specific psychology,” he said, “and I didn’t really get an answer.”</p><p class="paywall">It was soon time for the first take. Axelrod was begng to qutn the thls behavr that has enabled his succs. As the psychiatrist asked him when he had last cried, somethg seemed to flicker behd Lewis’s pupils. The script lled for him to lnch to a speech about heroism. Lewis nailed the physil maniftatns of Amerin male sentimentaly—the waterg ey, the bulbo clench of the jaw when talkg about fathers playg tch wh their kids and soldiers g home om war. Yet his performance ntaed a note of irony. He seemed, the movement of his ey, to be leavg open as to whether Axelrod me by his tears earntly or was manufacturg them orr to pull one over on the shrk.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="wcfl5h"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="jow7k4"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">“Yeah, and then?” Axelrod says, the scene’s last le. Lewis stared at Siff, lettg the ambiguy lger. Fally, someone yelled, “Cut.” Lewis’s jaw slackened.</p><p class="paywall">“I’m lookg forward to some tomato soup!” he said, bbg his palms together like an urch qug for gel.</p><p class="paywall">Siff told me later that Lewis is the least nrotic actor she’s ever met. “There’s somethg kd of Johnny Appleed about him, where he’ll do a take and let go, do a take and let go,” she said. “He keeps thgs light and movg, and I read that as real nfince.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Confince is Lewis’s hallmark as much as tensy is De Niro’s. In scribg him to me, lleagu om all perds and facets of his reer ed the word aga and aga. His abundance of is a rult of his background (stable), class (upper), schoolg (éle), and disposn (“Red hair nf people,” he told me, makg an asset, and a joke, of a feature that a ls secure actor might have bemoaned). The advantag have perpetuated themselv his marriage (lovg), parentg style (volved), and level of satisfactn wh himself, wh others, and wh life general (high). The director Peter Kosmsky st Lewis “Warrrs,” his first big televisn role, 1999. Last year, Kosmsky directed the BBC’s adaptatn of Hilary Mantel’s “Wolf Hall.” He relled, “When I me on board, the very first thg I said was ‘We should get Damian Lewis to play Henry.’ It’s Thomas Cromwell’s show, so when you’re playg a huge character like Henry VIII you have to brg a certa gravas, a certa sense of self, a certa power. You n’t jt tug at your forelock and say, ‘Y, guvnor, where would you like me to stand?’ If you’re gog to be the kg, you’ve got to have a fuck-off qualy about you.” Domic Maxwell, wrg the London <em>Tim</em>, lled Lewis’s Henry “rdial but adly.”</p><p class="paywall">Lewis se himself as a champn for his characters, be they rapac monarchs or domtic terrorists or palist pigs. Actg, for him, is analogo to mountg a se. “If you pick up an eighteenth-century play, at the top says ‘The Argument,’ and then you have a list of characters, and then you have the play,” he said. “I was jt always stck by that—that, of urse, good drama is about nflict. And if there’s nflict there’s an argument, and there’s two sis of the argument, and, therefore, one mt advote for one si of the argument, jt as much as a lawyer do urt.” The sense that a performance is a ntt, a bate that n be won, appeals to Lewis’s petive nature. The harr the fight, the greater the spoils. Lewis said, “I will always fd a fense for characters, and that’s why ’s fun playg characters that are morally ambiguo, or are at least perceived superficially as beg problematic.”</p><p class="paywall">On the set Orangeburg, Lewis ntued to lobby for more particulary. “It was an episo that I stggled wh personally,” he said, later. “I found hard to unravel. I felt had a tonal shift om the rt of the show.” He was unnvced, he said, that his character, “a billnaire tuive street fighter,” would sudnly beg to ask himself, as Axelrod do later the episo, whether he has socpathic tennci. “I didn’t want to appear generalized any way,” he relled. “And I felt the scene wasn’t necsarily there yet terms of what revealed about Bobby. If any thkg person’s assumptn is that people who le —who n a multatnal, a polil party, a untry, or a fancial rporatn that turns over billns of dollars a year—probably have a particular personaly type, I thought the dience might have been ahead of , like, ‘Oh, really?’ ”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“And th the hunters bee the hunted.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“And th the hunters bee the hunted.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" 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9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Werner Herzog st Lewis, “on the basis of his natural thory and digny,” as Litenant Colonel Charl Doughty-Wylie his forthg lonial epic about Gert Bell, “Queen of the Dert.” “What I need was a manly man,” Herzog told me. The film, which premièred last year at the Berl Internatnal Film Ftival, has received mixed reviews, but, on Indiewire, Jsi Kiang sgled out Lewis as one of two actors—along wh Robert Pattson, who plays T. E. Lawrence—whose performanc weren’t overwhelmed by the productn’s elaborate perd apparat. Lewis’s style “may be more classil than Pattson’s semi-method manner,” she wrote, but Lewis “handl the role of the married nsul, whose amed admiratn for Bell flar to love, wh a ftns that had palpably relaxg durg his scen.” Even wh a director as famoly bative as Herzog, Lewis was able to plead the bt ndns for his work. At one pot, the two men disagreed over a walkg stick that Lewis wanted to e as a prop. Herzog relled, “I said to him, ‘We do not have to imate a person, we have to vent them,’ but he brought a lot of knowledge and tails. At first, I didn’t like , but he briefed me that, at Gallipoli, Doughty-Wylie walked to the mache-gun fire whout a weapon, only wh his walkg ne.” The stick stayed.</p><p class="paywall">Alex Gansa, the -creator of “Homeland,” told me that the “biggt phback” he ever got om Lewis volved “Mare One,” the fal episo of the first season, which Brody attempts to assassate the Vice-Print. “Damian said, ‘I don’t believe a mare would wear a suici vt,’ ” Gansa relled. “There was somethg about a soldier assumg the tactics of a terrorist that he was que reluctant to do, and felt was a mistake. When he read the script, he was on the phone wh me that send, like, ‘I jt don’t want to do this.’ ” Overled, Lewis took the argument to the screen, makg a suici bomber relatable—possibly even admirable—and liverg the semal performance of the seri.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The great bizarry of Lewis’s reer is that he is a whe-tie Bron who has ma his reputatn playg blue-llar Amerins. The clost he , bgraphilly, to the heartland are some s Darien. Over lunch this fall New York, he rhapsodized about his native land. “There’s this sort of predtrial agricultural bulic dream of England which we hark back to whenever we n,” he said. “There’s still evince of the shir of England, where the sound of leather on willow, cricket gam played on village greens, the ia that the burng blacksmh wh his shirt rolled up is there suppg a real ale, and children are sort of dancg around a Maypole and playg wh a hoop and stick . . .” His sentence trailed off. He had been to bed at 6 <em class="small">a.m.</em> after a late shoot, still his makp—“Masra on the pillowse, ’s a terrible embarrassment for a girl!”—but he had had the prence of md to stuff a Murakami paperback his jeans pocket. He was wearg a sweater and a flat p. He spoke betifully, wh a sensibily that was more Brishead than Budweiser. “I thk probably my ept fantasy is that I will have money enough and time enough, that I won’t get so ught up the rat race to succeed, that I’ll jt take time out to create an artistic salon wh a pool and a tennis urt and a geo untry hoe, and glamoro and brilliant iends will e and spend a weekend there,” he said. “It’s what I long for.”</p><p class="paywall">Lewis’s fay tree clus baros and knights. There is Welsh blood on his father’s si. His maternal grandfather, Ian Bowater, was Lord Mayor of London. His mother, Charlotte, had two children by a first marriage—one of them went on to manage personnel at Highgrove, Prce Charl’s untry tate—before marryg J. Watcyn Lewis, wh whom she had Damian and, two years later, another son. Lewis remembers his parents as “open and emotnally accsible people,” spe their tradnal mor. Watcyn ate two boiled eggs every morng, Lewis said, “until he was told his cholterol was too high and we never saw another boiled egg.” He opened the mail wh a letter opener. He went on bs trips to the Middle East. “He had a very cur way of gettg drsed, my dad,” Lewis relled. “He would put his shirt on, and his boxer shorts, and then his socks, which, beg an English gentleman, would always be pulled halfway up to the lf, and then he would put his Gucci loafers on wh this long shoehorn wh a ltle golf ball on the top, and <em>then</em> put his pants on.”</p><p class="paywall">Lewis was a rambunct but observant child, dg the grownups around him as he later would his characters. When he was eight, he started at Ashdown Hoe, a prep school the English untrysi. He rells climbg the rhodondrons, playg the ha-ha, and beg ned. He ma his first appearance onstage, as a policeman “The Pirat of Penzance.” At thirteen, followg his grandfather and his half-brother, he entered Eton, where he stood out, for his prows both on the playg fields and on the stage. “I was many rpects perfectly sued to the kds of schools,” he relled. “But wasn’t always the sort of happy-go-lucky experience which I chuntered through chortlg and enjoyg every moment of . It was not whout s challeng—jt beg a very petive environment, feelg nstricted, feelg that, at any moment, you mt try to create bubbl of time, where jt stands still and elastit self, so you uld create space around you as you’re driven om A to B to C to D relentlsly through the day.”</p><p class="paywall">Charl Milne, Lewis’s tutor, rells him as a “very nfint whout beg cky young guy,” wh “a natural easy rmaly alg wh adults.” At the end of Lewis’s fal year of school, his dormory burned. He was billeted at Milne’s hoe. “Havg him there ma me aware that he had this sort of emotnal matury,” Milne relled. “He would want to know about my love life, about whom I was gog out wh—at the stage of the relatnship I’d got to, why wasn’t I dog this or that? It wasn’t jt a schoolboy’s idle cursy orr to fd out rmatn and then gog to go share wh his mat. It was a real wantg to unrstand.” Milne saved a note that Lewis, per Eton tradn, sent him upon leavg school. “Sir/Charl/Mate/Nanny/Mummy, etc,” read. “I’m begng to piece you together, the Milney puzzle (which you’ll hate me claimg any knowledge to), but jt remember . . . I’m workg on you.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Im gettg red us earth ton and oak. Amen.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I’m gettg red us, earth ton, and oak. Amen.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Lewis cid to fo universy. “Prec or not, I had a sense that I had had an tensive engagement wh the hight end of the tnal system, and, unls I was gog to go to Oxford or Cambridge, I was gog to be at a universy or a llege that was gog to be sort of ls good, ls tertg than where I’d been for the past five years,” he told me. He cultivated a new look: paisley shirts, drapipe jeans, black suè wklepickers. There was a gap year Ai—“takg guars up to ancient rocks.” In 1990, he enrolled at the Guildhall School of Mic and Drama, London. The school troduced Lewis to a wir social i. “I was stg class wh lbians and gay men and people of different ag, people who were two or three years younger than me, om Italy and Cha, people who had n bs—and I liked , whilst at the same time beg totally unprepared and ill-equipped to be fortable wh ,” he relled. “I remember thkg, God, I mt keep my head down a ltle b.” Acrdg to Ken Rea, one of Lewis’s profsors, he arrived at Guildhall “an articulate, well-mannered young man wh a b of a pole faça,” and left wh “the plete raw vulnerabily that really grabs you as an dience.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="wfx0xz"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">After Guildhall, Lewis worked wh theatre pani England and New York, and eventually joed the Royal Shakpeare Company, playg such rol as Don John and Posthum. He was buildg a solid reer on the London stage when Peter Kosmsky st him “Warrrs,” a BBC miseri about a squad of Brish peacekeepers durg the Bosnian war. “I walked there wh my hair down to my shoulrs, havg been for several years, you know, shoutg onstage dog Shakpeare,” Lewis relled. “I ially felt timidated by the mera and uncerta what to do ont of .” He ntued, “I remember sayg to Peter, ‘You’ll look after me, won’t you? You’ll be strict wh me?’ ”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">A few months later, Lewis was Los Angel, dng on “five cups of ffee and three showers”—he had a horrible haner—for Steven Spielberg, who had seen him “Hamlet” and was stg “Band of Brothers.” Lewis had adapted quickly to the screen. “Onstage, you have to some small nuanced way give a monstratn of what you’re thkg so that the people at the back n see , whereas on mera you jt que lerally have to thk ,” he said. “I realized that you uld actually have a whole range of thoughts a short space of time and the mera would see them all. You bee a sort of mental gymnast.” Spielberg st Lewis as Litenant Dick Wters, a teetotallg Mennone om Ephrata, Pennsylvania. Lewis played him quietly, wh both sang-oid and ialism, exudg, as the <em>Tim</em> wrote, “a star-makg mand of every scene.”</p><p class="paywall">Lewis is renowned for his eakishly accurate Amerin accent. (His greatt nemis: phras wh two “r”s, such as “there are.”) But his talent is more than mimetic. His Amerins are origal posns, reflectg, the manner of David Hockney’s Los Angel patgs, a view of ourselv that we nnot see. “I thk there’s a machismo,” Lewis said. “Where you’re still brought up to believe that a man reprents tradnal valu. They take re of stuff, they get done, and they get done now.” David Nevs, the print of Showtime, told me, “I don’t thk Damian uld ever get away wh playg a workg-class character England. But somehow his Brishns, translated to Ameri, off as salt-of-the-earth—a ltle b sister salt-of-the-earth.” An argument is embedd his portrayals of G.I.s and masters of the universe. He said, “I have had to make nsc cisns to appear Amerin and, therefore, I have had to take a view on what I thk an Amerin is.”</p><p class="paywall">Lewis’s mother died a r accint India jt as “Band of Brothers” was g out. “I unrstood what the word ‘sad’ meant for the first time,” he said. “It had always felt like an nsequential word to me, like ‘nice.’ ” He did “Dreamtcher,” a Stephen Kg adaptatn that might have lnched him as a movie star but didn’t. “It started to dawn on me how big the dtry was, and that was global, and that there were TV shows and films one uld be a part of that I’d had no spiratn to be a part of before,” he relled. “I jt knew that I was too cur and hungry for experience and adventure and the chance to try thgs out, so that was a moment of anxiety for me, that I perhaps would never get a taste of that.”</p><p class="paywall">In 2004, he met Helen McCrory, playg her hband “Five Gold Rgs” at the Almeida Theatre. The uple married 2007, and have two children, Manon and Gulliver. McCrory, who is bt known Ameri for playg Narcissa Malfoy the “Harry Potter” movi, is herself a formidable actor—“The really good thg about havg babi, as I did, when you’re seventy-five is that you’ve had a chance to tablish your reer first,” she told Brish <em>Vogue</em>. Lewis nsirs McCrory his “ferocly telligent” -unsel. The year they met, he was offered the lead role “Keane,” Lodge Kerrigan’s drama about a schizophrenic father who stalks the Port Authory b termal, searchg for the dghter he may or may not have lost. “That was a Helen moment bee she’d read , and she said, ‘Whatever happens, you have to do this,’ ” Lewis relled. “Inially, I thought, If this is handled by a young director uld read a ltle like a talogue of greatt mental-health tics.” He accepted, and says that the film was one of his bt experienc, “even if thirty-three people saw .”</p><p class="paywall">One of them was Alex Gansa, the “Homeland” shownner. Havg admired Lewis’s performance “The Forsyte Saga,” Gansa had put him forward for the Brody role. “When we first brought him up, everyone was very negative about the suggtn,” Gansa relled. Lewis was g off “Life,” a cisive failure of an NBC police procral, which he’d played the lead character, a homici tective wh a passn for h u. “That rri a pretty big stigma,” Gansa relled. “The work really wanted Ryan Phillippe; Patrick Wilson passed. I kept talkg about Damian until I got a ll om the head of the stud sayg, ‘Look, Alex, please do not brg up Damian’s name aga.’ Hangg up the phone my office—I thk we were two weeks om the start of prcipal photography—I was like, Are we gog to st Ryan Phillippe this role?”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="1o3cen"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="jwhyq7"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">One of the show’s producers mentned “Keane” to Gansa. “Every ounce of me wanted to go home and pour a g-and-tonic, but I thought, Let me see if ’s streamg on Netflix. I looked on my puter and put on my headphon and opened my laptop and there was this ltle movie. The first forty-five mut of the film are sentially Damian on mera. I h pse and picked up the phone and lled the stud head and said, ‘This is jt an credible performance—a damaged person on mera holdg the ame.’ ”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Im fiftythree but I have the rsum of a much younger man.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I’m fifty-three, but I have the résumé of a much younger man.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 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class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">Lewis was clutchg a yellow feather dter and a grocery bag full of squirt bottl. He had jt driven his r, a blue Mi, om a cramped rental apartment—hamsters named Stella and Rapido, vatns to Lady Rothschild’s and an “tergalactic birthday party,” a bicycle the master bedroom—to a Victorian town hoe Tufnell Park. For the past six months, the hoe, which Lewis and his fay have lived for a , had been unr renovatn. “My wife and I have realized that basilly our tast meet at the tersectn of hotel lobbi and speakeasy bars,” Lewis had told me, New York. “We keep sayg, ‘Oh, sh, is our home gog to jt end up lookg like a night club Manhattan?’ ” McCrory was workg—filmg “Peaky Blrs” Liverpool. Tomorrow was movg day. “There’s no way I’m gog to get the tck down here,” Lewis said, squtg as he surveyed the length of the block. “It’s gog to be a disaster.”</p><p class="paywall">Totg his cleang suppli, he walked up a garn path to the hoe’s entrance.</p><p class="paywall">“This is our brand-new blue door, which I’m still not sure about,” he said. “I’m the guy who asks you to pat everythg twice.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-5 viewport-monor-anchor"></div><p class="paywall">“So how many ats is that, Alex?” he lled, to a workman.</p><p class="paywall">“That’s three.”</p><p class="paywall">“I thk ’s gonna work, boys,” Lewis said, removg his sho to reveal a pair of gray socks wh red rerced to.</p><p class="paywall">He ran a fger over the glossy surface.</p><p class="paywall">“Groovy.”</p><p class="paywall">Lewis was home on a week’s break om “Billns”—the Amerins were celebratg Thanksgivg. He had to ll the ble pany, pick up the kids om school, go back to the hardware store for an extra door handle, as he’d need twelve and got only eleven—thgs that a famo actor would be a chump to do Los Angel but a wanker not to London. The fay moved to Los Angel once, when Lewis was dog “Life.” “It is an ferr cy to London,” Lewis told a reporter. They moved back after eighteen months.</p><p class="paywall">Lewis may be the world’s most famo actor who has never anchored a major film. When I asked him if he sticks to televisn tentnally, he said, “You shouldn’t thk for a send that I’ve somewhere or somehow ma a mment to only dog the premium-ble shows.” He ntued, “But there are other nsiratns, to do wh fay, which is hardly the answer of an artist, but ’s realy. ”</p><p class="paywall">Durg his tenure on “Homeland,” Lewis spent a cumulative five months of the year Charlotte, North Carola, where the show was filmed. He would sometim “cry tratn,” he said; on Halloween, he drsed up a sry clown stume and got on Skype wh his kids. Unually for a man—a man renowned for his portrayals of terse masculy—the dilemma of how to “have all” domat his nversatn. “I try hard to be a morn dad,” he told me. “I like not jt beg the figurehead of the fay— means that I want to take the kids to school, I want to pick them up, and I want to take them on their playdat and e home and do their homework wh them and unrstand actually tail what their homework is rather than havg relayed to me by my wife.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-6 viewport-monor-anchor"></div><p class="paywall">In London, dk was approachg.</p><p class="paywall">“Let’s have a wanr,” he said. “It’s such a pretty eveng.”</p><p class="paywall">As he strolled the siwalks—wavg to neighbors, potg out landmarks—he seemed to be subjectg himself to a sort of trial. “Why do one go away?” he said. “What is that driv you on? If you are stctively, or have been brought up or ted a way that you mand of yourself that you make the bt of your life and the bt of your opportuni, then there is a nstant nversatn gog on between fns of succs vers fns of happs. The two don’t always go together, and at what pot do you stop strivg so hard to be succsful the nventnal sense, bee every fibre your body has been ted to take your opportuni, vers arguably a more enlightened view, which is you don’t have to chase and go for the thgs?”</p><p class="paywall">When “Billns” me along, Lewis was almost annoyed—another TV show, another Showtime productn, another nflicted middle-class guy, another year (at least) of mutg across an ocean. At the height of the “Homeland” craze, Print Obama ved Lewis and McCrory to a state dner. (Lewis prented him wh a set of DVDs, scribed “From one Mlim to another.”) “Billns,” given s topily, was too sctive to fo. “I said y, bee has the potential to be the show that dovetails and out of the hard news the same way that ‘Homeland’ has been able to do,” Lewis said. “And—I hate this phrase—’s que heady, beg ‘part of the nversatn.’ ” He turned a rner, ntug the argument. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="uxjeo"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2016/01/18" data-reactroot="">January 18, 2016</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/lren-lls"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/lren-lls">Lren Colls</a> has been a staff wrer at The New Yorker sce 2008. She is the thor of “<a href=">When French: Love a Send Language</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/actors" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Actors</span></a><a href="/tag/alex-gansa" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Alex Gansa</span></a><a href="/tag/andrew-ross-sork" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Andrew Ross Sork</span></a><a href="/tag/billns" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Billns</span></a><a href="/tag/brian-koppelman" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Brian Koppelman</span></a><a href="/tag/culture" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Culture</span></a><a href="/tag/david-levien" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">David Levien</span></a><a href="/tag/hedge-fund-managers" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Hedge-Fund Managers</span></a><a href="/tag/homeland" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Homeland</span></a><a href="/tag/pl-giamatti" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Pl Giamatti</span></a><a href="/tag/showtime" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Showtime</span></a><a href="/tag/steven-spielberg" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Steven Spielberg</span></a><a href="/tag/tv-shows" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">TV Shows</span></a><a href="/tag/werner-herzog" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Werner Herzog</span></a><a href="/tag/wolf-hall" 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summary-em__image-lk summary-em-trackg__image-lk" href="/culture/culture-sk/homeland-the-antidote-for-24" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Homeland”: The Antidote for “24”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/culture-sk/homeland-the-antidote-for-24" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Homeland”: The Antidote for “24”</div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ey Nsbm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2013/09/09/varieti-of-disturbance-2" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Varieti of Disturbance" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2013/09/09/varieti-of-disturbance-2" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Varieti of Disturbance</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2013/09/09/varieti-of-disturbance-2" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Varieti of Disturbance" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Where do Claire Dan’s volnic performanc e om?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>John Lahr</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Great Big Louche Ms of “Orphs Dcendg”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Theatre</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Great Big Louche Ms of “Orphs Dcendg”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Great Big Louche Ms of “Orphs Dcendg”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Eri Schmidt reviv Tennsee Williams’s 1957 play, starrg Maggie Siff as the formidable Lady, and Pi Alexanr as Val, a magic guar-playg drifter.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Vson Cunngham</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Karan Mahajan on Immigratn and the Self" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">This Week Fictn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Karan Mahajan on Immigratn and the Self</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Karan Mahajan on Immigratn and the Self" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The thor discs “The Te Margaret,” his story om the latt issue of the magaze.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Willg Davidson</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" 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