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Kev Maxen, an associate strength ach wh the Jacksonville Jaguars, has bee the first male ach a major U.S.-based profsnal league to e out as gay.

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WHEN MERS AND GAY ACTIVISTS UNED: THE REAL STORY OF THE FILM PRI

“Pri” brgs to film the te 1980s story of when gay activists chose to support unn mers Thatcher’s Bra. * gay mine workers *

" He acknowledg now that this is a le you n only e once a pch and explas that he went on to tell the story of mers the Dulais valley South Wal durg the 1984-5 strike – the longt Brish history – and a gay and lbian group om London that donated more money (£11, 000 by December 1984) to their e than any other fundraiser the UK, along wh a mib emblazoned wh the logo LGSM: Lbians and Gays Support the a when a gree of homophobia was the norm, LGSM drove a uple of mib om Hackney Communy Transport and a clapped-out VW mper van to a bleak mg town South Wal to prent their donatns, uncerta what sort of wele to expect. "The story had bee a legend the gay muny. Three years later and the film, shot Banwen, Wal, and London, and directed by Tony-wng Matthew Warch (rponsible for Matilda the Mil, and soon to be artistic director of the Old Vic), is might assume a rom about strikg mers and 80s gays was unlikely to be big box-office, but the same was probably said of Billy Ellt.

It is really illogil to say, 'I'm gay and I'm to fendg the gay muny but I don't re about anythg else…'. "In the homema LGSM documentary, we also glimpse a tall, handsome fellow wearg groovy leather troers, shakg a donatns bucket outsi Gay's the Word bookshop London's Marchmont Street – this is Jonathan Blake.

She explas how the gay muny ted the mg muny: "Their stggle is siar to our own. Cliff, an olr mer ( the film, a killgly funny and affectg Bill Nighy) appears the documentary sayg: "The lbians and gays have been super duper. "We need a character who, like the dience, arriv bewilred at a Gay Pri march.

JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

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Now his ey she as he remembers the Welsh mers who me to London to march wh Gay Pri June 1985. One hope is that the film might revive polil tert bee the activism of the left has been siled, the tra unns are weak, gay rights issu aren't there. Our first sightg of him is wh fox fur and whistle outsi Gay's the Word book shop.

"Wh the South Wal mers at the 1985 Labour party nference, we put gay rights on the agenda. Tim were tougher for lbians and gay men then.

We were well ed to homophobia. But the nsens was: we have been monised by the prs, maybe we should meet the gay people bee they've also been monised. " It was not long before Welsh mers warmed to their e: "They started wearg gay badg on their lapels.

THE GAY ME

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"Mike marvels at how tim have changed for homosexuals the metropolan first world: "It is unbelievable, we have ma such progrs.

Until I was 13, homosexualy was a crime – like makg beg black a crime. Nowadays, is unol for straight men to be disparagg about gay men. And when he has to make a speech a gay bar wh a clientele whose look is more S&M than M&S, you fear for him – how is all gog to pan out?

GAY ME SUPERFUND SE

He says: "Gog to a gay club London was fely somethg I'd never envisaged dog. We know about blacks and gays and nuclear disarmament and we will never be the same. Twenty-seven gay people ( the film is a dozen) slept on his floor – the morng, his six-year-old dghter "uldn't put her foot down".

We knew gay people existed – my dad worked wh a mer who was gay – but nobody openly talked about ; was nsired very personal.

25, 2014The classic unn anthem “Solidary Forever, ” sung by Pete Seeger, troduc “Pri, ” a stirrg film about the uneasy aln of Brish meworkers and gay and lbian activists durg a labor strike the mid-1980s. “Pri, ” unlike “The Full Monty, ” isn’t a edy, but lghs are harvted om the llisn of macho workg-class mers South Wal and young Londoners, mostly male, who gather at a gay strike was well unrway when Mark Ashton (Ben Schzer, “The Book Thief”), a fervent poli, began recg iends at a gay pri march London to raise money to help the mers and their fai.

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The ps were so foced on breakg the strike Wal, he poted out, that their harassment of gay people London had temporarily fledglg anizatn, Lbians and Gays Support the Mers, tri to get touch wh the unn and eventually reach a lol chapter a South Wal village. The first layer of ice is broken when Jonathan (an improbably st Domic Wt, of “The Wire”), an actor and gay party animal, improvis a wild “Saturday Night Fever”-style solo to Shirley & Company’s “Shame, Shame, Shame.

The gay supporters, bis Mark and Jonathan, clu Jonathan’s lover, Geth (Andrew Stt), who grew up Wal, fled to London and hasn’t been home sce, and Joe (Gee MacKay), a shy, semi-closeted llege unn si clus Hefa (Imelda Stnton), a gung-ho, unflappable anizer who enthiastilly wel the gay ntgent, and Cliff (Bill Nighy), the unn’s pole, haltgly shy secretary. Var gre of antigay sentiment are exprsed by the mers, yet the movie ref to monize anyone except Mreen (Lisa Paley), an tractably homophobic mer’s wife who leaks the news of the aln to a tabloid. An article sneergly headled “Ps and Perverts” ras ridicule on the alliance and embarrass the mers enough for them to disurage further gay support.

But the Londoners ntue their mpaign and adopt “Ps and Perverts” as the name of a lucrative fund-raisg ncert featurg the gay dance-pop tr Bronski Beat.

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